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Hazel (1853 KP) rated The Joyce Girl in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Winner of the Impress Prize for New Writers 2015, Annabel Abbs creates a fantastic work of historical fiction based upon the life of Lucia Joyce. Although the titular character may be unheard of within the general public, her father will be known amongst the majority of readers. James Joyce, the eccentric author of<i> Ulysses</i> and <i>Finnegan’s Wake</i>, travelled around Europe with his family until settling in Avant-garde Paris, 1928. His daughter, Lucia, an ambitious, talented dancer describes the unconventional life as a child of Mr. Joyce, its ups and downs, and inevitable ruinous breakdown.
<i>The Joyce Girl</i> begins in Küsnacht, Zurich where Lucia is receiving treatment from Dr. Carl Jung – another well-known name; this novel is full of them. Struggling to come to terms with her current mental ill health and supposed repressed memories, Jung encourages Lucia to write her memoirs in order to learn of the events that led to this current predicament. Starting from 1928, aged 21, Lucia describes her life to Jung and the reader in brutally honest detail.
The unusual Irish family went through various successes and traumas in the intervening years, creating a humorous and emotional story. Lucia’s brother, Giorgio, caused the family enough problems without adding in the devastating heartache Lucia suffers from men who do not reciprocate her love. One of these lovers is the famous Samuel Beckett (<i>Waiting for Godot</i>, 1952), the first man Lucia falls for. It is fascinating to learn of the multiple connections these notable names had with each other. Although in retrospect it makes sense that the literary and artistic crowds would stick together.
From Lucia’s memoirs Jung formulates that the Joyce parents were extremely controlling, not giving Lucia the opportunity to live her own life – particularly within her dancing career. However, Jung still maintains that Lucia experienced emotional trauma and is insistent on retrieving those memories. What he eventually discovers will shock and possibly sicken the reader.
Through enormous amount of research, Annabel Abbs has put together a likely account of the Joyce family, particularly Lucia’s life. Using existing biographies, original letters and professional opinion, Abbs devises a logical narrative for the unfortunate dancer. Drawing upon knowledge of other literary greats and artists of the era, <i>The Joyce Girl</i> can be easily believed to be a true account, although doubtlessly some scenes must be based upon imagination.
<i>The Joyce Girl</i> will attract historical and romantic novel enthusiasts, providing an enjoyable, thought capturing story, as well as an opportunity to learn. Whether you are aware of James Joyce’s works, or even Lucia herself, <i>The Joyce Girl</i> is bound to capture your attention and draw your mind into the European life during the early 1930s. Although only her debut novel, Annabel Abbs comes highly recommended and it will be interesting to see what direction she has decided to take in her shortly expected second novel.
Winner of the Impress Prize for New Writers 2015, Annabel Abbs creates a fantastic work of historical fiction based upon the life of Lucia Joyce. Although the titular character may be unheard of within the general public, her father will be known amongst the majority of readers. James Joyce, the eccentric author of<i> Ulysses</i> and <i>Finnegan’s Wake</i>, travelled around Europe with his family until settling in Avant-garde Paris, 1928. His daughter, Lucia, an ambitious, talented dancer describes the unconventional life as a child of Mr. Joyce, its ups and downs, and inevitable ruinous breakdown.
<i>The Joyce Girl</i> begins in Küsnacht, Zurich where Lucia is receiving treatment from Dr. Carl Jung – another well-known name; this novel is full of them. Struggling to come to terms with her current mental ill health and supposed repressed memories, Jung encourages Lucia to write her memoirs in order to learn of the events that led to this current predicament. Starting from 1928, aged 21, Lucia describes her life to Jung and the reader in brutally honest detail.
The unusual Irish family went through various successes and traumas in the intervening years, creating a humorous and emotional story. Lucia’s brother, Giorgio, caused the family enough problems without adding in the devastating heartache Lucia suffers from men who do not reciprocate her love. One of these lovers is the famous Samuel Beckett (<i>Waiting for Godot</i>, 1952), the first man Lucia falls for. It is fascinating to learn of the multiple connections these notable names had with each other. Although in retrospect it makes sense that the literary and artistic crowds would stick together.
From Lucia’s memoirs Jung formulates that the Joyce parents were extremely controlling, not giving Lucia the opportunity to live her own life – particularly within her dancing career. However, Jung still maintains that Lucia experienced emotional trauma and is insistent on retrieving those memories. What he eventually discovers will shock and possibly sicken the reader.
Through enormous amount of research, Annabel Abbs has put together a likely account of the Joyce family, particularly Lucia’s life. Using existing biographies, original letters and professional opinion, Abbs devises a logical narrative for the unfortunate dancer. Drawing upon knowledge of other literary greats and artists of the era, <i>The Joyce Girl</i> can be easily believed to be a true account, although doubtlessly some scenes must be based upon imagination.
