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Obsessed book reviews (49 KP) rated Burn (L.A. Untamed) in Books
May 7, 2019
this is a fantastic standalone sexy, romantic book. you will definitely enjoy reading this book as much as I did. this book has a fantastic strong female characters which is brilliantly written and then a fantastic swoon worthy male characters, mix is brilliant. I loved the story and couldnt put it down till I had finished it. a fab summer read book.
highly recommended
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highly recommended
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Necole (36 KP) rated The Boy at the Keyhole in Books
Oct 25, 2018
Powers of persuasion in this thriller of a read. A fast paced page turner that kept you guessing and trying to figure out what exactly happened to Samuel's mom and who is Ruth truly. Your hurt tugged for poor Samuel, a 9 year old orphan in a way because his dad passed away and then in the middle of the night his mom disappears without saying goodbye. Ruth, the housekeeper says Samuel's mom left to go to America to help fix the financial situation the family is under, however throughout the book skepticism in the mind of some of the characters and you the reader make this an irresistible read as you try and figure out what happened exactly.
Samuels' heart is aching for his mother's return and in general just wants love and kindness from someone. Ruth takes him in as a caregiver when Samuel's mom leaves and his Uncle Felix and grandfather don't seem to care what happens to the boy …. or that is what we are told!!! Is this really true or is it a lie to keep the boy under the eyes and watch of Ruth. Ruth doesn't like Samuel to stray too far and keeps him close. What are Ruth's true intentions? Others are coming up with their own theories and telling Samuel their thoughts and stories, so Samuel's mind is manipulated and conjuring thoughts and ideas because of persuasion. But can you blame him, he is only a 9 year old boy. What is everyone telling him, is Ruth manipulative, how will this story unfold, will answers be given and what will become of Samuel?
I gave this book a 3 because I loved it, kept my attention, but I kept waiting for a climax, waiting for answers that never came and the ending just confused me and fell flat. Definitely a great read if you like thrillers and mysteries that keep you guessing and have manipulation in the mix, however will you be as confused and disappointed at the end as I was?
Samuels' heart is aching for his mother's return and in general just wants love and kindness from someone. Ruth takes him in as a caregiver when Samuel's mom leaves and his Uncle Felix and grandfather don't seem to care what happens to the boy …. or that is what we are told!!! Is this really true or is it a lie to keep the boy under the eyes and watch of Ruth. Ruth doesn't like Samuel to stray too far and keeps him close. What are Ruth's true intentions? Others are coming up with their own theories and telling Samuel their thoughts and stories, so Samuel's mind is manipulated and conjuring thoughts and ideas because of persuasion. But can you blame him, he is only a 9 year old boy. What is everyone telling him, is Ruth manipulative, how will this story unfold, will answers be given and what will become of Samuel?
I gave this book a 3 because I loved it, kept my attention, but I kept waiting for a climax, waiting for answers that never came and the ending just confused me and fell flat. Definitely a great read if you like thrillers and mysteries that keep you guessing and have manipulation in the mix, however will you be as confused and disappointed at the end as I was?
Ross (3282 KP) rated Ozark Season 1 in TV
Sep 4, 2017
Compulsive viewing
I think this has been somewhat unfairly compared to Breaking Bad. While there is a similar mix of family/day job vs criminal underworld, the lines are much more blurred and the criminality much closer to the surface.
Jason Bateman's character is nowhere near as likeable/flawed as Walter White and at times you struggle to root for him in the same way.
The true star of the show has to be Ruth Langmore - the redneck/evil genius mix that you cannot take your eyes off.
The appearance of fellow Scot Peter Mullan was somewhat unexpected, however his attempt at a Missouri accent was just atrocious. I am pretty sure he was completely over-dubbed in the pilot episode, I am guessing in favour of a better accent (God alone knows what his first attempt must have been like!).
Jason Bateman's character is nowhere near as likeable/flawed as Walter White and at times you struggle to root for him in the same way.
The true star of the show has to be Ruth Langmore - the redneck/evil genius mix that you cannot take your eyes off.
The appearance of fellow Scot Peter Mullan was somewhat unexpected, however his attempt at a Missouri accent was just atrocious. I am pretty sure he was completely over-dubbed in the pilot episode, I am guessing in favour of a better accent (God alone knows what his first attempt must have been like!).
Whatchareadin (174 KP) rated Small Great Things in Books
Apr 9, 2019
Here lately we hear a different story every week where a person of color has been wrong by the police or another authoritative figure in their community. Jodi Picoult tackles this issue head on. Telling the story of Ruth Jefferson, the only black nurse in the Labor and Delivery Unit at Mercy-West Haven Hospital in New Haven, Connecticut. When she is removed from the Bauer case because of the color of her skin, she's upset but continues to to do her job. When something horrible happens to the baby, Ruth has to choose between doing the job she was trained to do and fulfilling the wish of the white supremacist parents. When tragedy strikes, Ruth finds herself in the middle of a murder trial.
