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Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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Becs (244 KP) rated The Bipolar Addict in Books
Jun 4, 2019
Very informative!
Rating: ☆☆☆☆.5
Review:
I received a copy to read and review from Smith Publicity for my honest opinion.
TRIGGER WARNINGS: Drug abuse, alcohol abuse, suicide attempts, bullying, sexual abuse.
The Bipolar Addict is broken up into three parts: Part 1 - Conor's Story, Part 2 - Interviews of others who battle with Manic Depression and Bipolar disorder, and Part 3 - Talking of Recovery, getting help, and that sober is the new cool.
Part 1 follows the hardships Conor endured growing up. Bullying which eventually lead to alcohol abuse and then later drug abuse as he grew older. During this time, he also attempted suicide a few times. Conor was then diagnosed with Bipolar disorder, manic depression, and anxiety. Mix all that with alcohol and drug abuse and his body was struggling.
As I read, I was enthralled in the world of what Bipolar disorder really is. I was also blown away with the writing style. The Bipolar Addict is a debut novel by Conor Bezane and he definitely has a way of grabbing your attention and holding it instantly. A first time author, Conor has taken his life and spun it into a tale of struggles, sacrifice, and recovery that will tear the readers heart out, rip it into pieces, and then piece it back together, little by little.
Part 2 was just as interesting as part 1. You learn about a few others who used and through some rough patches like Conor. Part 3 was more informative compared to parts 1 and 2, talking about sober being the new cool and that it's healthy. The book ends with links and information on different helpful groups in the chance that you need to seek help for yourself.
"We are punks. We are poets. Musicians and artists. Professionals and intellectuals. We are drunk. High. Manic. Depressed. We almost died. And now we are stable and sober."
Reasons why I rated it 4.5 stars:
1. The plot:
There really wasn't much of a plot as this was a memoir/ self-help book. But the way Conor wrote, captivated my attention through and through.
2. My enjoyment:
I surprisingly was really interested in the entirety of this book. I couldn't put it down as Conor captivated me, not only in his writing but also the way he was able to take his life and spin it into a tale that read like he was a friend having a conversation.
3. Character and story development:
Again, this was a memoir/ self-help book, so there wasn't much development as it wasn't needed.
4. Grammar and spelling:
I did notice a few grammatical and spelling errors but for this being a debut, I really didn't mind.
5. The overall story:
The way that Conor wrote, you could feel the pain, loss, and loneliness. The lows of depression and the highs of mania. It was all otherworldly and from someone who has balanced depression and anxiety the majority of my life, I felt the painful and roller coaster of a life that Conor lived. This was definitely worth the read and was highly informative.
"Keep coming back."
Review:
I received a copy to read and review from Smith Publicity for my honest opinion.
TRIGGER WARNINGS: Drug abuse, alcohol abuse, suicide attempts, bullying, sexual abuse.
The Bipolar Addict is broken up into three parts: Part 1 - Conor's Story, Part 2 - Interviews of others who battle with Manic Depression and Bipolar disorder, and Part 3 - Talking of Recovery, getting help, and that sober is the new cool.
Part 1 follows the hardships Conor endured growing up. Bullying which eventually lead to alcohol abuse and then later drug abuse as he grew older. During this time, he also attempted suicide a few times. Conor was then diagnosed with Bipolar disorder, manic depression, and anxiety. Mix all that with alcohol and drug abuse and his body was struggling.
As I read, I was enthralled in the world of what Bipolar disorder really is. I was also blown away with the writing style. The Bipolar Addict is a debut novel by Conor Bezane and he definitely has a way of grabbing your attention and holding it instantly. A first time author, Conor has taken his life and spun it into a tale of struggles, sacrifice, and recovery that will tear the readers heart out, rip it into pieces, and then piece it back together, little by little.
Part 2 was just as interesting as part 1. You learn about a few others who used and through some rough patches like Conor. Part 3 was more informative compared to parts 1 and 2, talking about sober being the new cool and that it's healthy. The book ends with links and information on different helpful groups in the chance that you need to seek help for yourself.
