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Zuky the BookBum (15 KP) rated Desperation Road in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/16/review-desperation-road-by-michael-farris-smith/
<b><i>Now they loved different lives, different from what any of them probably imagined. How could you imagine the complexities of what might come?</b></i>
One night, eleven years ago, Russell did something stupid, made a terrible mistake - he drank and drove and ended up killing someone. Now hes done his time in prison and he just wants to settle down into a normal life. On the same day as Russells release, troubled Maben, and her daughter, are trudging through the grass along the interstate. That night they end up in a motel with no money left and Maben decides theres something shes got to do to get them some cash. The night ends, instead, with a dead deputy and Maben pulling her daughter off running. The next day, Russell and Maben cross paths and Russell has to decide if it's his life, or theirs, that hes going to save.
This is a story about revenge, redemption and acceptance. Quite a different novel to what Im used to but I do like to step outside my comfort zone every once in awhile. I ended up really enjoying this book, even though, as the title suggests, its a little bit dark and depressing at times.
What I loved the most about this book was how realistic it was. There are millions of mystery thrillers out there, that I read on the daily, that are based around normal people;s lives but we know, could never be real. This story, on the other hand, is perfectly plausible to imagine in a bit of a down-and-out town. With inherently flawed but morally conscious people and others who are driven to madness and evil by their deep rooted emotions, this is the kind of novel that can really hit home.
Russell, although flawed in many ways, is one of the most likeable characters Ive ever come across. He means no harm to anyone and does everything out of the good of his heart.
My only issue with this novel was the ending, that I felt could have been grown upon. It felt a bit dead-ended and cut off, but other than that, this was a beautiful story.
<i>Thanks to Netgalley and Little, Brown and Company for giving me the opportunity to read this in exchange for an honest review.</i>
<b><i>Now they loved different lives, different from what any of them probably imagined. How could you imagine the complexities of what might come?</b></i>
One night, eleven years ago, Russell did something stupid, made a terrible mistake - he drank and drove and ended up killing someone. Now hes done his time in prison and he just wants to settle down into a normal life. On the same day as Russells release, troubled Maben, and her daughter, are trudging through the grass along the interstate. That night they end up in a motel with no money left and Maben decides theres something shes got to do to get them some cash. The night ends, instead, with a dead deputy and Maben pulling her daughter off running. The next day, Russell and Maben cross paths and Russell has to decide if it's his life, or theirs, that hes going to save.
This is a story about revenge, redemption and acceptance. Quite a different novel to what Im used to but I do like to step outside my comfort zone every once in awhile. I ended up really enjoying this book, even though, as the title suggests, its a little bit dark and depressing at times.
What I loved the most about this book was how realistic it was. There are millions of mystery thrillers out there, that I read on the daily, that are based around normal people;s lives but we know, could never be real. This story, on the other hand, is perfectly plausible to imagine in a bit of a down-and-out town. With inherently flawed but morally conscious people and others who are driven to madness and evil by their deep rooted emotions, this is the kind of novel that can really hit home.
Russell, although flawed in many ways, is one of the most likeable characters Ive ever come across. He means no harm to anyone and does everything out of the good of his heart.
My only issue with this novel was the ending, that I felt could have been grown upon. It felt a bit dead-ended and cut off, but other than that, this was a beautiful story.
<i>Thanks to Netgalley and Little, Brown and Company for giving me the opportunity to read this in exchange for an honest review.</i>
Gareth von Kallenbach (980 KP) rated Winter's Tale (2014) in Movies
Aug 6, 2019
“Winter’s Tale”, starring Colin Farrell (Peter Lake), Jessica Brown Findlay (Beverly Penn), Russell Crowe (Pearly Soames), William Hurt (Isaac Penn), Jennifer Connelly (Virginia Gamely) and Will Smith (The Judge) is a fantastic love story, although the beginning was a little slow. It did help define the three different timelines involved in the plot
After a brief scene set in 1895, where we see a set of parents put their baby in a model ship, lower him down into the Hudson River and set him afloat, the timeline jumps to 1916. In this timeline we meet Peter Lake and Pearly Soames for the first time, and are drawn into their story of good versus evil. As Pearly hunts for Peter, in order to destroy him, Peter is assisted by a beautiful white horse named Athansor. The horse is absolutely stunning and along with the incredible use of light throughout the movie, it is possibly one of the most memorable things about the film. The stallion is the guardian angel of the adult Peter – and he flies! The CGI was seamless and beautiful.
As Peter tries again and again to escape Pearly, he ends up meeting Beverly who is ill with consumption. Of course, it’s a love story and they fall in love. Farrell and Penn’s portrayal of their characters’ romance was so poignant, you will need to have tissues on hand. Throughout the movie a voiceover says “inside each of us is a miracle, a miracle intended for one person alone.” The plot twists connected to that statement were just enough to keep me guessing – often incorrectly.
