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Merissa (12684 KP) rated Dead Set (Aspen Falls #2) in Books
Nov 20, 2023
Dead Set is the second book in the Aspen Falls series, and we reunite with Lucas, Blaine's friend who is no longer on the Police Force that we met in book one. I like Lucas, but he is a slob where paperwork is concerned. His office makes me cringe, so I was thankful when Alaina got stuck in. They come to an agreement that she will help Lucas if he helps her. Her brother has died, and it has been ruled a suicide. Alaina can't accept that, although that may be her guilt speaking. It seems straightforward to begin with, but it does become apparent that not all is as it seems. And I really did feel for Noah!
It was nice to see the connection between Lucas and Alaina grow as they worked together to find out the mystery behind Noah's death. It is a slow-burn romance, rather than insta-lust, but I think it works here. After all, if someone is working through the grief of a deceased family member, it would be rather strange to fall straight into bed with the P.I. involved.
This book had no editing or grammatical errors that spoilt my reading, and the storyline was easy to follow, even with all the mystery. We have Blaine and Rosie having small cameos in here, so it was nice to see that things are still going well for them. I thoroughly enjoyed this book, and I hope we will see them in future books so we know how they get along. I would recommend this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 20, 2018
It was nice to see the connection between Lucas and Alaina grow as they worked together to find out the mystery behind Noah's death. It is a slow-burn romance, rather than insta-lust, but I think it works here. After all, if someone is working through the grief of a deceased family member, it would be rather strange to fall straight into bed with the P.I. involved.
This book had no editing or grammatical errors that spoilt my reading, and the storyline was easy to follow, even with all the mystery. We have Blaine and Rosie having small cameos in here, so it was nice to see that things are still going well for them. I thoroughly enjoyed this book, and I hope we will see them in future books so we know how they get along. I would recommend this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 20, 2018
Kristy H (1252 KP) rated The Best of Adam Sharp in Books
Feb 13, 2018
Adam Sharp is nearing fifty. He's had a decent turn in life as an IT contractor and he's lived with his girlfriend, Claire, for many years. But Adam has always held a torch for his first love, Angelina. For a few brief months, the two bonded and shared a relationship solidified over Adam's piano playing and music. It's been over twenty years since the pair have had any contact, but one day--out of the blue--Adam gets an email from Angelina. She's married to her husband, Charlie, with three kids. Still, the emails quickly turn flirty and Adam starts to wonder what her intent is. Getting back in contact certainly brings up all his old feelings for Angelina and the past.
The book begins with present-day Adam remembering back on his relationship with Angelina, filling us in on what happened. Those snippets are interspersed with updates about Adam's current life, and he eventually catches us up to the present. Those beginning portions are fairly interesting as we learn how Adam and Angelina fell in love.
Unfortunately, though, the book lacked anything comedic (one of the things so enjoyable about the Rosie series Simsion is so famous for), beyond a few funny scenes featuring Angelina's parents and family. Instead, there is just so very much talking from Adam. So very much. It would have been okay, except I never really formed a connection to his character, and I found that I really only cared so much. I felt as if I had no horse in the race--with his relationships or life in general.
In many ways, I think I might have enjoyed the book if I was just a bit older and closer in age to Adam. I didn't connect as much with the music he mentioned so frequently in the novel (despite, of course, a love for music and an understanding of how it can connect and create memories throughout one's life), nor even the idea of pining for a lost love at one's midlife (despite, of course, having loved and lost). While I felt captivated at times during the novel, as much as I hate saying this, I often just felt bored. I read the book during vacation, and it was just such a poor choice, because I found myself almost dreading picking it up, but feeling duty-bound, both because I love to read on vacation and because I needed to review it. Oh sigh.
In addition, there are just some really weird plot twists in this one--once Angelina, Charlie, and Adam are all together--that frankly it made me feel a little icky. I'm open-minded and all, but it just didn't seem right and some of it rubbed me the wrong way. It also made it even harder to become attached to the characters.
By the end, perhaps I'm cynical, but some of the love scenes didn't even move me: I just didn't care. I was tired of everyone communicating by oblique song references. Anyway, I really wanted to love this because it seemed to be an ode to music and love. And, because I loved Simsion's Rosie novels. It's not fair, really, to compare an authors work in such a way, but I couldn't help it, and I didn't enjoy the plot and characters in this one anyway. I was ready for the book to be over. It definitely had some good points, but I was mostly so disappointed and annoyed and ready to be done.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 05/02/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
The book begins with present-day Adam remembering back on his relationship with Angelina, filling us in on what happened. Those snippets are interspersed with updates about Adam's current life, and he eventually catches us up to the present. Those beginning portions are fairly interesting as we learn how Adam and Angelina fell in love.
