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BookwormMama14 (18 KP) rated Price of Privilege (Price of Privilege, #3) in Books
Jan 2, 2019
While this is most definitely one of the darkest books I’ve read, I am in awe of the author’s magnificent way of transmitting Julia’s emotions to the reader.
**If you have not read the first two books, please be aware of spoilers**
Julia Elliston is about to face her Goliath and her entire world is crumbling in front of her eyes. Her dream of living happily ever after with Edward is snatched away almost the moment it begins. Julia and Edward are forced to return to Lord Pierson as news of the scandalous vicar has reached the village where Edward served. But before they can even begin to settle into their new life, Macy has returned to “collect his wife”. Using his notorious skills of manipulation, Macy has set in motion the charges that will destroy the entire Pierson family, and return Julia to his safe keeping. Lord Dalry brings forth his old school friend Mr. Whitney to fight her case. We meet another friend in this book, Jameson, the fetching butler. Edward offers Jameson a job after his father decides to replace him. Jameson adds some much needed humor to this story. As she prepares for her court date, Julia comes to hate herself for the mistakes that she has made. But with Isaac’s help, in the most touching and tragic way possible, she comes to see herself as God sees her and loves her. She becomes a new person walking in the love and acceptance of the Father. A place that I hope we can all achieve. As tensions grow and truths are revealed, everyone has very severe choices that must be made. How will Lord Pierson protect his daughter? Will Edward be charged with crimes he didn’t commit? Is there anyway Isaac can free Julia from this monster? Has Macy paid off everyone so he will walk free and claim his wife? But most importantly, will Julia’s faith stand firm throughout the trials and the hardships?
I have had completely mixed emotions about the entire story in general. I have come to realize, however, that it is because I prefer a more lighthearted book. The conclusion of the Price of Privilege Trilogy went above and beyond my expectations. It was also hard for me to relate with Julia in a lot of ways. Her decisions and reactions in specific situations are the complete opposite of how I would think to react (Although I don’t have a blood thirsty husband, who could at any moment snatch me away). I also remain uncomfortable with the portrayal of some of the romantic scenes. They are brief and few, but I feel as if they were a little too provocative without being graphic. That being said, as our story concluded, I was moved to tears. The emotions I was reading were very easy to grasp onto. The series as a whole is very dark and depressing, too much for my own emotional health to handle in 2 ½ weeks. (I need about a week just to process everything now.) I wasn’t sure about the books at first, but I am glad I stuck with it. My congratulations to Jessica Dotta on her first series, I look forward to reading any future works!
I received a free copy of Price of Privilege (Price of Privilege Trilogy Book 3) from Tyndale House Publishers, Inc. in exchange for my honest review.
**If you have not read the first two books, please be aware of spoilers**
Julia Elliston is about to face her Goliath and her entire world is crumbling in front of her eyes. Her dream of living happily ever after with Edward is snatched away almost the moment it begins. Julia and Edward are forced to return to Lord Pierson as news of the scandalous vicar has reached the village where Edward served. But before they can even begin to settle into their new life, Macy has returned to “collect his wife”. Using his notorious skills of manipulation, Macy has set in motion the charges that will destroy the entire Pierson family, and return Julia to his safe keeping. Lord Dalry brings forth his old school friend Mr. Whitney to fight her case. We meet another friend in this book, Jameson, the fetching butler. Edward offers Jameson a job after his father decides to replace him. Jameson adds some much needed humor to this story. As she prepares for her court date, Julia comes to hate herself for the mistakes that she has made. But with Isaac’s help, in the most touching and tragic way possible, she comes to see herself as God sees her and loves her. She becomes a new person walking in the love and acceptance of the Father. A place that I hope we can all achieve. As tensions grow and truths are revealed, everyone has very severe choices that must be made. How will Lord Pierson protect his daughter? Will Edward be charged with crimes he didn’t commit? Is there anyway Isaac can free Julia from this monster? Has Macy paid off everyone so he will walk free and claim his wife? But most importantly, will Julia’s faith stand firm throughout the trials and the hardships?
I have had completely mixed emotions about the entire story in general. I have come to realize, however, that it is because I prefer a more lighthearted book. The conclusion of the Price of Privilege Trilogy went above and beyond my expectations. It was also hard for me to relate with Julia in a lot of ways. Her decisions and reactions in specific situations are the complete opposite of how I would think to react (Although I don’t have a blood thirsty husband, who could at any moment snatch me away). I also remain uncomfortable with the portrayal of some of the romantic scenes. They are brief and few, but I feel as if they were a little too provocative without being graphic. That being said, as our story concluded, I was moved to tears. The emotions I was reading were very easy to grasp onto. The series as a whole is very dark and depressing, too much for my own emotional health to handle in 2 ½ weeks. (I need about a week just to process everything now.) I wasn’t sure about the books at first, but I am glad I stuck with it. My congratulations to Jessica Dotta on her first series, I look forward to reading any future works!
