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A Scotland Yard's History of Crime in 100 Objects
Book
Explore Britain's dark criminal history through the fascinating objects that have been hidden away...
Michael Korda recommended Paths of Glory (1957) in Movies (curated)
My Own Words
8.0
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The first book from Ruth Bader Ginsburg since becoming a Supreme Court Justice in 1993—a witty,...
Biography law
Pictures of Perfection (Dalziel & Pascoe #14)
10.0
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Reginald Hill's ironic humor, polished prose, and keen insight have placed him squarely alongside...
Bitter Falls (Stillhouse Lake #4)
8.0
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She’s investigating a cold case no one else could—by going places no else would dare. In...
Thriller Mystery Book series
The First Time I Died
9.0
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The first time I died, I didn’t come back alone. When Garnet McGee returns to her small...
Fiction Thriller Paranormal Fantasy Crime Mystery
ClareR (6129 KP) rated The Anniversary in Books
May 15, 2023
This is one of those books where I’m glad I commit to the 30% rule. After the first stave (I read it on The Pigeonhole, so it was split up over 10 days), I wanted to give up. I felt pretty much the same after day 2, but at day 3, I wanted to know what had happened. I wanted the Ruth, and I was all in!
It’s a very introspective book, lots of descriptions of places, people, scenes and above all, feelings. JB has a lot of feelings, although she appears to be in a state of shock for a majority of the novel. I mean, her husband falls off the ship they’re celebrating their anniversary on. Not an ideal situation!
And then the truth starts to come out about the reality of their marriage.
The word “marmite” has been bandied around quite a lot regarding this book, and I’ve come down on the “like it” side. It’s certainly a book that gave me a lot to think about - even when I wasn’t reading it!
It’s a very introspective book, lots of descriptions of places, people, scenes and above all, feelings. JB has a lot of feelings, although she appears to be in a state of shock for a majority of the novel. I mean, her husband falls off the ship they’re celebrating their anniversary on. Not an ideal situation!
And then the truth starts to come out about the reality of their marriage.
The word “marmite” has been bandied around quite a lot regarding this book, and I’ve come down on the “like it” side. It’s certainly a book that gave me a lot to think about - even when I wasn’t reading it!
Eilidh G Clark (177 KP) rated A Portable Shelter in Books
May 13, 2017
‘…there’s no other way to give you the truth except to hide it in a story and let you find your own way inside.’
‘…there’s no other way to give you the truth except to hide it in a story and let you find your own way inside.’
Kirsty Logan’s first collection of short stories, The Rental Heart and Other Fairytales, published by Salt in 2014, won the Polari First Book Prize in 2015. A Portable Shelter is her second collection. Set in a small cottage in the rural north coast of Scotland, Ruth and Liska are expecting their first child. The couple believe that their unborn baby will have a better chance of survival away from the harshness of suburban life. They make a pact with one another, that they will only ever tell their child the truth. Yet while Liska is asleep or Ruth is at work, each whispers secret stories to their unborn child. Delving into fantastical tales about people from their past and re-telling stories that span from generation to generation, the couple unfold the horrors of the real world. Whilst these tales, laced in myth and legend, and fattened with the magic of the imagination, demonstrate the art of oral storytelling, Logan reaches further to show the reader why storytelling is important.
While this book is primarily a collection of short stories, its novel like structure frames each story with a preceding monologue from either Ruth or Liska. The monologues offer delightful morsels of description that bring the harshness of Mother Nature into the safety of the couple’s bedroom, “right now our home is speaking to you. The walls creak their approval in the wind. The rain applauds on the roof. The lighthouse beam swoops, swoops, swoops. The tide breathes loud and slow like a giant. If you listen carefully, perhaps you can even hear the moon hum.” The pace of these sentences, combined with the delicacy of language demonstrates Logan’s skill at describing the sublime spirit of the natural world, which brings the narrative to life.
Most impressive though, is Logan’s poetic language and carefully crafted sentences which create the most beautiful imagery. In ‘Flinch,’ for example – James is a fisherman struggling with his identity, yet his affiliation with the land is locked into his first-person point of view where the reader gets to closely experience what he sees, “The sky is pinkish-grey like the insides of shells. Speckled bonxies wheel overhead. Seals loll on the rocks, fat as kings. The rising mist is cool and milky.” Any of these lines could easily be arranged into a poem and with sentences that are squeezed tight; they create a wonderful poetic rhythm. Logan uses this technique throughout her novel, demonstrating the precision and craft in her work. There are definite similarities in her writing style to fellow Scottish novelist and poet Jenni Fagan. Both authors use rich language, which is well crafted and smattered with vernacular. Furthermore, combining this with the reoccurring theme of identity, the oral storytelling tradition, landscape, folklore, and myth, it is clear to see why these authors contribute to the growing canon in Scottish literature.
This is a book that I will read over and over again because I know that in each reading, I will find something new. A Portable Shelter, I feel, deserves a place on my ‘keep’ book shelf.
A Portable Shelter, Kirsty Logan, London: Vintage, 2015
Kirsty Logan’s first collection of short stories, The Rental Heart and Other Fairytales, published by Salt in 2014, won the Polari First Book Prize in 2015. A Portable Shelter is her second collection. Set in a small cottage in the rural north coast of Scotland, Ruth and Liska are expecting their first child. The couple believe that their unborn baby will have a better chance of survival away from the harshness of suburban life. They make a pact with one another, that they will only ever tell their child the truth. Yet while Liska is asleep or Ruth is at work, each whispers secret stories to their unborn child. Delving into fantastical tales about people from their past and re-telling stories that span from generation to generation, the couple unfold the horrors of the real world. Whilst these tales, laced in myth and legend, and fattened with the magic of the imagination, demonstrate the art of oral storytelling, Logan reaches further to show the reader why storytelling is important.