Unfortunately, though, the book lacked anything comedic (one of the things so enjoyable about the Rosie series Simsion is so famous for), beyond a few funny scenes featuring Angelina's parents and family. Instead, there is just so very much talking from Adam. So very much. It would have been okay, except I never really formed a connection to his character, and I found that I really only cared so much. I felt as if I had no horse in the race--with his relationships or life in general.
In many ways, I think I might have enjoyed the book if I was just a bit older and closer in age to Adam. I didn't connect as much with the music he mentioned so frequently in the novel (despite, of course, a love for music and an understanding of how it can connect and create memories throughout one's life), nor even the idea of pining for a lost love at one's midlife (despite, of course, having loved and lost). While I felt captivated at times during the novel, as much as I hate saying this, I often just felt bored. I read the book during vacation, and it was just such a poor choice, because I found myself almost dreading picking it up, but feeling duty-bound, both because I love to read on vacation and because I needed to review it. Oh sigh.
In addition, there are just some really weird plot twists in this one--once Angelina, Charlie, and Adam are all together--that frankly it made me feel a little icky. I'm open-minded and all, but it just didn't seem right and some of it rubbed me the wrong way. It also made it even harder to become attached to the characters.
By the end, perhaps I'm cynical, but some of the love scenes didn't even move me: I just didn't care. I was tired of everyone communicating by oblique song references. Anyway, I really wanted to love this because it seemed to be an ode to music and love. And, because I loved Simsion's Rosie novels. It's not fair, really, to compare an authors work in such a way, but I couldn't help it, and I didn't enjoy the plot and characters in this one anyway. I was ready for the book to be over. It definitely had some good points, but I was mostly so disappointed and annoyed and ready to be done.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 05/02/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Lee (2222 KP) rated Jojo Rabbit (2019) in Movies
Dec 17, 2019
During the opening credits of Jojo Rabbit, we're treated to The Beatles singing "I Want to Hold Your Hand" while documentary footage plays showing crowds of Germans going absolutely nuts for Hitler, sieg-heiling and cheering for him. It's a fairly good indication of the kind of humour you can expect from Jojo Rabbit and writer/director Taika Waititi, who hit the big time after directing 'Thor Ragnarok', but has previously been responsible for a wide range of brilliantly quirky movies such as 'What We Do in the Shadows' and 'Hunt for the Wilderpeople'.
We begin by meeting 10 year old German boy, Johannes 'Jojo' Betzler (Roman Griffin Davis), as he nervously prepares to head off to Nazi youth camp in order to fulfill his dream of serving Adolf Hitler. Heading up the camp is one-eyed Captain Klenzendorf (Sam Rockwell), aided by a bunch of inept instructors, including Fraulein Rahm (Rebel Wilson) and Finkel (Alfie Allen). At the camp, boys get to play with knives and hand grenades, girls are taught the importance of having babies (Fraulein Rahm has given birth to 18!), while all of the children are taught about the evil monsters that are the Jews. Accompanying Jojo at the camp are best friend Yorki (a brilliant Archie Yates, soon to be starring in the recently announced remake of Home Alone) and Jojo's imaginary friend Hitler (Taika Waititi). When Jojo refuses to wring the neck of rabbit during a lesson on killing (earning him the nickname Jojo Rabbit), and is hospitalised following an unfortunate incident with a grenade, he is forced to leave the camp behind, returning home to be with his mother Rosie (Scarlett Johansson).
While his mother is out during the day, Jojo discovers a teenage Jewish girl named Elsa (Thomasin McKenzie) hiding out in the wall-space of his sisters bedroom. Jojo is initially shocked, and repulsed, by this hideous Jew, even more so when he discovers that it was his mother who was responsible for hiding her. As time goes on though, Jojo and Elsa begin to form a friendship, with Elsa feeding Jojo a series of made up ridiculous stories and tales regarding the origins and ways of Jews so that Jojo can write a book about them. All the while, Rosie remains completely unaware that Jojo knows anything of Elsa. The bumbling, goofy Hitler occasionally shows up too when Jojo needs words of encouragement, or when times are tough, and provides us with some welcome light relief. More humour is provided in the form of various smaller characters, including gestapo member Stephen Merchant and his team during what is essentially a pretty serious and dramatic scene as they show up and ransack Jojo's house.