<i>The Joyce Girl</i> will attract historical and romantic novel enthusiasts, providing an enjoyable, thought capturing story, as well as an opportunity to learn. Whether you are aware of James Joyce’s works, or even Lucia herself, <i>The Joyce Girl</i> is bound to capture your attention and draw your mind into the European life during the early 1930s. Although only her debut novel, Annabel Abbs comes highly recommended and it will be interesting to see what direction she has decided to take in her shortly expected second novel.
Hazel (1853 KP) rated The Deviants in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
The Deviants</i> by British author C. J. Skuse is an addictive, shocking young adult thriller about friendship, secrets and revenge. Set in a seaside town in the South West of England five friends are reunited through getting revenge on people causing difficulties in their lives. However some people are holding back secrets from the others, ones that cause more problems than not revealing them protects.
Ella has been with her boyfriend Max for five years but cracks are beginning to show in their relationship. Max is desperate to take their relationship to the next level, however Ella seems reluctant, if not scared, to do so. It is clear that something happened in Ella’s past that she refuses to acknowledge, relying on brutal training for the Commonwealth Games as a way of releasing her feelings. When circumstances cause Ella and Max to reconnect with schoolmates Fallon and Corey, Ella is quick to plot revenge on the people antagonizing them, using this as a new method of dealing with her past.
Through interactions with other characters, readers piece together the secret Ella has buried inside herself. By withholding these horrible experiences from everyone, Ella is slowly destroying herself. She believes she is protecting the people she loves, but is soon to realize that she is causing others to jump to dangerous conclusions.
Ella tells the story as if she is looking back on what has happened during the summer break from school. It is evident that she is opening up to an anonymous person, whom readers may initially presume to be a therapist. It is not until the shocking, heart-breaking conclusion that we eventually learn this character’s identity.
From the beginning it is not clear what the storyline of <i>The Deviants</i> is. For a very long time it is impossible to guess where the author is going with the narrative, however that does not stop it from being enjoyable. Ella’s account is occasionally amusing with realistic situations teenagers may find themselves in, although perhaps not all in one friendship circle: romantic relationships, pregnancy, exams, bullying, physical disability, homosexuality… As a result of the wishy-washy plot line, the ending is all the more shocking.
It is easy to relate to all of the main characters – although not necessarily like them all. Each represents a different set of feelings and personalities that all young adult readers will be familiar with, thus <i>The Deviants</i> is a book everyone can relate to.
I honestly did not know what to expect when I began this novel, however I easily got into the narrative and enjoyed reading about Ella and her friends. There are a few topics that are difficult to read about, so some readers may feel uncomfortable especially if they have ever been <b>*SPOILER*</b> abused. <i>The Deviants</i> is a book that fans of contemporary young adult readers should enjoy, and has the potential to become quite popular.
The Deviants</i> by British author C. J. Skuse is an addictive, shocking young adult thriller about friendship, secrets and revenge. Set in a seaside town in the South West of England five friends are reunited through getting revenge on people causing difficulties in their lives. However some people are holding back secrets from the others, ones that cause more problems than not revealing them protects.
Ella has been with her boyfriend Max for five years but cracks are beginning to show in their relationship. Max is desperate to take their relationship to the next level, however Ella seems reluctant, if not scared, to do so. It is clear that something happened in Ella’s past that she refuses to acknowledge, relying on brutal training for the Commonwealth Games as a way of releasing her feelings. When circumstances cause Ella and Max to reconnect with schoolmates Fallon and Corey, Ella is quick to plot revenge on the people antagonizing them, using this as a new method of dealing with her past.
Through interactions with other characters, readers piece together the secret Ella has buried inside herself. By withholding these horrible experiences from everyone, Ella is slowly destroying herself. She believes she is protecting the people she loves, but is soon to realize that she is causing others to jump to dangerous conclusions.
Ella tells the story as if she is looking back on what has happened during the summer break from school. It is evident that she is opening up to an anonymous person, whom readers may initially presume to be a therapist. It is not until the shocking, heart-breaking conclusion that we eventually learn this character’s identity.
From the beginning it is not clear what the storyline of <i>The Deviants</i> is. For a very long time it is impossible to guess where the author is going with the narrative, however that does not stop it from being enjoyable. Ella’s account is occasionally amusing with realistic situations teenagers may find themselves in, although perhaps not all in one friendship circle: romantic relationships, pregnancy, exams, bullying, physical disability, homosexuality… As a result of the wishy-washy plot line, the ending is all the more shocking.
It is easy to relate to all of the main characters – although not necessarily like them all. Each represents a different set of feelings and personalities that all young adult readers will be familiar with, thus <i>The Deviants</i> is a book everyone can relate to.
I honestly did not know what to expect when I began this novel, however I easily got into the narrative and enjoyed reading about Ella and her friends. There are a few topics that are difficult to read about, so some readers may feel uncomfortable especially if they have ever been <b>*SPOILER*</b> abused. <i>The Deviants</i> is a book that fans of contemporary young adult readers should enjoy, and has the potential to become quite popular.
