"No matter how much my vibe changes I think this one probably stays on [the list] consistently and that’s Midnight Express. That one is always in my top five. I think it goes through all the emotions. It puts you on the edge of your seat, it breaks your heart, it scares the crap out of you. I even laugh a little when they do that yoga scene. That’s the one thing I’ve never really understood. Do you remember that part? When they do naked yoga together? I understand what they’re conveying, that these two people find companionship and peace inside of all the insanity going on around them. The blond guy and your main character, Billy, have this, like… it’s not romantic, but it’s very… it is sensual in a way, this yoga scene, together, and the way they shot it with the light coming through the window. It always makes me chuckle. But yeah, Midnight Express, man, it’s always on the top five."

"Emma Thompson’s Sense and Sensibility! I find it to be one of the most romantic movies, but also for me, so many times it’s about how the performance affects me, in terms of what I ended up taking away from it all – just dreaming and wishing and hoping that someday I could do work of that caliber. But I just found the movie to be sweeping and yet – even though taking place in another era– it was so timeless to me. And I remember that moment clear as a bell with Emma Thompson at the end of that movie when he comes running up, and she realizes that he’s there to see her, and it’s just one of the most beautiful acting moments I’ve ever seen. So I just love that movie, and I think Ang Lee is such a beautiful filmmaker and creates such beautiful cinematic images that are indelible, really."

"Someone told me that the middle of the road is the only place you definitely get run over, and this is very obvious, housewife soul… you can’t say that any more, can you? But I just like how it’s created. I get really into the fact that the band used to just bang out these songs, they’d put down these drum tracks then Al Green would just come in at the last minute and sing on top of it all. They’re so patterned, cyclical, and he just it off. It’s a load of faux, pre-religious romantic nonsense, but really well done. They were kind of cynical, I reckon. ‘Let’s knock a few of these out in a day and we’re on!’ They’re kind of simple songs when you look back at it, there’s a lack of depth to Al Green, but he’s got such a good voice, and such a good drummer. And age has made it sound cooler, but the core isn’t cool at all."