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Kristy H (1252 KP) rated You'd Be Mine in Books
Apr 4, 2019
I was so excited to read this book, because I love country music with all my heart, especially some of the older music that Hahn weaves into this book. I read this on the heels of WHEN IT'S REAL and couldn't help but compare the two. I fell hard for REAL. My reaction for MINE varied, though I still enjoyed it a lot; for sure, the two--while romances--are very dissimilar in many ways.
This book has some really dark tones to it, and both Clay and Annie are struggling with some major demons. Each have dealt with some major sadness in their lives, and Annie's past with her parents is honestly just awful. As a result, this isn't a light, fluffy romance, and it has some surprising emotional depth to it and its characters. Annie, especially, is really easy to like and to root for.
"Everything in me speaks music with a fluent tongue. Surely it's genetic, but my parents certainly haven't done me any favors. If anything, their deaths nearly killed the music in my soul."
As I said, I quite enjoyed the music aspect of the book. Not just the country music part, but the overall fact that the book is centered around a tour. It's really fun to get glimpses into tour life--especially since everyone is so young. Pretty crazy how much responsibility and freedom they all have. There's also a lot of songwriting and emotions displayed through songwriting, which I loved. (Side note: As a child, I always dreamed of being a country singer-songwriter. This was probably due to my intense love of Mary Chapin Carpenter, which lives on to this day. Alas, I cannot carry a tune or read music, so this dream has yet to come to fruition.)
"That's the glorious thing about music. It speaks to the very heart of things in the most absolute and obtrusive way."
The one hard thing for me was that the book got rather repetitive in the middle with both Clay and Annie going on about how they were wrong for each other. It seemed to stall the plot for a while, as I felt like we were waiting for a bit for something to happen. Yes, we realize each was damaged, but it seemed like the book hit on that just a little too much/too often for a while.
Still, this was a really good read. It's very emotional and honestly heartbreaking at times. If you're a music buff, I think you'll enjoy it even more, because of all the musical scenes and songs woven into the book. The characters are very real and go through a lot. There's no insta-romance, and you will root for Annie and Clay, even though you'll want things to move along a bit in the middle. I totally cried at the end, which is a major sign that Hahn did a good job. 3.75 stars, rounded to 4.
This book has some really dark tones to it, and both Clay and Annie are struggling with some major demons. Each have dealt with some major sadness in their lives, and Annie's past with her parents is honestly just awful. As a result, this isn't a light, fluffy romance, and it has some surprising emotional depth to it and its characters. Annie, especially, is really easy to like and to root for.
"Everything in me speaks music with a fluent tongue. Surely it's genetic, but my parents certainly haven't done me any favors. If anything, their deaths nearly killed the music in my soul."
As I said, I quite enjoyed the music aspect of the book. Not just the country music part, but the overall fact that the book is centered around a tour. It's really fun to get glimpses into tour life--especially since everyone is so young. Pretty crazy how much responsibility and freedom they all have. There's also a lot of songwriting and emotions displayed through songwriting, which I loved. (Side note: As a child, I always dreamed of being a country singer-songwriter. This was probably due to my intense love of Mary Chapin Carpenter, which lives on to this day. Alas, I cannot carry a tune or read music, so this dream has yet to come to fruition.)
"That's the glorious thing about music. It speaks to the very heart of things in the most absolute and obtrusive way."
The one hard thing for me was that the book got rather repetitive in the middle with both Clay and Annie going on about how they were wrong for each other. It seemed to stall the plot for a while, as I felt like we were waiting for a bit for something to happen. Yes, we realize each was damaged, but it seemed like the book hit on that just a little too much/too often for a while.
Still, this was a really good read. It's very emotional and honestly heartbreaking at times. If you're a music buff, I think you'll enjoy it even more, because of all the musical scenes and songs woven into the book. The characters are very real and go through a lot. There's no insta-romance, and you will root for Annie and Clay, even though you'll want things to move along a bit in the middle. I totally cried at the end, which is a major sign that Hahn did a good job. 3.75 stars, rounded to 4.