<i>This eBook was provided by the author in exchange for an honest review </i>
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. </i>When Marissa Meyer finished writing <i>The Lunar Chronicles</i>, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s <i>Alice’s Adventures in Wonderland</i>. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
<i>Heartless</i> is a humorous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to <i>Alice’s Adventures in Wonderland</i>. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in <i>Heartless</i> perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, <i>Heartless</i> takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, <i>Heartless</i> is a delightful book that reignites our inner childish imagination.
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. </i>When Marissa Meyer finished writing <i>The Lunar Chronicles</i>, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s <i>Alice’s Adventures in Wonderland</i>. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
<i>Heartless</i> is a humorous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to <i>Alice’s Adventures in Wonderland</i>. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in <i>Heartless</i> perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, <i>Heartless</i> takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, <i>Heartless</i> is a delightful book that reignites our inner childish imagination.
365Flicks (235 KP) rated The Mason Brothers (2017) in Movies
Nov 20, 2019
It has been some time since I sat down to watch a good heist movie, so when I received The Mason Brothers and read things like ‘Inspired by films like The Untouchables and Reservoir Dogs’ well call me an old romantic for those films in particular but I will give this one a shot for sure.
I’m going to put something right on front street when it comes to this movie. When it says inspired by Reservoir Dogs it means inspired by… However as my esteemed podcast co-host said “there are worse movies to be inspired by”.
The Mason Brothers is the story of a group of Bank Robbers who as you may imagine are also brothers. We join the crew right after a heist has just gone really wrong and we witness the aftermath where one of the brothers dies. We then spend the night with the other 3 as they hide out waiting for an associate to track down the members of the other crew who screwed them over. The story is given to us in present time and flashbacks, so as the night unfolds and we start to find out who exactly set the guys up, caused there brother to die and wants the cash for themselves. Meanwhile via flashbacks we find out how they planned the job, who they cut into the deal and motivations for why and who did this to the brothers. That about covers it…. Obviously there are twisty turn-y things but hey No Spoilers here.
Keith Sutliff in his Directorial debut has hit upon something great here. He has assembled a good cast with some great chemistry and like most first time directors even throws himself into the mix on acting duties. Sutliff has a real flair for dialogue and it flows throughout. Sometimes screaming ‘you do love a Tarantino flick, dont you!!’ but at the same time freshening up a genre that often feels stale. I was real impressed with this as a Debut movie because it looks great has some real interesting choices with the editing and camera work but everything fits and the movie never loses sight of itself.
Quick word on the cast. As stated Sutliff plays brother Ren Mason, the planner, the mastermind and the strong silent type. Brandon Sean Pearson plays Jesse Mason the full blooded aggravated hot head of the crew. Personally I thought Pearson was the shining light of this Flick. Matthew Webb is Gage, a member of the group but not actually a Mason, I thought right the way through Gage was a wild card and I like to think that was a conscious decision. Rounding off the team is Micheal Ryan Whelan as Orion Mason who we only really see during the flashbacks but has some great little monologue-y scenes. Other supporters include Julien Cesario (Sons of Anarchy), Tim Park (Matador, Sons of Anarchy) and Nazo Bravo (Vigilante Diaries).
Yeah I would say this is a recommend from us here, The script is nice and wordy (something I love) the core cast all deliver in a pretty well paced heist movie gone wrong.
I’m going to put something right on front street when it comes to this movie. When it says inspired by Reservoir Dogs it means inspired by… However as my esteemed podcast co-host said “there are worse movies to be inspired by”.
The Mason Brothers is the story of a group of Bank Robbers who as you may imagine are also brothers. We join the crew right after a heist has just gone really wrong and we witness the aftermath where one of the brothers dies. We then spend the night with the other 3 as they hide out waiting for an associate to track down the members of the other crew who screwed them over. The story is given to us in present time and flashbacks, so as the night unfolds and we start to find out who exactly set the guys up, caused there brother to die and wants the cash for themselves. Meanwhile via flashbacks we find out how they planned the job, who they cut into the deal and motivations for why and who did this to the brothers. That about covers it…. Obviously there are twisty turn-y things but hey No Spoilers here.
Keith Sutliff in his Directorial debut has hit upon something great here. He has assembled a good cast with some great chemistry and like most first time directors even throws himself into the mix on acting duties. Sutliff has a real flair for dialogue and it flows throughout. Sometimes screaming ‘you do love a Tarantino flick, dont you!!’ but at the same time freshening up a genre that often feels stale. I was real impressed with this as a Debut movie because it looks great has some real interesting choices with the editing and camera work but everything fits and the movie never loses sight of itself.
