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Merissa (11950 KP) rated Supermoon: Cade & Sal's Story (The Dark Cities Trilogy #1) in Books
May 20, 2023
You know, it's been so long since I read a 'vampire' book that was different, but this one has ticked that particular box for me, along with many others. The world has changed, and not everyone thinks that it is a good thing. The vampires are now ruling supreme, whilst shifters are the ones providing the muscle on the farms and mines, working in harsh conditions; and the humans are slaves, and have to wear red to show their position as a 'blood bag'.
This story really starts when Cade is chosen to represent his city in a fight in which there is literally only one winner. It is last one standing (think of Roman gladiators!). Sal is chosen to be one of the human servants who will look after the shifters until such time as they go and fight.
This book is violent, funny, vicious, and hopeful. My heart was in my mouth every time a vampire came near Sal. Cade does a fantastic job of trying to speak to Sal without the vampires knowing. With sweet, yet hot, romance, this book was a delight that I just couldn't put down. I am definitely looking forward to reading more by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 31, 2016
This story really starts when Cade is chosen to represent his city in a fight in which there is literally only one winner. It is last one standing (think of Roman gladiators!). Sal is chosen to be one of the human servants who will look after the shifters until such time as they go and fight.
This book is violent, funny, vicious, and hopeful. My heart was in my mouth every time a vampire came near Sal. Cade does a fantastic job of trying to speak to Sal without the vampires knowing. With sweet, yet hot, romance, this book was a delight that I just couldn't put down. I am definitely looking forward to reading more by this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 31, 2016
Complete Babylonian Beginner to Intermediate Course: A Comprehensive Guide to Reading and Understanding Babylonian, with Original Texts
Book
Is this the right book for me? Do you want to engage with Babylonian culture and literature in the...
Perfect Arabic Intermediate Course: Learn Arabic with the Michel Thomas Method: Intermediate Level Audio Course
Jane Wightwick and Mahmoud Gaafar
Book
Already completed Michel Thomas Total Arabic? Take your Arabic to the next level with this acclaimed...
The Fake Fall of Rome
10.0
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This text contains material that you cannot unread. Your thinking process will be permanently...
history
14th entry in [a: Simon Scarrow|60636|Simon Scarrow|https://d.gr-assets.com/authors/1240832197p2/60636.jpg]'s Roman Army series of novels (that began with [b: Under the Eagle|578428|Under the Eagle (Eagle, #1)|Simon Scarrow|https://d.gr-assets.com/books/1315349321s/578428.jpg|565359] and which, initially all had that word (Eagle) somewhere in their title), this concerns yet another attempt by the Romans to wipe out the Druidic cult that is responsible for most of the opposition to their conquest after the defeat of Caratacus.
With Macro injured early on and left behind to hold the fort (literally) while Cato marches off, under orders from his legate, to capture the Druid stronghold of the Isle of Mona, the novel is perhaps unusual in that the two main characters are apart for a large part of the read. Things, of course, do not go to plan, with the tail end of the novel (for some reason) reminding me quite strongly of Napoleon's retreat from Moscow ...
it is, of course, always the curse(?) of the literary hero to be in the thick of the action; to act (perhaps) out of character in relation to certain situations and threats - let's face it, it would be a pretty boring read otherwise! With that in mind, I can quite easily forgive the, perhaps, more flagrant examples of throwing the hero in the midst of things simply for the sake of doing so - the prime example being the rescue of the sailors from the shipwreck.
With Macro injured early on and left behind to hold the fort (literally) while Cato marches off, under orders from his legate, to capture the Druid stronghold of the Isle of Mona, the novel is perhaps unusual in that the two main characters are apart for a large part of the read. Things, of course, do not go to plan, with the tail end of the novel (for some reason) reminding me quite strongly of Napoleon's retreat from Moscow ...
it is, of course, always the curse(?) of the literary hero to be in the thick of the action; to act (perhaps) out of character in relation to certain situations and threats - let's face it, it would be a pretty boring read otherwise! With that in mind, I can quite easily forgive the, perhaps, more flagrant examples of throwing the hero in the midst of things simply for the sake of doing so - the prime example being the rescue of the sailors from the shipwreck.
