Search
Search results
Benedick Lewis (3001 KP) rated Nothing Lasts Forever (Die Hard, #1) in Books
Sep 30, 2020
Good to see origins to a great film (1 more)
Quick read - less than 250 pages
Only one perspective- feels like it needs more character viewpoints (1 more)
Prose can be difficult to follow
Surprising: film better than book
Nothing Lasts Forever was the framework for the great film Die Hard. Being a massive fan of the film as well as putting it under academic scrutiny, it was interesting to see the similarities and differences between book and film.
However, having seen Die Hard multiple times, it was sometimes difficult to picture the protagonist, Joe Leland, doing the John McClane things. Further more, the book only depicts Leland’s point of view and the story could have benefited from being told from multiple perspectives: Leland’s, the terrorists and the hostages. Unfortunately, the terrorists’ motive is summed up in one page and it doesn’t wholly satisfy, especially given in the film, the plot is more devious and fiendishly clever giving cinema one of its all time greatest villains.
To talk more about the comparisons is doing literature an injustice. Time and again, it needs to be reminded that they are two different mediums with different requirements. That said, there is definitely one big major difference that really distinguishes the two products of this idea and the only thing that can be said is that it is towards the end. Those that know the film and decide to read this book will know when you get to that part but it is one that really sets it apart.
Frank Sinartra played Leland in the prequel to this book, The Detective. It’s not essential that you read that book first to understand this one. Author Roderick Thorp plays catch up in the opening chapters. He does however spoil that story so if you are looking to read that, best put this to one side.
Thorp’s style is a little all over the place, especially regarding the set pieces and it can be difficult to imagine the scenes he is trying to depict. Leland is not the most likeable of heroes either and it can be difficult to root for him but it is a short story and can be done in one sitting so it’ll be over before you have the time to really dislike him.
Read this if you haven’t seen Die Hard. Read this but make sure you watch Die Hard rather adjacent to that. It would be surprising if you found the book better. In this case, the film is superior. A rare case indeed.
However, having seen Die Hard multiple times, it was sometimes difficult to picture the protagonist, Joe Leland, doing the John McClane things. Further more, the book only depicts Leland’s point of view and the story could have benefited from being told from multiple perspectives: Leland’s, the terrorists and the hostages. Unfortunately, the terrorists’ motive is summed up in one page and it doesn’t wholly satisfy, especially given in the film, the plot is more devious and fiendishly clever giving cinema one of its all time greatest villains.
To talk more about the comparisons is doing literature an injustice. Time and again, it needs to be reminded that they are two different mediums with different requirements. That said, there is definitely one big major difference that really distinguishes the two products of this idea and the only thing that can be said is that it is towards the end. Those that know the film and decide to read this book will know when you get to that part but it is one that really sets it apart.
Frank Sinartra played Leland in the prequel to this book, The Detective. It’s not essential that you read that book first to understand this one. Author Roderick Thorp plays catch up in the opening chapters. He does however spoil that story so if you are looking to read that, best put this to one side.
Thorp’s style is a little all over the place, especially regarding the set pieces and it can be difficult to imagine the scenes he is trying to depict. Leland is not the most likeable of heroes either and it can be difficult to root for him but it is a short story and can be done in one sitting so it’ll be over before you have the time to really dislike him.
Read this if you haven’t seen Die Hard. Read this but make sure you watch Die Hard rather adjacent to that. It would be surprising if you found the book better. In this case, the film is superior. A rare case indeed.
Kristy H (1252 KP) rated Big Summer in Books
May 7, 2020
Well this was an unexpected yet enjoyable read. It's far less serious than Weiner's previous book, the expansive and beautiful Mrs. Everything, but I think it's exactly the read we need for these times. I finished feeling happy and grateful for what I had in my life. Big Summer was a wonderful distraction from real life.
This is a fun story featuring our engaging plus-size heroine, Daphne, who is still struggling to find herself as an adult. Many of her scars and insecurities come from her so-called friendship with Drue, who was more of a user than a friend. After Drue hurt Daphne one time too many, she hasn't seen her in six years. But she's still powerless to say no to her, especially when she's begging for her to attend her high society wedding.
"You are susceptible to Drue Cavanaugh. She's your Kryptonite."
I found Daphne to be sweet albeit in need of a backbone at times. Her journey to self-actualization is certainly engaging. Big Summer takes a huge turn about halfway through, giving me a big surprise, but I loved it, honestly. I'm glad I hadn't read about the twist--a lot of reviews give it away, but I won't. Let's just say that Drue and her minions can be quite twisted at times, and there's a lot to unravel and unwrap here in terms of motivations and backstory. Big Summer starts with a little snippet set in the early 1990s, setting us up for the story ahead. We also learn about Daphne and Drue's past and all about their friendship.
This is such a sweet, sometimes silly (oh how I love Daphne's parents), and real read. Goodness, the pieces about Daphne's weight can be so heartbreaking. There's a section where she remembers her grandmother caring for her for a summer and basically giving her her weight insecurities, as she put Daphne on her first diet, making her aware of being heavier. Oh man. Weiner is an excellent writer, and she brings Daphne to life here, making her such a true person, whom we want to root for, hug, and love.