Quick word on the cast. As stated Sutliff plays brother Ren Mason, the planner, the mastermind and the strong silent type. Brandon Sean Pearson plays Jesse Mason the full blooded aggravated hot head of the crew. Personally I thought Pearson was the shining light of this Flick. Matthew Webb is Gage, a member of the group but not actually a Mason, I thought right the way through Gage was a wild card and I like to think that was a conscious decision. Rounding off the team is Micheal Ryan Whelan as Orion Mason who we only really see during the flashbacks but has some great little monologue-y scenes. Other supporters include Julien Cesario (Sons of Anarchy), Tim Park (Matador, Sons of Anarchy) and Nazo Bravo (Vigilante Diaries).
Yeah I would say this is a recommend from us here, The script is nice and wordy (something I love) the core cast all deliver in a pretty well paced heist movie gone wrong.
EmersonRose (320 KP) rated The City of Shifting Waters (Valérian and Laureline, #1) in Books
Nov 20, 2019
On July 21, 2017, Valerian and the City of a Thousand Planets came out in theaters the U.S. After watching the movie I found myself intrigued by the characters, world, and the passion shown by the director and writer Luc Besson showed for the project. I took this interest and decided to start reading the comic books. Thus far I have been able to read three of the volumes, as they are French comics they are not usually kept in stores and I have to order them.
The Valerian and Laureline comics follow Valerian, a handsome and cocky time and space traveler, and Laureline, his stubborn and beautiful partner. They travel together across space and time on missions for Galaxity, the capital of the Terran Empire in the 28th century. They explore strange worlds with fascinating creatures, deal with complicated political situations, and take the reader through rewritten history.
I immediately fell in love with the comics for the same reasons I enjoyed the film. The first is that the world that author Pierre Christin and artist Jean-Claude Mezieres created is truly fantastical. It falls under the same sci-fi mixed with fantasy genre that Star Wars is under. The great space galaxy is full of planets that are home to a wide range of alien species, each with complicated politics, cultures, and aesthetics.
The second reason is that I love the relationship between Valerian and Laureline. I am a very character driven person in both my reading and writing so I am a sucker for a good relationship, romantic, familial, or friendship. Valerian and Laureline start the first comic playing chess. Valerian is cocky and does not like to lose, but he is kind and smart and works hard to make the world a better place. Laureline is funny, stubborn, and unlike Valerian, she does not feel the same sense of loyalty to the Terran Empire and therefore is okay with bending the rules to save the most people. They make for a great team, and their fun banter adds to the overall charm of the story.
7810429The first issue of the series was released in 1967 and ran till 2010. Initially, all were written in French but has since been translated into English and several other languages. This series plays with a lot of the sci-fi/fantasy tropes that make you fall in love with stories in the genre, and has even been compared to Star Wars as the basis for several of the ideas used in the Star Wars films, such as the look of some of the characters and situations characters find themselves in.
This is a fun and exciting comic series that got me into reading101694 comics in the first places. I will certainly be continuing my reading of these books so that I can continue being apart of the Valerian and Laureline story. I also enjoyed the film and hope that the passion the Luc Besson showed will be enough to allow him to make another film in the series.
I would highly recommend this series!
The Valerian and Laureline comics follow Valerian, a handsome and cocky time and space traveler, and Laureline, his stubborn and beautiful partner. They travel together across space and time on missions for Galaxity, the capital of the Terran Empire in the 28th century. They explore strange worlds with fascinating creatures, deal with complicated political situations, and take the reader through rewritten history.
I immediately fell in love with the comics for the same reasons I enjoyed the film. The first is that the world that author Pierre Christin and artist Jean-Claude Mezieres created is truly fantastical. It falls under the same sci-fi mixed with fantasy genre that Star Wars is under. The great space galaxy is full of planets that are home to a wide range of alien species, each with complicated politics, cultures, and aesthetics.
The second reason is that I love the relationship between Valerian and Laureline. I am a very character driven person in both my reading and writing so I am a sucker for a good relationship, romantic, familial, or friendship. Valerian and Laureline start the first comic playing chess. Valerian is cocky and does not like to lose, but he is kind and smart and works hard to make the world a better place. Laureline is funny, stubborn, and unlike Valerian, she does not feel the same sense of loyalty to the Terran Empire and therefore is okay with bending the rules to save the most people. They make for a great team, and their fun banter adds to the overall charm of the story.
7810429The first issue of the series was released in 1967 and ran till 2010. Initially, all were written in French but has since been translated into English and several other languages. This series plays with a lot of the sci-fi/fantasy tropes that make you fall in love with stories in the genre, and has even been compared to Star Wars as the basis for several of the ideas used in the Star Wars films, such as the look of some of the characters and situations characters find themselves in.
This is a fun and exciting comic series that got me into reading101694 comics in the first places. I will certainly be continuing my reading of these books so that I can continue being apart of the Valerian and Laureline story. I also enjoyed the film and hope that the passion the Luc Besson showed will be enough to allow him to make another film in the series.
