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The Legion (Eagle, #10)
6
6.0 (1 Ratings)
Book Rating
The latest in Simon Scarrows Roman series of books (that initially all had the word 'Eagle' somewhere in the title), this follows on fromt he events of 'The Gladiator' and can be seen as concluding the plot line first began in 'Centurion'.

Unlike 'The Gladiator', however, I reckon it would be possible (maybe not advisable, but possible) to read this as stand-alone: although reference is made to previous events, they aren't quite as central to the story in this book as the events in 'Centurion' are to 'The Gladiator'. This particular novel is set in Egypt - Rome's bread-basket - and follows Cato (who, for the first time in the series as a whole, has more responsibility than Macro) and Macro's search to hunt down the renegade Gladiator Ajax, who escaped from Crete at the end of the previous novel. As before, when you pick up one of these books: you pretty much know what to expect - bloody battles, a little bit of suspense, and a few loose ends for the sequels ...
  
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Otway93 (567 KP) rated What? (1972) in Movies

Nov 15, 2019  
What? (1972)
What? (1972)
1972 | Comedy
6
6.0 (1 Ratings)
Movie Rating
Well Improvised (1 more)
Humour
Story (1 more)
Acting
Rather pointless...
Contains spoilers, click to show
Despite the controversy surrounding Roman Polanski for the past few decades, he has made some astounding movies over the past 50-something years, Rosemary's Baby, The Fearless Vampire Killers, The Pianist, and many others.

Unfortunately, this 1972 x-rated comedy doesn't come up to their standards, it's rumoured that the whole point of the film was so he could see Sydne Rome naked, which would explain the lack of effort put into this film.

The film itself has very little story, a woman (Sydne Rome) escapes from 3 rapists and comes to a luxurious Italian house full of strange sexual deviants, all of whom fit perfectly in with 1970s sex-comedies, but couldn't really do serious acting. That's basically the film.

The script itself is for the most improvised, and the humour from this is probably the best thing about this film, and does cause some funny moments.

For the most part though, the film is only good for those with a particular sense of humour, not dry, but also not crude, somewhere inbetween.
  
Traitors or Rome (Eagle #18)
Traitors or Rome (Eagle #18)
Simon Scarrow | 2020 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
Book number 18 in Simon Scarrow's long-running Macro and Cato series, which means he's catching up on Bernard Cornwell's Sharpe for sheer proliferation of books with the same central character(s) (and that's a good thing).

Following on from the previous novel ("The Blood of Rome"), Macro and Cato are still in charge of the Praetorians, and still on the eastern fringes of the Roman Empire (Syria), with Cato then tasked with making a dangerous journey into Parthia to deliver Rome's demands to the ruler of that nation while the recently-married (at the start of the novel) Macro, under General Corbulo, lays siege to the small kingdom of Thapsis in the mountains which has risen in revolt against Rome.

I have to say, with a title like 'Traitors of Rome' and with the extremely mercenary (historical) nature of the Praetorian Guard, I first thought - when I saw the title - that the Traitors of Rome would themselves prove to be the Praetorians themselves!

That's not the case, however, read the novel to finds out what is ...
  
A Traveller at the Gates of Wisdom
A Traveller at the Gates of Wisdom
John Boyne | 2020 | Fiction & Poetry, LGBTQ+
10
10.0 (1 Ratings)
Book Rating
Once I’d recognised the trick to this book, I found it fascinating - it took a couple of chapters though, so I would encourage anyone contemplating reading this to keep going for at least three chapters. Or, you know, read this, have some idea of what’s going on, and then get the book, sit back and enjoy!

I’ve often thought that life must have some universal stories: things that happen in our lives that have happened untold times before throughout history, and will probably happen countless times in the future.

That is the premise that ‘A Traveller’ works from. And it’s done so cleverly.

We begin in the Roman world in 1AD, and swap between different continents and cultures. The story remains the same, of love, loss, betrayal, revenge and death. There’s a lot of births and deaths. It really puts in to perspective humanity’s inability to learn from its mistakes - and we just keep on making them in to the future.

This is such a thought provoking, imaginative read. John Boyne just never seems to let me down.
  
Lord of War (Warrior #5)
Lord of War (Warrior #5)
6
6.0 (1 Ratings)
Book Rating
The final part of Simon Scarrow and Tj Andrews's 'Warrior' series of novellas, and I now have a confession to make: whilst I have been reviewing each part individually, I actually read them all as one when they were published as a collected work (which may have made the 'intro' and 'outro' of each individual component more obvious).

Anyway, this actually breaks with the previous entries in that it did *not* start in Rome with the sub-plot of Caratacus recounting his experiences to a historian and hence possible bringing that historian some unwelcome attention, but instead picks up from where the last entry left off.