Matthew Krueger (10051 KP) rated Payback (1999) in Movies
Jul 15, 2020
Get Ready To Root For The Bad Guy
Payback- is a intresting revenge action thriller. Maybe its me, but i fell like this movie is boring. Its good, but some what boring, like nothing going on. Also its kinda of confusing, again it might just be me, but i fell like its confusing as well. Like i said before its good, but in the end its both boring and confusing.
The plot: Porter (Mel Gibson) is a thief betrayed by both his wife, Lynn (Deborah Kara Unger), and his partner, Val (Gregg Henry), when he is shot in the back after a heist. Slowly, Porter recovers from his wounds and begins a search for Val, intent on recovering his share of the money they stole together. With the aid of prostitute Rosie (Maria Bello), Porter captures Val but still cannot find his cash. For this, Porter will have to challenge an imposing crime syndicate called the Outfit.
Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes. During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, 2012, look at "movies improved by directors' cuts" by The A.V. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white." He noted that "people want a color image" and that the actual film used a bleach bypass process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Like i said its a good revenge action thriller but to me its both boring and confusing. Maybe i have to watch the directors cut.
The plot: Porter (Mel Gibson) is a thief betrayed by both his wife, Lynn (Deborah Kara Unger), and his partner, Val (Gregg Henry), when he is shot in the back after a heist. Slowly, Porter recovers from his wounds and begins a search for Val, intent on recovering his share of the money they stole together. With the aid of prostitute Rosie (Maria Bello), Porter captures Val but still cannot find his cash. For this, Porter will have to challenge an imposing crime syndicate called the Outfit.
Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes. During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, 2012, look at "movies improved by directors' cuts" by The A.V. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white." He noted that "people want a color image" and that the actual film used a bleach bypass process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Like i said its a good revenge action thriller but to me its both boring and confusing. Maybe i have to watch the directors cut.
NAMOO - Wonders of Plant Life
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Smart toys can make science exciting! NAMOO is a fun, engaging exploration of the life of plants....
Alison Pink (7 KP) rated The Storyteller in Books
Jan 15, 2018
I have to say I am a die hard Jodi Picoult fan! I was before I read Sing You Home & I am still. I heard that this book was not her "norm" among various other things. But to me it was no different. It touches on love, family, friendships, & the definition of what constitutes a family. It speaks to current societal & politcial issues with Picoult's usual grace & lyrical writing style.
This book tells the story of Zoe & Max at the beginning. They are a couple who have tried unsuccessfully for years to have a child. They eventually begin IVF treatments & in the end have a boy, stillborn. This proves too much for their marriage & it falls to pieces. Zoe begins a friendship with an acquaintance who had contracted her musical therapy services for a student at the high school where she is a counselor.
In the end that friendship goes into places that no one involved ever expected. But ultimatly that unexpected relationship is what ends up saving them all in the end.
This story was beautifully written as usual with her books. It had me laughing & crying with the characters who were all so real & genuine that you couldn't help but root for each & everyone of them despite the fact that they find themselves on opposite sides of a contensious lawsuit. I hate to say more & ruin the book. Go read it. You will NOT be disappointed!
This book tells the story of Zoe & Max at the beginning. They are a couple who have tried unsuccessfully for years to have a child. They eventually begin IVF treatments & in the end have a boy, stillborn. This proves too much for their marriage & it falls to pieces. Zoe begins a friendship with an acquaintance who had contracted her musical therapy services for a student at the high school where she is a counselor.
In the end that friendship goes into places that no one involved ever expected. But ultimatly that unexpected relationship is what ends up saving them all in the end.
This story was beautifully written as usual with her books. It had me laughing & crying with the characters who were all so real & genuine that you couldn't help but root for each & everyone of them despite the fact that they find themselves on opposite sides of a contensious lawsuit. I hate to say more & ruin the book. Go read it. You will NOT be disappointed!