I would highly recommend this series!
Sophia (Bookwyrming Thoughts) (530 KP) rated Still Star-Crossed in Books
Jan 23, 2020
Once upon a time I read <em>Romeo and Juliet</em> for English.
It was awful and boring, and I hated it with a passion. I don't know why, but <em>Romeo and Juliet</em> just didn't clash well with me.
<em>Still Star-Crossed</em> isn't exactly like Shakespeare's <em>Romeo and Juliet</em> - definitely not a retelling, though I would read a retelling of the cheese any day over rereading the original. <em>Still Star-Crossed</em> is like <strong>an unwritten sequel - the aftermath of what happens in Shakespeare's Verona after the tragic ending of Romeo and Juliet</strong>. The Capulets and Montagues are in a truce of sorts, but despite the public image, a tension remains between the two families and they're back to their feuds within weeks in the dark of the night. Hoping to diminish the feud altogether, the prince of Verona - Escalus - selects Benvolio (Montague) to marry Rosaline (Capulet).
<strong>Benvolio and Rosaline are an interesting pair to put together</strong> - they're complete opposites of their cousins. Both of them would probably prefer marriage to a literal snake than a forced marriage to each other, and in the hopes to break off the marriage, the two of them try to ease the heavy tensions lurking over the city.
But Benvolio and Rosaline are <strong>so much more entertaining to read about</strong>.
<blockquote>
<h3 style="text-align: center;"><b>THE BETROTHAL: A NUTSHELL</b></h3>
<p style="text-align: left;"><b>Escalus:</b> In order to bring peace to the two families and to Verona, I have decided the Montagues and Capulets will be united through marriage.
<p style="text-align: left;"><b>Rosaline:</b> DUDE. PEACE? I slapped that Montague not too long ago.
<p style="text-align: left;"><b>Benvolio:</b> About an hour ago, in fact.
<p style="text-align: left;"><b>Rosaline:</b> That's five minutes of knowing each other. Imagine a lifetime!
<p style="text-align: left;"><b>Benvolio:</b> A complete life of misery.
<p style="text-align: center;"><i>Pause.</i>
<b>Benvolio: </b>Then again, I guess my misery is yours to command, Your Grace.</blockquote>
They're not hopelessly romantic like their cousins with cheese lined around them! In fact, Benvolio and Rosaline hate being around each other. They only tromp around Veronas streets behind their families backs in the hopes to figure out who is behind trying to start up the feud between their families once more. At the exact same time, Rosaline starts becoming more distant from her sister Livia, and in a way, <strong><em>Still Star-Crossed</em> becomes a tale of a sisterly feud as well</strong>.
I think the only problem I really had with <em>Still Star-Crossed</em> is wanting to slap Escalus upside the head a few times for being figuratively blind. (Also, this is becoming a TV show. SOON. YES PLEASE.)
<a href="https://bookwyrmingthoughts.com/review-still-star-crossed-by-melinda-taub/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
It was awful and boring, and I hated it with a passion. I don't know why, but <em>Romeo and Juliet</em> just didn't clash well with me.
<em>Still Star-Crossed</em> isn't exactly like Shakespeare's <em>Romeo and Juliet</em> - definitely not a retelling, though I would read a retelling of the cheese any day over rereading the original. <em>Still Star-Crossed</em> is like <strong>an unwritten sequel - the aftermath of what happens in Shakespeare's Verona after the tragic ending of Romeo and Juliet</strong>. The Capulets and Montagues are in a truce of sorts, but despite the public image, a tension remains between the two families and they're back to their feuds within weeks in the dark of the night. Hoping to diminish the feud altogether, the prince of Verona - Escalus - selects Benvolio (Montague) to marry Rosaline (Capulet).
<strong>Benvolio and Rosaline are an interesting pair to put together</strong> - they're complete opposites of their cousins. Both of them would probably prefer marriage to a literal snake than a forced marriage to each other, and in the hopes to break off the marriage, the two of them try to ease the heavy tensions lurking over the city.
But Benvolio and Rosaline are <strong>so much more entertaining to read about</strong>.
<blockquote>
<h3 style="text-align: center;"><b>THE BETROTHAL: A NUTSHELL</b></h3>
<p style="text-align: left;"><b>Escalus:</b> In order to bring peace to the two families and to Verona, I have decided the Montagues and Capulets will be united through marriage.
<p style="text-align: left;"><b>Rosaline:</b> DUDE. PEACE? I slapped that Montague not too long ago.
<p style="text-align: left;"><b>Benvolio:</b> About an hour ago, in fact.
<p style="text-align: left;"><b>Rosaline:</b> That's five minutes of knowing each other. Imagine a lifetime!
<p style="text-align: left;"><b>Benvolio:</b> A complete life of misery.
