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Gareth von Kallenbach (980 KP) rated Johnny English Strikes Again (2018) in Movies
Jul 2, 2019
My very first experience with the incredibly talented Rowan Atkinson was when I saw a silly Mr. Bean short that was played before the Beauty and the Beast movie. This was way back in 1991 and yet you wouldn’t believe that he’s aged at all during that time. Johnny English Strikes Again is the third movie in the Johnny English franchise, and is another James Bond inspired spoof where our never aging super spy once again tries to outwit a maniacal super genius hell bent on taking over the world.
The movie starts with Johnny English as a geography teacher at a private school in the heart of England. What makes this a light-hearted and perfect entrance to the movie is that instead of teaching geography lessons, he’s teaching the kids how to become spies. Not only does this result in some very chuckle worthy scenes but it also shows us that Johnny still yearns to be back in the field even though he’s an exceptional teacher to the young spies-in-training. As fate would have it, a hacker has released the identities of all MI-7 agents around the world, so the only hope that England has is to call back retired agents. Reluctantly, Johnny is given the job and of course the hijinks start before he even heads out on his mission. In a very cute and refreshing twist on the usual high-tech spy movies, Johnny prefers his spy gear old school, so he turns down the smart phone and hybrid vehicle and instead requests a gun and picks out an old gas-guzzling Aston Martin V8. It was a very clever way to show that his mission wasn’t going to be anything like how Ethan Hunt would handle things.
This leads us to the plot of the movie. Johnny’s mission, with the help of his faithful sidekick Bough (Ben Miller), is to track down the signal where the hacker has been carrying out his attacks and thwart them before the G12 summit takes place. His first stop is to the south of France, where he encounters an alluring Russian spy named Ophelia (Olga Kurylenko) who is clearly working against him. What follows is a slapstick tale of numerous follies as the unlikely trio dance, drive, and crash their way to saving the world.
As you might expect Johnny English forgoes the crudeness and lewd jokes that are popular in comedic films these days and brings back a much more wholesome family friendly comedy. There is no cursing to speak of, no real violence, and except for the last scene it barely rates in the PG category at all. It harkens back to the late 80’s and early 90’s with similar spoof movies like The Naked Gun, where silly dialog and accident-prone heroes are what leads to the laughter. It’s a film that certainly does not take itself seriously and expects the same from the viewing audience. Some of the humor in the movie may elicit a groan from being that bad…but it’s usually so bad that it becomes funny. I found myself laughing a lot more than I expected to and I wasn’t the only one in the theater laughing.
To truly enjoy Johnny English, you have to know what to expect going into it. I can’t imagine there will be many (particularly those who have seen the previous films) that will have particularly high expectations, and that’s where it shines. It may not win any comedy film awards or be the best movie you’ve ever seen but you’ll go away happy. If you enjoyed the previous films, you will certainly enjoy this film as it’s not a huge diversion from the formula and provides the same sort of silly gags throughout. It certainly won’t appeal to everyone and that’s okay, but if you think you might enjoy it even a little, it’s definitely worth a look.
The movie starts with Johnny English as a geography teacher at a private school in the heart of England. What makes this a light-hearted and perfect entrance to the movie is that instead of teaching geography lessons, he’s teaching the kids how to become spies. Not only does this result in some very chuckle worthy scenes but it also shows us that Johnny still yearns to be back in the field even though he’s an exceptional teacher to the young spies-in-training. As fate would have it, a hacker has released the identities of all MI-7 agents around the world, so the only hope that England has is to call back retired agents. Reluctantly, Johnny is given the job and of course the hijinks start before he even heads out on his mission. In a very cute and refreshing twist on the usual high-tech spy movies, Johnny prefers his spy gear old school, so he turns down the smart phone and hybrid vehicle and instead requests a gun and picks out an old gas-guzzling Aston Martin V8. It was a very clever way to show that his mission wasn’t going to be anything like how Ethan Hunt would handle things.