I received a free copy of Price of Privilege (Price of Privilege Trilogy Book 3) from Tyndale House Publishers, Inc. in exchange for my honest review.
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Gareth von Kallenbach (971 KP) rated Fever Pitch (2005) in Movies
Aug 14, 2019
Spring is the time of year when past failures of the fall are forgotten by most baseball fans. While hope springs eternal every spring for most fans, Boston Red Sox fans have long had a love/hate relationship with their team. This is due in large part to the Red Sox’s ongoing and often bizarre ability to snatch defeat from the jaws of victory for year after year, decade after decade, causing fans to claim that the team has been cursed ever since they traded Babe Ruth to the New York Yankees back in 1918. They have failed to win a championship since.
That is, until the magical season of 2005 where lifetimes of tears and frustrations were cleansed by an improbable and historic comeback from a three games to none series deficit to the Yankees, and a four game sweep of the St Louis Cardinals in the World Series.
In the new romantic comedy Fever Pitch two worlds are about to collide in a fury of romance and humor when workaholic Lindsey Meeks (Drew Barrymore), meets and starts to date a school teacher named Ben (Jimmy Fallon). Though their first date is hampered by a bad virus, Lindsey is taken by Ben’s gentle and compassionate nature, finding him very kind, loving and attentive.
As the two become closer over the winter, Ben asks Lindsey to attend opening day at Fenway with him as a sign of his love and commitment to her. Knowing Ben’s passion for the game, Lindsey accepts but soon finds out, that Ben is fanatical about his love of the Sox and that every aspect of his life has to be scheduled around their
games. While this is at first a minor issue, as time goes on it becomes a bigger problem when Ben refuses to take trips or attend parties and functions that interfere with games.
Naturally this soon wears very thin for Lindsey as she begins to question how committed Ben is to her and their future. The humor in the film arises from watching the very kind and lovable Ben become a different person when he is watching his beloved Sox. Rather then painting Ben as an oddball, the story does show why he has such an extreme devotion to the team, as well as how the people around him react to his devotion. His male friends simply accept it as they are rabid fans themselves, while we learn that every woman in his past has had an issue with his love of the Sox.
What really makes the film shine is the solid work by the two leads. Barrymore has a charm and grace to her that lets Lindsey come off as a very lovable and compassionate lady, rather than a selfish shrew who craves attention. Fallon meanwhile is solid, showing the duality of his life, as well as the dilemma he has between wanting to be with Lindsey and his lifelong devotion to the Sox.
The film moves at a steady pace and has more than enough humor to make you leave the theater with a smile, even if you are not a baseball fan. While some may say the plot is a bit shallow and formulistic, the film wisely puts the attention on the two leads and not on the sports action which results in a very winning combo.
That is, until the magical season of 2005 where lifetimes of tears and frustrations were cleansed by an improbable and historic comeback from a three games to none series deficit to the Yankees, and a four game sweep of the St Louis Cardinals in the World Series.
In the new romantic comedy Fever Pitch two worlds are about to collide in a fury of romance and humor when workaholic Lindsey Meeks (Drew Barrymore), meets and starts to date a school teacher named Ben (Jimmy Fallon). Though their first date is hampered by a bad virus, Lindsey is taken by Ben’s gentle and compassionate nature, finding him very kind, loving and attentive.
As the two become closer over the winter, Ben asks Lindsey to attend opening day at Fenway with him as a sign of his love and commitment to her. Knowing Ben’s passion for the game, Lindsey accepts but soon finds out, that Ben is fanatical about his love of the Sox and that every aspect of his life has to be scheduled around their
games. While this is at first a minor issue, as time goes on it becomes a bigger problem when Ben refuses to take trips or attend parties and functions that interfere with games.
Naturally this soon wears very thin for Lindsey as she begins to question how committed Ben is to her and their future. The humor in the film arises from watching the very kind and lovable Ben become a different person when he is watching his beloved Sox. Rather then painting Ben as an oddball, the story does show why he has such an extreme devotion to the team, as well as how the people around him react to his devotion. His male friends simply accept it as they are rabid fans themselves, while we learn that every woman in his past has had an issue with his love of the Sox.