While this book is primarily a collection of short stories, its novel like structure frames each story with a preceding monologue from either Ruth or Liska. The monologues offer delightful morsels of description that bring the harshness of Mother Nature into the safety of the couple’s bedroom, “right now our home is speaking to you. The walls creak their approval in the wind. The rain applauds on the roof. The lighthouse beam swoops, swoops, swoops. The tide breathes loud and slow like a giant. If you listen carefully, perhaps you can even hear the moon hum.” The pace of these sentences, combined with the delicacy of language demonstrates Logan’s skill at describing the sublime spirit of the natural world, which brings the narrative to life.
Most impressive though, is Logan’s poetic language and carefully crafted sentences which create the most beautiful imagery. In ‘Flinch,’ for example – James is a fisherman struggling with his identity, yet his affiliation with the land is locked into his first-person point of view where the reader gets to closely experience what he sees, “The sky is pinkish-grey like the insides of shells. Speckled bonxies wheel overhead. Seals loll on the rocks, fat as kings. The rising mist is cool and milky.” Any of these lines could easily be arranged into a poem and with sentences that are squeezed tight; they create a wonderful poetic rhythm. Logan uses this technique throughout her novel, demonstrating the precision and craft in her work. There are definite similarities in her writing style to fellow Scottish novelist and poet Jenni Fagan. Both authors use rich language, which is well crafted and smattered with vernacular. Furthermore, combining this with the reoccurring theme of identity, the oral storytelling tradition, landscape, folklore, and myth, it is clear to see why these authors contribute to the growing canon in Scottish literature.
This is a book that I will read over and over again because I know that in each reading, I will find something new. A Portable Shelter, I feel, deserves a place on my ‘keep’ book shelf.
A Portable Shelter, Kirsty Logan, London: Vintage, 2015
Gareth von Kallenbach (980 KP) rated A Bad Moms Christmas (2017) in Movies
Jul 11, 2019
Christmas is the happiest time of the year. At least it’s supposed to be, Moms are expected to work tirelessly throughout the Christmas season to ensure that the holiday is absolute perfection for their families. The gifts are to be wrapped with precision, decorations hanging from every available bough, food that could be lifted from the pages of Bon Appétit magazine, all done without breaking a sweat. Tis the season for family and frolic, yet our Bad Moms are stressed beyond their imagination this holiday season. Why? Because their mothers have arrived.
This Christmas, Amy (Mila Kunis), Kiki (Kristen Bell) and Carla (Kathryn Hahn) are enter the holiday season feeling the pressure of Christmas present. With all that need to be done, they agree that this is the Christmas where they make the rules. Amy decides that they are going to have a low key holiday. However, that goes against the everything Ruth (Christine Baranski), Amy’s mom believes and expects as she arrives in a tornado of holiday perfection, trailed by her blissfully oblivious husband Hank (Peter Gallagher). Ruth is a perfectionist, a task master extraordinaire who expects no less from her child. Amy, tired of trying to get her mother’s approval, decides to change the traditions.
Kiki’s Mom Sandy (Cheryl Hines) is the clinging, overbearing type who’s behavior could be classified as stalker; if she were not Kiki’s mom. Sandy’s need to be close to her daughter crosses the comfort zone in so many ways. Kiki decides to see Dr. Karl (Wanda Sykes), the family therapist, who explains the maternal process of insanity in hilariously truthful detail.
Isis (Susan Sarandon) shows up at Carla’s house unexpectedly. She seems to only show up at Carla’s door when she has run out of money. She is on the other side of the maternal spectrum, the hands off type. Carla has had to fend for herself for years and expects her mother to take off without a moment’s notice.
I enjoyed the first Bad Moms, but I was hesitant to watch the sequel because there was a chance that it would not be as good as the first. I quite surprised by how much I enjoyed the movie. It made me snort laugh more than once. This is the perfect movie for a Girls Night Out. Grab your BFFs and head to the theater to take a break this holiday season!
This Christmas, Amy (Mila Kunis), Kiki (Kristen Bell) and Carla (Kathryn Hahn) are enter the holiday season feeling the pressure of Christmas present. With all that need to be done, they agree that this is the Christmas where they make the rules. Amy decides that they are going to have a low key holiday. However, that goes against the everything Ruth (Christine Baranski), Amy’s mom believes and expects as she arrives in a tornado of holiday perfection, trailed by her blissfully oblivious husband Hank (Peter Gallagher). Ruth is a perfectionist, a task master extraordinaire who expects no less from her child. Amy, tired of trying to get her mother’s approval, decides to change the traditions.
Kiki’s Mom Sandy (Cheryl Hines) is the clinging, overbearing type who’s behavior could be classified as stalker; if she were not Kiki’s mom. Sandy’s need to be close to her daughter crosses the comfort zone in so many ways. Kiki decides to see Dr. Karl (Wanda Sykes), the family therapist, who explains the maternal process of insanity in hilariously truthful detail.
Isis (Susan Sarandon) shows up at Carla’s house unexpectedly. She seems to only show up at Carla’s door when she has run out of money. She is on the other side of the maternal spectrum, the hands off type. Carla has had to fend for herself for years and expects her mother to take off without a moment’s notice.
I enjoyed the first Bad Moms, but I was hesitant to watch the sequel because there was a chance that it would not be as good as the first. I quite surprised by how much I enjoyed the movie. It made me snort laugh more than once. This is the perfect movie for a Girls Night Out. Grab your BFFs and head to the theater to take a break this holiday season!