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Lee (2222 KP) rated Castle Rock in TV
Jan 21, 2019
Sissy Spacek (1 more)
Bill Skarsgård
Fantastic story telling
Set in the Stephen King multiverse, the Maine town of Castle Rock is the setting for this psychological horror thriller spanning ten episodes. It utilises various characters and settings from the authors work, and even actors who have appeared in movie versions of his books, resulting in a unique and richly detailed story which has been clearly influenced by the great author.
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
The story begins with yet another Shawshank prison warden, Warden Lacy, committing suicide. When his successor Theresa Porter takes over, she begins plans to reopen an abandoned cell block within the prison in order to cater for the growing number of inmates. As guards investigate the old block, they discover a young man (Bill Skarsgård, as creepy without his 'It' makeup as he is in it!) locked in an underground cage, with no record as to who he is or why he was down there. The only words he utters when asked his name are Henry Deaver, the name of a lawyer who'd had a troubled childhood in Castle Rock (glimpsed in a flashback right at the start of the episode) and is now living in Texas. As the kid gets moved to the main prison cells while they try to figure out where he came from, mystery and death seem to follow him. We discover in flashbacks that Warden Lacy was the one responsible for caging him and keeping him alive all these years, claiming that god had instructed him to do it. Eventually Henry Deaver manages to get the kid released into the community, but bad things continue to happen wherever he goes and he also appears to be drawn to the childhood home of Henry Deaver, where his dementia suffering mother Ruth (Sissy Spacek) and her new partner Alan are. Is this mysterious stranger actually the devil? Why did Warden Lacy tell him before he committed suicide that he must ask for Henry Deaver if ever discovered? And why, as we discover later on, has this kid not aged one bit in the last 27 years?!
The remainder of the season continues to slowly add details and backstory, adding a few more interesting characters along the way with very few clues that may provide a full answer to these questions. It's wonderful story telling, continuing to provide mystery every step of the way and demanding that you pay close attention to absolutely everything. Towards the end of the season are two outstanding episodes which reward your attention, making you re-evaluate everything you've seen before and giving you a fresh perspective on the whole story. They focus on the two most interesting characters of the season, coincidentally played by actors who have previously starred in Stephen King movie adaptations. In 'The Queen', we focus on Ruth - walking us through conversations and scenes we've seen before in previous episodes but showing them the way she experiences them, which isn't necessarily the way they unfolded for others. It's an emotional representation of dementia, showing just how terrifying and tragic a deteriorating mind can be. Then, in the episode 'Henry Deaver', we focus on the kid and finally get to understand who he is, where he came from and the reason for everything that's happened so far. We get a lot of answers, and whether or not you'd already got a pretty good idea of what was going on (I hadn't), this is still a fantastic episode.
Overall, Castle Rock managed to keep me hooked, entertained, and at times confused, and I really can't ask for more than that in a show. I'm not a reader of books, so wouldn't have picked up on all of the Easter eggs dotted around the show for fans of Stephen King to enjoy. But I absolutely love the movies that are based on them, so I got a real kick out of revisiting the setting of Shawshank. I also love 'The Shining', so got an even bigger kick out of a final end credits scene where the niece of Jack Torrance, and an author herself, states that she's headed out west to dig deeper into her family history. If we're headed to the Overlook Hotel next, then I absolutely cannot wait for season 2!
Emma @ The Movies (1786 KP) rated What They Had (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
What They Had is what I wanted from The Leisure Seeker, it ends up being a touching look at how Alzheimer's can affect the family unit. That being said, it is still just an average family drama that has a great cast.
All four of our leads bring something special to this film, for me though, Robert Forster was far and away the best of them. His progression throughout the film makes for such a powerful moment at the end when he finally sees the reality of his situation.
There's no denying that if you take out these big name actors you've just got another Lifetime movie. It needed some more punch in the other areas to bring it up, but I honestly don't know how it could have done that. It is what it is, there isn't a lot to play with apart from a more dramatic storyline.