And she gives us a book about family, love, and reminds us to be grateful for what we have. The grass isn't always greener on the other side, per se. Always important, but even so more right now. I loved this one, with its escapist nature and twisty yet heartfelt storyline. 4+ stars.
This is a fun story featuring our engaging plus-size heroine, Daphne, who is still struggling to find herself as an adult. Many of her scars and insecurities come from her so-called friendship with Drue, who was more of a user than a friend. After Drue hurt Daphne one time too many, she hasn't seen her in six years. But she's still powerless to say no to her, especially when she's begging for her to attend her high society wedding.
"You are susceptible to Drue Cavanaugh. She's your Kryptonite."
I found Daphne to be sweet albeit in need of a backbone at times. Her journey to self-actualization is certainly engaging. Big Summer takes a huge turn about halfway through, giving me a big surprise, but I loved it, honestly. I'm glad I hadn't read about the twist--a lot of reviews give it away, but I won't. Let's just say that Drue and her minions can be quite twisted at times, and there's a lot to unravel and unwrap here in terms of motivations and backstory. Big Summer starts with a little snippet set in the early 1990s, setting us up for the story ahead. We also learn about Daphne and Drue's past and all about their friendship.
This is such a sweet, sometimes silly (oh how I love Daphne's parents), and real read. Goodness, the pieces about Daphne's weight can be so heartbreaking. There's a section where she remembers her grandmother caring for her for a summer and basically giving her her weight insecurities, as she put Daphne on her first diet, making her aware of being heavier. Oh man. Weiner is an excellent writer, and she brings Daphne to life here, making her such a true person, whom we want to root for, hug, and love.
And she gives us a book about family, love, and reminds us to be grateful for what we have. The grass isn't always greener on the other side, per se. Always important, but even so more right now. I loved this one, with its escapist nature and twisty yet heartfelt storyline. 4+ stars.
West Indian Immigrants: A Black Success Story?
Book
West Indian immigrants to the United States fare better than native-born African Americans on a wide...
The Sum Of Us
Book
NEW YORK TIMES BESTSELLER - One of today's most insightful and influential thinkers offers a...
Baseball Highlights: 2045
8.0
Rate It
Tabletop Game
American baseball was on its last legs as a spectator sport. Football had become the predominant...
Baseball Cyborgs Robots Deck Builder
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Not as funny as I hoped, but engaging enough
Holland has been obsessed with a handsome subway busker for quite some time. One evening, he winds up rescuing her after she falls on the subway tracks, kicking off a whirlwind of events. Holland helps Calvin get an audition with her uncle Robert, a Broadway musical director. Calvin is infinitely talented, but, it turns out, also in the United States illegally. So Holland does something she never does: makes an impulsive decision. She'll offer to marry Calvin so he can stay in the country, live out his dream, and help her uncle's hit show. Calvin quickly becomes a Broadway star. As for Calvin and Holland--they quickly realize they may be more than roommates. But what will it take for them to admit it? And for each to move past their own issues?
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
Kristy H (1252 KP) rated The Stars Are Fire in Books
Feb 13, 2018
Grace Holland is living a fairly ordinary-if not particularly happy-life with her husband Gene and their two young children in Maine. It's the late 1940s, and Grace's life revolves around Gene and her family. She cannot drive, she does not have a job, and her role in life is pretty clearly laid out: serve her husband and their children. All that changes when an awful drought hits Maine. As a horrible string of fires burns near Bar Harbor, where Grace and her family live, Gene joins a group of other men to help fight the blazes. Suddenly, Grace is awoken in the night by little Claire: the fire is upon the house. Gene is still gone, so Claire rushes to save Claire and baby Tom, as well as her best friend Rosie and Rosie's two young children. They huddle in the sand near the ocean for hours, and when they are finally rescued, nothing will ever be the same.
<i>This was an amazing book. </i> I'm not always an historical fiction fan (the story is based on actual fire that occurred in Maine), but I'll make an exception for Shreve, whom I've loved since her beautiful novel, [b:The Pilot's Wife|5191|The Pilot's Wife|Anita Shreve|https://images.gr-assets.com/books/1435011220s/5191.jpg|3131254]. There is just something poignant and touching about this novel. I was immediately drawn into Grace's story, and I read the novel quickly over the course of a day or so. Shreve creates a fierce and wonderful character in Grace, and you cannot help but root for her.
Grace is held back by so much in her life: her gender, her financial circumstances, her husband. After experiencing such a terrible loss: her entire town is basically burned to the ground, including her home, it's amazing to watch her resilience in the face of such horror. In many ways, it's not as if a lot happens in this novel, yet I feel like so much occurs during Grace's journey. I so loved her spirit, and I also wanted to swoop in and take away all the horrible things that occurred in her life.
