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Sophie Wink (11 KP) rated Picture Perfect in Books
Jun 11, 2019
Beautiful. That's it.
A sad story so beautifully told is the key to break my heart. It did exactly that. I say it's sad because it really is but it does have some incredibly romantic scenes too which not only melt your heart but make you fall in love with the book its characters.
The tender theme of abuse was used with the utmost sensitivity, the only way I can describe it, is that it's told in such a sickly sweet way that it just hits you. Hard. I struggled to read the novel just because it genuinely broke my heart to see this perfectly capable beautiful and smart lady, Cassie, just break in half.
I love Cassie's character! So bright, sweet, smart and elegant. She is so very lovable which makes her story so utterly moving. I liked that she was quite quirky and wouldn't usually fall for the Alex Rivers type which made her falling in love wonderfully romantic and charming. I feel bad for saying it but I even liked Alex Rivers, underneath he is just a damaged man with a shattered heart. I liked that he was charming and obviously attractive even if he knew it. While he wasn't necessarily a nice man he was more than appealing and incredibly romantic. He just got it wrong, very wrong and on this occasion it wasn't okay and couldn't be fixed.
I loved the kind of twist to the story and how you remember along with Cassie, it's like a journey. I also really like the unusual nature of the how the story is told, the fact that she can't remember is definitely the hook to find out more. I loved all of the characters as each seemed to have direct impact on Cassie herself, making it just that little bit more compelling.
I know this review kind of skips around the point but I don't want to spoil anything.
Like I said... Beautiful.
A sad story so beautifully told is the key to break my heart. It did exactly that. I say it's sad because it really is but it does have some incredibly romantic scenes too which not only melt your heart but make you fall in love with the book its characters.
The tender theme of abuse was used with the utmost sensitivity, the only way I can describe it, is that it's told in such a sickly sweet way that it just hits you. Hard. I struggled to read the novel just because it genuinely broke my heart to see this perfectly capable beautiful and smart lady, Cassie, just break in half.
I love Cassie's character! So bright, sweet, smart and elegant. She is so very lovable which makes her story so utterly moving. I liked that she was quite quirky and wouldn't usually fall for the Alex Rivers type which made her falling in love wonderfully romantic and charming. I feel bad for saying it but I even liked Alex Rivers, underneath he is just a damaged man with a shattered heart. I liked that he was charming and obviously attractive even if he knew it. While he wasn't necessarily a nice man he was more than appealing and incredibly romantic. He just got it wrong, very wrong and on this occasion it wasn't okay and couldn't be fixed.
I loved the kind of twist to the story and how you remember along with Cassie, it's like a journey. I also really like the unusual nature of the how the story is told, the fact that she can't remember is definitely the hook to find out more. I loved all of the characters as each seemed to have direct impact on Cassie herself, making it just that little bit more compelling.
I know this review kind of skips around the point but I don't want to spoil anything.
Like I said... Beautiful.
Eamon T.Hennedy (4 KP) rated The Mindy Project - Season 1 in TV
Jun 21, 2019 (Updated Jun 21, 2019)
The first season of Mindy Kaling's comedy drama, along with its second, is probably one of the best romantic comedies to come from American network television in a while. In fact, the one that is equal to it is New Girl and they were both on Fox at the same time and shared the same night in the UK where they aired on E4.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
In a time when adult flavoured romantic comedies are dying at the box office and are finding a home on streaming services such as Netflix, it's good to see that there is a conventional home for themand right from its opening episode, The Mindy Project is all about someone who has watched too many romantic comedies and wants their life to be one.
There are many references throughout to the works of Nora Ephron and Garry Marshall, and with Kaling on writing and lead acting duties, the series work wonders. Even better, it's filled with an ensemble cast that works brilliantly. The series will have a rotating cast throughout its six season on the air, but it says something that at this stage that Ike Barinholtz is a scene stealer from the point he shows up.
The cast does rotate around the place until it settles down in season two, the most notable high profile member of the first season being Anna Camp who disappears halfway through, while Amanda Setton's character Shauna also disappears without a mention.
It would be nothing without Kaling who holds it together brilliantly. The first two seasons are a lighter concoction compared to where the series will go post-season two, not to mention its move to Hulu, but with rom-com successes like Crazy Rich Asians being all too rare nowadays, it's good to know a series with charm, sophistication, and not afraid of the odd fart joke every now and then could find a home on a mainstream network, even if it was for three seasons.
Gareth von Kallenbach (980 KP) rated Letters to Juliet (2010) in Movies
Aug 8, 2019
Sophie’s life is heading in a good direction. She is the best fact checker at the New Yorker, engaged to an up-and-coming chef and is headed on a romantic trip to Verona, the setting of Shakespeare’s most famous play, Romeo and Juliet. But when Sophie discovers a multi-decade old letter written to Juliet she finds herself on a new and exciting adventure in the spirit of true love.
The film hitches its wagon on rising star Amanda Seyfried as the leading lady, playing romantically-inclined heroine Sophie. Amanda plays opposite Christopher Egan as Charlie, a pessimistic and overly protective grandson of Claire, a romantic adventurer and ideal parental-figure, played by the ever-enchanting Vanessa Redgrave.
It was easy to expect that this would be the same old American twenty-something in love tale, but I was unexpectedly surprised by the depth and honesty in “Letters to Juliet”. While it is much more a love story than a comedy, the film tackles a number of the usual subjects –love, loss, and destiny– in new ways. Throughout the film are touching scenes that blend laughter and keen, realistic emotion, without the all too familiar awkward result.