It was a total and complete shock to see Will Smith play an antagonist so well. Russell Crowe was great as Pearly, very believable as a demon obsessed with getting his way and wreaking vengeance on someone who he saw as having “done him wrong.”
When the storyline jumped to present day New York, 2014, the imagery of the lights and stars helped with the transition but the magic of the film seemed to disappear afterwards. While the last third of the movie was not hard to follow, it was still a bit hard to understand its point right away. I definitely felt like the movie lost some momentum after the jump to present day. In the end, it just felt like there was something missing – possibly left in the editing room. Maybe we’ll find it on the DVD extras.
I would give this movie 3.5 out of 5 stars.
After a brief scene set in 1895, where we see a set of parents put their baby in a model ship, lower him down into the Hudson River and set him afloat, the timeline jumps to 1916. In this timeline we meet Peter Lake and Pearly Soames for the first time, and are drawn into their story of good versus evil. As Pearly hunts for Peter, in order to destroy him, Peter is assisted by a beautiful white horse named Athansor. The horse is absolutely stunning and along with the incredible use of light throughout the movie, it is possibly one of the most memorable things about the film. The stallion is the guardian angel of the adult Peter – and he flies! The CGI was seamless and beautiful.
As Peter tries again and again to escape Pearly, he ends up meeting Beverly who is ill with consumption. Of course, it’s a love story and they fall in love. Farrell and Penn’s portrayal of their characters’ romance was so poignant, you will need to have tissues on hand. Throughout the movie a voiceover says “inside each of us is a miracle, a miracle intended for one person alone.” The plot twists connected to that statement were just enough to keep me guessing – often incorrectly.
It was a total and complete shock to see Will Smith play an antagonist so well. Russell Crowe was great as Pearly, very believable as a demon obsessed with getting his way and wreaking vengeance on someone who he saw as having “done him wrong.”
When the storyline jumped to present day New York, 2014, the imagery of the lights and stars helped with the transition but the magic of the film seemed to disappear afterwards. While the last third of the movie was not hard to follow, it was still a bit hard to understand its point right away. I definitely felt like the movie lost some momentum after the jump to present day. In the end, it just felt like there was something missing – possibly left in the editing room. Maybe we’ll find it on the DVD extras.
I would give this movie 3.5 out of 5 stars.
MaryAnn (14 KP) rated CSB Worldview Study Bible in Books
Nov 4, 2019
The CSB Worldview Study Bible features extensive worldview study notes and articles by notable Christian scholars to help Christians better understand the grand narrative and flow of Scripture within the biblical framework from which we are called to view reality and make sense of life and the world. Guided by general editors David S. Dockery and Trevin K. Wax, this Bible is an invaluable resource and study tool that will help you to discuss, defend, and clearly share with others the truth, hope, and practical compatibility of Christianity in everyday life.
Features include:
Extensive worldview study notes
Over 130 articles by notable Christian scholars
Center-column references
Smyth-sewn binding
Presentation page
Two ribbon markers
Two-piece gift box, and more
General Editors: David S. Dockery and Trevin Wax
Associate Editors: Constantine R. Campbell, E. Ray Clendenen, Eric J. Tully
Contributors include: David S. Dockery, Trevin K. Wax, Ray Van Neste, John Stonestreet, Ted Cabal, Darrell L. Bock, Mary J. Sharp, Carl R. Trueman, Bruce Riley Ashford, R. Albert Mohler Jr., William A. Dembski, Preben Vang, David K. Naugle, Jennifer A. Marshall, Aida Besancon Spencer, Paul Copan, Robert Smith Jr., Douglas Groothuis, Russell D. Moore, Mark A. Noll, Timothy George, Carla D. Sanderson, Kevin Smith, Gregory B. Forster, Choon Sam Fong, and more.
The CSB Worldview Study Bible features the highly readable, highly reliable text of the Christian Standard Bible (CSB). The CSB stays as literal as possible to the Bibles original meaning without sacrificing clarity, making it easier to engage with Scriptures life-transforming message and to share it with others.
This is a wonderful Bible that not only gives us God's word but teaches through credible editors about the Christians view of the world. There are articles that show us the Biblical view of that issue; such a: the Biblical view of music, Personal Finances. Ther is an article on how Christians should relate to the government along with various other interesting articles.
This is a great study Bible for new believers, for discipling, for those interested in how God's word relates to issues around us today. How we as Christians should respond to a world that is turning against Christians.
This is a beautiful Bible, that is easy to read and has full-color maps. This will be a great addition to anyone's library.