What really makes the film shine is the solid work by the two leads. Barrymore has a charm and grace to her that lets Lindsey come off as a very lovable and compassionate lady, rather than a selfish shrew who craves attention. Fallon meanwhile is solid, showing the duality of his life, as well as the dilemma he has between wanting to be with Lindsey and his lifelong devotion to the Sox.
The film moves at a steady pace and has more than enough humor to make you leave the theater with a smile, even if you are not a baseball fan. While some may say the plot is a bit shallow and formulistic, the film wisely puts the attention on the two leads and not on the sports action which results in a very winning combo.
Gareth von Kallenbach (971 KP) rated Hitch (2005) in Movies
Aug 14, 2019
February is the time of year when thoughts turn to romance and the coming spring. It is also the time of year when Hollywood brings new romantic themed films to the theaters in an effort to open big, thanks to the date movie crowd.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Gareth von Kallenbach (971 KP) rated Long Shot (2019) in Movies
Jul 2, 2019
When his small paper is bought out but a large media conglomerate the free-spirited journalist Fred Flarsky (Seth Rogen) quits rather write for a company he believes has a low moral compass. His best friend Lance (O’Shea Jackson Jr.) takes him out on the town to drown his sorrows. They decide to go to a charity function to get free drinks and watch Boyz II Men. As chance would have it Fred’s babysitter from high school, Charlotte Field (Charlize Theron), is also there. Charlotte happens to be one of the most powerful women in the world. She is currently the Secretary of State and has her eyes set on the on the White House. But she recognizes Fred and they connect for a few moments. This chance meeting seems fortuitous for both. Fred needs a job and Charlotte is in need of a writer to help punch up her speeches. Fred also gets the chance to travel the world with his high school crush. Even though Fred isn’t your normal member of a government official’s entourage, dresses like a child, has a scraggly beard and looks high even when not, he can write. So he gets the chance to write entire speeches. As his role increases he needs to get to know this version of Charlotte a little better, rather than the girl he know in high school. They begin to spend more and more time together getting to know each other. Then a near death experience in Manilla leads to a wild night between the odd couple. But rather than a onetime thing the two begin sneaking away together. But as Charlotte heads toward a Presidential Campaign it seem inevitable that this secret relationship needs to end or go public.
This Jonathan Levine (The Night Before, Snatched) directed romantic comedy is predictable with flares of originality. The cast is great. Rogen and Theron have good chemistry and do well. The supporting cast, O’Shea (Straight Outta Compton) as well as June Diane Raphael (Blockers, The Disaster Artist), Ravi Patel (T.V. series Wrecked, Grandfathered), Andy Serkis (Black Panther, The Lord of the Rings Trilogy) and others, all have fun moments. Bob Odenkirk (T.V.’s Better Call Saul) is very funny in his role as President Chambers. The comedy is fun, but raunchy at times. There were definitely laugh out loud moments. But some of the jokes were predictable and other good jokes were spoiled by the trailers, so avoid if possible. The story was also pretty predictable with the outcome never really in doubt but the ride was fun and had both really good moments and some that fell flat. It blended what could be believable politics with some things you know would not be, or you really hope couldn’t be, done by someone in a powerful government position.
I thought the film was good but it did run a little long, 125 minutes. I think it would be a good date movie but definitely leave the kids at home due to prevalent drug use and raunchy moments. I went in with low expectations and that could also help. But if you need a laugh or non-super hero movie to see this is worth the ticket price.
This Jonathan Levine (The Night Before, Snatched) directed romantic comedy is predictable with flares of originality. The cast is great. Rogen and Theron have good chemistry and do well. The supporting cast, O’Shea (Straight Outta Compton) as well as June Diane Raphael (Blockers, The Disaster Artist), Ravi Patel (T.V. series Wrecked, Grandfathered), Andy Serkis (Black Panther, The Lord of the Rings Trilogy) and others, all have fun moments. Bob Odenkirk (T.V.’s Better Call Saul) is very funny in his role as President Chambers. The comedy is fun, but raunchy at times. There were definitely laugh out loud moments. But some of the jokes were predictable and other good jokes were spoiled by the trailers, so avoid if possible. The story was also pretty predictable with the outcome never really in doubt but the ride was fun and had both really good moments and some that fell flat. It blended what could be believable politics with some things you know would not be, or you really hope couldn’t be, done by someone in a powerful government position.