This book was amazing. I have been a fan of Jodi Picoult for a long time. Her books have a way of grabbing at your heart strings and make you look at the world from a different perspective. This book was no exception. I literally read this book from cover to cover. Rarely do I read the Author's Notes, but this time I did. I had to know where the inspiration for this book came from and what would make a white woman write a book about such an explosive topic in our society today. As a woman of color I felt a lot of emotions while reading this book.
Ruth Jefferson is a highly educated nurse at Mercy-West Haven Hospital. Despite being the only black woman in her department and one of the few in her neighborhood, she gets along well with her colleagues and neighbors and considers some of them friends, or so she thinks. As Ruth tells her story, I can relate to some of the struggles she faces. I was always taught not to judge people by the color of their skin. With part of my family descending from slaves and another part who owned slaves, my family is quite a mix of cultures. But when Ruth is put on trial or murder, these colleagues and neighbors were no longer her friends, they were now people who saw her as the black woman who killed a white baby.
This is an important book for everyone to read. Told from three points of view; Ruth's the nurse on trial for killing a baby; Turk, the white supremacist father of that baby; and Kennedy, the white, female public defender who is Ruth's attorney. Each character learns about themselves and the people around them over the course of this book.
I commend Jodi Picoult for tackling this difficult subject, especially during this time in our country when the subject is so relevant. As she mentions in her Author's Notes, most white authors write historical fiction about the black community, but this book fits right with today's headlines and some are even mentioned. This book helps to confirm why Jodi Picoult is one of my favorite authors.
This book was amazing. I have been a fan of Jodi Picoult for a long time. Her books have a way of grabbing at your heart strings and make you look at the world from a different perspective. This book was no exception. I literally read this book from cover to cover. Rarely do I read the Author's Notes, but this time I did. I had to know where the inspiration for this book came from and what would make a white woman write a book about such an explosive topic in our society today. As a woman of color I felt a lot of emotions while reading this book.
Ruth Jefferson is a highly educated nurse at Mercy-West Haven Hospital. Despite being the only black woman in her department and one of the few in her neighborhood, she gets along well with her colleagues and neighbors and considers some of them friends, or so she thinks. As Ruth tells her story, I can relate to some of the struggles she faces. I was always taught not to judge people by the color of their skin. With part of my family descending from slaves and another part who owned slaves, my family is quite a mix of cultures. But when Ruth is put on trial or murder, these colleagues and neighbors were no longer her friends, they were now people who saw her as the black woman who killed a white baby.
This is an important book for everyone to read. Told from three points of view; Ruth's the nurse on trial for killing a baby; Turk, the white supremacist father of that baby; and Kennedy, the white, female public defender who is Ruth's attorney. Each character learns about themselves and the people around them over the course of this book.
I commend Jodi Picoult for tackling this difficult subject, especially during this time in our country when the subject is so relevant. As she mentions in her Author's Notes, most white authors write historical fiction about the black community, but this book fits right with today's headlines and some are even mentioned. This book helps to confirm why Jodi Picoult is one of my favorite authors.
Billie Wichkan (118 KP) rated A Good Enough Mother in Books
May 22, 2019
The most dangerous lies are the ones we tell ourselves.
Dr Ruth Hartland rises to difficult tasks. She is the director of a highly respected trauma therapy unit. She is confident, capable and excellent at her job. Today she is preoccupied by her son Tom's disappearance.
So when a new patient arrives at the unit - a young man who looks shockingly like Tom - she is floored.
As a therapist, Ruth knows exactly what she should do in the best interests of her client, but as a mother she makes a very different choice - a decision that will have profound consequences.
This was an outstanding and compelling read.
I think this is one of those books that will be talked about for a while and would fit into a book club read to be discussed.
The story is very well written and thought provoking. I found it really pulling at my heart strings.
Each character in this novel is shown with all their flaws and strengths in achingly real scenes and images.
A well written, emotional, thought-provoking story.
A really good mix between an emotional troubled teenager and the relationship with his mother, and a thriller as the unpredictable Dan story line builds to a horrifying conclusion. Really memorable, and I didnt see all the twists coming.
Would thoroughly recommend.
Thank you kindly to Netgalley and the publishers for providing me with an arc, in exchange for this honest review.
Dr Ruth Hartland rises to difficult tasks. She is the director of a highly respected trauma therapy unit. She is confident, capable and excellent at her job. Today she is preoccupied by her son Tom's disappearance.