CSB Worldview Study Bible
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commissions 16 CFR, Part 255 : Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Features include:
Extensive worldview study notes
Over 130 articles by notable Christian scholars
Center-column references
Smyth-sewn binding
Presentation page
Two ribbon markers
Two-piece gift box, and more
General Editors: David S. Dockery and Trevin Wax
Associate Editors: Constantine R. Campbell, E. Ray Clendenen, Eric J. Tully
Contributors include: David S. Dockery, Trevin K. Wax, Ray Van Neste, John Stonestreet, Ted Cabal, Darrell L. Bock, Mary J. Sharp, Carl R. Trueman, Bruce Riley Ashford, R. Albert Mohler Jr., William A. Dembski, Preben Vang, David K. Naugle, Jennifer A. Marshall, Aida Besancon Spencer, Paul Copan, Robert Smith Jr., Douglas Groothuis, Russell D. Moore, Mark A. Noll, Timothy George, Carla D. Sanderson, Kevin Smith, Gregory B. Forster, Choon Sam Fong, and more.
The CSB Worldview Study Bible features the highly readable, highly reliable text of the Christian Standard Bible (CSB). The CSB stays as literal as possible to the Bibles original meaning without sacrificing clarity, making it easier to engage with Scriptures life-transforming message and to share it with others.
This is a wonderful Bible that not only gives us God's word but teaches through credible editors about the Christians view of the world. There are articles that show us the Biblical view of that issue; such a: the Biblical view of music, Personal Finances. Ther is an article on how Christians should relate to the government along with various other interesting articles.
This is a great study Bible for new believers, for discipling, for those interested in how God's word relates to issues around us today. How we as Christians should respond to a world that is turning against Christians.
This is a beautiful Bible, that is easy to read and has full-color maps. This will be a great addition to anyone's library.
CSB Worldview Study Bible
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commissions 16 CFR, Part 255 : Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Gareth von Kallenbach (980 KP) rated The Water Diviner (2015) in Movies
Aug 6, 2019
Russell Crowe both stars and directs the new film The Water Diviner.
The story follows Joshua Conner (Crowe) and his attempts to re-locate his three sons Arthur, Henry and Edward, who went off to war together and yet were never heard from again. The three boys were inseparable as children (Jack Patterson, Ben Norris and Aidan Smith) and they stayed inseparable as adults (played by Ryan Corr, Ben O’Toole and James Fraser) as they went off to fight in World War I in the Battle of Gallipoli in Turkey.
Joshua loses contact with his sons during the war, and after the fighting has ended, he receives a journal that belonged to them. He reads the journal with his wife and they conclude that the boys must have perished in the fighting. Corners wife kills herself in her grief over losing them and Joshua swears he will bring the boys home, even if it is just their remains, that is his wife’s last wish.
Conner crosses the continent to search for them, meeting people along the way and finding clues. His efforts to locate the boys are rejected by military authorities but he stubbornly presses on.
Seeing this film in the movie theatre rather than on a home television is definitely worth it. The action and scenes of war flash backs are better suited to the big screen than a home tv for full effect and drawing you in to feel like you are ‘right there’.
The story was a bit predictable because after all, it’s the story of a father searching for his children, but it was emotional and held my attention.
Parts of it felt a bit slow, or maybe just confusing, because during the flash backs I wasn’t really sure whose flash backs they were or why they were significant, but over all the story flowed well and I enjoyed it.
The story follows Joshua Conner (Crowe) and his attempts to re-locate his three sons Arthur, Henry and Edward, who went off to war together and yet were never heard from again. The three boys were inseparable as children (Jack Patterson, Ben Norris and Aidan Smith) and they stayed inseparable as adults (played by Ryan Corr, Ben O’Toole and James Fraser) as they went off to fight in World War I in the Battle of Gallipoli in Turkey.
Joshua loses contact with his sons during the war, and after the fighting has ended, he receives a journal that belonged to them. He reads the journal with his wife and they conclude that the boys must have perished in the fighting. Corners wife kills herself in her grief over losing them and Joshua swears he will bring the boys home, even if it is just their remains, that is his wife’s last wish.
Conner crosses the continent to search for them, meeting people along the way and finding clues. His efforts to locate the boys are rejected by military authorities but he stubbornly presses on.
Seeing this film in the movie theatre rather than on a home television is definitely worth it. The action and scenes of war flash backs are better suited to the big screen than a home tv for full effect and drawing you in to feel like you are ‘right there’.
The story was a bit predictable because after all, it’s the story of a father searching for his children, but it was emotional and held my attention.
Parts of it felt a bit slow, or maybe just confusing, because during the flash backs I wasn’t really sure whose flash backs they were or why they were significant, but over all the story flowed well and I enjoyed it.