I thought the film was good but it did run a little long, 125 minutes. I think it would be a good date movie but definitely leave the kids at home due to prevalent drug use and raunchy moments. I went in with low expectations and that could also help. But if you need a laugh or non-super hero movie to see this is worth the ticket price.
Phil Leader (619 KP) rated Beyond the Red Mountains in Books
Nov 8, 2019
Kelvin has lived all his life in the city of Triopolis, a peaceful place between the mountains and the sea. After all there are no other towns or civilisations on the planet, not since the Dark Days when everything changed.
Kelvin's first clue that all might not be as he has been taught when he discovers an old book warning about a mysterious figure called Luther who seems to have been carefully erased from the history of Triopolis. And it is clear that he is not the only one who is aware of secrets.
Elizabeth is the princess of Westville, the centre of a civilisation that has conquered every other city in the world - there are not many. She is locked in a loveless and arranged marriage but is determined to find some way out.
When fate brings Kelvin and Elizabeth together they realise there is a lot more going on than the elders of either city would have them believe. Before long they are on the run, desperately trying to save themselves and their cities from dark forces. They have allies and enemies, but telling one from the other is only half the battle...
Beyond the Red Mountains is a fantasy novel that is of epic proportions but avoids all the tropes and cliches of 'epic' fantasy. There isn't really a great quest, there isn't a dark lord threatening all of existence. All of the characters seem very real and all have their own reasons for their actions, whether these are with or against the main protagonists.
There are many twists and turns and the story doesn't let itself get too bogged down in long conversations or descriptions, letting the story unfold to reveal the narrative and the history. Not every decision Kelvin and Elizabeth make is the right one, but it is always made with the best intentions. The characterisation really does stand out, with a lot of care taken to make the characters believable. I was particularly struck by one of the characters who are opposed to Kelvin and Elizabeth but the reader ends up feeling enormous sympathy for.
There is a (perhaps inevitable) romantic connection between Kelvin and Elizabeth but this is well played and unfolds very realistically and is never overplayed or overstated. Some of the keepers of ancient wisdom they meet are perhaps a little to forthcoming about forbidden knowledge but this means the story doesn't slow but can take the next step so this can be forgiven.
The prose is very simple, clearly aimed at a young adult audience, although some of the themes and scenes are perhaps not for the very young end of the spectrum. As an introduction to lengthy fantasy tales this works very well though. The ending is a real cliff hanger and definitely makes me want to read the sequel.
There were a few more spelling mistakes and incorrect (or plain missing) words in the eBook version I read but this wasn't really a problem, it was always clear what was intended.
I would recommend this book to anyone who wanted to tackle a human-scale epic fantasy novel with a difference, one that cared about all of its characters, even the ones nominally pitched against the 'heroes'.
Kelvin's first clue that all might not be as he has been taught when he discovers an old book warning about a mysterious figure called Luther who seems to have been carefully erased from the history of Triopolis. And it is clear that he is not the only one who is aware of secrets.
Elizabeth is the princess of Westville, the centre of a civilisation that has conquered every other city in the world - there are not many. She is locked in a loveless and arranged marriage but is determined to find some way out.
When fate brings Kelvin and Elizabeth together they realise there is a lot more going on than the elders of either city would have them believe. Before long they are on the run, desperately trying to save themselves and their cities from dark forces. They have allies and enemies, but telling one from the other is only half the battle...
Beyond the Red Mountains is a fantasy novel that is of epic proportions but avoids all the tropes and cliches of 'epic' fantasy. There isn't really a great quest, there isn't a dark lord threatening all of existence. All of the characters seem very real and all have their own reasons for their actions, whether these are with or against the main protagonists.
There are many twists and turns and the story doesn't let itself get too bogged down in long conversations or descriptions, letting the story unfold to reveal the narrative and the history. Not every decision Kelvin and Elizabeth make is the right one, but it is always made with the best intentions. The characterisation really does stand out, with a lot of care taken to make the characters believable. I was particularly struck by one of the characters who are opposed to Kelvin and Elizabeth but the reader ends up feeling enormous sympathy for.
There is a (perhaps inevitable) romantic connection between Kelvin and Elizabeth but this is well played and unfolds very realistically and is never overplayed or overstated. Some of the keepers of ancient wisdom they meet are perhaps a little to forthcoming about forbidden knowledge but this means the story doesn't slow but can take the next step so this can be forgiven.
The prose is very simple, clearly aimed at a young adult audience, although some of the themes and scenes are perhaps not for the very young end of the spectrum. As an introduction to lengthy fantasy tales this works very well though. The ending is a real cliff hanger and definitely makes me want to read the sequel.