The main story does flow well but the side stories are rather forgettable. When we get to the end and they're all neatly tied up I wasn't overly bothered. Even with these great actors in all of the scenes nothing was particularly tugging at my heartstrings.
Blythe Danner really came into her own towards the end of What They Had. The sequence of events that takes place brought more than the odd tear to my eye. There's some beautiful logic from Ruth and if I'd been in her daughter's position in that moment I would have been snotty crying.
We also need to acknowledge the elephant (or in this case, turkey) in the room. We've had Ruth's emotional scenes, we get the last bit of the story sewn up in possibly an overly sweet scenario and then... a turkey... literally. I honestly didn't get it.
Sadly, although I enjoy it and I wasn't bored I think this is going to quickly be cast into the "oh yeah, I remember that film" pile.
What you should do
If you enjoy family dramas then this is one of the better ones recently and is certainly worth a watch.
Movie thing you wish you could take home
I quite liked the look of Nick's bar, I wouldn't mind getting my own one... it would be movie-themed of course.
All four of our leads bring something special to this film, for me though, Robert Forster was far and away the best of them. His progression throughout the film makes for such a powerful moment at the end when he finally sees the reality of his situation.
There's no denying that if you take out these big name actors you've just got another Lifetime movie. It needed some more punch in the other areas to bring it up, but I honestly don't know how it could have done that. It is what it is, there isn't a lot to play with apart from a more dramatic storyline.
The main story does flow well but the side stories are rather forgettable. When we get to the end and they're all neatly tied up I wasn't overly bothered. Even with these great actors in all of the scenes nothing was particularly tugging at my heartstrings.
Blythe Danner really came into her own towards the end of What They Had. The sequence of events that takes place brought more than the odd tear to my eye. There's some beautiful logic from Ruth and if I'd been in her daughter's position in that moment I would have been snotty crying.
We also need to acknowledge the elephant (or in this case, turkey) in the room. We've had Ruth's emotional scenes, we get the last bit of the story sewn up in possibly an overly sweet scenario and then... a turkey... literally. I honestly didn't get it.
Sadly, although I enjoy it and I wasn't bored I think this is going to quickly be cast into the "oh yeah, I remember that film" pile.
What you should do
If you enjoy family dramas then this is one of the better ones recently and is certainly worth a watch.
Movie thing you wish you could take home
I quite liked the look of Nick's bar, I wouldn't mind getting my own one... it would be movie-themed of course.
Eleanor (1463 KP) rated The Turn of The Key in Books
Dec 16, 2019
An Interesting Twist to a Familiar Tale
This suspense thriller was a close one for me but ultimately it just didn’t totally click. I listened to the audio version narrated by Inogen Church, who seemed to be a talented narrator just unfortunate that the person she was narrating was so irritating to me. The writing was of a high standard and I’ll certainly be looking at more of Ruth Ware’s work.
When Rowan takes a live-in nanny position in a remote Scottish she is soon faced with more than just the usual new nanny woes. The house has been converted into a modern all bells and whistles smart home, but it’s not exactly making life easier for Rowan. The book is told via the correspondence between Rowan and a solicitor from her prison cell following her arrest for the death of one of her charges. The result is a slow build of difficult circumstances from her perspective and a strong denial of any responsibility…. but what did happen?
This is a solid suspense thriller with plenty of creepy atmosphere in it and I can imagine some people will really love this book. For me, though I just kept getting a bit irritated. I’m not a big fan of kids (I know - burn the witch!!) and there are some prime examples of why that is in this book from the brats. Why someone would want to be a nanny is beyond me so Rowan is very hard to relate to. I really couldn’t care less about the routines of children. I’m also not a fan of having a narrator who constantly hints towards things not being as they seem but not clarifying until the “big reveal” troupe. So maybe just not the best book for me, in particular, to pick up.
