Search
Crashing Heaven
Book
A diamond-hard, visionary new SF thriller. Nailed-down cyberpunk ala William Gibson for the 21st...
Awix (3310 KP) rated Stranger from Venus (1954) in Movies
Aug 15, 2020
Yet another low-budget British knock-off of The Day the Earth Stood Still, distinguished (sort of) by the fact it's managed to secure the services of one of the stars of the original film, Patricia Neal (the movie never got an American release as it might have drawn a plagiarism suit from Fox). Bloke from Venus arrives in the home counties to deliver a grave message about the dangers of atomic weapons, engages in chaste sort-of romance with a woman who lives locally (Neal), is messed about by the government.
At least it's a little easier to take seriously than Devil Girl from Mars, but the production is even more primitive and it's a lot less fun. Helmut Dantine does the best he can, dispensing cosmic wisdom in a gravelly Austrian monotone, but the punishingly low budget really shows. The purest kind of rip-off - there's nothing here that isn't in the original movie, and everything that is here is less accomplished and less interesting. Not awful, though, nor is it without a certain historical curiosity value for SF aficionados.
At least it's a little easier to take seriously than Devil Girl from Mars, but the production is even more primitive and it's a lot less fun. Helmut Dantine does the best he can, dispensing cosmic wisdom in a gravelly Austrian monotone, but the punishingly low budget really shows. The purest kind of rip-off - there's nothing here that isn't in the original movie, and everything that is here is less accomplished and less interesting. Not awful, though, nor is it without a certain historical curiosity value for SF aficionados.
Awix (3310 KP) rated Into the Night in TV
May 31, 2020
The cheap gag about Into the Night would be to declare it the best Belgian apocalyptic SF disaster thriller mini-series ever made, but it deserves better than that. Not entirely unlike Lost, but without the plane actually crashing: passengers and crew of a commercial jet find themselves desperately travelling west, perpetually, as the sun's rays have suddenly become lethal. Characters come into sharper focus, tensions within the group build, there are many incidental crises and problems.
It's done with a slightly broad brush and occasionally becomes a little contrived, but there are great performances from the ensemble cast and it soon becomes genuinely gripping and tense, though not without the odd moment of black humour ('I'm going to die in Scotland... with Belgians!' despairs one character in the first episode). Not sure what they're going to do if it gets a second series, but this is a fine piece of entertainment. (Right-thinking people will surely watch the original version, with subtitles if necessary: the English dubbing is not great.)
It's done with a slightly broad brush and occasionally becomes a little contrived, but there are great performances from the ensemble cast and it soon becomes genuinely gripping and tense, though not without the odd moment of black humour ('I'm going to die in Scotland... with Belgians!' despairs one character in the first episode). Not sure what they're going to do if it gets a second series, but this is a fine piece of entertainment. (Right-thinking people will surely watch the original version, with subtitles if necessary: the English dubbing is not great.)
Awix (3310 KP) rated Hollow Man (2000) in Movies
May 31, 2020
Paul Verhoeven brings all the taste and restraint you might expect to this loose updating of The Invisible Man. Nothing terribly original or surprising about the plot - invisibility experiments go wrong, which (unsurprisingly) nobody saw coming - although the emphasis on the psychological effects of being invisible is something unexpected and genuinely derived from Wells. That said, the main character played by Bacon - second billed, perhaps because he's technically not on screen for much of the film - is such a piece of work to begin with they don't leave themselves much room for manoeuvre.
Selling points of the film are, firstly, the lavish CGI, which I suppose was very good for the time; you can sense the technicians are having fun with it. Also the violence and gore, which is fairly strong for a studio movie; it also has a hard, nasty, sometimes misogynistic edge to it (Verhoeven...!). It all plays out pretty much as you'd expect. Competently done but nowhere near the standard of Verhoeven's best SF films.
Selling points of the film are, firstly, the lavish CGI, which I suppose was very good for the time; you can sense the technicians are having fun with it. Also the violence and gore, which is fairly strong for a studio movie; it also has a hard, nasty, sometimes misogynistic edge to it (Verhoeven...!). It all plays out pretty much as you'd expect. Competently done but nowhere near the standard of Verhoeven's best SF films.