But Jojo Rabbit is a movie about relationships. The Jojo/Hitler dynamic begins to take a backseat as things start to get more serious and we focus more on the bond between Jojo and his mother, and the relationship between Jojo and Elsa, as the final months of the war play out. The child actors in Jojo Rabbit are all outstanding and we also get to see a wonderfully different side to Scarlett Johansson. Sam Rockwell is hilarious and Rebel Wilson is just, well, Rebel Wilson! Occasionally though, we are dealt an unexpected gut punch, and it's fair to say that you'll be crying at Jojo Rabbit just as much as you'll be laughing. If I'm honest, I really wasn't expecting that side to Jojo Rabbit and it did more for me and my enjoyment of the movie than the comedy did, which wasn't really as laugh out loud as I thought it would be. Overall though, Jojo Rabbit is simply wonderful - funny, heartbreaking, sad and poignant - and unlike anything you've ever seen before.
We begin by meeting 10 year old German boy, Johannes 'Jojo' Betzler (Roman Griffin Davis), as he nervously prepares to head off to Nazi youth camp in order to fulfill his dream of serving Adolf Hitler. Heading up the camp is one-eyed Captain Klenzendorf (Sam Rockwell), aided by a bunch of inept instructors, including Fraulein Rahm (Rebel Wilson) and Finkel (Alfie Allen). At the camp, boys get to play with knives and hand grenades, girls are taught the importance of having babies (Fraulein Rahm has given birth to 18!), while all of the children are taught about the evil monsters that are the Jews. Accompanying Jojo at the camp are best friend Yorki (a brilliant Archie Yates, soon to be starring in the recently announced remake of Home Alone) and Jojo's imaginary friend Hitler (Taika Waititi). When Jojo refuses to wring the neck of rabbit during a lesson on killing (earning him the nickname Jojo Rabbit), and is hospitalised following an unfortunate incident with a grenade, he is forced to leave the camp behind, returning home to be with his mother Rosie (Scarlett Johansson).
While his mother is out during the day, Jojo discovers a teenage Jewish girl named Elsa (Thomasin McKenzie) hiding out in the wall-space of his sisters bedroom. Jojo is initially shocked, and repulsed, by this hideous Jew, even more so when he discovers that it was his mother who was responsible for hiding her. As time goes on though, Jojo and Elsa begin to form a friendship, with Elsa feeding Jojo a series of made up ridiculous stories and tales regarding the origins and ways of Jews so that Jojo can write a book about them. All the while, Rosie remains completely unaware that Jojo knows anything of Elsa. The bumbling, goofy Hitler occasionally shows up too when Jojo needs words of encouragement, or when times are tough, and provides us with some welcome light relief. More humour is provided in the form of various smaller characters, including gestapo member Stephen Merchant and his team during what is essentially a pretty serious and dramatic scene as they show up and ransack Jojo's house.
But Jojo Rabbit is a movie about relationships. The Jojo/Hitler dynamic begins to take a backseat as things start to get more serious and we focus more on the bond between Jojo and his mother, and the relationship between Jojo and Elsa, as the final months of the war play out. The child actors in Jojo Rabbit are all outstanding and we also get to see a wonderfully different side to Scarlett Johansson. Sam Rockwell is hilarious and Rebel Wilson is just, well, Rebel Wilson! Occasionally though, we are dealt an unexpected gut punch, and it's fair to say that you'll be crying at Jojo Rabbit just as much as you'll be laughing. If I'm honest, I really wasn't expecting that side to Jojo Rabbit and it did more for me and my enjoyment of the movie than the comedy did, which wasn't really as laugh out loud as I thought it would be. Overall though, Jojo Rabbit is simply wonderful - funny, heartbreaking, sad and poignant - and unlike anything you've ever seen before.