I don't want to go into much detail and ruin the details of the plot, but I'll just say that this is a lovely book, with well-drawn characters--led by the tough and wonderful Grace. I was captivated by the story, and I would certainly recommend the novel. 4 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
<i>This was an amazing book. </i> I'm not always an historical fiction fan (the story is based on actual fire that occurred in Maine), but I'll make an exception for Shreve, whom I've loved since her beautiful novel, [b:The Pilot's Wife|5191|The Pilot's Wife|Anita Shreve|https://images.gr-assets.com/books/1435011220s/5191.jpg|3131254]. There is just something poignant and touching about this novel. I was immediately drawn into Grace's story, and I read the novel quickly over the course of a day or so. Shreve creates a fierce and wonderful character in Grace, and you cannot help but root for her.
Grace is held back by so much in her life: her gender, her financial circumstances, her husband. After experiencing such a terrible loss: her entire town is basically burned to the ground, including her home, it's amazing to watch her resilience in the face of such horror. In many ways, it's not as if a lot happens in this novel, yet I feel like so much occurs during Grace's journey. I so loved her spirit, and I also wanted to swoop in and take away all the horrible things that occurred in her life.
I don't want to go into much detail and ruin the details of the plot, but I'll just say that this is a lovely book, with well-drawn characters--led by the tough and wonderful Grace. I was captivated by the story, and I would certainly recommend the novel. 4 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Kristy H (1252 KP) rated Holding Up the Universe in Books
Feb 13, 2018
Libby Strout has the distinction of being "America's Fattest Teen" -- the girl who was once lifted out of her house with a crane. But no one has ever really taken the time to know Libby, a complicated and kind person who is still struggling with her mom's death and the aftermath of the crane incident. But Libby is stronger than people realize and she's now ready to try high school for the first time. She wants to experience life at a real school: with friends, clubs, love, and more. At school, Libby meets Jack Masselin. Jack is a popular kid struggling with a secret: he doesn't recognize faces. This issue makes high school popularity (and life) surprisingly complicated. Jack's life becomes even more complicated when he gets caught up in an awful high school bullying game that involves Libby. As a result, the two of them wind up in counseling together. Suddenly, they are spending a lot of time together and becoming surprising friends.
This was just a lovely book. I sped through this novel in about a day, because it was just so amazing, but I sort of wish I had savored it more, because it was so good. Libby is an excellent character. There were moments were I was simply amazed by her, and it's easy to say that I fell hard for her. Jack, too, but Libby - Libby is something special. I had read reviews (before the book came out) saying that its coverage of Libby's weight was offensive, but I didn't find it offensive at all. If anything, the book is empowering, and there were passages that made me want to stand up and shout for her. You cannot help but root for Libby.
As with many YA books, it did seem like Jack and Libby were a little mature for high school, but mostly, they felt right on point; if anything, they were each a reflection of how kids have to grow up so much faster now, what with the world being so cruel and all the bullying around them. Besides, each had suffered so much in their own way, even if Jack's life was so much easier on the surface than Libby's. Because I'd read Niven's previous novel, I was constantly waiting for something awful to happen, so there was that. :) I have to say that I enjoyed this one more than [b:All the Bright Places|18460392|All the Bright Places|Jennifer Niven|https://images.gr-assets.com/books/1404331702s/18460392.jpg|26113532], even if that's hearsay for some. It was a well-written and beautiful book and just left me with a good feeling at the end... even if it also left me wishing I could meet Jack and Libby in real life.
This was just a lovely book. I sped through this novel in about a day, because it was just so amazing, but I sort of wish I had savored it more, because it was so good. Libby is an excellent character. There were moments were I was simply amazed by her, and it's easy to say that I fell hard for her. Jack, too, but Libby - Libby is something special. I had read reviews (before the book came out) saying that its coverage of Libby's weight was offensive, but I didn't find it offensive at all. If anything, the book is empowering, and there were passages that made me want to stand up and shout for her. You cannot help but root for Libby.
As with many YA books, it did seem like Jack and Libby were a little mature for high school, but mostly, they felt right on point; if anything, they were each a reflection of how kids have to grow up so much faster now, what with the world being so cruel and all the bullying around them. Besides, each had suffered so much in their own way, even if Jack's life was so much easier on the surface than Libby's. Because I'd read Niven's previous novel, I was constantly waiting for something awful to happen, so there was that. :) I have to say that I enjoyed this one more than [b:All the Bright Places|18460392|All the Bright Places|Jennifer Niven|https://images.gr-assets.com/books/1404331702s/18460392.jpg|26113532], even if that's hearsay for some. It was a well-written and beautiful book and just left me with a good feeling at the end... even if it also left me wishing I could meet Jack and Libby in real life.
Bookapotamus (289 KP) rated Educated in Books
May 29, 2018
All the stars in the Idaho Sky! Tara Westover is so very brave. And her book is hands-down, 5+ stars amazing. This is by far the most riveting memoir I've ever read. I am so fascinated by cult-like religions, as well as homesteaders/survivalists and end-of-the-world preppers - and this quenched every thirst I've ever had for all those things and infinitely beyond. This was the extreme of both of those worlds. I cannot believe this is real life. The epitome of "you can't make this sh*t up," I imagine those words running through Tara's head often.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.