So when a new patient arrives at the unit - a young man who looks shockingly like Tom - she is floored.
As a therapist, Ruth knows exactly what she should do in the best interests of her client, but as a mother she makes a very different choice - a decision that will have profound consequences.
This was an outstanding and compelling read.
I think this is one of those books that will be talked about for a while and would fit into a book club read to be discussed.
The story is very well written and thought provoking. I found it really pulling at my heart strings.
Each character in this novel is shown with all their flaws and strengths in achingly real scenes and images.
A well written, emotional, thought-provoking story.
A really good mix between an emotional troubled teenager and the relationship with his mother, and a thriller as the unpredictable Dan story line builds to a horrifying conclusion. Really memorable, and I didnt see all the twists coming.
Would thoroughly recommend.
Thank you kindly to Netgalley and the publishers for providing me with an arc, in exchange for this honest review.
ClareR (5571 KP) rated The Ophelia Girls in Books
Jan 18, 2022 (Updated Jan 18, 2022)
There is no denying that The Ophelia Girls is a beautifully written, all-consuming novel. The main characters of Ruth and her daughter Maeve, are similar, in that they are both still searching for their place in the world. Ruth seems to feel uncomfortable back in her childhood home, where memories of the summer of 1973 seem to still consume her. Maeve on the other hand, is at the start of being able to make good memories, after being officially told that she’s in remission from leukaemia. But she still feels like a child - and she doesn’t want to be.
And then along comes Stuart: her mother’s childhood friend, and a friend of her fathers as well. Stuart makes Maeve feel seen. And this is where my internal klaxon went off. Stuart comes across as a predator. He notices Maeve’s infatuation and revels in it, finally taking advantage of her feelings. At least this is how I interpreted it.
Maeve is a girl who has led a sheltered life - a life mainly in hospital. She hasn’t had the opportunity to mix with other children, boys specifically, and has little life experience with the opposite sex. Regardless of that, Stuart’s character truly made me see red. I know, I know, it’s a book, but if I could have reached in, pulled him out and disposed of him (not thought that through properly, obviously), I would have. I will say that the sex scenes between Maeve and Stuart aren’t written in a titillating way. It’s seen through Maeve’s eyes, and she truly believes that he loves her. All the same, if this doesn’t appeal to you, you might want to steer clear.
In contrast to her mother, Maeve does follow her heart, and the reader is left to decide whether she was actually any better off.
Do I recommend it? Yes, of course. It’s written with gorgeous, lyrical prose, and really makes you empathise with the characters. I’m glad I read it.
And then along comes Stuart: her mother’s childhood friend, and a friend of her fathers as well. Stuart makes Maeve feel seen. And this is where my internal klaxon went off. Stuart comes across as a predator. He notices Maeve’s infatuation and revels in it, finally taking advantage of her feelings. At least this is how I interpreted it.
Maeve is a girl who has led a sheltered life - a life mainly in hospital. She hasn’t had the opportunity to mix with other children, boys specifically, and has little life experience with the opposite sex. Regardless of that, Stuart’s character truly made me see red. I know, I know, it’s a book, but if I could have reached in, pulled him out and disposed of him (not thought that through properly, obviously), I would have. I will say that the sex scenes between Maeve and Stuart aren’t written in a titillating way. It’s seen through Maeve’s eyes, and she truly believes that he loves her. All the same, if this doesn’t appeal to you, you might want to steer clear.
In contrast to her mother, Maeve does follow her heart, and the reader is left to decide whether she was actually any better off.
Do I recommend it? Yes, of course. It’s written with gorgeous, lyrical prose, and really makes you empathise with the characters. I’m glad I read it.
Kayleigh (12 KP) rated Aberrant (Aberrant, #1) in Books
Jan 2, 2019
I was contacted by [a:Ruth Silver|6435509|Ruth Silver|/assets/nophoto/nophoto-U-50x66-251a730d696018971ef4a443cdeaae05.jpg], the author of this book, to promote <i>Aberrant</i>. In my <a href="http://www.a-worldofwords.com/2013/04/ruth-silver-interview.html">blog</a>; there is an interview, spotlight and giveaway. She gave me a copy of the book to read, but it goes without saying that this review is honest.