It's hard to believe this is now book number 15 in [a:Simon Scarrow|60636|Simon Scarrow|https://images.gr-assets.com/authors/1240832197p2/60636.jpg]'s now-so-called 'Eagles of the Empire' series: a series that, originally, was set during the Roman invasion of Brittania (in [b:Under the Eagle|578428|Under the Eagle (Eagle, #1)|Simon Scarrow|https://images.gr-assets.com/books/1315349321s/578428.jpg|565359]) and that had Carto as being junior to Macro - a situatuion that, by this point in their ongoing adventures, has reversed itself with Cato now the more senior of the two.
As this starts, Macro and Cato are on their way back to Rome (after the events of [b:Britannia|25028364|Britannia (Eagle, #14)|Simon Scarrow|https://images.gr-assets.com/books/1439580823s/25028364.jpg|44703249]: a novel in which, at the end, Cato received some unfortunate news. Distressibng news that, as the plot develops, becomes more and more only the tip of the iceberg (and that leads me to wonder if the author was letting his real-life experiences influence him when he was writing this? Or am I just reading too much into it? (as he has not been shy about sharing certain aspects on social media)), with this plot leading Cato and Macro to join a compny of the Praetorian Guard on an extended campaign, in which they have to defend a slave mine from a local uprising in Spain - an uprising that, to be fair, has a pretty valid reason behind it.
Once again, a thoroughly enjoyable read.
As this starts, Macro and Cato are on their way back to Rome (after the events of [b:Britannia|25028364|Britannia (Eagle, #14)|Simon Scarrow|https://images.gr-assets.com/books/1439580823s/25028364.jpg|44703249]: a novel in which, at the end, Cato received some unfortunate news. Distressibng news that, as the plot develops, becomes more and more only the tip of the iceberg (and that leads me to wonder if the author was letting his real-life experiences influence him when he was writing this? Or am I just reading too much into it? (as he has not been shy about sharing certain aspects on social media)), with this plot leading Cato and Macro to join a compny of the Praetorian Guard on an extended campaign, in which they have to defend a slave mine from a local uprising in Spain - an uprising that, to be fair, has a pretty valid reason behind it.
Once again, a thoroughly enjoyable read.
Deborah (162 KP) rated Mistress of Rome (The Empress of Rome, #1) in Books
Dec 21, 2018
For a debut novel, Quinn's 500 page Roman epic impresses. The blub describes it as 'aimed squarely at the female market' but I'm sure men would find something to enjoy in here too; on reflection I think I'd be more likely to lend it to be brother than my mother!
The narrative in the book is a bit odd and it took a little while for me to get used to it. Large chunks are in the first person, mainly from one of the two main female characters. This sometimes would get confussing when switching between the two, especially when these two characters are together, early in the novel. The text will then switch back into a third person narrative. Overall I think Quinn has made this narrative device work quite well, it just takes a bit of getting used to.
The character of Lepida is through and through nasty, with not a single redeeming characteristic, so while one is happy to see her meet Nemesis (did the Roman's have an equivalent?!) she is really a bit of a one-dimentional character.
There is a note at the end of the book which explains a little more about what is historical fact and what is taking a bit of a liberty; that's the sort of thing that I do like in an historical novel - I think it's helpful.
I found this a gripping, hard-to-put-down read, although it's pretty violently, both in the fighting and the sexual stakes; not one for the squeamish!
The narrative in the book is a bit odd and it took a little while for me to get used to it. Large chunks are in the first person, mainly from one of the two main female characters. This sometimes would get confussing when switching between the two, especially when these two characters are together, early in the novel. The text will then switch back into a third person narrative. Overall I think Quinn has made this narrative device work quite well, it just takes a bit of getting used to.
The character of Lepida is through and through nasty, with not a single redeeming characteristic, so while one is happy to see her meet Nemesis (did the Roman's have an equivalent?!) she is really a bit of a one-dimentional character.
There is a note at the end of the book which explains a little more about what is historical fact and what is taking a bit of a liberty; that's the sort of thing that I do like in an historical novel - I think it's helpful.
I found this a gripping, hard-to-put-down read, although it's pretty violently, both in the fighting and the sexual stakes; not one for the squeamish!
The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro De' Medici
Book
"Nothing in sixteenth-century history is more astonishing than the career of Alessandro de' Medici."...
Enchantment: The Life of Audrey Hepburn
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Born in Brussels in 1929, Audrey Hepburn was the daughter of a British father and a Dutch Baroness....
HW
Holy War, Martyrdom, and Terror: Christianity, Violence, and the West
Book
Holy War, Martyrdom, and Terror examines the ways that Christian theology has shaped centuries of...