Search
Search results
Baseball Highlights: 2045
Tabletop Game
American baseball was on its last legs as a spectator sport. Football had become the predominant...
Baseball Cyborgs Robots Deck Builder
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Not as funny as I hoped, but engaging enough
Holland has been obsessed with a handsome subway busker for quite some time. One evening, he winds up rescuing her after she falls on the subway tracks, kicking off a whirlwind of events. Holland helps Calvin get an audition with her uncle Robert, a Broadway musical director. Calvin is infinitely talented, but, it turns out, also in the United States illegally. So Holland does something she never does: makes an impulsive decision. She'll offer to marry Calvin so he can stay in the country, live out his dream, and help her uncle's hit show. Calvin quickly becomes a Broadway star. As for Calvin and Holland--they quickly realize they may be more than roommates. But what will it take for them to admit it? And for each to move past their own issues?
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
Kristy H (1252 KP) rated The Stars Are Fire in Books
Feb 13, 2018
Grace Holland is living a fairly ordinary-if not particularly happy-life with her husband Gene and their two young children in Maine. It's the late 1940s, and Grace's life revolves around Gene and her family. She cannot drive, she does not have a job, and her role in life is pretty clearly laid out: serve her husband and their children. All that changes when an awful drought hits Maine. As a horrible string of fires burns near Bar Harbor, where Grace and her family live, Gene joins a group of other men to help fight the blazes. Suddenly, Grace is awoken in the night by little Claire: the fire is upon the house. Gene is still gone, so Claire rushes to save Claire and baby Tom, as well as her best friend Rosie and Rosie's two young children. They huddle in the sand near the ocean for hours, and when they are finally rescued, nothing will ever be the same.
<i>This was an amazing book. </i> I'm not always an historical fiction fan (the story is based on actual fire that occurred in Maine), but I'll make an exception for Shreve, whom I've loved since her beautiful novel, [b:The Pilot's Wife|5191|The Pilot's Wife|Anita Shreve|https://images.gr-assets.com/books/1435011220s/5191.jpg|3131254]. There is just something poignant and touching about this novel. I was immediately drawn into Grace's story, and I read the novel quickly over the course of a day or so. Shreve creates a fierce and wonderful character in Grace, and you cannot help but root for her.
Grace is held back by so much in her life: her gender, her financial circumstances, her husband. After experiencing such a terrible loss: her entire town is basically burned to the ground, including her home, it's amazing to watch her resilience in the face of such horror. In many ways, it's not as if a lot happens in this novel, yet I feel like so much occurs during Grace's journey. I so loved her spirit, and I also wanted to swoop in and take away all the horrible things that occurred in her life.
I don't want to go into much detail and ruin the details of the plot, but I'll just say that this is a lovely book, with well-drawn characters--led by the tough and wonderful Grace. I was captivated by the story, and I would certainly recommend the novel. 4 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a> ~ <a href="https://twitter.com/mwcmoto">Twitter</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>
<i>This was an amazing book. </i> I'm not always an historical fiction fan (the story is based on actual fire that occurred in Maine), but I'll make an exception for Shreve, whom I've loved since her beautiful novel, [b:The Pilot's Wife|5191|The Pilot's Wife|Anita Shreve|https://images.gr-assets.com/books/1435011220s/5191.jpg|3131254]. There is just something poignant and touching about this novel. I was immediately drawn into Grace's story, and I read the novel quickly over the course of a day or so. Shreve creates a fierce and wonderful character in Grace, and you cannot help but root for her.
Grace is held back by so much in her life: her gender, her financial circumstances, her husband. After experiencing such a terrible loss: her entire town is basically burned to the ground, including her home, it's amazing to watch her resilience in the face of such horror. In many ways, it's not as if a lot happens in this novel, yet I feel like so much occurs during Grace's journey. I so loved her spirit, and I also wanted to swoop in and take away all the horrible things that occurred in her life.