"We are punks. We are poets. Musicians and artists. Professionals and intellectuals. We are drunk. High. Manic. Depressed. We almost died. And now we are stable and sober."
Reasons why I rated it 4.5 stars:
1. The plot:
There really wasn't much of a plot as this was a memoir/ self-help book. But the way Conor wrote, captivated my attention through and through.
2. My enjoyment:
I surprisingly was really interested in the entirety of this book. I couldn't put it down as Conor captivated me, not only in his writing but also the way he was able to take his life and spin it into a tale that read like he was a friend having a conversation.
3. Character and story development:
Again, this was a memoir/ self-help book, so there wasn't much development as it wasn't needed.
4. Grammar and spelling:
I did notice a few grammatical and spelling errors but for this being a debut, I really didn't mind.
5. The overall story:
The way that Conor wrote, you could feel the pain, loss, and loneliness. The lows of depression and the highs of mania. It was all otherworldly and from someone who has balanced depression and anxiety the majority of my life, I felt the painful and roller coaster of a life that Conor lived. This was definitely worth the read and was highly informative.
"Keep coming back."
Movie Metropolis (309 KP) rated Despicable Me 3 (2017) in Movies
Jun 10, 2019
A disjointed third outing
They’re back. After the ridiculous success of Minions in 2015, Universal pressed ahead with a sequel to their other ridiculously successful animated franchise, Despicable Me.
The first two films were a delightful, if uneven adventure with everybody’s favourite yellow tic-tacs getting their standalone movie that grossed over $1billion. I know, I can’t believe it either.
Now, supervillain turned doting dad Gru is back for another round of animated mayhem. But is this third outing as enjoyable as its predecessors? Or are we starting to feel franchise fatigue?
The mischievous yet hopelessly adorable Minions hope that boss Gru (Steve Carell) will return to a life of crime after the Anti-Villain League fires him. Instead, he travels to Freedonia to meet his long-lost twin brother for the very first time. The siblings soon find themselves in a bickering alliance to take down supervillain Balthazar Bratt (Trey Parker), a child star from the 1980s who seeks revenge against the people who ended his career.
Universal have, rightly or wrongly, not messed with the formula that made the first two films such smash hits. That means you get the same uniquely animated world and characters with a reasonably engaging story that doesn’t ask too much of its audience. There is one difference however, the Minions. After the success of their own film, their presence here is notably jacked up – they’re given their own side quest and that is where we run into some problems.
The sacrifice made to accommodate this extra plot is a disjointed film that switches quite jarringly between each particular story point. One minute we’re tracking unicorns with Agnes, Margot and Edith, the next we’re joining the Minions and five minutes later we’re watching Gru strut his stuff against Balthazar Bratt.
Kids will love it, there’s no doubt about it and it’s sure to bring in the big bucks for Universal, but children’s films have become so much more than just bright colours, fart jokes and fragmented story points. Take 2015’s Inside Out for example or How to Train Your Dragon 2, the very pinnacle of animation.
There’s nothing fundamentally wrong with Despicable Me 3, the voice cast are all on point, Kristen Wiig is a joy as Lucy, and the animation is slick and colourful, but the bar has been set extraordinarily high.
Nevertheless, Trey Parker’s turn as villain Balthazar Bratt is great fun and he’s a brilliant antagonist throughout. See Marvel, it can be done.
There are moments of excellence here. Mature themes about growing up creep in to genuinely sweet moments, but they’re few and far between as the film steamrolls into a fun if generic final act.
Overall, there’s no doubt that Despicable Me 3 is going to be one of the biggest hits of the year. Packed with lovely animation, a great retro soundtrack, Minions and wonderful voice acting, it’s got all the ingredients for success; I just wish it had the guts to change the formula a little.
Cue the Minion memes in 3, 2, 1…
https://moviemetropolis.net/2017/07/01/despicable-me-3-review/
The first two films were a delightful, if uneven adventure with everybody’s favourite yellow tic-tacs getting their standalone movie that grossed over $1billion. I know, I can’t believe it either.