I thoroughly enjoyed this book. I was thrown headfirst into the action, first meeting Olivia when she is preparing for her wedding day. This piqued my interest, which was held right the way to the end. It was a brilliant dystopian plot, full of turns that I wasn’t expecting. It reminded me a bit of [b:The Hunger Games|2767052|The Hunger Games (The Hunger Games #1)|Suzanne Collins|http://d.gr-assets.com/books/1358275334s/2767052.jpg|2792775] and [b:Brave New World|5129|Brave New World|Aldous Huxley|http://d.gr-assets.com/books/1327865608s/5129.jpg|3204877], in that the government was very much in control – so much so that it could control the most intimate of features in its inhabitants’ lives. There’s a lot of uncertainty throughout the book as to what will happen to Olivia. She’s often not as safe as she would like to be, and feels the weight of expectation, the latter of which is something I think a lot of young adults can relate to.
I think what enhanced the book for me was Olivia and Joshua. Their relationship is written really well; as best friends with a complicated aspect thrown in, there’s the right touch of familiarity versus the unknown. Throughout, they work as a team, the realism of which I liked – it makes a change to the power games that appear in other YA books where sexual tension is at the forefront. Josh and Olivia have been raised in an environment where conception – and therefore sex – doesn’t happen, which made a really refreshing change. Even though they’re 18, the reader is able to see certain realisations bloom in their minds, and that was great to read!
When I interviewed her, Ruth Silver said about what inspired her to write the book:
<blockquote><i>Often, we as a society implement the use of vaccines, especially in preventing disease and now even cervical cancer. Of course the vaccines are all safe and approved by the relevant authorities for the country you live in. I decided to think a little further ahead, and a little darker. What if it was an epidemic where everyone was required to get vaccinated and testing had been shortened or barely done at all?</i></blockquote>
Hearing it put like that made me uneasy, because it brings home how potentially easy it could be for something to strike the world, and for us to find ourselves in a dystopia. I think stories such as this one, where it stems from a simple idea, are the most effective. Mix that in with great characterisation, a little bit of the supernatural, and a plot that twists and turns, and you’re sorted. A great read, thoroughly recommended.
I thoroughly enjoyed this book. I was thrown headfirst into the action, first meeting Olivia when she is preparing for her wedding day. This piqued my interest, which was held right the way to the end. It was a brilliant dystopian plot, full of turns that I wasn’t expecting. It reminded me a bit of [b:The Hunger Games|2767052|The Hunger Games (The Hunger Games #1)|Suzanne Collins|http://d.gr-assets.com/books/1358275334s/2767052.jpg|2792775] and [b:Brave New World|5129|Brave New World|Aldous Huxley|http://d.gr-assets.com/books/1327865608s/5129.jpg|3204877], in that the government was very much in control – so much so that it could control the most intimate of features in its inhabitants’ lives. There’s a lot of uncertainty throughout the book as to what will happen to Olivia. She’s often not as safe as she would like to be, and feels the weight of expectation, the latter of which is something I think a lot of young adults can relate to.
I think what enhanced the book for me was Olivia and Joshua. Their relationship is written really well; as best friends with a complicated aspect thrown in, there’s the right touch of familiarity versus the unknown. Throughout, they work as a team, the realism of which I liked – it makes a change to the power games that appear in other YA books where sexual tension is at the forefront. Josh and Olivia have been raised in an environment where conception – and therefore sex – doesn’t happen, which made a really refreshing change. Even though they’re 18, the reader is able to see certain realisations bloom in their minds, and that was great to read!
When I interviewed her, Ruth Silver said about what inspired her to write the book:
<blockquote><i>Often, we as a society implement the use of vaccines, especially in preventing disease and now even cervical cancer. Of course the vaccines are all safe and approved by the relevant authorities for the country you live in. I decided to think a little further ahead, and a little darker. What if it was an epidemic where everyone was required to get vaccinated and testing had been shortened or barely done at all?</i></blockquote>
Hearing it put like that made me uneasy, because it brings home how potentially easy it could be for something to strike the world, and for us to find ourselves in a dystopia. I think stories such as this one, where it stems from a simple idea, are the most effective. Mix that in with great characterisation, a little bit of the supernatural, and a plot that twists and turns, and you’re sorted. A great read, thoroughly recommended.
Chris Sawin (602 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 11, 2019 (Updated Aug 11, 2019)
The monsters. (1 more)
Special effects - blend of CG and practical.
The Pale Lady. (2 more)
Basic rinse and repeat horror formula.
No emotional attachment to characters.
Fishing for Turds
Scary Stories to Tell in the Dark is probably considered the introduction to horror fiction for anyone who was in middle school in the mid to late 1990s. I distinctly remember checking out at least one of the books before I was a teenager, but the story that has stuck with me multiple decades later has and always will be, “The Red Spot.” The thing about the Scary Stories books is that they were just these random collections of creepy tales meant to make the reader anxious, uneasy, or even frightened, so the fact that somebody attempted to make a coherent film out of a jumbled mix of stories from all three books is kind of incredible.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