I don't want to go into much detail and ruin the details of the plot, but I'll just say that this is a lovely book, with well-drawn characters--led by the tough and wonderful Grace. I was captivated by the story, and I would certainly recommend the novel. 4 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a> ~ <a href="https://twitter.com/mwcmoto">Twitter</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>
Kristy H (1252 KP) rated Holding Up the Universe in Books
Feb 13, 2018
Libby Strout has the distinction of being "America's Fattest Teen" -- the girl who was once lifted out of her house with a crane. But no one has ever really taken the time to know Libby, a complicated and kind person who is still struggling with her mom's death and the aftermath of the crane incident. But Libby is stronger than people realize and she's now ready to try high school for the first time. She wants to experience life at a real school: with friends, clubs, love, and more. At school, Libby meets Jack Masselin. Jack is a popular kid struggling with a secret: he doesn't recognize faces. This issue makes high school popularity (and life) surprisingly complicated. Jack's life becomes even more complicated when he gets caught up in an awful high school bullying game that involves Libby. As a result, the two of them wind up in counseling together. Suddenly, they are spending a lot of time together and becoming surprising friends.
This was just a lovely book. I sped through this novel in about a day, because it was just so amazing, but I sort of wish I had savored it more, because it was so good. Libby is an excellent character. There were moments were I was simply amazed by her, and it's easy to say that I fell hard for her. Jack, too, but Libby - Libby is something special. I had read reviews (before the book came out) saying that its coverage of Libby's weight was offensive, but I didn't find it offensive at all. If anything, the book is empowering, and there were passages that made me want to stand up and shout for her. You cannot help but root for Libby.
As with many YA books, it did seem like Jack and Libby were a little mature for high school, but mostly, they felt right on point; if anything, they were each a reflection of how kids have to grow up so much faster now, what with the world being so cruel and all the bullying around them. Besides, each had suffered so much in their own way, even if Jack's life was so much easier on the surface than Libby's. Because I'd read Niven's previous novel, I was constantly waiting for something awful to happen, so there was that. :) I have to say that I enjoyed this one more than [b:All the Bright Places|18460392|All the Bright Places|Jennifer Niven|https://images.gr-assets.com/books/1404331702s/18460392.jpg|26113532], even if that's hearsay for some. It was a well-written and beautiful book and just left me with a good feeling at the end... even if it also left me wishing I could meet Jack and Libby in real life.
This was just a lovely book. I sped through this novel in about a day, because it was just so amazing, but I sort of wish I had savored it more, because it was so good. Libby is an excellent character. There were moments were I was simply amazed by her, and it's easy to say that I fell hard for her. Jack, too, but Libby - Libby is something special. I had read reviews (before the book came out) saying that its coverage of Libby's weight was offensive, but I didn't find it offensive at all. If anything, the book is empowering, and there were passages that made me want to stand up and shout for her. You cannot help but root for Libby.
As with many YA books, it did seem like Jack and Libby were a little mature for high school, but mostly, they felt right on point; if anything, they were each a reflection of how kids have to grow up so much faster now, what with the world being so cruel and all the bullying around them. Besides, each had suffered so much in their own way, even if Jack's life was so much easier on the surface than Libby's. Because I'd read Niven's previous novel, I was constantly waiting for something awful to happen, so there was that. :) I have to say that I enjoyed this one more than [b:All the Bright Places|18460392|All the Bright Places|Jennifer Niven|https://images.gr-assets.com/books/1404331702s/18460392.jpg|26113532], even if that's hearsay for some. It was a well-written and beautiful book and just left me with a good feeling at the end... even if it also left me wishing I could meet Jack and Libby in real life.
Bookapotamus (289 KP) rated Educated in Books
May 29, 2018
All the stars in the Idaho Sky! Tara Westover is so very brave. And her book is hands-down, 5+ stars amazing. This is by far the most riveting memoir I've ever read. I am so fascinated by cult-like religions, as well as homesteaders/survivalists and end-of-the-world preppers - and this quenched every thirst I've ever had for all those things and infinitely beyond. This was the extreme of both of those worlds. I cannot believe this is real life. The epitome of "you can't make this sh*t up," I imagine those words running through Tara's head often.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.
Midge (525 KP) rated The Twelve Dice of Christmas in Books
Dec 10, 2018
I adore a new book, and if it’s part of a series, that's great, as it means more books for me to read!
Welcome to Serenity Cove, a peaceful Southern community where the residents like to play dice, and when there is a dark mystery, play detective.
With Christmas fast approaching, Kate McCall and her retired friends get into the holiday spirit by agreeing to help the elderly Eula Mae Snow decorate her home, even when it means sorting through many of the older woman’s belongings. Intent on doing a good deed and uncovering a bright collection of seasonal decorations, Kate is stopped dead in her tracks when instead she discovers the skeleton of a man showing clear signs of foul play.
