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Lucy Buglass (45 KP) rated Russian Doll in TV
Jun 20, 2019
After the success of both Parks and Recreation and Orange is the New Black, I was intrigued by a new Netflix series created by Amy Poehler and Natasha Lyonne. Many fans know them as Leslie Knope and Nicky Nichols, and I’m sure we can all agree they’d make a very interesting duo.
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
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Daniel Boyd (1066 KP) rated Russian Doll in TV
Feb 5, 2019 (Updated Feb 5, 2019)
Natasha Lyonne carries this entire series phenomenally (2 more)
Good, tight script full of quick, witty dialogue
Short and sweet
Death Becomes Her
I watched Netflix's latest series Russian Doll over the past weekend and I loved it. Natasha Lyonne stars as a woman who on the night of her 36th birthday party, is suddenly hit by a car and dies. She then comes to and finds herself again standing in the bathroom in front of the sink back at her birthday party without a scratch. Then after dying a few more times and returning to the same spot in the bathroom, she realises that she is unable to stay dead and is going to be stuck in this loop indefinitely.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
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Joelene Marie (28 KP) rated The Fifth Doll in Books
Oct 1, 2018
*3.5 stars, rounded up to 4*
I originally requested this after coming across it on Netgalley during a random browse thru the sci-fi/fantasy category. The description sounded interesting so I thought I'd give it a shot. It sat on my Kindle carousel for a good while (so many books, so little time…) so it was a few days after it was released before I actually got around to starting it. I had seen The Fifth Doll mentioned in several posts and compared to Naomi Novik's Uprooted and Catherynne Valente's Deathless, two books that I love dearly. I decided to go back and check the Goodreads reviews to get an idea of the accuracy of that comparison and from there decided to read the first chapter or two to see if it hooked me like those two had. I was about 40% thru before I realized that it absolutely did have that “unputdownable” quality like the others and had to force myself to put it down and go to bed lol. After finishing it, I can say with certainty that the comparisons do indeed fit.
I have a weak spot for anything 'fairytale-esque’ and this definitely falls into that category, as it is a retelling of the origin of Russian matryoshka dolls. The mc’s name, Matrona, is a nod to this as well. This story is very well written and so imaginative. It definitely kept me guessing until close to the end when the truth about Slava, the creator of the dolls, is revealed. I liked that the Japanese nesting doll is where Slava found the inspiration to create his dolls, it's a small detail but one that ties this retelling to the real history of the matryoshka dolls.
I thought Matrona was developed pretty well but others, especially Slava, could have used a little more fleshing out. I would have also liked a little more backstory on Pavel and Oleg and the symbolism of the white horse. The writing style was solid and the pacing was just right in my opinion. The romance was subtle and didn't overshadow the main plot, which was nice for a change. The main thing I wasn't really happy with was the magic system. There's very little explanation of any of it or how it really works, only that it does. As a fan of fantasy and fairytales, I appreciate a well developed magic system as part of solid world building and that was sorely lacking here for me. Overall, it was an enjoyable read but I feel there was potential for it to be more.
**Thanks to Netgalley and the publisher for the ARC! All opinions are my own.**
I originally requested this after coming across it on Netgalley during a random browse thru the sci-fi/fantasy category. The description sounded interesting so I thought I'd give it a shot. It sat on my Kindle carousel for a good while (so many books, so little time…) so it was a few days after it was released before I actually got around to starting it. I had seen The Fifth Doll mentioned in several posts and compared to Naomi Novik's Uprooted and Catherynne Valente's Deathless, two books that I love dearly. I decided to go back and check the Goodreads reviews to get an idea of the accuracy of that comparison and from there decided to read the first chapter or two to see if it hooked me like those two had. I was about 40% thru before I realized that it absolutely did have that “unputdownable” quality like the others and had to force myself to put it down and go to bed lol. After finishing it, I can say with certainty that the comparisons do indeed fit.
I have a weak spot for anything 'fairytale-esque’ and this definitely falls into that category, as it is a retelling of the origin of Russian matryoshka dolls. The mc’s name, Matrona, is a nod to this as well. This story is very well written and so imaginative. It definitely kept me guessing until close to the end when the truth about Slava, the creator of the dolls, is revealed. I liked that the Japanese nesting doll is where Slava found the inspiration to create his dolls, it's a small detail but one that ties this retelling to the real history of the matryoshka dolls.
I thought Matrona was developed pretty well but others, especially Slava, could have used a little more fleshing out. I would have also liked a little more backstory on Pavel and Oleg and the symbolism of the white horse. The writing style was solid and the pacing was just right in my opinion. The romance was subtle and didn't overshadow the main plot, which was nice for a change. The main thing I wasn't really happy with was the magic system. There's very little explanation of any of it or how it really works, only that it does. As a fan of fantasy and fairytales, I appreciate a well developed magic system as part of solid world building and that was sorely lacking here for me. Overall, it was an enjoyable read but I feel there was potential for it to be more.
**Thanks to Netgalley and the publisher for the ARC! All opinions are my own.**
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