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The Turn of The Key
The Turn of The Key
Ruth Ware | 2019 | Thriller
9
7.7 (10 Ratings)
Book Rating
I am a huge fan of Ruth Ware. Even though I wasn't a fan of her book The Death of Mrs. Westaway, I loved The Lying Game and In a Dark, Dark Wood. When I found out about The Turn of the Key, I knew I had to read it as soon as possible. It was much better than I thought it was going to be!

The synopsis of the book had such a spooky feel, and I loved the plot of The Turn of the Key. Rowan isn't very happy at her job at Little Nippers, a daycare where she looks after babies and toddlers. Plus, it doesn't pay very well. When she comes across an ad to be a live in nanny for a rich couple's children for a fantastic sum, she jumps a the chance. She's surprised when she gets the job, but she is ecstatic. Heatherbrae, the house where she will nanny, is a smart house complete with an app that controls everything in the house. When her employers have to leave the next day, she is thrown into her job as a nanny of Maddie, Ellie, and Petra. Strange things start happening such as being woken up in the middle of the night with music blaring from the speakers all over the house and lights being turned on up to full brightness. Items go missing from their original place, and Maddie is a nightmare child to look after. Rowan begins to second guess her nannying job at Heatherbrae, but she decides to stick it out. Unfortunately, a child ends up dead, and Rowan ends up in prison for the child's murder even though she swears she's innocent. Was Rowan framed or was it the work of something far more sinister?

I thought everything flowed smoothly, and The Turn of the Key definitely had me spooked. I kept trying to guess what was going on. The Turn of the Key hints that it could be something paranormal throughout the story, so I kept wondering if it was some sort of ghost or if it was a person. I'd also try to guess who was behind it all, but I was wrong. There are a few plot twists and one major plot twist that blindsided me completely. It was a plot twist that made me actually made my draw drop! I doubt any reader would have or will predict that plot twist. One minor thing that I was left pondering over had to do with the ending when all is revealed. I won't give any spoilers away, but I will say it's never mentioned how a person can get into a certain sealed off room. That's all I will say on that matter because I don't want to give too much away. Other than that, every other question I had was answered by the last page. As for the pacing, it is done perfectly. Not once did I feel as if The Turn of the Key slowed down at all. This is a book that grabs your hand and pulls you along without letting go!

The characters in The Turn of the Key all felt very realistic and fleshed out well enough for everything to be believable. Rowan is a very likable character and kudos for her for actually staying on as a nanny at Heatherbrae when everything went pear shaped. Even though some of the kids were hard to love, she still wanted to do what's right by them. I would have high tailed it out of there quickly if I was in her position! I felt like she dealt with everything to the best of her ability. I admired Jack and how he was willing to help Rowan out. He came across as a very caring man. It was obvious that the character of Jean loved the children at Heatherbrae which made me love her even if she wasn't featured very much. Sandra and Bill (the owners of Heatherbrae and Rowan's employers) were written well. They weren't very good parents I felt. They were too busy with their work to really know their children. Unfortunately, I know this happens in real life too. Maddie had her issues, but I loved how she was written. I felt bad for her because I felt like she was the black sheep of the family. I also felt bad for the oldest daughter Rhiannon. She was another one that seemed to have issues, but I loved her vulnerability at her lowest point. I loved the dialogue between Rowan and Rhiannon. Petra was just adorable, but Ellie was my favorite. She was easily swayed by her sister, Maddie, but I loved when she was away from Maddie and was able to be her own person. I felt she was just the sweetest little girl!

Trigger warnings for The Turn of the Key include profanity, drinking, underage drinking, lying, blackmail, a child's death, marital cheating, and mentions of sex (although not graphic).

Overall, The Turn of the Key is such a well written book. The plot sucks you in from the beginning, and the characters are all very interesting! I would definitely recommend The Turn of the Key by Ruth Ware to everyone age 16+ who enjoy a fantastic psychological read!
  
Confessions of an Ugly Stepsister
Confessions of an Ugly Stepsister
Gregory Maguire | 2000 | Science Fiction/Fantasy
6
6.8 (6 Ratings)
Book Rating
I have been meaning to read this book for some time, simply because I loved Gregory Maguire's Wicked so much. This book I read considerably slower than I expected, though I still found the plot compelling. In this retelling of Cinderella, the reader follows the viewpoint of Iris, one of the "stepsisters" of the original tale. Iris is smart and artistic, but plain-looking -- a fact her mother never fails to point out endlessly. Iris's older sister, Ruth, is dumb and mute, which makes life at times both interesting and difficult for Iris and their mother, Margarethe.
The trio flee England for Margarethe's homeland of Holland -- the reasons for which remaining a mystery for most of the book -- and are forced to beg for shelter and work before falling under the mercy of a local painter. This is where Clara, the blonde changeling girl standing in the place of "Cinderella," is introduced. Her beauty is so ethereal that she lives a reclusive, sheltered existence under the extreme protection of her mother. Strangely, Clara and Iris seem to make up two sides of the same coin -- where one lacks the other excels in. Where Clara hides from strangers, Iris is adept at social interaction. Iris's vivid imagination makes up for Clara's lack of intelligence.
Margarethe's machinations first get her and her daughters into the same household under Clara's parents, as their servants. Then when Clara's mother dies through mysterious circumstances, Margarethe maneuvers them to become Clara's step-family, effectively pushing Clara's father almost completely out of the picture. Ironically, a picture is what serves as the glue for almost the entire plot, motivating all of the main characters to a particular behavior.
Clara is almost the complete opposite of what one would expect from the image of "Cinderella." She is spoiled, rich, obstinate, paranoid, reclusive, delusional, confrontational, and quite childish even in adulthood. Margarethe is a villain that is relate-able, as her choices throughout the book stem from an obsessive need to both survive and thrive. Though at times I intensely dislike the things that she spouts, I cannot hate her due to the suffering she endures from a certain ironic malady that befalls her.
The ending that is so familiar to the original tale seems to happen almost by accident -- and how easily Iris could have taken Clara's place makes me a bit sad for Iris. The ending to the book is also a nice surprise, causing me to rethink many of the scenes and the thoughts that could have been occurring to one of the central characters. Indeed, the ending makes the book almost worth a re-read.
  