The main thrust of this particular story is also about a battle between the two main tribes of the Atrabates and the Catuvellaunians for control of the settlement of Lhandain, with Caratacus discovering there is a traitor in their midst but with that traitor - as the story ends - not yet unmasked.

Possibly for another series before/alongside the Roman invasion depicted in the Cato and Macro novels?
  
Aftermath 2017 (2017)
Aftermath 2017 (2017)
2017 | Drama, History, Thriller
Story: Aftermath starts as construction worker Roman (Schwarzenegger) is looking forward to the arrival of his wife and pregnant daughter from Kiev for Christmas. Making himself extra smart with flowers at hand he arrives at the airport to find the flight delayed but there is no good news, the plane was involved in a tragic accident killing both his wife and daughter.

On the other side of the story flight controller Jake Bonaos (McNairy) leaves his wife and son to arrive at work that very same day, on a night shift where he finds the himself distracted trying to fix a phoneline as two planes collided mid-air, the same flights that had Roman’s family on.

Both men’s lives are completely shattered, Roman broken, alone and spending days and nights at the cemetery. While Jake is branded a murderer by the public finding it impossible to function or being the husband and father he needs to be.

With the airline company waving money in Roman’s face to stop them being sued and Jake on the verge of suicide brings us to one year later where both are still living in the tragedy but both are attempting to move on.

 

Thoughts on Aftermath

 

Characters/Performance – Roman is a hard-working construction worker, he has work long hours to make sure his family can move to live with him in America, when he loses them his life is shattered but all he wants is an apologise not the airlines money. Jake is a flight controller who makes an honest mistake that cost the lives of everyone on the flights, his life is ruined, he loses his family, his job and must change his name and start again, living the rest of his life with regret.

Performance wise, Schwarzenegger is brilliant in this role where is he no action hero, he is an everyday man that loses everything, this is by far one of his best acting performances of his career. Scoot McNairy is also fantastic in this role showing just how capable of an actor he is.

Story – The story is based on a real incident that followed a mid-air collision but turned into an American story for it to unfold in. This story is very powerful because you are now left to wonder just what would happen if you were in either of these men’s shoes. The story also isn’t just a revenge film it follows these two men trying to rebuild their lives after what happened and mostly just wanting a human response from somebody involved.

Thriller – From the moment this film starts you are left to wonder from the edge of your seat to where this film will go.

Settings – The settings used through the film focus on making both our main characters feel like everyday people whose lives have been ruined by the events which is all you need from the film.

Final Thoughts – This is one of the best and most intense slow burning stories you will see this year. The performances are fantastic as well as being one of the most interesting stories out there.

 

Overall: One of the most powerful stories you will see this year.

https://moviesreview101.com/2017/04/10/aftermath-2017/
  
Wolf  (2019)
Wolf (2019)
2019 | Horror
4
3.3 (3 Ratings)
Movie Rating
Contains spoilers, click to show
A group of Roman legionnaires in Britain are sent on a mission to find a group of missing messengers only to find themselves attacked by something that comes out with the full moon.
So basically it's Roman’s vs werewolves in the woods, a premise with so much potential. However it fails in oh so many ways. I feel a bit bad for this review because I did enjoy the film, admittedly I seemed to be the only one as everyone else left about half way through (ok there were only two other people there but they did leave) but as a film it was quite terrible. First off we have the legionnaires, the group have only been together for a few weeks and don't trust each other, and they consist of:
Shouting guy who has just been sent from Rome who can't seem to decide if he's channelling Nick Frost or Brian Blessed.
Not so shouting guy who is friends with shouting guy and likes to drink
Captain who doesn't seem very effective
Old guy who shouldn't be there, doesn’t get on with the captain
Tall blonde guy who is always on about his wife who about to have a baby
Germanic female scout that no one trusts
Ex slave woman who looks like she should be a witch (she’s not) who is friends with the captain
Black woman who has a brother
And two other guys I can't really remember
So, the film gets points for having a culturally mixed squad which is historically correct but they don’t act as a unit. They are always talking, even when hunting the creatures they never shut up. One of them say “We are Roman we do the hunting.” But they don't seem to know to be quite.
It does strike me that the film is trying to be (Or seem) historically accurate, there are mentions of tactical formations that can be used, everyone uses the names of an appropriate god and there is mention of what certain weapons are made of but all of this just adds to the feeling that the film has been made by a group of Roman reenactor enthusiasts.
I had a friend who said that ‘Cloverfield’ was one of the worst films ever because you never see the monster, we pointed out that you do but acknowledge that 'Cloverfield’ keeps the monster hidden to make it more mysterious and scary. Wolf does this as well, for most of the film all you see of the monsters are pink streaks that seem quite reminiscent of naked people and when you finally see the creatures they look like they could be extras in classic doctor who. The effects in general are a bit rubbish to the point of one the cast walking around with what looks like rice pudding or custard in his beard for ten minutes.
The camera work is sometimes shaky, shots of the sky blind you and there are times when it looks like the actors don't know how to hold a sword.
And the film doesn't end, there's a revelation, the survivors say they will continue the mission then the credits roll. There could be a sequel but if there is it will be because the cast want it and not on reviews (although I think I did enjoy it a bit).
  