There were a few more spelling mistakes and incorrect (or plain missing) words in the eBook version I read but this wasn't really a problem, it was always clear what was intended.
I would recommend this book to anyone who wanted to tackle a human-scale epic fantasy novel with a difference, one that cared about all of its characters, even the ones nominally pitched against the 'heroes'.
Sophia (Bookwyrming Thoughts) (530 KP) rated Stone of Destiny in Books
Jan 23, 2020
A few confessions regarding Stone of Destiny:
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
~ I called this "Souls of Destiny" for quite a while. Good thing no one actually heard me say it...
~ Coincidently, I finished the prequel to Stone of Destiny, The Forgotten Ones, a few days before I got a tour invite. How could I not sign up? Oh, and no mind reading was involved. If that's the case, it's ALWAYS a coincidence. But I do love how some people think I have some sort of psychic ability and start asking about their future. *ominous voice crystal ball and all* "The future holds the unknown...."
Stone of Destiny starts right off from where The Forgotten Ones ended in fact, the last sentence in the previous book? It's the very first sentence in the sequel. If that's not starting straight off from where the last book ended, then please, feel free to correct me. But I'm pretty sure I'm in a sensible mindset.
To my delight, the pronunciation guide has been a tad bit updated. I say tad because Gaelic (Irish?) or any language really, but those with funny symbols like Chinese isn't as easy as the romantic languages is funny and there are a few terms that appear... yet they're not in the guide. One of them I was pretty much too lazy to redownload the first book just to check the pronunciation again. But hey, for those who weren't as fortunate as me aka, you recently read the book not too long ago so the terms are happily fresh in your brain and haven't read the Danaan trilogy for awhile, the pronunciation guide will be a big help!
Meanwhile, Ethan's acting strangely around Allison for awhile to which I'm not exactly happy about, but I'm sort of happy since it doesn't last too long. Plus, while Allison continues to play the "I'm going to avoid Ethan Magliaro forever" game, it's a lot less than it was back in book one even though Ethan pops out in almost every scene of the book. It's a nice change to see those pointy fences coming down to which I'm doing a happy dance. (What? Don't tell me you like pointy fences I'm sure you don't. Unless you like bleeding. Profoundly. Bad idea if you're a hemophiliac.)
Stone of Destiny focuses more on the characters in fact, a few new characters, particularly one that was mentioned back in The Forgotten Ones, make an appearance as well unraveling Aoife's plan/ritual/ceremony/whatchamacallit in Ireland. There's no particularly plot aside from continuing to add building blocks to book one, and while there's no fancy schmancy plot, it was definitely a delight to read Stone of Destiny and to go back to the world of Tir Na Nog. Thing is, Howard sort of has expectations of epic proportions to meet in the last book of the trilogy.
I'm kidding about epic proportions. That's probably reserved for someone like Stephen King, who I actually haven't read.
------------------
Review copy provided by the author for the blog tour
original rating: 4.5 out of 5
original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/blog-tour-stone-of-destiny-by-laura-howard-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Sophia (Bookwyrming Thoughts) (530 KP) rated A Faerie's Secret (Creepy Hollow, #4) in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
The fourth novel to the <i>Creepy Hollow</i> series pretty much made me realize that <b>there were actually some loose ends left untied in the third book</b> I'm not sure if I mentioned it felt like an almost abrupt ending (I probably did).
Anyways, <i>A Faerie's Secret</i> is <b>set approximately ten years after the events in <i><a title="The Faerie War by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-war-by-rachel-morgan/"; target="_blank" rel="noopener">The Faerie War</a></i></b>. Rachel introduces us to a <b>new main character Calla Larkenwood, Ryn's little sister</b> who made a few appearances in the first three novels when Violet is the main character.
<b>Calla is definitely different from Violet she's just as kick-ass, adorable, and doesn't actually follow orders from others.</b> She's a bit bratty sometimes (within reason) and a seemingly hopeless romantic who longs for companionship. She <b>desires to be a guardian and actually trains in private</b> before something happens and her parents approve of her joining a guild. She <b>gets a crash course of all four years in a month</b> before starting as a fifth-year guardian, where a lot of her peers and her mentor believe she doesn't belong. She's <b>determined to prove everyone wrong and show that she definitely belongs with the guild.</b>
Rachel seems to have focused more on giving the series more action, which doesn't really work out too well. <b>There's an entirely different faerie world that we are introduced to, and it's different from <a title="The Faerie Prince by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-prince-by-rachel-morgan/"; target="_blank" rel="noopener">when Violet was a guardian</a></b> not just with time, but with everything that happened in the third book. The <b>author does a pretty good job with easing us into the new guild,</b> but I'm a little curious on what the new guild looks like now that everything seems to be nice and dandy.
