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Kristina (502 KP) rated Where the Crawdads Sing in Books

Dec 7, 2020  
Where the Crawdads Sing
Where the Crawdads Sing
Delia Owens | 2018 | Fiction & Poetry, Mystery
8
8.9 (13 Ratings)
Book Rating
The imagery in this book is phenomenal. I can't begin to describe the beauty in Owens' words, the scenery she implants straight into your head - it's incredible.
Kya, also known as the Marsh Girl by the local town residents, is an unbearably shy and skittish young lady who grows up within the deep recesses of the marsh (hence her name), abandoned - one by one - by her entire family and left to fend for herself. For over 10 years, she lives off the land, exploring and learning by watching life in the wild. Through different circumstances, she encounters a few acquaintances along the way, most of whom disappoint her enough that she's permanently convinced life is better alone, despite the yearning to be with someone who will never leave her.
I feel as if Kya can be understood and empathized with by just about anyone. She's relatable in so many ways, especially as she navigates the discoveries of new emotions, of life and love in general. You can't help but hurt for her, root for her, cheer her on and wish to physically defend her honor against the prejudices she endures. I loved this book so very much, and I think I loved Kya even more.
  
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LeftSideCut (3778 KP) rated Orphan (2009) in Movies

Oct 12, 2022  
Orphan (2009)
Orphan (2009)
2009 | Drama, Horror, Mystery
8
7.3 (15 Ratings)
Movie Rating Watch
In the years since it's release, Orphan has earned it's spot as a genre favourite. It's a tense and unsettling drama, with fantastic performances from its cast. Isabelle Fuhrman is a pitch perfect creepy-horror-movie-child and gives us a more than memorable villain. Esther is manipulative, dangerous, and mysterious in equal measure, and Fuhrman cements all of those things, no problem. This is complimented by the delightfully unhinged turn by Vera Farmiga. She has become a bit of a darling in the horror genre and Orphan was one of the film's that propelled that. Her character is troubled and erratic, suspicious of Esther, and someone who we as the audience root for until the very end.
The relatively long runtime, and slow burning first half never gets boring, and the mystery surrounding Esther ticks along nicely, until we're hit with one hell of a batshit twist. It's definitely a payoff that hits its mark. The last 30 minutes are pedal to the floor craziness as everything descends into chaos. It's a satisfying finale to its long build up.
Orphan is a well loved film that deserves that status, and one that is fun to go back to, even knowing the outcome.