Gareth von Kallenbach (980 KP) rated A Nightmare on Elm Street (2010) in Movies
Aug 8, 2019
The new film stars Jackie Earl Haley as the title character, and once again he is dispatching the teens of Elm Street in all manner of bizzare and grisly fashions in their dreams. Soon the town is full of dead teens and their insomniac peers anxious for an answer to the madman. Their parents are no help as they are quick to downplay any questions about Freddy and quickly disregard any concerns raised by their kids, even when the body count continues to rise. As their numbers dwindle, a group of friends starts to uncover the reason behind the unresloved deaths and band together to solve the mystery of Freddy Krueger and survive.
Freddy is only able to menace the teens in their sleep, so they take all manner of precautions in an attempt to stay awake and plot a defense, but sleep is something one can only postpone, never fully avoid, which means Freddy is always lurking, just waiting for his chance to strike.
What follows is a fairly by-the-numbers horror film that is sadly is lacking much suspense and horror. I was a big fan of the series and I found myself wanting to watch the original Wes Craven classic rather than what was unfolding on the screen. Haley does a great job as Krueger, blending menace with gallows humor, but Englund left a very large Fedora and razor gloves to fill and Haley comes up lacking. I also missed the elaborate effects that defined the series, greatly underwhelmed by this film’s attempts. The gore, suspense, and thrills were restrained compared to the previous films.
This is not to say this is a bad film, but the generic cast headed by Thomas Dekker gives us very little to root for and left me wanting more. Here is hoping that the next offering gives fans more of what made the series so popular and less of the formulaic predictability that has become so common in horror.
Kristy H (1252 KP) rated Little Wonders in Books
Mar 19, 2020
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
Gareth von Kallenbach (980 KP) rated Take Me Home Tonight (2011) in Movies
Aug 7, 2019
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
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Phillip McSween (751 KP) rated The Secret of Roan Inish (1995) in Movies
Jan 6, 2021
Acting: 10
Loved all the performances here all around. Jeni Courtney is solid in the lead role as Fiona. She really fleshes out a character you can get behind and root for throughout the duration of the movie.
Beginning: 8
Intriguing start although it didn’t hook me in all the way. I was curious to see more after the first ten minutes, but didn’t necessarily need to. All in all, it was a good setup for the remainder of the story.
Characters: 10
All of the characters involved in the story are fun and full of energy. Fiona was strong for sure. However, I think my favorite character was Eamon played by Richard Sheridan. Fun characters definitely helped the story advance along more smoothly.
Cinematography/Visuals: 3
The cinematics definitely left a lot to be desired. Sadly it took away from the overally enjoyment of the movie. To be fair, it doesn’t seem like the budget was extremely high, but at times it honestly felt like I was watching a PBS show.
Conflict: 3
Entertainment Value: 4
Memorability: 5
Even as I rewatch the movie, I’m struggling to remember parts that really stuck out. It’s not impactful nor does it hit you with any kind of punch. It’s the kind of movie you put on to perhaps keep a fidgety kid occupied. Even then, I’m not sure if kids today would sit still and watch this for long enough.
Pace: 10
Story moves along fairly quickly. Nice blend of exposition and action. It allows you to get attached to the characters while smoothly advancing things. Definitely didn’t feel like 103 minutes.
Plot: 10
Resolution: 3
Wasn’t in love with the resolution as it left me with an actual lack of completion. I wanted more closure of sorts, but it wasn’t to be. Had the ending been slightly better, I could see moving this movie up into C-range.
Overall: 66
Even what little hope I had that The Secret of Roan Inish would be good was dashed. A number of others out there, critics and audience members alike, seem to disagree and I’m ok with that. It’s possible that I missed the mark of what this movie was intended to hit. I won’t apologize for that, I’ll just say it wasn’t my cup of tea and leave it at that.