This leads us to the plot of the movie. Johnny’s mission, with the help of his faithful sidekick Bough (Ben Miller), is to track down the signal where the hacker has been carrying out his attacks and thwart them before the G12 summit takes place. His first stop is to the south of France, where he encounters an alluring Russian spy named Ophelia (Olga Kurylenko) who is clearly working against him. What follows is a slapstick tale of numerous follies as the unlikely trio dance, drive, and crash their way to saving the world.
As you might expect Johnny English forgoes the crudeness and lewd jokes that are popular in comedic films these days and brings back a much more wholesome family friendly comedy. There is no cursing to speak of, no real violence, and except for the last scene it barely rates in the PG category at all. It harkens back to the late 80’s and early 90’s with similar spoof movies like The Naked Gun, where silly dialog and accident-prone heroes are what leads to the laughter. It’s a film that certainly does not take itself seriously and expects the same from the viewing audience. Some of the humor in the movie may elicit a groan from being that bad…but it’s usually so bad that it becomes funny. I found myself laughing a lot more than I expected to and I wasn’t the only one in the theater laughing.
To truly enjoy Johnny English, you have to know what to expect going into it. I can’t imagine there will be many (particularly those who have seen the previous films) that will have particularly high expectations, and that’s where it shines. It may not win any comedy film awards or be the best movie you’ve ever seen but you’ll go away happy. If you enjoyed the previous films, you will certainly enjoy this film as it’s not a huge diversion from the formula and provides the same sort of silly gags throughout. It certainly won’t appeal to everyone and that’s okay, but if you think you might enjoy it even a little, it’s definitely worth a look.
Sophia (Bookwyrming Thoughts) (530 KP) rated Tabula Rasa (Tabula Rasa, #1) in Books
Jan 23, 2020
I was extremely curious about Tabula Rasa when I found out what it meant (Latin: Scraped Tablet. AKA, a newborn basically.) I also thought it would be a really interesting read I mean, girl has a tragic past, and is basically a lab rat in a procedure to erase those memories. Oh, and what's even more intriguing? Most of the "rats" are delinquents. I suppose from a delinquent's view, one would want to erase memories. Better than sitting in juvie, right? :p
It's certainly a cause for curiosity. I mean, we're reading the story from a possible criminal! I know I shouldn't be excited, but can you blame me? I've never actually read a story from a delinquent! ^o^
Not to burst any exciting bubbles bubbling up, but truth is, Sarah, our main character, isn't. That was highly disappointing when I found out. Instead, I found out she was some idol of sorts in New York, famous for uncovering a scam. Um... not too exciting. Plus, she seems much too fearless. I could have sworn she wasn't afraid of death even throughout the entire book. If there's one question I want to ask Sarah, it's "Are you even afraid of anything?"
<img src="http://2.bp.blogspot.com/-uGUfnIbJtyY/U5yh6n3z6iI/AAAAAAAADe4/BU4P9O2rlTg/s1600/giphy+(12).gif"; border="0">
During the earlier parts of the book though, I sort of wanted to just toss Tabula Rasa aside and mark it as DNF. It felt a little too creepy, and confusing. The creepy part probably worked to an advantage, seeing how the surgery was quite detailed. *shudders*
<blockquote>Improvising seems familiar. Like it's my style.</blockquote>
Now the confusing part, that was just randomly thrown in. And I mean the quote. Not me randomly throwing the word confusing around and about. Sarah's going to a tool closet and putting things in her pocket. I'm not sure that's improvising. She's not making anything from what I read, aside from noticing a door. Does noticing a door count as improvising?
The romance between Thomas and Sarah. Really odd. Just... really odd. I felt like Thomas was trying a bit too hard on being funny at the beginning. Later he tends to be more "relaxed" and the humor felt more natural. But for a hacker with a father formerly in the Russian Intelligence Agency do they call it RIA? Thomas just seems too carefree. It was as though hacking just isn't... him. I suppose a new career is on the horizons for said character.
I did learn some new things though. I'm done with truth serums. What's with authors after Veronica Roth throwing serums around? They're popping up in so many places. O_o Oh, and apparently it actually snows in Hawaii. In the mountains. Wait, there are mountains in Hawaii? MIND = BLOWN.