Now, supervillain turned doting dad Gru is back for another round of animated mayhem. But is this third outing as enjoyable as its predecessors? Or are we starting to feel franchise fatigue?
The mischievous yet hopelessly adorable Minions hope that boss Gru (Steve Carell) will return to a life of crime after the Anti-Villain League fires him. Instead, he travels to Freedonia to meet his long-lost twin brother for the very first time. The siblings soon find themselves in a bickering alliance to take down supervillain Balthazar Bratt (Trey Parker), a child star from the 1980s who seeks revenge against the people who ended his career.
Universal have, rightly or wrongly, not messed with the formula that made the first two films such smash hits. That means you get the same uniquely animated world and characters with a reasonably engaging story that doesn’t ask too much of its audience. There is one difference however, the Minions. After the success of their own film, their presence here is notably jacked up – they’re given their own side quest and that is where we run into some problems.
The sacrifice made to accommodate this extra plot is a disjointed film that switches quite jarringly between each particular story point. One minute we’re tracking unicorns with Agnes, Margot and Edith, the next we’re joining the Minions and five minutes later we’re watching Gru strut his stuff against Balthazar Bratt.
Kids will love it, there’s no doubt about it and it’s sure to bring in the big bucks for Universal, but children’s films have become so much more than just bright colours, fart jokes and fragmented story points. Take 2015’s Inside Out for example or How to Train Your Dragon 2, the very pinnacle of animation.
There’s nothing fundamentally wrong with Despicable Me 3, the voice cast are all on point, Kristen Wiig is a joy as Lucy, and the animation is slick and colourful, but the bar has been set extraordinarily high.
Nevertheless, Trey Parker’s turn as villain Balthazar Bratt is great fun and he’s a brilliant antagonist throughout. See Marvel, it can be done.
There are moments of excellence here. Mature themes about growing up creep in to genuinely sweet moments, but they’re few and far between as the film steamrolls into a fun if generic final act.
Overall, there’s no doubt that Despicable Me 3 is going to be one of the biggest hits of the year. Packed with lovely animation, a great retro soundtrack, Minions and wonderful voice acting, it’s got all the ingredients for success; I just wish it had the guts to change the formula a little.
Cue the Minion memes in 3, 2, 1…
https://moviemetropolis.net/2017/07/01/despicable-me-3-review/
Phillip McSween (751 KP) rated Big Hero 6 (2014) in Movies
Nov 5, 2018
Phenomenal
Big Hero 6 sits on top for me as probably the best under-the-radar film of all-time. No one talks about it or really brings it up. Anytime I mention its greatness, I get the typical response: “Well, yeah, I guess it was kind of awesome.” Not only is it one of the best under-the-radar films, but it’s the best film I have reviewed so far. Disagree all you want, but hear me out on my argument.
Set in the swanky, futuristic city of San Fransokyo, Big Hero 6 is the story of how young Hiro Hamada develops an unlikely friendship with his brother’s marshmallow-esque robot Baymax and they form an unlikely superhero team.
Acting: 10
Each voice actor does an excellent job capturing the essence of their character. Strong, emotional moments suck you into the film and keep you invested. As in most Disney films, there are no weaknesses from an acting standpoint. Damon Wayans Jr. was my personal favorite playing the role of Wasabi one of Hiro’s friends. He doesn’t dominate the scenes that he stars in, but definitely manages to make the most of his lines.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The animations are beautiful and crisp. The opening scene provides a breathtaking view of the city of San Fransokyo. Building lights pop against the night sky. Bay waters glimmer. Attention to detail is exquisite. There is one scene where Hiro and Baymax are falling through an open window in slow-motion. Bushes below rustle while glass flies past them. It only lasts for a couple of seconds, but it’s a testament to the solid work that went into the animation of this film.
The powers the team displayed added to the film’s visual prowess. I loved watching Fred breathe fire in his awful (and also hilarious) superhero costume. Their powers and team-ups made for some stunning battles against a unique villain.