<b>I have very little idea on what the past characters are up to a decade later.</b> I'm very up to date with what happened to Ryn and some of the characters, but I don't really know what happened to Violet, Raven, and Flint. <b>There's some cryptic dialogue that tells me something, but it's not sure.</b> (It's not exactly safe to assume.) I know they survived, and they're still good friends. I don't know if they retired from the guardian life and pursued another career or something else entirely.
I may have enjoyed <i>A Faerie's Secret</i> more than the last two books <b>there are more dangers and adventures with Calla as our new heroine.</b> I don't really know what will happen in the next book <b>I'm left with an open ending where I have some questions that I hope to be answered in the sequel.</b>
<a href="https://bookwyrmingthoughts.com/review-a-faeries-secret-by-rachel-morgan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The fourth novel to the <i>Creepy Hollow</i> series pretty much made me realize that <b>there were actually some loose ends left untied in the third book</b> I'm not sure if I mentioned it felt like an almost abrupt ending (I probably did).
Anyways, <i>A Faerie's Secret</i> is <b>set approximately ten years after the events in <i><a title="The Faerie War by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-war-by-rachel-morgan/"; target="_blank" rel="noopener">The Faerie War</a></i></b>. Rachel introduces us to a <b>new main character Calla Larkenwood, Ryn's little sister</b> who made a few appearances in the first three novels when Violet is the main character.
<b>Calla is definitely different from Violet she's just as kick-ass, adorable, and doesn't actually follow orders from others.</b> She's a bit bratty sometimes (within reason) and a seemingly hopeless romantic who longs for companionship. She <b>desires to be a guardian and actually trains in private</b> before something happens and her parents approve of her joining a guild. She <b>gets a crash course of all four years in a month</b> before starting as a fifth-year guardian, where a lot of her peers and her mentor believe she doesn't belong. She's <b>determined to prove everyone wrong and show that she definitely belongs with the guild.</b>
Rachel seems to have focused more on giving the series more action, which doesn't really work out too well. <b>There's an entirely different faerie world that we are introduced to, and it's different from <a title="The Faerie Prince by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-prince-by-rachel-morgan/"; target="_blank" rel="noopener">when Violet was a guardian</a></b> not just with time, but with everything that happened in the third book. The <b>author does a pretty good job with easing us into the new guild,</b> but I'm a little curious on what the new guild looks like now that everything seems to be nice and dandy.
<b>I have very little idea on what the past characters are up to a decade later.</b> I'm very up to date with what happened to Ryn and some of the characters, but I don't really know what happened to Violet, Raven, and Flint. <b>There's some cryptic dialogue that tells me something, but it's not sure.</b> (It's not exactly safe to assume.) I know they survived, and they're still good friends. I don't know if they retired from the guardian life and pursued another career or something else entirely.
I may have enjoyed <i>A Faerie's Secret</i> more than the last two books <b>there are more dangers and adventures with Calla as our new heroine.</b> I don't really know what will happen in the next book <b>I'm left with an open ending where I have some questions that I hope to be answered in the sequel.</b>
<a href="https://bookwyrmingthoughts.com/review-a-faeries-secret-by-rachel-morgan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Lee (2222 KP) rated Weathering with You (2019) in Movies
Jan 31, 2020
Weathering With You is another beautifully creative romantic fantasy from director Makoto Shinkai, who was responsible for 2016 hit, Your Name. I only recently watched Your Name, and to say that it blew me away would be an understatement - it's a movie I still think about to this day. So, I headed into Weathering With You, perhaps a little unfairly, with some pretty high expectations. Consequently, I came away a little disappointed. But that's not to say that this isn't a great movie.
As with Your Name, one of the core themes behind Weathering With You is the pursuit of true love and it begins by introducing our teen protagonists before they've had a chance to meet. In rain-soaked Tokyo, Hina is attracted to a beam of sunlight that is cutting through the clouds across town, and she rushes off to try and get a closer look. Running up flights of stairs to a building rooftop, she comes across a simple shrine at the spot where the sunlight hits the Earth. Praying hard, she steps slowly through the shrine gate and the rain stops. We then see Hina falling through the sky, observing beautiful, magical weather all around her.