<p style="text-align: center;"><i>Pause.</i>
<b>Benvolio: </b>Then again, I guess my misery is yours to command, Your Grace.</blockquote>
They're not hopelessly romantic like their cousins with cheese lined around them! In fact, Benvolio and Rosaline hate being around each other. They only tromp around Veronas streets behind their families backs in the hopes to figure out who is behind trying to start up the feud between their families once more. At the exact same time, Rosaline starts becoming more distant from her sister Livia, and in a way, <strong><em>Still Star-Crossed</em> becomes a tale of a sisterly feud as well</strong>.
I think the only problem I really had with <em>Still Star-Crossed</em> is wanting to slap Escalus upside the head a few times for being figuratively blind. (Also, this is becoming a TV show. SOON. YES PLEASE.)
<a href="https://bookwyrmingthoughts.com/review-still-star-crossed-by-melinda-taub/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Spider-Man: Far From Home (2019) in Movies
Mar 10, 2020
With the news that Disney and Sony will no longer co-produce Spider-Man films, it seems apt that the teen web-slinger headed off on a European vacation to get away from it all. A chance to chill out and take in the sights after the traumatic events of Avengers: Endgame.
For Peter Parker (Tom Holland), coming to terms with the loss of his mentor Tony Stark has been an emotional rollercoaster. Add to that the pressure for him to carry the mantle of Iron Man would be too much for any teenager to bear, let alone a quietly spoken superhero. But back in the halls of high-school with his best friend Ned (Jacob Batalon) and eyes still firmly fixed on MJ (Zendaya), Peter feels that life might be calming down – even deciding to leave his iconic suit behind, much to the dismay of his Aunt (Marisa Tomei).
When Nick Fury (Samuel L. Jackson) finally gets through after being ghosted a number of times on the phone, he informs Peter that a new force called the ‘Elementals’ has been leaving a trail of destruction across the world. As luck would have it a new superhero called Mysterio has arrived at just the right time to save the day, albeit it conveniently.
The action is loud, explosive and very impressive giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations.
Peter comes face to face with Quentin Beck (Jake Gyllenhaal) aka Mysterio. In Beck, Parker has found someone who sympathises with his problems and straight away sees him as a knee jerk replacement to Stark. Confiding in Beck, as well as handing him a pair of billionaire-dollar high-tech sunglasses which, has the ability to connect to various satellites and weapons, Peter is able to shift responsibility and concentrate on being just your regular love-struck teen.
The action is loud, explosive and very impressive, giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations in spectacular fashion. As Spider-Man and Mysterio combine forces to defeat the extraterrestrial Elementals there is something more disturbing about the goldfish-bowl wearing crime fighter.
Spider-Man: Far From Home keeps the humour trickling along and a number of romantic narratives spin-off from the main story. There is the awkward love interest between Happy Hogan (Jon Favreau) and Aunt May, with the former looking to fill the void left by his long-time companion, while Ned is also struck by cupid’s arrow. However, it is Peter and MJ’s on-screen romance that shines through, giving fans what they have wanted since Homecoming.
As to where this leaves the franchise given the recent split by the studios is anyone’s guess. Spider-Man is firmly entrenched in the Marvel Universe and any crossovers with other Marvel characters would probably not be allowed. Could this leave a tantalizing match-up between Spidey and Tom Hardy’s Venom, which despite some harsh criticism was a box office success?
For Peter Parker (Tom Holland), coming to terms with the loss of his mentor Tony Stark has been an emotional rollercoaster. Add to that the pressure for him to carry the mantle of Iron Man would be too much for any teenager to bear, let alone a quietly spoken superhero. But back in the halls of high-school with his best friend Ned (Jacob Batalon) and eyes still firmly fixed on MJ (Zendaya), Peter feels that life might be calming down – even deciding to leave his iconic suit behind, much to the dismay of his Aunt (Marisa Tomei).
When Nick Fury (Samuel L. Jackson) finally gets through after being ghosted a number of times on the phone, he informs Peter that a new force called the ‘Elementals’ has been leaving a trail of destruction across the world. As luck would have it a new superhero called Mysterio has arrived at just the right time to save the day, albeit it conveniently.
The action is loud, explosive and very impressive giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations.
Peter comes face to face with Quentin Beck (Jake Gyllenhaal) aka Mysterio. In Beck, Parker has found someone who sympathises with his problems and straight away sees him as a knee jerk replacement to Stark. Confiding in Beck, as well as handing him a pair of billionaire-dollar high-tech sunglasses which, has the ability to connect to various satellites and weapons, Peter is able to shift responsibility and concentrate on being just your regular love-struck teen.
The action is loud, explosive and very impressive, giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations in spectacular fashion. As Spider-Man and Mysterio combine forces to defeat the extraterrestrial Elementals there is something more disturbing about the goldfish-bowl wearing crime fighter.
