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Phillip McSween (751 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Feb 24, 2018 (Updated Feb 24, 2018)
Jumanji: Welcome to the Jungle is a solid film-going experience, albeit a little cheesy at times. While its overdone ending keeps it just short of a being an action/adventure classic, I have to say I was impressed with how well they were able to take the source material of the original and truly make it something entirely new. In this newer version of the remake, four kids in detention get trapped inside a video game and have to play their way out. They are eached armed with a set of "lives" and, just like in a game, losing lives brings you closer to losing everything. They must rely on the skills of their avatars to traverse the dangerous jungle terrain.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Jumanji gives you conventional funny meaning it's not going to be one of those films where you spend half of it doubled over in laughter. When it comes to characteristics of a solid film, however, the film checks all the boxes. Solid, hilarious characters that make it easy to root for them. The Bethany/Jack Black role alone was enough to keep a smile on my face for the majority of the movie. He is the ringleader in a lot of the hilarious moments, but the other stars (Dwayne Johnson, Kevin Hart) provide plenty of comedy as well. While the comedy isn't side-splitting, I give it it's due respect for being consistent. A solid, flowing story gets the same recognition as it never lingers in one spot for too long. The action does a good job of connecting plot points while not being overbearing.
I thought that by the time I finally got around to writing this, I would be recommending Jumanji for a home viewing. However, due to some great box office success, it's still kicking in theaters. So....go see it if you haven't already! I give it a solid 90.
Erika Kehlet (21 KP) rated The Library at Mount Char in Books
Feb 19, 2018
Every now and then I see a cover and / or book title so frequently that I decide I have to read it, even if i have only the vaguest idea what it might be about. That was the case with The Library at Mount Char. I'm glad I didn't read any reviews or dig too deep before starting this one, or I might have passed. I don't usually go for excessive violence and gore, but sometimes a story is so well-told that I find it worth cringing through to read it. The Library at Mount Char was definitely worth the cringing!
The characters and situations in this story were so unique and yet believable, that I had a hard time putting the book down. Mr. Hawkins also must have a somewhat twisted sense of humor. I don't know if I was supposed to be laughing, but there is a scene involving a character named Steve and 2 lions that had me chuckling out loud. I was also pleased at how in-the-dark he manages to keep the reader, and how much fun it was figuring out what was actually going on as the story progressed. While I can't say that I was particularly fond of any of the characters, it was hard not to root for Carolyn, at least to a degree, and to cheer as some others finally got their comeuppances. I do hope that there will be a second book coming sometime in the future. While not a cliff-hanger by any means, it does end in such a way that the story could be continued.
If the gore and language don't bother you, I would definitely recommend this one!
Warnings: This book is full of graphic violence and gore including, on occasion, sexual violence. It also includes large quantities of graphic language. It is NOT a kids' book.
NOTE: I received a free digital copy of this book from NetGalley in exchange for my honest review.
The characters and situations in this story were so unique and yet believable, that I had a hard time putting the book down. Mr. Hawkins also must have a somewhat twisted sense of humor. I don't know if I was supposed to be laughing, but there is a scene involving a character named Steve and 2 lions that had me chuckling out loud. I was also pleased at how in-the-dark he manages to keep the reader, and how much fun it was figuring out what was actually going on as the story progressed. While I can't say that I was particularly fond of any of the characters, it was hard not to root for Carolyn, at least to a degree, and to cheer as some others finally got their comeuppances. I do hope that there will be a second book coming sometime in the future. While not a cliff-hanger by any means, it does end in such a way that the story could be continued.
If the gore and language don't bother you, I would definitely recommend this one!
Warnings: This book is full of graphic violence and gore including, on occasion, sexual violence. It also includes large quantities of graphic language. It is NOT a kids' book.
NOTE: I received a free digital copy of this book from NetGalley in exchange for my honest review.
Erika Kehlet (21 KP) rated A Palette for Murder (Lana Davis Mystery #1) in Books
Feb 21, 2018
When Lana Davis, an insurance adjuster from LA, heads to Santa Fe to find a missing heir, she gets more than she bargained for. Her investigation takes her deep into Santa Fes art scene, where she finds forgery, murder, and temporary employment.
The story starts off slow, but once Lana makes it to Santa Fe the action, and the pace of the story, pick up. The search for Antonio Lefty Sanchez, a clients beneficiary, takes Lana to several galleries where Lefty was employed doing odd jobs. One of the gallery owners decides that an insurance investigator isnt that far from private detective, and asks Lana to track down a missing painting and in so doing, save her gallery. While Lanas main focus in Santa Fe should have been to track down Lefty Sanchez for the employer who is paying her expenses, she devotes most of her time and attention to her investigation of the missing artwork. The two mysteries eventually start to intertwine though, and there are enough suspects and red herrings to keep you guessing as to who has done what.