ClareR (5854 KP) rated The Flower Girls in Books
Jan 17, 2019
A chilling psychological thriller
A child goes missing on New Years Eve from a hotel, and when the police are called in, it is discovered that one of the guests is one of the notorious Flower Girls. The Flower Girls were involved in the murder and mutilation of a toddler in 1997, when they themselves were only 10 and 6 years old. The 10 year old, Laurel, remains in prison nearly 20 years later. Rosie was found not to have participated in the murder and couldn't remember anything that happened at that time, such was her trauma. She and her remaining family were given new identities and relocated. Her rediscovery provokes a media frenzy. The missing child (Georgie) is found alive and hypothermic, but Rosie's new identity as Hazel is now known to everyone.
We see what happened 20 years ago in short flashbacks, which can have some disturbing moments (not gory, not of the original murder - at least not at the start), and we meet the aunt of Kirstie Swann (the toddler who was murdered), who has campaigned tirelessly to keep Laurel behind bars. We are also kept in the loop of the police investigation of Georgie's disappearance. There are a lot of characters to contend with in this book, but I think it was done well, and I didn't have any problem remembering who they were. I really enjoyed this, despite the rather macabre subject matter. The pace was just right, there was a good amount of skin-crawling moments, and an unresolved ending which really suited the rest of the story - and an unresolved ending? Well, that has to be one of my favourite things!
Many thanks to The Pigeonhole for the chance to read this book, and to Alice Clark-Platts for reading along and commenting on the story with the readers! If you haven't tried The Pigeonhole, it's well worth a go. I've found some really good books on this platform.
We see what happened 20 years ago in short flashbacks, which can have some disturbing moments (not gory, not of the original murder - at least not at the start), and we meet the aunt of Kirstie Swann (the toddler who was murdered), who has campaigned tirelessly to keep Laurel behind bars. We are also kept in the loop of the police investigation of Georgie's disappearance. There are a lot of characters to contend with in this book, but I think it was done well, and I didn't have any problem remembering who they were. I really enjoyed this, despite the rather macabre subject matter. The pace was just right, there was a good amount of skin-crawling moments, and an unresolved ending which really suited the rest of the story - and an unresolved ending? Well, that has to be one of my favourite things!
Many thanks to The Pigeonhole for the chance to read this book, and to Alice Clark-Platts for reading along and commenting on the story with the readers! If you haven't tried The Pigeonhole, it's well worth a go. I've found some really good books on this platform.
LeftSideCut (3776 KP) rated Jojo Rabbit (2019) in Movies
Jun 21, 2020
I was not expecting to love Jojo Rabbit as much as I did. I would argue that it's one of the best films of 2019!
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
Elli H Burton (1288 KP) rated Mermaids Singing in Books
Nov 22, 2019
See below...
Contains spoilers, click to show
Okay so I finished this book a few nights back but it's taken me until now to be able to write my review down.
I really enjoyed it, couldn't put it down and it has good plot lines that make you NEED to know whats next. You really start to root for most characters and loathe the others. Theres plenty of twists that are completely unexpected, which in some cases you can see a twist coming a mile off so thats a plus.
The reason I put that this contains spoilers is because of how I felt at the end, resulting in my rating only being a 7.
The ending is frustrating!!! I know some writers write their books in sequences (Rosie Goodwin: Days of the week, Annie Murray: Birmingham, Narrowboat Girl etc) so when i reached the ending (AT 1AM BECAUSE I COULDN'T PUT IT DOWN) I assumed it had a sequel. IT DOESNT. So many questions, so many plot lines left unfulfilled. For example, Bella was in love with her step son Edward but he is now married and his father dead. The new Lady Mableton wants to adopt Bellas daughter after discovering she cannot have children and wants an heir to the mableton estate, she will stop at nothing to get this child. Kitty tries her hardest to get hold of Bella after she ran off to be with a man she was sold to when she was younger whom she thought was awful (dont even get me started) you never find out if Bella gets contacted!! Her daughter is left with her mother who says she will not let Lady Mableton have her granddaughter under no circumstances. THATS THE END OF THE BLUMMIN BOOK?!! How do they stop this woman from getting the child? Does bella and her beau come back and save the day? Does Edward put a stop to it? Also will Bellas mother (who was known to not be a very nice woman) give the child over at a price, since it would be of character?
DILLY COURT - PLEASE WRITE A SEQUEL AAARGHHH.
I really enjoyed it, couldn't put it down and it has good plot lines that make you NEED to know whats next. You really start to root for most characters and loathe the others. Theres plenty of twists that are completely unexpected, which in some cases you can see a twist coming a mile off so thats a plus.
The reason I put that this contains spoilers is because of how I felt at the end, resulting in my rating only being a 7.