Smart home things like speakers, voice-activated lights, fridges curtains, etc don’t do anything for me and the fact they added to the creepiness of Rowan’s situation was an interesting approach. Ultimately a book that many will love but just not my kinda story, so can’t get too pumped for it.
When Rowan takes a live-in nanny position in a remote Scottish she is soon faced with more than just the usual new nanny woes. The house has been converted into a modern all bells and whistles smart home, but it’s not exactly making life easier for Rowan. The book is told via the correspondence between Rowan and a solicitor from her prison cell following her arrest for the death of one of her charges. The result is a slow build of difficult circumstances from her perspective and a strong denial of any responsibility…. but what did happen?
This is a solid suspense thriller with plenty of creepy atmosphere in it and I can imagine some people will really love this book. For me, though I just kept getting a bit irritated. I’m not a big fan of kids (I know - burn the witch!!) and there are some prime examples of why that is in this book from the brats. Why someone would want to be a nanny is beyond me so Rowan is very hard to relate to. I really couldn’t care less about the routines of children. I’m also not a fan of having a narrator who constantly hints towards things not being as they seem but not clarifying until the “big reveal” troupe. So maybe just not the best book for me, in particular, to pick up.
Smart home things like speakers, voice-activated lights, fridges curtains, etc don’t do anything for me and the fact they added to the creepiness of Rowan’s situation was an interesting approach. Ultimately a book that many will love but just not my kinda story, so can’t get too pumped for it.
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Heather Cranmer (2721 KP) rated The Lying Game in Books
Feb 9, 2019 (Updated Feb 9, 2019)
Awesome plot twist (2 more)
Interesting story line
Fast paced
Overuse of profanity (1 more)
Immature characters
A Good Read
There was something about the synopsis for The Lying Game by Ruth Ware that caught my attention. I guess I wanted to see how this lying game the girls played would turn out. While The Lying Game was a good read, it didn't really focus on the actual lying game too much.
The plot for The Lying Game was interesting enough. Thea, Isa, Fatima, and Kate all met at Salten, a boarding school for girls, when they were all 15 years old. Thea and Kate tell Fatima and Isa about they lying game as well as the rules. However, that's about as much as the plot focuses on the the actual game which was disappointing. When a body is found near Salten many years after the girls were expelled from their boarding school, they must all come together to get their story straight. Isa isn't taking what happened at face value and begins to become suspicious of Kate's tell of events. She will do whatever it takes to discover the truth about what happened that fateful night that changed all four of the girls' lives. I will admit that there were some great plot twists in The Lying Game that I never figured out.
The world building in The Lying Game was mostly believable. I do feel like the townspeople of Salten would have been a bit more suspicious of the women coming back to Salten when a body is found. The women say it's because of Salten school's reunion dinner (which happens during the middle of the week, strangely), but this is the first time they've ever been to one of the dinners. I also had a hard time with Isa's baby, Freya. Freya seemed to be the most well behaved six month old baby! Isa brought Freya with her to Kate's house, but during much of the story, Freya never cries. Yes, there are a few times where it's mentioned she cries, but for the most part, Freya is happy wherever she is. Isa seems to be more obsessed with Freya more than any mother I've ever known, yet she puts that baby in a lot of danger during the course of the story.
The characters in The Lying Game were just okay. I did like Fatima the most. She seemed to be the most mature and reasonable out of the lot of them. Thea was alright. I did like how blunt she could be. Kate came across as being a bit whiny and manipulative. Isa was just very selfish. She seemed to only think of herself instead of her baby and husband. She blamed her husband for so much when it was clearly her fault their relationship was falling apart. I felt so sorry for Owen, her husband. Luc was an interesting character. I did feel sorry for him for how he was treated during his childhood. The major thing that annoyed me was all the profanity. The four main characters, Thea, Fatima, Kate, and Isa, swore so much. I'm okay with swearing, but a lot of the swearing seemed misplaced and like it was written in just to be there. It served no purpose. I would understand it more if they swore a lot in their teens, but these were women in their thirties sounding like they were swearing to sound cool or because they normally weren't allowed to. I just think the swearing was a bit over the top.
