"I remember watching this, stoned, while at university, and I think you kind of have to be stoned to watch it, because it’s so psychedelic and weird. I’ve always had a fascination with Jim Morrison and regularly I ask myself: “What would a female Jim Morrison do in this moment?”, because I like his commitment to the moment as a performer, and his shameless expression of his sexuality, which, as a woman, I think is a nice thing to exploit. I don’t know how I would feel watching this film now, not being stoned, but at the time it seemed like a really romantic portrayal of a poetic artist."

"This was the first thriller I ever saw—on our eleven-inch black-and-white TV set in the small living room of my parents’ home in the suburbs of Birmingham. It was the most romantic and exciting thing I had ever seen, and I can still get lost in it today. The 39 Steps is the blueprint for all the classic Hitchcock films that would follow. Sexy stars, fantastic locations, and quirky cliff-hanger scenes that you want to watch over and over. In this film, it is the Mr. Memory scene that I look forward to most, and every time I see it, it still makes me jump!"

"Well, I’m definitely a hopeless romantic and Titanic is one of my favorite movies. It basically came out when I was born, but my mom [showed me] Titanic when I was about — I want to say like eight, nine years old. It’s one of the movies I can never get tired of. I could watch it all the time. Actually, I had a really geeky moment: the make up artist that worked on this last film that I worked on — she had worked on Titanic, and I was like, “No way!” I freaked out and got to see a lot of behind-the-scenes pictures. I was totally fan-girling."

"I read this book in high school when it was first published. It had the reputation of being “dirty.” It did not disappoint: I was all of 14. It was also deliciously funny. It still is. Its status is secure and I doubt there’s a “Best” list it’s not on. It’s wildly romantic, scathingly satiric of middle-class Americans as only a European aristocrat can see us, and ultimately deeply moving. Lolita is the light of everyone’s loins. Humbert Humbert’s despair is anyone’s who has loved and lost in vain. Nabokov “gets” America and Americans. He is one of the great writers in English and it wasn’t even his first language."