Awix (3310 KP) rated Edge of Darkness (2010) in Movies
May 5, 2020 (Updated May 6, 2020)
The legendary TV mini-series is retooled for the big screen as a bog-standard Mel Gibson revenge thriller. A detective's daughter is killed, and his investigations lead him to discover she was a target of forces within the military-industrial complex operating above the law.
As well as two-thirds of the running time and most of the plot, the movie version of Edge of Darkness also cheerfully dispenses with virtually everything that made the TV show so memorable: theoretically a fiendishly convoluted thriller, it also contained an environmentalist subtext, an incest subtext, a subtext about Anglo-US relations, even some borderline SF & fantasy elements. All of this is gone and just replaced with Mel Gibson looking intense and beating people up. As a result it is very hard to care about what's happening, although the illogicality of much of it does manage to cut through (someone poisoning someone else and then deciding to shoot them as well is practically a motif). Ray Winstone is not bad as Jedburgh, but given the source material the rest of it is unforgivably lousy.
As well as two-thirds of the running time and most of the plot, the movie version of Edge of Darkness also cheerfully dispenses with virtually everything that made the TV show so memorable: theoretically a fiendishly convoluted thriller, it also contained an environmentalist subtext, an incest subtext, a subtext about Anglo-US relations, even some borderline SF & fantasy elements. All of this is gone and just replaced with Mel Gibson looking intense and beating people up. As a result it is very hard to care about what's happening, although the illogicality of much of it does manage to cut through (someone poisoning someone else and then deciding to shoot them as well is practically a motif). Ray Winstone is not bad as Jedburgh, but given the source material the rest of it is unforgivably lousy.
Popcorn: Movie showtimes
Entertainment and Lifestyle
App
Popcorn is the only movie showtimes and ticketing app you’ll ever need for booking movie tickets...
Awix (3310 KP) rated Godzilla Vs King Ghidorah (1991) in Movies
Mar 7, 2018
Eighteenth Godzilla movie (fifth Ghidorah movie, if anyone cares) goes back to campy basics following the relative underperformance of Godzilla Vs Biollante. Owes a lot to 60s and 70s Godzilla movies, but also to American SF movies of the 80s - Back to the Future and Terminator have clearly been an influence. Despite all this the film has an undeniably anti-American subtext (in the future, Japan will become the world's biggest superpower, causing jealous Americans to hatch evil plot to stop this) which is actually quite amusing (possibly less so if you're actually from the USA).
Interesting story, some of the special effects are a little variable but the monster battles are undeniably good fun. Given that Godzilla was a bad guy monster in all the films from this period, and Ghidorah is nearly always the bad guy monster, the question of how to resolve the plot without the bad guy monster winning is reasonably elegant. Some surprisingly edgy moments for a Godzilla movie, too - looks, albeit obliquely, at events connected to the Second World War in a way which previous films would never have dreamt of. Definitely from close to the top of the Godzilla stack.
Interesting story, some of the special effects are a little variable but the monster battles are undeniably good fun. Given that Godzilla was a bad guy monster in all the films from this period, and Ghidorah is nearly always the bad guy monster, the question of how to resolve the plot without the bad guy monster winning is reasonably elegant. Some surprisingly edgy moments for a Godzilla movie, too - looks, albeit obliquely, at events connected to the Second World War in a way which previous films would never have dreamt of. Definitely from close to the top of the Godzilla stack.
Awix (3310 KP) rated Village of the Damned (1995) in Movies
Nov 16, 2019
Thumpingly unsubtle SF remake turns up the horror dial but doesn't seem aware that sometimes less is more. After a strange town-wide blackout, the citizens of Midwich (do they really have 'villages' in Northern California, anyway?) discover ten women have simultaneously become pregnant. They give birth to eerily similar children who seem to have psychic powers.