Many in Serenity Cove thought that Waylon Snow had run off and left town and his wife, Eula Mae, more than two decades earlier. But with the appearance of his skeleton and a whole host of clues pointing to Eula Mae as the murderer, Kate will have to put her sleuthing skills to work to figure out who could have committed the evil deed.
Kate and her retired friends, known as The Bunco Babes, are feeling festive and they are planning a cookie exchange and ugly sweater contest for their last dice game session of the season. As they plan their holidays, they decide to help their friend decorate her house for the annual charity Christmas Home Tour. The Bunco Babes get cracking, and in the process of hunting for the Christmas decorations, Kate discovers the skeleton in the root cellar. Kate now has a twenty-five-year-old mystery to contend with. Can she solve it?
This is my first novel by Gail Oust and I really enjoyed it. I love that it is an old mystery set in Christmastime. Although this is the fourth book in a mystery series, you do not need to have read the previous books in sequence to be able to follow the story properly.
I found many of the characters very funny and easy to relate to, particularly Kate herself, but also Eula Mae's granddaughter, Tammy Lynn and Bill Lewis, Kate's "significant other". Many of the other characters in the book were extremely amusing and unusual. Kate and the Town Sheriff, Sheriff Wiggins have history, Although he is not in Kate's fan club, can she use her powers of persuasion on him to allow the Bunco Babes into the house in time for it to be decorated for the Christmas Home Tour?
You’ll treasure this sweet Christmas mystery, as I did!
Thanks to Netgalley and Beyond the Page Publishing for a copy of this book.
Welcome to Serenity Cove, a peaceful Southern community where the residents like to play dice, and when there is a dark mystery, play detective.
With Christmas fast approaching, Kate McCall and her retired friends get into the holiday spirit by agreeing to help the elderly Eula Mae Snow decorate her home, even when it means sorting through many of the older woman’s belongings. Intent on doing a good deed and uncovering a bright collection of seasonal decorations, Kate is stopped dead in her tracks when instead she discovers the skeleton of a man showing clear signs of foul play.
Many in Serenity Cove thought that Waylon Snow had run off and left town and his wife, Eula Mae, more than two decades earlier. But with the appearance of his skeleton and a whole host of clues pointing to Eula Mae as the murderer, Kate will have to put her sleuthing skills to work to figure out who could have committed the evil deed.
Kate and her retired friends, known as The Bunco Babes, are feeling festive and they are planning a cookie exchange and ugly sweater contest for their last dice game session of the season. As they plan their holidays, they decide to help their friend decorate her house for the annual charity Christmas Home Tour. The Bunco Babes get cracking, and in the process of hunting for the Christmas decorations, Kate discovers the skeleton in the root cellar. Kate now has a twenty-five-year-old mystery to contend with. Can she solve it?
This is my first novel by Gail Oust and I really enjoyed it. I love that it is an old mystery set in Christmastime. Although this is the fourth book in a mystery series, you do not need to have read the previous books in sequence to be able to follow the story properly.
I found many of the characters very funny and easy to relate to, particularly Kate herself, but also Eula Mae's granddaughter, Tammy Lynn and Bill Lewis, Kate's "significant other". Many of the other characters in the book were extremely amusing and unusual. Kate and the Town Sheriff, Sheriff Wiggins have history, Although he is not in Kate's fan club, can she use her powers of persuasion on him to allow the Bunco Babes into the house in time for it to be decorated for the Christmas Home Tour?
You’ll treasure this sweet Christmas mystery, as I did!
Thanks to Netgalley and Beyond the Page Publishing for a copy of this book.
Gareth von Kallenbach (980 KP) rated Yes Man (2008) in Movies
Aug 14, 2019
Carl Allen (Jim Carrey) is a man that has shut himself away from life following a divorce. Despite the best efforts of his friends Peter (Bradley Cooper), and Rooney (Danny Masterson), Carl is content to keep his life to toiling away in a dead end banking job and limiting his social activity to renting DVDs and watching them at home alone.
Following another disappoint day at work where he learned that he is once again being overlooked for a promotion, Carl runs into an old friend who tells him about a seminar that changed his life and has freed him up to do and be what he wants.