Spider-Man: Far From Home keeps the humour trickling along and a number of romantic narratives spin-off from the main story. There is the awkward love interest between Happy Hogan (Jon Favreau) and Aunt May, with the former looking to fill the void left by his long-time companion, while Ned is also struck by cupid’s arrow. However, it is Peter and MJ’s on-screen romance that shines through, giving fans what they have wanted since Homecoming.
As to where this leaves the franchise given the recent split by the studios is anyone’s guess. Spider-Man is firmly entrenched in the Marvel Universe and any crossovers with other Marvel characters would probably not be allowed. Could this leave a tantalizing match-up between Spidey and Tom Hardy’s Venom, which despite some harsh criticism was a box office success?
Kristy H (1252 KP) rated My Dark Vanessa in Books
Mar 19, 2020
At fifteen, the very bright Vanessa Wye earns a scholarship position to boarding school. It's the year 2000. There she meets Jacob Strane, her English teacher, who is forty-two-years-old. Soon the two are involved in a powerful relationship--and one that quickly turns sexual. Seventeen years later, Vanessa is working as a concierge at a hotel, just another in a series of dead-end jobs. She hasn't had any real serious relationships. And now, Jacob Strane, has been accused of sexual abuse by a former student, Taylor Birch. Taylor tracks down Vanessa, wanting her to share her story, too. But Vanessa doesn't feel she was abused by Strane. In fact, her entire life is framed by her love story with Strane. As Taylor Birch's story gains traction in the press, Vanessa must confront her past and what it means to her.
"'I'm going to ruin you.' He says it with obvious torment, a glimpse into how much he's thought about it, wrestled with it."
This book...wow. I was absolutely captivated by Vanessa's story. She tells her tale in two parts: her adolescence, as she meets Jacob Strane at school and they begin their relationship; and then the present, as Taylor Birch's story hits the press and Vanessa must deal with the fact that her love for Jacob Strane is being portrayed as abuse and assault.
"It's strange to know that whenever I remember myself at fifteen, I'll think of this."
For a book with such dark subject matter, it's really beautiful. Russell is a wonderful writer, and this story unfolds almost lyrically. It's so well-done and completely mesmerizing. The sections featuring young Vanessa capture that early adolescent yearning and longing so perfectly--that deep desire to feel needed and wanted. To Vanessa, this is a love story, a romantic tale of a man needing and loving her. She blocks out and overlooks the parts of the story that don't fit. Understanding that some victims don't see abuse as abuse is key to the story, and Russell portrays the dynamic between Strane and Vanessa so well.
"'It's just my luck,' he said, 'that when I finally find my soul mate, she's fifteen years old.'"
As a result, we get a very thoughtful look at abuse, rape, and assault. And, yes, the sections of older Vanessa's story touch across the #metoo movement, as Taylor Birch and others want so desperately for Vanessa to join their side, to share her story. For them or for Vanessa, it's hard to say. This book is so dark, yet so insightful. Vanessa's inner struggle--basically she's having to re-look at the entire foundation upon which her life is built--is one of the most profoundly written and moving journeys I've seen in literature in quite some time. It's not easy to read about, certainly, and it's not always easy to understand her actions, of course. The story can make you uncomfortable; it can feel problematic. But it's an important read, and it's so beautifully and poetically written. I highly recommend it (taking into account the obvious trigger warnings, of course). 4.5+ stars.
"'I'm going to ruin you.' He says it with obvious torment, a glimpse into how much he's thought about it, wrestled with it."
This book...wow. I was absolutely captivated by Vanessa's story. She tells her tale in two parts: her adolescence, as she meets Jacob Strane at school and they begin their relationship; and then the present, as Taylor Birch's story hits the press and Vanessa must deal with the fact that her love for Jacob Strane is being portrayed as abuse and assault.
"It's strange to know that whenever I remember myself at fifteen, I'll think of this."
For a book with such dark subject matter, it's really beautiful. Russell is a wonderful writer, and this story unfolds almost lyrically. It's so well-done and completely mesmerizing. The sections featuring young Vanessa capture that early adolescent yearning and longing so perfectly--that deep desire to feel needed and wanted. To Vanessa, this is a love story, a romantic tale of a man needing and loving her. She blocks out and overlooks the parts of the story that don't fit. Understanding that some victims don't see abuse as abuse is key to the story, and Russell portrays the dynamic between Strane and Vanessa so well.
"'It's just my luck,' he said, 'that when I finally find my soul mate, she's fifteen years old.'"
As a result, we get a very thoughtful look at abuse, rape, and assault. And, yes, the sections of older Vanessa's story touch across the #metoo movement, as Taylor Birch and others want so desperately for Vanessa to join their side, to share her story. For them or for Vanessa, it's hard to say. This book is so dark, yet so insightful. Vanessa's inner struggle--basically she's having to re-look at the entire foundation upon which her life is built--is one of the most profoundly written and moving journeys I've seen in literature in quite some time. It's not easy to read about, certainly, and it's not always easy to understand her actions, of course. The story can make you uncomfortable; it can feel problematic. But it's an important read, and it's so beautifully and poetically written. I highly recommend it (taking into account the obvious trigger warnings, of course). 4.5+ stars.