Gareth von Kallenbach (980 KP) rated Bad Teacher (2011) in Movies
Aug 7, 2019
Recently jilted by the sugar daddy of her dreams apathetic schoolteacher Elizabeth Halsey (Cameron Diaz) must return to her day job. Just as Elizabeth has settled in to her listless career reality, a single and wealthy substitute teacher (Scott Delacorte played by Justin Timberlake) appears. Elizabeth must now prove that she is the best teacher in the school to win Delecorte’s attention and wallet. However her nemesis the overachieving and oddly bubbly educator, Amy Squirrel (Lucy Punch) also has eyes for the new faculty member.
Rounding out the eccentric cast of characters is the shy teacher Lynn Davies (Phyllis Smith), the lazy yet funny gym teacher Russell Gettis (Jason Segel), and the dolphin obsessed principal Wally Snur (John Michael Higgins). Further supporting the leads are a number of up and coming child-actors such as Kaitlyn Dever who plays know-it-all student Shasha Abernathy to crush obsessed sad sack Garrett Tiara (Matthew J. Evans).
Despite the strong cast, “Bad Teacher” will likely become associated with Cameron Diaz who uses her intense and direct comedic strength to shine in the nefarious role. Portrayed by Diaz, the character of Elizabeth comes across as wickedly manipulative yet manages to remain likeable.
But, “Bad Teacher” will not have you gasping for air between fits of laughter. The film has slow moments and a number of letdowns. Among the worst is the lackluster comical styling of Justin Timberlake as Scott Delacorte. While the role is critical to the film’s plot, the character is underdeveloped. Moreover Justin Timberlake does nothing for the part which is an unwelcome shock to audiences who associate his name with some of the funniest moments in recent “Saturday Night Live” history as well as his impressive performance in “The Social Network”.
Brimming with vulgar language and shockingly bold comedic scene choices “Bad Teacher” will surely offend bashful audiences. Still, the film is funnier than “There’s Something About Mary” and the recently disappointing “The Hangover: Part II”.
It is not a slam-dunk but “Bad Teacher” will give audiences some unexpected summer laughs, if they are prepared for the onslaught of vulgarity that this film hinges upon.
Rounding out the eccentric cast of characters is the shy teacher Lynn Davies (Phyllis Smith), the lazy yet funny gym teacher Russell Gettis (Jason Segel), and the dolphin obsessed principal Wally Snur (John Michael Higgins). Further supporting the leads are a number of up and coming child-actors such as Kaitlyn Dever who plays know-it-all student Shasha Abernathy to crush obsessed sad sack Garrett Tiara (Matthew J. Evans).
Despite the strong cast, “Bad Teacher” will likely become associated with Cameron Diaz who uses her intense and direct comedic strength to shine in the nefarious role. Portrayed by Diaz, the character of Elizabeth comes across as wickedly manipulative yet manages to remain likeable.
But, “Bad Teacher” will not have you gasping for air between fits of laughter. The film has slow moments and a number of letdowns. Among the worst is the lackluster comical styling of Justin Timberlake as Scott Delacorte. While the role is critical to the film’s plot, the character is underdeveloped. Moreover Justin Timberlake does nothing for the part which is an unwelcome shock to audiences who associate his name with some of the funniest moments in recent “Saturday Night Live” history as well as his impressive performance in “The Social Network”.
Brimming with vulgar language and shockingly bold comedic scene choices “Bad Teacher” will surely offend bashful audiences. Still, the film is funnier than “There’s Something About Mary” and the recently disappointing “The Hangover: Part II”.
It is not a slam-dunk but “Bad Teacher” will give audiences some unexpected summer laughs, if they are prepared for the onslaught of vulgarity that this film hinges upon.
Charlie Cobra Reviews (1840 KP) rated Overlord (2018) in Movies
Jul 3, 2020 (Updated Oct 29, 2020)
Over The Top Action Horror Gorefest - 8/10
Overlord is a action/horror movie directed by Julius Avery, and written by Billy Ray and Mark L. Smith. Produced by J. J. Abrams and Lindsey Weber through Bad Robot Productions, it's R rating, action, and gore carry it past where so many PG-13 horror movies fall short. I really enjoyed this movie despite the familiarity of feeling like a movie version of Call of Duty's Nazi Zombies.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
Bob Mann (459 KP) rated The Hate U Give (2018) in Movies
Sep 28, 2021
It’s a turf war on a global scale.
I saw this as part of a “Secret Cinema” event by Cineworld cinemas in the UK. That’s where you go to see a pre-release movie without knowing what it is going to be. It’s an interesting litmus test for a) a movie’s upfront marketing appeal (how many people get up and walk out when the BBFC title appears) and b) the “grab ’em early” appeal of the movie itself (how many people get up and walk out during the first 20 minutes of so).
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.