Released in 1995, this is very much The Midwich Cuckoos for the X Files generation, but ends up just another signpost marking the decline of John Carpenter as a film-maker worth paying attention to. The sad thing is that he really does seem familiar with both the original British film and the source novel (elements of the book missing from the 1960 film reappear here) and is obviously trying to do his best to honour them, but where John Wyndham is chillingly subtle and understated, John Carpenter is just walloping the audience with a succession of predictable set-piece 'shocks'. Reasonable CGI but overall it looks cheap and unconvincing; some reasonable performances from an interesting cast, but there's a limit to what they can do with such a duff script.
Released in 1995, this is very much The Midwich Cuckoos for the X Files generation, but ends up just another signpost marking the decline of John Carpenter as a film-maker worth paying attention to. The sad thing is that he really does seem familiar with both the original British film and the source novel (elements of the book missing from the 1960 film reappear here) and is obviously trying to do his best to honour them, but where John Wyndham is chillingly subtle and understated, John Carpenter is just walloping the audience with a succession of predictable set-piece 'shocks'. Reasonable CGI but overall it looks cheap and unconvincing; some reasonable performances from an interesting cast, but there's a limit to what they can do with such a duff script.
Awix (3310 KP) rated Bloodshot (2020) in Movies
Mar 16, 2020
Ding-dong action movie based on an obscure comic book is saddled with a silly name, plus it's a non-Fast & Furious Vin Diesel vehicle, but turns out to be reasonably watchable if you cut it some slack. US special forces soldier is murdered but resurrected by boffins; now he's super-strong, heals really fast, and his blood can connect to the internet. He sets out to get revenge on his killers, but discovers his memories may not be entirely trustworthy...
Whatever his other limitations as a performer, Diesel is fairly well-cast as a relentless human bulldozer of revenge, and the film does have (in theory) a decent plot twist, some interesting ideas (bordering on the existential), and reasonably well-mounted action sequences. With a bigger budget and a more inspired director this could have been an impressively thoughtful piece of SF action, but it feels clunky, not interested in exploring the things that make it distinctive, and there are lots of annoying missteps and short-cuts (a foot chase supposedly around London is clearly really taking place in suburban South Africa). Passes the time in a reasonably diverting way, though.
Whatever his other limitations as a performer, Diesel is fairly well-cast as a relentless human bulldozer of revenge, and the film does have (in theory) a decent plot twist, some interesting ideas (bordering on the existential), and reasonably well-mounted action sequences. With a bigger budget and a more inspired director this could have been an impressively thoughtful piece of SF action, but it feels clunky, not interested in exploring the things that make it distinctive, and there are lots of annoying missteps and short-cuts (a foot chase supposedly around London is clearly really taking place in suburban South Africa). Passes the time in a reasonably diverting way, though.
Awix (3310 KP) rated Kin-dza-dza! (1986) in Movies
Apr 4, 2020
Soviet-era comedy-SF resembles a high-speed collision between Mad Max and The Hitch-Hiker's Guide to the Galaxy as directed by Terry Gilliam. Earthling Everymen are accidentally teleported to the post-apocalyptic dystopia of Pluk, where lower-caste citizens must wear bells in their noses, social status is determined by the colour of your trousers, and most of the local language translates as 'koo!' Can they persuade a couple of dodgy locals to help them get home?
Possibly a little bit slow and overlong, and many of the jokes are probably too understated, but the desolate alien world is well-realised on a low budget (special effects are sparingly used, but look good when they are) and the intricately ridiculous society of Pluk has been worked out in impressive detail. Hard to tell whether the satire is aimed at capitalist society or communist, but perhaps this is the point: life on Pluk may be unfair, arbitrary, and often unintelligible, but then isn't that true everywhere? Well-played, solidly scripted for the most part (end comes unravelled a bit), very watchable and entertaining.
Possibly a little bit slow and overlong, and many of the jokes are probably too understated, but the desolate alien world is well-realised on a low budget (special effects are sparingly used, but look good when they are) and the intricately ridiculous society of Pluk has been worked out in impressive detail. Hard to tell whether the satire is aimed at capitalist society or communist, but perhaps this is the point: life on Pluk may be unfair, arbitrary, and often unintelligible, but then isn't that true everywhere? Well-played, solidly scripted for the most part (end comes unravelled a bit), very watchable and entertaining.