Gareth von Kallenbach (971 KP) rated This Means War (2012) in Movies
Aug 7, 2019
It’s been said that all’s fair in love and war and never was the case more evident than in the tale of FDR and Tuck, two best friends who also happen to be partners and top agents at the CIA. After a covert operation doesn’t go as planned the duo find themselves riding their desks in the Los Angeles agency office much to their chagrin.
FDR (Chris Pine) is very confident ladies’ man while Tuck (Tom Hardy) is a divorced father of a little boy looking for “the one”. The more reserved Tuck decides to take his chances with online dating while FDR is content to cruise the local video store searching for his latest conquest. Enter Lauren (Reese Witherspoon), an attractive, independent woman who appears to have everything except a love life.
When Lauren encounters her former fiancé engaged to another woman, she vents her frustration to her best friend Trish (Chelsea Handler) who decides to take matters into her own hands and, unbeknownst to Lauren, produces an online dating profile for Lauren which matches her with Tuck. The first meeting between the two goes very well and they decide to take things slowly and see where this promising start leads. Unfortunately as Trish is heading home she stops in the same video store were FDR is on the prowl and the two mix like oil and water. Undeterred, FDR decides to pursue Lauren.
Eventually Tuck and FDR realize that they’re seeing the same woman and, not wanting to put their friendship in jeopardy, agree that they will continue to see her and let Lauren decide whom she prefers. The fact that neither men in this love triangle acknowledges that they know each other leads to some interesting complications, and naturally jealousies arise between the two friends.
With the full resources of the CIA at their disposal, Tuck and FDR, who’ve both become captivated with Lauren, soon take advantage of their job not only to spy on each other’s dates with Lauren but also to do their best to undermine the other and gain valuable information to help them appear more desirable to Lauren. As if this wasn’t complicated enough, an international criminal named Heinrich (Til Schweiger) is searching for the two agents to seek revenge. Constantly battling one another as well as the impending threat of Heinrich, FDR and Tuck embark on a hysterical and action-packed adventure that is one of the most enjoyable romantic comedies in recent memory.
Sure the film does take a few leaps in logic, such as the CIA turning a blind eye to their use of so many high-level resources in the world of dating but anyone seeing this type of film obviously isn’t expecting realism.
Directed by McG the film mixes action and comedy with a touch of romance and creates an entertaining formula. The three leads work exceptionally well with one another and Hardy and Pine are clearly stars on the rise. Handler does some great supporting work in the film and gets more than her share of laughs. This is definitely one you will not want to miss.
FDR (Chris Pine) is very confident ladies’ man while Tuck (Tom Hardy) is a divorced father of a little boy looking for “the one”. The more reserved Tuck decides to take his chances with online dating while FDR is content to cruise the local video store searching for his latest conquest. Enter Lauren (Reese Witherspoon), an attractive, independent woman who appears to have everything except a love life.
When Lauren encounters her former fiancé engaged to another woman, she vents her frustration to her best friend Trish (Chelsea Handler) who decides to take matters into her own hands and, unbeknownst to Lauren, produces an online dating profile for Lauren which matches her with Tuck. The first meeting between the two goes very well and they decide to take things slowly and see where this promising start leads. Unfortunately as Trish is heading home she stops in the same video store were FDR is on the prowl and the two mix like oil and water. Undeterred, FDR decides to pursue Lauren.
Eventually Tuck and FDR realize that they’re seeing the same woman and, not wanting to put their friendship in jeopardy, agree that they will continue to see her and let Lauren decide whom she prefers. The fact that neither men in this love triangle acknowledges that they know each other leads to some interesting complications, and naturally jealousies arise between the two friends.
With the full resources of the CIA at their disposal, Tuck and FDR, who’ve both become captivated with Lauren, soon take advantage of their job not only to spy on each other’s dates with Lauren but also to do their best to undermine the other and gain valuable information to help them appear more desirable to Lauren. As if this wasn’t complicated enough, an international criminal named Heinrich (Til Schweiger) is searching for the two agents to seek revenge. Constantly battling one another as well as the impending threat of Heinrich, FDR and Tuck embark on a hysterical and action-packed adventure that is one of the most enjoyable romantic comedies in recent memory.
Sure the film does take a few leaps in logic, such as the CIA turning a blind eye to their use of so many high-level resources in the world of dating but anyone seeing this type of film obviously isn’t expecting realism.
Directed by McG the film mixes action and comedy with a touch of romance and creates an entertaining formula. The three leads work exceptionally well with one another and Hardy and Pine are clearly stars on the rise. Handler does some great supporting work in the film and gets more than her share of laughs. This is definitely one you will not want to miss.