Conflict: 10
I am amazed at the balance of story and action as a film typically has to sacrifice one over the other. Even during their earlier training phases, the action is both consistent and non-stop. It fills the entire landscape of the screen. From battles to car chases to harrowing escapes, Big Hero 6 establishes and maintains a high level of intensity.
Genre: 10
Not only does this film establish itself as one of the best animated films ever done, but it’s also one of the best superhero films ever made. The fact that it excels in both genres just speaks of the film’s overall greatness. I expected to like it, but I never expected to love it. Big Hero 6 is easily in the same class as The Incredibles.
Memorability: 10
Pace: 10
Plot: 10
Resolution: 10
The ending is perfect. Sappy, yet believable. Great wrap-up of a great movie.
Overall: 100
A great family film with solid superhero action and a fun, meaningful story you can get behind. What more do you need? Loved this movie.
Set in the swanky, futuristic city of San Fransokyo, Big Hero 6 is the story of how young Hiro Hamada develops an unlikely friendship with his brother’s marshmallow-esque robot Baymax and they form an unlikely superhero team.
Acting: 10
Each voice actor does an excellent job capturing the essence of their character. Strong, emotional moments suck you into the film and keep you invested. As in most Disney films, there are no weaknesses from an acting standpoint. Damon Wayans Jr. was my personal favorite playing the role of Wasabi one of Hiro’s friends. He doesn’t dominate the scenes that he stars in, but definitely manages to make the most of his lines.
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The animations are beautiful and crisp. The opening scene provides a breathtaking view of the city of San Fransokyo. Building lights pop against the night sky. Bay waters glimmer. Attention to detail is exquisite. There is one scene where Hiro and Baymax are falling through an open window in slow-motion. Bushes below rustle while glass flies past them. It only lasts for a couple of seconds, but it’s a testament to the solid work that went into the animation of this film.
The powers the team displayed added to the film’s visual prowess. I loved watching Fred breathe fire in his awful (and also hilarious) superhero costume. Their powers and team-ups made for some stunning battles against a unique villain.
Conflict: 10
I am amazed at the balance of story and action as a film typically has to sacrifice one over the other. Even during their earlier training phases, the action is both consistent and non-stop. It fills the entire landscape of the screen. From battles to car chases to harrowing escapes, Big Hero 6 establishes and maintains a high level of intensity.
Genre: 10
Not only does this film establish itself as one of the best animated films ever done, but it’s also one of the best superhero films ever made. The fact that it excels in both genres just speaks of the film’s overall greatness. I expected to like it, but I never expected to love it. Big Hero 6 is easily in the same class as The Incredibles.
Memorability: 10
Pace: 10
Plot: 10
Resolution: 10
The ending is perfect. Sappy, yet believable. Great wrap-up of a great movie.
Overall: 100
A great family film with solid superhero action and a fun, meaningful story you can get behind. What more do you need? Loved this movie.
Gareth von Kallenbach (971 KP) rated Evan Almighty (2007) in Movies
Aug 14, 2019
Evan Baxter (Steve Carell) is a man who is going places. When last we saw Evan in “Bruce Almighty”, he was playing the foil to Jim Carrey and having one of the most spectacular on air meltdowns ever recorded.
In the new film “Evan Almighty”, Evan has left his job as a Buffalo anchorman to take his place as a newly elected member of Congress. Evan ran under the campaign of “Change the World” and with his wife Joan (Lauren Graham), and their three sons, heads off to their new home in Virginia to embark on their new life.
Evan’s first day seems to be going well as he finds that he has been reassigned to a much larger office, and that he has been approached to co-sponsor a bill by prominent Congressman Long (John Goodman). This huge honor is not lost on Evan and he sets out to read the very long bill proposal at the sacrifice of a planned family outing. Needless to say this does not sit well with his children.
Evan’s life soon takes a series of unexpected turns when his alarm starts to go off at 6:14 every morning and mysterious shipments of wood and tools begin to arrive at his home. They are quickly dismissed as oddities, but even Evan has a hard time dismissing the arrival of a man who claims to be God (Morgan Freeman), who instructs Evan to build an Ark to prepare for a new flood.