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Dianne Robbins (1738 KP) created a post in Dear Smashbomb....

Jan 18, 2019 (Updated Jan 18, 2019)  
How do you feel about watching tv and movies, or listening to music or podcasts after learning unsavory details about an actor, director, producer, podcaster, or others involved in them? Can you compartmentalize their behavior and enjoy art as art or does it forever ruin it for you? How can we reconcile our love of certain performers and their onscreen personas with their monstrous behavior offscreen?

I find it so frustrating and disappointing when I learn that someone I have admired for decades is a perverted sex monster. I want to be politically-correct and denounce their behavior but it's difficult when they have created art that speaks to me and moves me and that I have loved for years. Some truly talented people have turned out to be terrible people. It's one thing when you've known for years about someone's exploits and abuse, such as in the case of Woody Allen and Roman Polanski. Those were things I knew about for ages and I avoided their movies. But another thing when it's someone whose work you've admired and respected for years. I don't know how to feel.
  
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Dianne Robbins (1738 KP) created a post

Jan 18, 2019  
How do you feel about watching tv and movies, or listening to music or podcasts after learning unsavory details about an actor, director, producer, podcaster, or others involved in them? Can you compartmentalize their behavior and enjoy art as art or does it forever ruin it for you? How can we reconcile our love of certain performers and their onscreen personas with their monstrous behavior offscreen?

I find it so frustrating and disappointing when I learn that someone I have admired for decades is a perverted sex monster. I want to be politically-correct and denounce their behavior but it's difficult when they have created art that speaks to me and moves me and that I have loved for years. Some truly talented people have turned out to be terrible people. It's one thing when you've known for years about someone's exploits and abuse, such as in the case of Woody Allen and Roman Polanski. Those were things I knew about for ages and I avoided their movies. But another thing when it's someone whose work you've admired and respected for years. I don't know how to feel.
     
Show all 15 comments.
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Daniel Boyd (1066 KP) Jan 21, 2019

In my opinion, they are two totally different aspects of a person's life that should not affect one another in any way.
There are so many creators that I love watching or listening to that I totally disagree with politically, but I am able to separate those things. Just because I disagree with one aspects of a person's opinions or actions, doesn't mean it tarnishes everything that that person has ever done.
George Washington was an incredible man who was fundamental in the battle for American independence over Britain, but he also kept slaves and treated them as animals. Both of these things exist and that's what makes a person whole. As much as we would like to believe that everybody is either purely good or purely evil, that is just not true, there are always shades of grey.
I am not in any way defending any of the despicable things that people like R Kelly and Kevin Spacey are accused of doing, but just because Spacey allegedly preyed on young boys, it doesn't mean that his performance in Se7en isn't still one of the greatest performances ever committed to film.
Another example of this is rap music. I am a huge rap fan and there are rappers that I listen to that brag in their songs using misogynistic language or homophobic slurs, things that I fundamentally disagree with. However, that doesn't mean that I can't appreciate their flow or delivery.
To be honest, I think that it is actually way more healthy to separate these things as an audience member. If I was to stop listening to/watching everyone that had ever been accused of doing something bad by the press, there probably wouldn't be much content left.

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Allison Knapp (118 KP) Jan 21, 2019

I would have to agree with you there. Talent and personal life are definitely two separate matters

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Terry Crews recommended The Pianist (2002) in Movies (curated)

 
The Pianist (2002)
The Pianist (2002)
2002 | Drama, War

"I want to go into another movie that I gotta bring up. The Pianist with Adrien Brody, Roman Polanski, the whole thing. Now, I don’t endorse his moral behaviors, but I have to say man, that movie… What he did with that character put me there, and I had never been there. Literally, I’m in the theater, and dude, I’m crying, I’m like, “Yo, this is crazy!” I go by emotional moments; if I walk out of the theater and I’m actually changed, you know what I mean? You know, you see the world in a different way. That’s the power of movies, to me. Like, when you go in and you saw the world one way, but when you walk out, I’m like, “I saw the world in a whole different way.” And Adrien Brody’s performance really taught me what an actor should do and should be. He gave everything he had. It was an awesome performance, an awesome movie, and I would just encourage everybody to see that one. That’s one of my favorite movies of all time. I bought that sucker; I got it on Blu-Ray, you know? [laughs]"

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