<img src="http://4.bp.blogspot.com/-_L4F_cUFsRc/U5yiXj5ftDI/AAAAAAAADfA/n9f9CgNd_H4/s1600/giphy+(13).gif"; border="0" height="179" width="320">
The Bourne Identity? I haven't read it myself, even though that sounds really familiar. Divergent? I'm not too sure. Even the folks of Dauntless are afraid of something. I guess the former's more of a bull's eye with Tabula Rasa than the latter. Tabula Rasa reminded me more of Nikita, Au Revoir Crazy European Chick, and apparently something else I can't remember with all the action and secret plots/schemes (it has something to do with operations).
------------------------
Advanced review copy provided by EgmontUSA for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/09/arc-review-tabula-rasa-by-kristen-lippert-martin.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
It's certainly a cause for curiosity. I mean, we're reading the story from a possible criminal! I know I shouldn't be excited, but can you blame me? I've never actually read a story from a delinquent! ^o^
Not to burst any exciting bubbles bubbling up, but truth is, Sarah, our main character, isn't. That was highly disappointing when I found out. Instead, I found out she was some idol of sorts in New York, famous for uncovering a scam. Um... not too exciting. Plus, she seems much too fearless. I could have sworn she wasn't afraid of death even throughout the entire book. If there's one question I want to ask Sarah, it's "Are you even afraid of anything?"
<img src="http://2.bp.blogspot.com/-uGUfnIbJtyY/U5yh6n3z6iI/AAAAAAAADe4/BU4P9O2rlTg/s1600/giphy+(12).gif"; border="0">
During the earlier parts of the book though, I sort of wanted to just toss Tabula Rasa aside and mark it as DNF. It felt a little too creepy, and confusing. The creepy part probably worked to an advantage, seeing how the surgery was quite detailed. *shudders*
<blockquote>Improvising seems familiar. Like it's my style.</blockquote>
Now the confusing part, that was just randomly thrown in. And I mean the quote. Not me randomly throwing the word confusing around and about. Sarah's going to a tool closet and putting things in her pocket. I'm not sure that's improvising. She's not making anything from what I read, aside from noticing a door. Does noticing a door count as improvising?
The romance between Thomas and Sarah. Really odd. Just... really odd. I felt like Thomas was trying a bit too hard on being funny at the beginning. Later he tends to be more "relaxed" and the humor felt more natural. But for a hacker with a father formerly in the Russian Intelligence Agency do they call it RIA? Thomas just seems too carefree. It was as though hacking just isn't... him. I suppose a new career is on the horizons for said character.
I did learn some new things though. I'm done with truth serums. What's with authors after Veronica Roth throwing serums around? They're popping up in so many places. O_o Oh, and apparently it actually snows in Hawaii. In the mountains. Wait, there are mountains in Hawaii? MIND = BLOWN.
<img src="http://4.bp.blogspot.com/-_L4F_cUFsRc/U5yiXj5ftDI/AAAAAAAADfA/n9f9CgNd_H4/s1600/giphy+(13).gif"; border="0" height="179" width="320">
The Bourne Identity? I haven't read it myself, even though that sounds really familiar. Divergent? I'm not too sure. Even the folks of Dauntless are afraid of something. I guess the former's more of a bull's eye with Tabula Rasa than the latter. Tabula Rasa reminded me more of Nikita, Au Revoir Crazy European Chick, and apparently something else I can't remember with all the action and secret plots/schemes (it has something to do with operations).
------------------------
Advanced review copy provided by EgmontUSA for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/09/arc-review-tabula-rasa-by-kristen-lippert-martin.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Gareth von Kallenbach (980 KP) rated Black Sea (2015) in Movies
Aug 6, 2019
Jude Law stars as Robinson, a former submarine captain made redundant after a long career with an underwater salvage company. Left without a pension, and blaming the company for his failed marriage, he learns from a former co-worker that a vast sum of Nazi gold is lying in wait aboard a sunken German U-boat at the bottom of the Black Sea. Upon securing financing and a submarine that has most definitely seen better days, he pulls together a crew of both British and Russian sailors, assuring every man that an equal share of the loot is to be had. Tensions among the crew soon arise and as one character chillingly questions, “What happens when one of them starts to figure out that their share gets bigger, when there is less people to share it with?”
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
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