The pacing is very good in The Lying Game. Events flowed well, and I found myself not wanting to put the book down. I had to know what would happen next. Not one part of this story became too boring.
Trigger warnings in The Lying Game include lots of profanity, drinking (both underage and of age), cigarette smoking (underage and of age), animal violence (the death of a sheep), no sex but things leading up to it although not graphic, some drug references, overdosing, the drawings of naked underage girls, and murder.
All in all, The Lying Game is a good read. Yes, it doesn't have some problems like the characters being immature and selfish and the overuse of profanity, but it's still a fast paced thriller with a fantastic plot twist. I would recommend The Lying Game by Ruth Ware to those aged 18+ who are fans of thrillers.
The plot for The Lying Game was interesting enough. Thea, Isa, Fatima, and Kate all met at Salten, a boarding school for girls, when they were all 15 years old. Thea and Kate tell Fatima and Isa about they lying game as well as the rules. However, that's about as much as the plot focuses on the the actual game which was disappointing. When a body is found near Salten many years after the girls were expelled from their boarding school, they must all come together to get their story straight. Isa isn't taking what happened at face value and begins to become suspicious of Kate's tell of events. She will do whatever it takes to discover the truth about what happened that fateful night that changed all four of the girls' lives. I will admit that there were some great plot twists in The Lying Game that I never figured out.
The world building in The Lying Game was mostly believable. I do feel like the townspeople of Salten would have been a bit more suspicious of the women coming back to Salten when a body is found. The women say it's because of Salten school's reunion dinner (which happens during the middle of the week, strangely), but this is the first time they've ever been to one of the dinners. I also had a hard time with Isa's baby, Freya. Freya seemed to be the most well behaved six month old baby! Isa brought Freya with her to Kate's house, but during much of the story, Freya never cries. Yes, there are a few times where it's mentioned she cries, but for the most part, Freya is happy wherever she is. Isa seems to be more obsessed with Freya more than any mother I've ever known, yet she puts that baby in a lot of danger during the course of the story.
The characters in The Lying Game were just okay. I did like Fatima the most. She seemed to be the most mature and reasonable out of the lot of them. Thea was alright. I did like how blunt she could be. Kate came across as being a bit whiny and manipulative. Isa was just very selfish. She seemed to only think of herself instead of her baby and husband. She blamed her husband for so much when it was clearly her fault their relationship was falling apart. I felt so sorry for Owen, her husband. Luc was an interesting character. I did feel sorry for him for how he was treated during his childhood. The major thing that annoyed me was all the profanity. The four main characters, Thea, Fatima, Kate, and Isa, swore so much. I'm okay with swearing, but a lot of the swearing seemed misplaced and like it was written in just to be there. It served no purpose. I would understand it more if they swore a lot in their teens, but these were women in their thirties sounding like they were swearing to sound cool or because they normally weren't allowed to. I just think the swearing was a bit over the top.
The pacing is very good in The Lying Game. Events flowed well, and I found myself not wanting to put the book down. I had to know what would happen next. Not one part of this story became too boring.
Trigger warnings in The Lying Game include lots of profanity, drinking (both underage and of age), cigarette smoking (underage and of age), animal violence (the death of a sheep), no sex but things leading up to it although not graphic, some drug references, overdosing, the drawings of naked underage girls, and murder.
All in all, The Lying Game is a good read. Yes, it doesn't have some problems like the characters being immature and selfish and the overuse of profanity, but it's still a fast paced thriller with a fantastic plot twist. I would recommend The Lying Game by Ruth Ware to those aged 18+ who are fans of thrillers.
Ross (3284 KP) Jan 21, 2019
Lee (2222 KP) Jan 21, 2019