KittyMiku (138 KP) rated The Liar's Room in Books
Mar 24, 2019
Great read
The book had grabbed my attention within the first couple of pages. After all when a counselor starts the story out, you can't help but wonder what kind of trouble there might be in the next few pages. However, I had never expected the story to revolve around Susanna, who councils others. As it turned out, to watch her struggle with her past and the reason she is doing this in the first place was truly amazing. The Liar's Room had so many twists, turns and conflicted emotions, it was hard to not get wrapped up in the story at all. It was exceptional true when Susanna's daughters life's was at risk.
When you meet Adam, the antagonist, you can't help but wonder if he is familiar, as Susanna leaves you to believe, because he did something that she longs to forget or was in a situation that had caused her to run and start fresh. But as the story unfolds, you want to hate and feel sorry for him. As well as, root for Susanna but also find some of the things she had felt or thought to be distasteful and even disgusting. With everything she kept hidden from her new friends and her daughter you can't help but to wonder if you would do the same in her situation. Especially when it all comes back to her very own son.
When you meet Adam, the antagonist, you can't help but wonder if he is familiar, as Susanna leaves you to believe, because he did something that she longs to forget or was in a situation that had caused her to run and start fresh. But as the story unfolds, you want to hate and feel sorry for him. As well as, root for Susanna but also find some of the things she had felt or thought to be distasteful and even disgusting. With everything she kept hidden from her new friends and her daughter you can't help but to wonder if you would do the same in her situation. Especially when it all comes back to her very own son.
Andy K (10823 KP) rated Bram Stoker's Dracula (1992) in Movies
Oct 7, 2018
Another Coppola classic!
Coppola's take on the classic Dracula story is to use the book as the source! So many of the other adaptations, including the 1931 classic, changed or combined characters, rather than stay true to the source material.
So many of his decisions were great when making the film including firing his original visual effects team and hiring his son, Roman Coppola to take a more "traditional" route when setting up the film's look through "old school" techniques instead of the modern day approach the original team wanted. The result was very unique, almost "cheapish" looking, but the way the filmmaker wanted it to look.
There has been much written over the years about Keanu Reeves' role in the film and how he felt out of place with the rest of the remarkable cast. In retrospect, he may have been miscast, but I have grown to enjoy his performance over years. The performances of Gary Oldman and Anthony Hopkins (fresh off his cannibalistic Oscar win) certainly carry the film. Oldman almost makes the character of Dracula a sympathetic one. You almost want to root for him to be successful instead of damning him back to hell as the master vampire.
Overall, one of my top 3 vampire flicks of all time and a consistent rewatch. Just purchased on 4K which made the look and fell, colors and darkness of the film as fresh as ever. Highly recommended.
So many of his decisions were great when making the film including firing his original visual effects team and hiring his son, Roman Coppola to take a more "traditional" route when setting up the film's look through "old school" techniques instead of the modern day approach the original team wanted. The result was very unique, almost "cheapish" looking, but the way the filmmaker wanted it to look.
There has been much written over the years about Keanu Reeves' role in the film and how he felt out of place with the rest of the remarkable cast. In retrospect, he may have been miscast, but I have grown to enjoy his performance over years. The performances of Gary Oldman and Anthony Hopkins (fresh off his cannibalistic Oscar win) certainly carry the film. Oldman almost makes the character of Dracula a sympathetic one. You almost want to root for him to be successful instead of damning him back to hell as the master vampire.
Overall, one of my top 3 vampire flicks of all time and a consistent rewatch. Just purchased on 4K which made the look and fell, colors and darkness of the film as fresh as ever. Highly recommended.
Bong Mines Entertainment (15 KP) rated Cherry Chapstick - Single by Olivia Nelson in Music
Jun 18, 2019
Olivia Nelson is a 23-year-old singer-songwriter based in East London. Not too long ago, she released an attractive contemporary R&B tune, entitled, “Cherry Chapstick”, produced by Jayjay.