Hodaka is a 16 year old runaway, traveling by ferry boat to Tokyo. While standing out on deck during a powerful storm, flooding almost sends him overboard, but he is rescued by Mr Suga, a magazine publisher who ends up giving him his business card. After arriving in Tokyo and struggling to find work, Hodaka eventually calls upon Mr Suga, who gives him a job. The heavy rain that almost cost Hodaka his life has been persisting for some time now, despite being the middle of summer, and long range forecasts are predicting no real change for the foreseeable future. Storms are also leaving behind fish-like objects and a strange jelly substance, which is leaving experts baffled.
Hodaka first encounters Hina in the McDonalds where she is working, then later on Hodaka rescues Hina from what he believes to be a dangerous situation and the pair find themselves becoming friends. Through his reporting work at the magazine run by Mr Suga, Hodaka had been investigating the mythical "Weather Maidens", and he discovers that Hina is one of them, with the ability to bring about sunshine through prayer. With Hina and Hodaka both in desperate need of money, they go into business together, taking requests online from people wanting rain-free occasions, such as family picnics or weddings and earning Hina the name "Sunshine Girl". The power of a weather maiden comes at a cost though, as they eventually become a human sacrifice to the skies, with each use of their power bringing that moment one step closer.
The larger premise of Weathering With You is obviously climate change - how messing with nature always comes at a cost and how children have real power to influence change. Visually, the movie is simply stunning, and animated rainfall has never looked so beautiful. It's also peppered with a rather distracting and cheesy J-Pop score, made all the worse if you try and follow the on-screen lyrics, which obviously do not have the same impact when translated literally. Sadly, there are far too many plot threads presented throughout without any clarity or resolution and overall the whole thing just felt too long. Admittedly, it was a pretty high bar set by Your Name, but unfortunately Weathering With You doesn't have the emotional weight to meet that, with a narrative that isn't as complex or as engaging.
As with Your Name, one of the core themes behind Weathering With You is the pursuit of true love and it begins by introducing our teen protagonists before they've had a chance to meet. In rain-soaked Tokyo, Hina is attracted to a beam of sunlight that is cutting through the clouds across town, and she rushes off to try and get a closer look. Running up flights of stairs to a building rooftop, she comes across a simple shrine at the spot where the sunlight hits the Earth. Praying hard, she steps slowly through the shrine gate and the rain stops. We then see Hina falling through the sky, observing beautiful, magical weather all around her.
Hodaka is a 16 year old runaway, traveling by ferry boat to Tokyo. While standing out on deck during a powerful storm, flooding almost sends him overboard, but he is rescued by Mr Suga, a magazine publisher who ends up giving him his business card. After arriving in Tokyo and struggling to find work, Hodaka eventually calls upon Mr Suga, who gives him a job. The heavy rain that almost cost Hodaka his life has been persisting for some time now, despite being the middle of summer, and long range forecasts are predicting no real change for the foreseeable future. Storms are also leaving behind fish-like objects and a strange jelly substance, which is leaving experts baffled.
Hodaka first encounters Hina in the McDonalds where she is working, then later on Hodaka rescues Hina from what he believes to be a dangerous situation and the pair find themselves becoming friends. Through his reporting work at the magazine run by Mr Suga, Hodaka had been investigating the mythical "Weather Maidens", and he discovers that Hina is one of them, with the ability to bring about sunshine through prayer. With Hina and Hodaka both in desperate need of money, they go into business together, taking requests online from people wanting rain-free occasions, such as family picnics or weddings and earning Hina the name "Sunshine Girl". The power of a weather maiden comes at a cost though, as they eventually become a human sacrifice to the skies, with each use of their power bringing that moment one step closer.
The larger premise of Weathering With You is obviously climate change - how messing with nature always comes at a cost and how children have real power to influence change. Visually, the movie is simply stunning, and animated rainfall has never looked so beautiful. It's also peppered with a rather distracting and cheesy J-Pop score, made all the worse if you try and follow the on-screen lyrics, which obviously do not have the same impact when translated literally. Sadly, there are far too many plot threads presented throughout without any clarity or resolution and overall the whole thing just felt too long. Admittedly, it was a pretty high bar set by Your Name, but unfortunately Weathering With You doesn't have the emotional weight to meet that, with a narrative that isn't as complex or as engaging.
Emma @ The Movies (1786 KP) rated Spies in Disguise (2019) in Movies
Jan 11, 2020
As my last cinema visit of 2019 I was just hoping for something passable to watch, animation his year has had a few hard knocks so I wasn't optimistic.