With his curiosity peaked, Carl attends the seminar that is conducted by the charismatic Terrance Bundley (Terrance Stamp), who decides to make Carl his project, and tells him that he must agree to say yes to things that are offered to him. Although reluctant, Carl takes the advice and says yes to the first thing he is asked, which is to give a ride to a stranger.
The chance ride and resulting situations that follow lead Carl to meet a quirky and attractive lady named Allison (Zooey Deschanel), who intrigues Carl. The next day, Carl learns that he is getting the promotion and despite getting into some outrageous and at times, scary situations, he continues to say Yes to everything that is offered to him, as he fears the consequences of breaking the covenant of yes.
Carl eventually meets up with Allison again and learns that she spends her evenings singing in a unique band, and the two begin a relationship soon after. What follows is a very funny and amusing story that tracks the crazy events that follow Carl as he begins to open himself not only to Allison but to the possibilities that life presents to him every day when one makes themselves open to new possibilities.
The film is based on the book by Danny Wallace which covers his exploits when he decided to yes to everything thing presented to him for one year. While the film has little in common with the book aside from the title and saying yes premise.
“Yes Man” is Carrey’s best film in years and is a triumphant return to the comedy films that made him such a huge success. He plays Carl with a very likeable and easygoing manner that makes him easy to root for and his energetic performance once again proves beyond a shadow of a doubt that he is one of the most gifted comedians of our generation.
Despite the differences in their ages, Carrey and Deschanel make a winning combination and the strong supporting cast anchored by Stamp, Cooper, and Rhys Darby make this a very funny and enjoyable comedy.
Following another disappoint day at work where he learned that he is once again being overlooked for a promotion, Carl runs into an old friend who tells him about a seminar that changed his life and has freed him up to do and be what he wants.
With his curiosity peaked, Carl attends the seminar that is conducted by the charismatic Terrance Bundley (Terrance Stamp), who decides to make Carl his project, and tells him that he must agree to say yes to things that are offered to him. Although reluctant, Carl takes the advice and says yes to the first thing he is asked, which is to give a ride to a stranger.
The chance ride and resulting situations that follow lead Carl to meet a quirky and attractive lady named Allison (Zooey Deschanel), who intrigues Carl. The next day, Carl learns that he is getting the promotion and despite getting into some outrageous and at times, scary situations, he continues to say Yes to everything that is offered to him, as he fears the consequences of breaking the covenant of yes.
Carl eventually meets up with Allison again and learns that she spends her evenings singing in a unique band, and the two begin a relationship soon after. What follows is a very funny and amusing story that tracks the crazy events that follow Carl as he begins to open himself not only to Allison but to the possibilities that life presents to him every day when one makes themselves open to new possibilities.
The film is based on the book by Danny Wallace which covers his exploits when he decided to yes to everything thing presented to him for one year. While the film has little in common with the book aside from the title and saying yes premise.
“Yes Man” is Carrey’s best film in years and is a triumphant return to the comedy films that made him such a huge success. He plays Carl with a very likeable and easygoing manner that makes him easy to root for and his energetic performance once again proves beyond a shadow of a doubt that he is one of the most gifted comedians of our generation.
Despite the differences in their ages, Carrey and Deschanel make a winning combination and the strong supporting cast anchored by Stamp, Cooper, and Rhys Darby make this a very funny and enjoyable comedy.
Phillip McSween (751 KP) rated Swinging Safari (2019) in Movies
Oct 29, 2019
Whomp Whomp...
I was strongly hoping I had found a hidden gem in Swinging Safari. Not so much…Taking place in 70’s Australia, it follows the lives of three neighborhood families and how their lives swing out of control when they get a little too close.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.
Gareth von Kallenbach (980 KP) rated The Expendables (2010) in Movies
Aug 8, 2019
The latest from Sylvester Stallone since 2008’s Rambo, The Expendables is a movie where the testosterone flows like enemy blood. Both movies have similar themes of redemption, regret, and courage, and also thankfully similar is that the moments of awesomeness are plentiful. The Expendables put up a lot of hype, and it had a lot to live up to with it’s cast of action star greats, but it doesn’t let the audience down. It’s not the cerebral meta-violence of Inglorious Basterds, but a simpler, old-school, fun action movie kind of violence. You can root for your favorite action hero, watch them kick a little bad-guy ass, and sit back and enjoy the show.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.