“Interaction, we all need that attraction. That holiday feeling, that wine in the evening like smooth R&B. Maybe, love’s what you need. Twenty-somethings, house party, conversations flowing. She’s finally noticed you. You gotta see this through, boy. ‘Cause when you look at her, you know he gets butterflies and all that. She could be the one. Better kiss her before she goes home.” – lyrics
‘Cherry Chapstick’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
Also, the likable tune will be featured on Olivia Nelson’s upcoming EP, entitled, “Back To You”.
“‘Cherry Chapstick’ is a story about two people finding love at a party. It’s that exciting moment when they meet and the connection starts blossoming. It’s a feel-good story that people root for.” – Olivia Nelson
Olivia Nelson was raised on an eclectic diet of contemporary soul and Motown classics.
Her appreciation for vocal proficiency lead her to pursue singing from a young age. Now, she seeks collaborations with boundary-pushing writers and producers.
Also, her music has amassed over 17M streams online via Spotify, and her captivating live show solidifies her status as one of British R&B’s most exciting new talents.
https://www.bongminesentertainment.com/olivia-nelson-cherry-chapstick/
“Interaction, we all need that attraction. That holiday feeling, that wine in the evening like smooth R&B. Maybe, love’s what you need. Twenty-somethings, house party, conversations flowing. She’s finally noticed you. You gotta see this through, boy. ‘Cause when you look at her, you know he gets butterflies and all that. She could be the one. Better kiss her before she goes home.” – lyrics
‘Cherry Chapstick’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
Also, the likable tune will be featured on Olivia Nelson’s upcoming EP, entitled, “Back To You”.
“‘Cherry Chapstick’ is a story about two people finding love at a party. It’s that exciting moment when they meet and the connection starts blossoming. It’s a feel-good story that people root for.” – Olivia Nelson
Olivia Nelson was raised on an eclectic diet of contemporary soul and Motown classics.
Her appreciation for vocal proficiency lead her to pursue singing from a young age. Now, she seeks collaborations with boundary-pushing writers and producers.
Also, her music has amassed over 17M streams online via Spotify, and her captivating live show solidifies her status as one of British R&B’s most exciting new talents.
https://www.bongminesentertainment.com/olivia-nelson-cherry-chapstick/
James Koppert (2698 KP) rated Spider-Man: Far From Home (2019) in Movies
Nov 12, 2019
Was great just not as good as the last
Homecoming was so much fun that, in a way, "Far From Home" had an almost impossible task. In the 10000000th reboot of the comic hero favourite, Marvel got it spot on, having this Spiderman be a geeky kid on a journey of self discovery, awkward in his neediness and unsure of his capabilities. Its created a vulnerable Spiderman that everyone can relate to and love and most importantly root for.
Far From Home is post 'Endgame' and sees Spidey thrown into the unwanted position of being one of the few Avengers around. Now he has to take on a ew threat where things are not all they seem to be but no spoilers here.
What lets this film down compared to its predecessor is there is a lack of surprises and character growth for Tom Holland to play with. However its still a lot of fun as we see him become night monkey and fight the forces of darkness once again, this time through various locations in Europe (I'm sure the writer just put some European cities on their wish list and wrote a movie around it just so they could stay).
Its still a lot of fun and loveable. I just want a little more but there is no way this franchise is stopping yet.
Far From Home is post 'Endgame' and sees Spidey thrown into the unwanted position of being one of the few Avengers around. Now he has to take on a ew threat where things are not all they seem to be but no spoilers here.
What lets this film down compared to its predecessor is there is a lack of surprises and character growth for Tom Holland to play with. However its still a lot of fun as we see him become night monkey and fight the forces of darkness once again, this time through various locations in Europe (I'm sure the writer just put some European cities on their wish list and wrote a movie around it just so they could stay).
Its still a lot of fun and loveable. I just want a little more but there is no way this franchise is stopping yet.
DentalChart
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Dental Chart for iPad is an application that gives the Dentist a simple and easy way to maintain an...