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David McK (3495 KP) rated Britannia in Books

Jan 28, 2019  
Britannia
Britannia
Simon Scarrow | 2016 | Fiction & Poetry
6
6.0 (1 Ratings)
Book Rating
14th entry in [a: Simon Scarrow|60636|Simon Scarrow|https://d.gr-assets.com/authors/1240832197p2/60636.jpg]'s Roman Army series of novels (that began with [b: Under the Eagle|578428|Under the Eagle (Eagle, #1)|Simon Scarrow|https://d.gr-assets.com/books/1315349321s/578428.jpg|565359] and which, initially all had that word (Eagle) somewhere in their title), this concerns yet another attempt by the Romans to wipe out the Druidic cult that is responsible for most of the opposition to their conquest after the defeat of Caratacus.

With Macro injured early on and left behind to hold the fort (literally) while Cato marches off, under orders from his legate, to capture the Druid stronghold of the Isle of Mona, the novel is perhaps unusual in that the two main characters are apart for a large part of the read. Things, of course, do not go to plan, with the tail end of the novel (for some reason) reminding me quite strongly of Napoleon's retreat from Moscow ...

it is, of course, always the curse(?) of the literary hero to be in the thick of the action; to act (perhaps) out of character in relation to certain situations and threats - let's face it, it would be a pretty boring read otherwise! With that in mind, I can quite easily forgive the, perhaps, more flagrant examples of throwing the hero in the midst of things simply for the sake of doing so - the prime example being the rescue of the sailors from the shipwreck.
  
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David McK (3495 KP) rated Invictus in Books

Jan 30, 2019  
Invictus
Invictus
Simon Scarrow | 2016 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
It's hard to believe this is now book number 15 in [a:Simon Scarrow|60636|Simon Scarrow|https://images.gr-assets.com/authors/1240832197p2/60636.jpg]'s now-so-called 'Eagles of the Empire' series: a series that, originally, was set during the Roman invasion of Brittania (in [b:Under the Eagle|578428|Under the Eagle (Eagle, #1)|Simon Scarrow|https://images.gr-assets.com/books/1315349321s/578428.jpg|565359]) and that had Carto as being junior to Macro - a situatuion that, by this point in their ongoing adventures, has reversed itself with Cato now the more senior of the two.

As this starts, Macro and Cato are on their way back to Rome (after the events of [b:Britannia|25028364|Britannia (Eagle, #14)|Simon Scarrow|https://images.gr-assets.com/books/1439580823s/25028364.jpg|44703249]: a novel in which, at the end, Cato received some unfortunate news. Distressibng news that, as the plot develops, becomes more and more only the tip of the iceberg (and that leads me to wonder if the author was letting his real-life experiences influence him when he was writing this? Or am I just reading too much into it? (as he has not been shy about sharing certain aspects on social media)), with this plot leading Cato and Macro to join a compny of the Praetorian Guard on an extended campaign, in which they have to defend a slave mine from a local uprising in Spain - an uprising that, to be fair, has a pretty valid reason behind it.

Once again, a thoroughly enjoyable read.
  
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Deborah (162 KP) rated Mistress of Rome (The Empress of Rome, #1) in Books

Dec 21, 2018  
MO
Mistress of Rome (The Empress of Rome, #1)
Kate Quinn | 2010
6
8.0 (2 Ratings)
Book Rating
For a debut novel, Quinn's 500 page Roman epic impresses. The blub describes it as 'aimed squarely at the female market' but I'm sure men would find something to enjoy in here too; on reflection I think I'd be more likely to lend it to be brother than my mother!

The narrative in the book is a bit odd and it took a little while for me to get used to it. Large chunks are in the first person, mainly from one of the two main female characters. This sometimes would get confussing when switching between the two, especially when these two characters are together, early in the novel. The text will then switch back into a third person narrative. Overall I think Quinn has made this narrative device work quite well, it just takes a bit of getting used to.

The character of Lepida is through and through nasty, with not a single redeeming characteristic, so while one is happy to see her meet Nemesis (did the Roman's have an equivalent?!) she is really a bit of a one-dimentional character.

There is a note at the end of the book which explains a little more about what is historical fact and what is taking a bit of a liberty; that's the sort of thing that I do like in an historical novel - I think it's helpful.

I found this a gripping, hard-to-put-down read, although it's pretty violently, both in the fighting and the sexual stakes; not one for the squeamish!