Lance is the world's greatest spy, catlike reflexes, excellent deduction skills as well as suave and sophisticated... all the things you'd expect. He's the golden boy of the agency and is ready for another pat on the back and some admiration. But it isn't his lucky day, the device he retrieved is missing from the case and now he's under investigation. He knows that he's innocent but there's damning evidence against him, his only hope is to clear his name, and the only way to do that is to escape the agency and track the real culprit down. His next problem, who can he trust?
This really is Bond for kids, everything is fantastically reminiscent of it, from his slightly too cocky demeanour to the brilliant opening credits. It's a pretty solid film, there's nothing much to dislike. It's essentially Bond mixed with Cloudy With A Chance Of Meatballs... what's not to love about that?!
I have to wonder about opening kids films this way, it seems to be very common at the moment. The lead needs to have a tragedy to get through the movie and have their moment of realisation. Playmobil did it in a much less subtle way, as did Wonder Park to some extent.
There aren't any real issues with the voice acting, though I do wonder about the choice of Ben Mendelsohn paired with his animated character, the two don't really match as well as the others. But that's not a deal-breaker.
The animation style is very clean and easy to watch. There are before and after shots of some scenes that show what the lighting guy does, it's really interesting to see. After having brought this topic up after seeing Klaus it was nice to see some of the "hidden" parts of animated films. The effort is immense.
Music is used well in parts of the film, and my favourite has to be the "romantic" portion towards the end, very amusingly set up and clearly well thought out.
Walter, our inventor, really does have the sort of imagination that would get him hired by Chester V. My favourite invention was probably the glitter distraction, I believe this may already exist though as it appears to have been deployed in my home over Christmas. This may be the only major continuity note... once Lance brushes the glitter off we don't see any little specks again, completely unrealistic!
There are a lot of great sequences during the film and the action moves it along quickly, add in the humour from the pigeons and all the gadgets and you get something really fun. I will definitely watch this again when it hits streaming. My score may seem a little off considering I didn't hate anything, the reason for this is that it's essentially a lot of other films mixed together. As I said, we've got Bond and Cloudy With A Chance Of Meatballs with an assortment of action movies and Home Alone 2 thrown in for good measure, which made it enjoyable but not instantly rewatchable.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/spies-in-disguise-movie-review.html
Lance is the world's greatest spy, catlike reflexes, excellent deduction skills as well as suave and sophisticated... all the things you'd expect. He's the golden boy of the agency and is ready for another pat on the back and some admiration. But it isn't his lucky day, the device he retrieved is missing from the case and now he's under investigation. He knows that he's innocent but there's damning evidence against him, his only hope is to clear his name, and the only way to do that is to escape the agency and track the real culprit down. His next problem, who can he trust?
This really is Bond for kids, everything is fantastically reminiscent of it, from his slightly too cocky demeanour to the brilliant opening credits. It's a pretty solid film, there's nothing much to dislike. It's essentially Bond mixed with Cloudy With A Chance Of Meatballs... what's not to love about that?!
I have to wonder about opening kids films this way, it seems to be very common at the moment. The lead needs to have a tragedy to get through the movie and have their moment of realisation. Playmobil did it in a much less subtle way, as did Wonder Park to some extent.
There aren't any real issues with the voice acting, though I do wonder about the choice of Ben Mendelsohn paired with his animated character, the two don't really match as well as the others. But that's not a deal-breaker.
The animation style is very clean and easy to watch. There are before and after shots of some scenes that show what the lighting guy does, it's really interesting to see. After having brought this topic up after seeing Klaus it was nice to see some of the "hidden" parts of animated films. The effort is immense.
Music is used well in parts of the film, and my favourite has to be the "romantic" portion towards the end, very amusingly set up and clearly well thought out.
Walter, our inventor, really does have the sort of imagination that would get him hired by Chester V. My favourite invention was probably the glitter distraction, I believe this may already exist though as it appears to have been deployed in my home over Christmas. This may be the only major continuity note... once Lance brushes the glitter off we don't see any little specks again, completely unrealistic!
There are a lot of great sequences during the film and the action moves it along quickly, add in the humour from the pigeons and all the gadgets and you get something really fun. I will definitely watch this again when it hits streaming. My score may seem a little off considering I didn't hate anything, the reason for this is that it's essentially a lot of other films mixed together. As I said, we've got Bond and Cloudy With A Chance Of Meatballs with an assortment of action movies and Home Alone 2 thrown in for good measure, which made it enjoyable but not instantly rewatchable.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/spies-in-disguise-movie-review.html