And it is hard not to smile while watching “Letters to Juliet”. The infusion of a love story mixes well with the films other themes: the importance of family and the value of cross-cultural perspectives. These complex themes support the romantic story so well that the experience is less like a fantasy and more akin to a well-layered tale told by a close friend. Mix in the stunning landscape of Italy and “Letters to Juliet” becomes a magically honest story about the quest for true love.
Filled with quality acting, romance, and many kinds of love while speaking across generations and cultural viewpoints, “Letters to Juliet” manages to pull at the heartstrings and share an inspiring and uplifting tale.
The film hitches its wagon on rising star Amanda Seyfried as the leading lady, playing romantically-inclined heroine Sophie. Amanda plays opposite Christopher Egan as Charlie, a pessimistic and overly protective grandson of Claire, a romantic adventurer and ideal parental-figure, played by the ever-enchanting Vanessa Redgrave.
It was easy to expect that this would be the same old American twenty-something in love tale, but I was unexpectedly surprised by the depth and honesty in “Letters to Juliet”. While it is much more a love story than a comedy, the film tackles a number of the usual subjects –love, loss, and destiny– in new ways. Throughout the film are touching scenes that blend laughter and keen, realistic emotion, without the all too familiar awkward result.
And it is hard not to smile while watching “Letters to Juliet”. The infusion of a love story mixes well with the films other themes: the importance of family and the value of cross-cultural perspectives. These complex themes support the romantic story so well that the experience is less like a fantasy and more akin to a well-layered tale told by a close friend. Mix in the stunning landscape of Italy and “Letters to Juliet” becomes a magically honest story about the quest for true love.
Filled with quality acting, romance, and many kinds of love while speaking across generations and cultural viewpoints, “Letters to Juliet” manages to pull at the heartstrings and share an inspiring and uplifting tale.
Gareth von Kallenbach (980 KP) rated Valentine's Day (2010) in Movies
Aug 8, 2019
Ashton Kutcher has put down his pranks and camera to return to the big screen leading in this star packed Los Angeles romantic comedy. This feature ties together stories of love, truth, and romance, all taking place within the span of a single Valentine’s Day. The film considers relationships from multiple angles and does a fantastic job intertwining individual stories into a single plotline. Yet before preparing for another “Love Actually” let it be know that the tone of “Valentine’s Day” is entirely its own.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
JT (287 KP) rated A Good Year (2006) in Movies
Mar 10, 2020
This is certainly not your conventional Ridley Scott film, but it’s one that was well shot but not very well written. Investment broker Max Skinner (Russell Crowe) knows only one thing, how to make money. But when he inherits his Uncle’s chateau in Provence where he spent much of his childhood he must decide between the life he has in London or the life in France.
After arriving in Provence the only thing on his mind is to sell, but with childhood memories floating all around him as well as women it’s not long before the predictable is happening.It provides enough and features some telling performances but it’s simply not funny enough to register as the comedy it so desperately strives to be. The film most notably reunited Scott with Crowe and their first foray into a romantic comedy, with not a great deal of success.
A Good Year has scenery could not be more fitting for a romantic comedy, and the picturesque winery is paramount to the beautiful shots it creates. However, at times it looks more like a car advert than a film.
On the comedy aspect there are a few small laughs but they fall flat as Crowe is not able to deliver on them, you wonder if Hugh Grant might have done a better job. Crowe’s upper class English accent is out of place against the free flowing French that is predominant throughout and he’d probably feel more at home with large sword in his hand as opposed to a wine bottle.
The introduction of Uncle Henry’s supposedly long lost daughter throws a complicated spanner in the works which does more harm than good. It’s a heartwarming tale and it will tug on the heart strings of all the old romantics out there, but Scott and Crowe have never made a romantic comedy before and it certainly shows. It’s not got the characteristics of a fine wine, but may get past some peoples tastes.
After arriving in Provence the only thing on his mind is to sell, but with childhood memories floating all around him as well as women it’s not long before the predictable is happening.It provides enough and features some telling performances but it’s simply not funny enough to register as the comedy it so desperately strives to be. The film most notably reunited Scott with Crowe and their first foray into a romantic comedy, with not a great deal of success.
A Good Year has scenery could not be more fitting for a romantic comedy, and the picturesque winery is paramount to the beautiful shots it creates. However, at times it looks more like a car advert than a film.
On the comedy aspect there are a few small laughs but they fall flat as Crowe is not able to deliver on them, you wonder if Hugh Grant might have done a better job. Crowe’s upper class English accent is out of place against the free flowing French that is predominant throughout and he’d probably feel more at home with large sword in his hand as opposed to a wine bottle.
The introduction of Uncle Henry’s supposedly long lost daughter throws a complicated spanner in the works which does more harm than good. It’s a heartwarming tale and it will tug on the heart strings of all the old romantics out there, but Scott and Crowe have never made a romantic comedy before and it certainly shows. It’s not got the characteristics of a fine wine, but may get past some peoples tastes.
Richard Curtis recommended Knocked Up (2007) in Movies (curated)
Eleanor Luhar (47 KP) rated Billy and Me in Books
Jun 24, 2019
This is a very, very different genre than I usually read. It was romantic and contemporary and kind of cliche and gross. But I will admit that it was written well.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
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