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David McK (3496 KP) rated Gladiator 2 (2024) in Movies

Dec 6, 2024 (Updated Dec 6, 2024)  
Gladiator 2 (2024)
Gladiator 2 (2024)
2024 | Action
8
8.0 (1 Ratings)
Movie Rating
"My name is Gladiator"
It's only taken nearly a quarter of a century, and some insane ideas, before Ridley Scott made a sequel to his ground-breaking 2000 film Gladiator, often credited with kickstarting the resurgence in 'swords and sandels' films of the early 2000s.

In this, which plays a heavy debt to that earlier film, Paul Mescal stars as Hanno who, it turns out, also played a pivotal role in that earlier film (I don't want to give too much away, other than to say he's playing the same character circa 20 years later) and who, like Maximus before him, ends up fighting for his life in the Roman Arena for the amusement of the Roman mob.

Denzel Washington, this time, plays a role somewhat similar to Oliver Reed did in the first film, with - here - 2 Emperors instead of 1 (Commodus) in the persons of the twins Geta and Caracella - and with able support provided by the likes of Pedro Pascal (whom the trailers will make you think has a bigger role than he does) and Connie Nielsen.

Good, yes, but not up to the standards of the first.
  
TC
8
8.0 (1 Ratings)
Book Rating
The sequel to "A Shadow of Gulls", the Crow Goddess continues the story of Lugh the Harper and Cuchullain, although reading the former is not a pre-requisite to reading this.

Whereas the previous novel revolved mainly around the Ulster series of Legends (most particularly the Cattle Raid of Cooley), this novel takes place in both Roman Britain (the first half, and prior to the building of Hadrians Wall) and Ireland. The second part of the novel - the part in Ireland itself - concerns Cuchullains legendary death more than his legendary life.

Well worth a read!
  
FS
Forensic Shakespeare
8
8.0 (1 Ratings)
Book Rating
Forensic doesn't mean this is the Shakespeare equivalent of Silent Witness - this is a book looking at a group of Shakespeare's plays (and one poem), of which several are often considered 'problem' plays and the use of rhetoric within them. Skinner argues that this is deliberate and relates to a re-emerging interest in the Roman Rhetoricians in the Tudor period. The book is based on a series of lectures given by Skinner, so although as a casual reader I found it interesting, it was also hard work at times, particularly the opening chapters.