The ending is frustrating!!! I know some writers write their books in sequences (Rosie Goodwin: Days of the week, Annie Murray: Birmingham, Narrowboat Girl etc) so when i reached the ending (AT 1AM BECAUSE I COULDN'T PUT IT DOWN) I assumed it had a sequel. IT DOESNT. So many questions, so many plot lines left unfulfilled. For example, Bella was in love with her step son Edward but he is now married and his father dead. The new Lady Mableton wants to adopt Bellas daughter after discovering she cannot have children and wants an heir to the mableton estate, she will stop at nothing to get this child. Kitty tries her hardest to get hold of Bella after she ran off to be with a man she was sold to when she was younger whom she thought was awful (dont even get me started) you never find out if Bella gets contacted!! Her daughter is left with her mother who says she will not let Lady Mableton have her granddaughter under no circumstances. THATS THE END OF THE BLUMMIN BOOK?!! How do they stop this woman from getting the child? Does bella and her beau come back and save the day? Does Edward put a stop to it? Also will Bellas mother (who was known to not be a very nice woman) give the child over at a price, since it would be of character?
DILLY COURT - PLEASE WRITE A SEQUEL AAARGHHH.
Natasha Khan recommended Negro Prison Blues and Songs by Alan Lomax in Music (curated)
Chris Sawin (602 KP) rated Jojo Rabbit (2019) in Movies
Oct 8, 2019
Roman Griffin Davis stars as Jojo Betzler in Taika Waititi’s black comedy Jojo Rabbit. Along with his second best friend Yorki (Archie Yates), Jojo is a part of a Nazi training camp for young boys and girls to become the men and women suited for Hitler supporting soldiers. Meanwhile, Jojo’s mom Rosie (Scarlett Johansson) is secretly hiding a young Jewish girl named Elsa (Thomasin McKenzie) within the walls of their home. Jojo, who is incredibly adamant about Hitler becoming his first best friend, has Hitler as an imaginary friend (portrayed by Taika Waititi) who shows up whenever Jojo seems to need a pep talk.
Based on the 2008 novel Caging Skies by Christine Leunens, Jojo Rabbit is a bonkers twist on one of the most devastating wars and tyrannical madmen in history. On the surface, the film is about a child attempting to become a Nazi because he views HItler as this great leader. He has to attempt to learn to kill, hate Jews, and essentially ignore all of his morals in order to just fit in with an army who believes they are the superior race. The intriguing aspect is that Waititi injects this unexpected tenderness and has concocted a film that has a heartbeat that is entirely too human and too genuine for any sort of project involving the likes of Adolf Hitler.
The Jojo/Hitler dynamic is an incredibly playful one. Hitler only seems to show up when something doesn’t go according to plan for Jojo or he needs some words of encouragement when times get tough. Hitler is a figment of Jojo’s imagination and is completely reactionary to Jojo’s world. If Jojo gets scared, Hitler shows up to remind him why he’s risking his own self comfort. While Waititi is funny and awkwardly charming as Hitler, which is an odd thing to say in itself, don’t overlook Archie Yates. Roman Griffin Davis encapsulates this innocence that even Elsa describes as something along the lines of a ten year old playing dress up with his friends in order to join a club. But Yates often plays off of Davis humorously and amusingly and will likely be forgotten about by some by the time they leave the theater.
Seemingly tapping into his inspiration for Gentlemen Broncos, Sam Rockwell portrays Captain Klenzendorf - a former war veteran who lost an eye and is now forced to teach children how to be soldiers. He has this strange tension on the verge of romance thing going on with his right hand man Finkel (Alfie Allen) and has extravagant taste with intricate ideas for his new uniform. Rockwell and Allen are hilarious and outshine Rebel Wilson’s Fräulein Rahm who never seems to serve much purpose before or after her line about, “having 18 kids for Germany.”
The sweet nature of Jojo Rabbit is expanded upon with the mother/son relationship between Rosie and Jojo. They have completely different viewpoints of a world on the verge of total annihilation where Jojo is slowly nudged into his mother’s mindset. It’s not so much a brainwashing as it is Jojo coming to terms with how he feels about people. Jojo Rabbit defines who we all are on the inside and simply explores the path anyone with an everyday beating heart (not rooted by a tiny mustache) would travel down over the course of their youth.