While they mystery itself is well plotted and enjoyable, the characters fell flat for me. I didnt feel any emotional connection with the main character, or see any real conflict in her decision making process. Lana displays the same lack of commitment to her new part time job as she did to her original job, and I found her indifference off-putting. I prefer a heroine that I care about and can root for, or a main character that I can despise, but Lana was neither of these. With a little more character development this could turn into a good series though, so Id be willing to give Lana one more try.
<i>NOTE: While I received a copy of the book and was compensated for my review, this in no way influenced my opinion or rating of the book.</i>
The story starts off slow, but once Lana makes it to Santa Fe the action, and the pace of the story, pick up. The search for Antonio Lefty Sanchez, a clients beneficiary, takes Lana to several galleries where Lefty was employed doing odd jobs. One of the gallery owners decides that an insurance investigator isnt that far from private detective, and asks Lana to track down a missing painting and in so doing, save her gallery. While Lanas main focus in Santa Fe should have been to track down Lefty Sanchez for the employer who is paying her expenses, she devotes most of her time and attention to her investigation of the missing artwork. The two mysteries eventually start to intertwine though, and there are enough suspects and red herrings to keep you guessing as to who has done what.
While they mystery itself is well plotted and enjoyable, the characters fell flat for me. I didnt feel any emotional connection with the main character, or see any real conflict in her decision making process. Lana displays the same lack of commitment to her new part time job as she did to her original job, and I found her indifference off-putting. I prefer a heroine that I care about and can root for, or a main character that I can despise, but Lana was neither of these. With a little more character development this could turn into a good series though, so Id be willing to give Lana one more try.
<i>NOTE: While I received a copy of the book and was compensated for my review, this in no way influenced my opinion or rating of the book.</i>
LeftSideCut (3776 KP) rated Cult Of Chucky (2017) in Movies
Jan 7, 2020 (Updated Jan 22, 2020)
Honestly - I genuinely enjoyed Cult of Chucky. Is it a guilty pleasure? Perhaps, but not as much as some of the other films in the franchise.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.
Kristy H (1252 KP) rated What Kind of Girl in Books
Mar 19, 2020
The rumors spread quickly at North Bay Academy. Popular track star Mike Parker's girlfriend has accused him of hitting her. She even told the principal. But, they wonder, why not the police? Why did she wait so long to tell? Why hasn't Mike been expelled? Some students at the school want to hold a rally--to expel Mike. But others aren't so quick to believe his girlfriend.
"But (of course), by lunchtime everyone at school knows, as easily and quickly as if they'd announced it over the loudspeaker: Sad Girl accuses Golden Boy of abuse."
This was an interesting book. It tackles a lot of heavy subjects within its pages. It also presents an intriguing format. The beginning of the book is told via archetypes: think popular girl; nerd; sad girl; the girlfriend, etc. It's a strange, almost gimmicky, format and meant it took some time for me to warm to any of the characters (especially since you don't know their names). Over time, the book grew on me, but it was hard to overcome that slow start.
There's so much going on in this one. Abuse, self-harm, drug use, mental health, eating disorders, and more. Please keep this in mind in terms of trigger warnings. I applaud Sheinmel and all she takes on. It's a very brave book, and the characters have a lot of depth. I think it might have had even more if the book maybe shortened its focus on just a few issues, versus trying to take on so many. Still, it's a very relevant story, and you can't help but appreciate how it tackles such big themes and emotions. I can see how it would be helpful to young adults. Even I found myself identifying with one of the characters and growing to root for all of them. 3.5 stars; rounded to four here for the powerful topics and messaging.
"But (of course), by lunchtime everyone at school knows, as easily and quickly as if they'd announced it over the loudspeaker: Sad Girl accuses Golden Boy of abuse."
This was an interesting book. It tackles a lot of heavy subjects within its pages. It also presents an intriguing format. The beginning of the book is told via archetypes: think popular girl; nerd; sad girl; the girlfriend, etc. It's a strange, almost gimmicky, format and meant it took some time for me to warm to any of the characters (especially since you don't know their names). Over time, the book grew on me, but it was hard to overcome that slow start.
There's so much going on in this one. Abuse, self-harm, drug use, mental health, eating disorders, and more. Please keep this in mind in terms of trigger warnings. I applaud Sheinmel and all she takes on. It's a very brave book, and the characters have a lot of depth. I think it might have had even more if the book maybe shortened its focus on just a few issues, versus trying to take on so many. Still, it's a very relevant story, and you can't help but appreciate how it tackles such big themes and emotions. I can see how it would be helpful to young adults. Even I found myself identifying with one of the characters and growing to root for all of them. 3.5 stars; rounded to four here for the powerful topics and messaging.
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