Bad Times at the El Royale (2018)
Bad Times at the El Royale (2018)
2018 | Thriller
The El Royale Hotel sit directly on the California and Nevada border just outside of Lake Tahoe. In its heyday, the novelty hotel, vibrant and bustling with activity. Even getting visits from famous actors, singers and politicians. But by the 1960s those days had gone and now it is rundown and mostly vacant. Then on one fateful day a group of random strangers meet at the El Royale. There is a minister, Father Daniel Flynn (Jeff Bridges), on his way back from Oakland visiting his brother. Singer Darlene Sweet (Cynthia Erivo) who came to the El Royale because her midday casino singing gig in Reno didn’t pay enough for her to stay anywhere else. Then there is Laramie Seymour Sullivan (John Hamm) the vacuum salesman who talks fast and loud. His company does all the hotel bookings so he was stuck with the El Royale, but he is dead set on enjoying the luxurious Honeymoon Suite given the choices. Lastly, there is Emily (Dakota Johnson) she doesn’t say much besides she wants a room far away from the other guests. The mismatched group is all greeted by the bellhop/bar tender/service manager Miles (Lewis Pullman). All seems like a chance meeting of a group of travelers. But nothing is what it seems. By the nights end all manner of secrets will come out and all the guests’ lives will be in jeopardy.

El Royale is a well-crafted and executed mystery/thriller. Writer and Director Drew Goddard (The Martian) does a great job of telling an original story. It keeps you guessing to the end. The cast for the most part is really good. Chris Hemsworth (as Billy Lee) and Cailee Spaeny (as Ruth Summersping) have more underwhelming performances compared to the rest of the cast but still good. Cynthia Erivo, for me, had a great performance. I thought her voice was amazing and how her character was developed throughout the film was interesting and well done. The pace of the movie does start out somewhat slow but rapidly builds and overall is good. The film is set in the 1960s and definitely feels like of that era with the music, news stories, overall appearance of the hotel rooms, etc.

I enjoyed this film. I thought the way the story unfolded was interesting and original. One part that really occurred to be later is that you never really knew who the hero of the film was or would wind up being. When I thought I had it figured out something would happen to change my mind. Or maybe there was not really hero. The slow build up was a little long for me but otherwise it was a great movie theater experience.
  
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Dianne Robbins (1738 KP) rated Blithe Spirit (2020) in Movies

Mar 31, 2021 (Updated Mar 31, 2021)  
Blithe Spirit (2020)
Blithe Spirit (2020)
2020 | Comedy, Fantasy, Romance
Dan Stevens is charming. (0 more)
The women act like shrews. (6 more)
Cheap jokes.
Lack of class and style.
Poor character development.
No depth to the characters at all.
Unsophisticated.
Would have been funnier without the sex jokes.
No! No! No! This is not the way Noel Coward is meant to be seen. Avoid this!
Contains spoilers, click to show
I am a HUGE fan of Noel Coward and absolutely adore the original Blithe Spirit. I had high hopes for this version as I like all of the actors involved in the movie. Unfortunately, it was a complete disappointment. Judi Dench's Madame Arcati paled in the memory of Margaret Rutherford, though much of the dialogue and actions during the seance scene were the same. She tried her best but the script just wasn't any good. I did appreciate the backstory of her losing her husband in the Boer War and that being the reason she was interested in the occult. The significance of the song Always was not mentioned, though it was very important to the plot in the original and made the movie relatable. Gone was the ethereal, sweet, mischievous little minx Elvira, played by Kay Hammond in the original. Enter the selfish, unlovable shrew of a first wife, played by the usually lovable Leslie Mann in the remake. The relationship between Charles and Elvira does not make any sense to the viewer and there was no point for them to have been together or for her to have thought of her and to bring her forth in the present. This is a missed plot point. In the original, it is actually the maid who was thinking of Elvira, not Charles, but the maid is merely a go-between for props in this movie and has no reason for being there, nor the chef. The relationship between Ruth and Charles is also not a good one and they have no reason to be together in this remake, though in the original, they at least have a few things in common. They seem to have nothing but derision toward each other. Again, I don't see the point of them being together. All of them are miserable together. Even when Elvira and Charles are intimate, it is not for romance and love but for mere hatred, jealousy, and spite. There is even a cheap crotch shot joke that I was appalled to see in this work. And the ending of the movie makes little sense. It's hardly the charming farce Noel Coward intended. Oh, the horrors. Skip this version. Watch the original. Trust me on this. This movie is not the way Noel Coward is meant to be seen.