It’s kind of extraordinary that Jojo Rabbit has been released during a time when Fox Searchlight Pictures is owned by Walt Disney Studios Motion Pictures where a guy directing two of the biggest Thor movies did a side project where he plays Hitler and never had to attempt to keep that a secret. Waititi puts Jojo Betzler through the ringer by blowing him up repeatedly and throwing him down a flight of stairs all while being bullied and pushed around the entire time. But dammit if Jojo Rabbit isn’t one of the most heartfelt and imaginative fairy tales of the year.
This is a film where storytelling, embellishing and elongating false reputations, and glorifying urban myths is the driving force of entertainment. Underneath its layers of SS uniforms, dangerous pistols, and knives you should never leave home without, Jojo Rabbit is a touching film about human compassion with an intimacy that is absolutely unparalleled. Categorized somewhere between Wes Anderson’s Moonrise Kingdom and an imaginative concept that is an obvious homage to Calvin and Hobbes, love feels like it’s the only thing spreading across the world more powerful than war and Jojo Rabbit is more than happy to hype you up and throw you in love’s way without remorse.
Based on the 2008 novel Caging Skies by Christine Leunens, Jojo Rabbit is a bonkers twist on one of the most devastating wars and tyrannical madmen in history. On the surface, the film is about a child attempting to become a Nazi because he views HItler as this great leader. He has to attempt to learn to kill, hate Jews, and essentially ignore all of his morals in order to just fit in with an army who believes they are the superior race. The intriguing aspect is that Waititi injects this unexpected tenderness and has concocted a film that has a heartbeat that is entirely too human and too genuine for any sort of project involving the likes of Adolf Hitler.
The Jojo/Hitler dynamic is an incredibly playful one. Hitler only seems to show up when something doesn’t go according to plan for Jojo or he needs some words of encouragement when times get tough. Hitler is a figment of Jojo’s imagination and is completely reactionary to Jojo’s world. If Jojo gets scared, Hitler shows up to remind him why he’s risking his own self comfort. While Waititi is funny and awkwardly charming as Hitler, which is an odd thing to say in itself, don’t overlook Archie Yates. Roman Griffin Davis encapsulates this innocence that even Elsa describes as something along the lines of a ten year old playing dress up with his friends in order to join a club. But Yates often plays off of Davis humorously and amusingly and will likely be forgotten about by some by the time they leave the theater.
Seemingly tapping into his inspiration for Gentlemen Broncos, Sam Rockwell portrays Captain Klenzendorf - a former war veteran who lost an eye and is now forced to teach children how to be soldiers. He has this strange tension on the verge of romance thing going on with his right hand man Finkel (Alfie Allen) and has extravagant taste with intricate ideas for his new uniform. Rockwell and Allen are hilarious and outshine Rebel Wilson’s Fräulein Rahm who never seems to serve much purpose before or after her line about, “having 18 kids for Germany.”
The sweet nature of Jojo Rabbit is expanded upon with the mother/son relationship between Rosie and Jojo. They have completely different viewpoints of a world on the verge of total annihilation where Jojo is slowly nudged into his mother’s mindset. It’s not so much a brainwashing as it is Jojo coming to terms with how he feels about people. Jojo Rabbit defines who we all are on the inside and simply explores the path anyone with an everyday beating heart (not rooted by a tiny mustache) would travel down over the course of their youth.
It’s kind of extraordinary that Jojo Rabbit has been released during a time when Fox Searchlight Pictures is owned by Walt Disney Studios Motion Pictures where a guy directing two of the biggest Thor movies did a side project where he plays Hitler and never had to attempt to keep that a secret. Waititi puts Jojo Betzler through the ringer by blowing him up repeatedly and throwing him down a flight of stairs all while being bullied and pushed around the entire time. But dammit if Jojo Rabbit isn’t one of the most heartfelt and imaginative fairy tales of the year.
This is a film where storytelling, embellishing and elongating false reputations, and glorifying urban myths is the driving force of entertainment. Underneath its layers of SS uniforms, dangerous pistols, and knives you should never leave home without, Jojo Rabbit is a touching film about human compassion with an intimacy that is absolutely unparalleled. Categorized somewhere between Wes Anderson’s Moonrise Kingdom and an imaginative concept that is an obvious homage to Calvin and Hobbes, love feels like it’s the only thing spreading across the world more powerful than war and Jojo Rabbit is more than happy to hype you up and throw you in love’s way without remorse.