Try as he might, Evan cannot avoid the facts as he soon finds himself followed by all manner of animals and growing a beard that will not go away, despite numerous shaves.
Those around Evan are convinced he is cracking from the stress of his new job, when he finally relents and begins to build the massive ark on lots adjoining his home. As the ark takes form, Evan begins to change and soon sports long hair and a beard and is clad in biblical robes.
This sudden transformation as well as his declaration before Congress and the television public that God has instructed him to build an Ark soon leads Evan to be barred from his duties in Congress, and a laughing stock to the nation.
Undaunted, Evan presses on, even though the strain is wearing on his family and friends as he is convinced he is doing the right thing.
What follows is a funny and touching adventure as Evan and company learn about priorities, life, and what truly matters in one of the most enjoyable family comedies in years.
The film works very well without being over the top or preachy in its messages. Carell once again shows why he is one of the funniest individuals in film and television.
Morgan Freeman is delightful as the almighty himself as he has a very smooth and compassionate style that helps him recapture the performance he did so well in the first film.
While not side-splitting funny, “Evan Almighty” has a lot going for it, and Carell and Freeman as well as the fine supporting cast keeps the film afloat.
In the new film “Evan Almighty”, Evan has left his job as a Buffalo anchorman to take his place as a newly elected member of Congress. Evan ran under the campaign of “Change the World” and with his wife Joan (Lauren Graham), and their three sons, heads off to their new home in Virginia to embark on their new life.
Evan’s first day seems to be going well as he finds that he has been reassigned to a much larger office, and that he has been approached to co-sponsor a bill by prominent Congressman Long (John Goodman). This huge honor is not lost on Evan and he sets out to read the very long bill proposal at the sacrifice of a planned family outing. Needless to say this does not sit well with his children.
Evan’s life soon takes a series of unexpected turns when his alarm starts to go off at 6:14 every morning and mysterious shipments of wood and tools begin to arrive at his home. They are quickly dismissed as oddities, but even Evan has a hard time dismissing the arrival of a man who claims to be God (Morgan Freeman), who instructs Evan to build an Ark to prepare for a new flood.
Try as he might, Evan cannot avoid the facts as he soon finds himself followed by all manner of animals and growing a beard that will not go away, despite numerous shaves.
Those around Evan are convinced he is cracking from the stress of his new job, when he finally relents and begins to build the massive ark on lots adjoining his home. As the ark takes form, Evan begins to change and soon sports long hair and a beard and is clad in biblical robes.
This sudden transformation as well as his declaration before Congress and the television public that God has instructed him to build an Ark soon leads Evan to be barred from his duties in Congress, and a laughing stock to the nation.
Undaunted, Evan presses on, even though the strain is wearing on his family and friends as he is convinced he is doing the right thing.
What follows is a funny and touching adventure as Evan and company learn about priorities, life, and what truly matters in one of the most enjoyable family comedies in years.
The film works very well without being over the top or preachy in its messages. Carell once again shows why he is one of the funniest individuals in film and television.
Morgan Freeman is delightful as the almighty himself as he has a very smooth and compassionate style that helps him recapture the performance he did so well in the first film.
While not side-splitting funny, “Evan Almighty” has a lot going for it, and Carell and Freeman as well as the fine supporting cast keeps the film afloat.
Gareth von Kallenbach (971 KP) rated Gridiron Gang (2006) in Movies
Aug 14, 2019
Often the true mark of cinema, this is the category where you will often find the majority of the award winners. The challenge of combining realistic yet sympathetic characters with gripping stories and emotional themes can be a true challenge, but when it works, this is where Hollywood truly shines.
In his latest film Gridiron Gang Dwayne Johnson, better known as the Rock has an appealing mix of sports action, drama, and comedy on his hands that will not only touch you, but will have you cheering.
The Rock stars as Sean Porter, a former college football star who works in a L.A. Area detention center for juvenile offenders. Saddened by the wasted lives of the young men, Sean looks for them to find an alternative to the life of crime, violence, and early death that so many of his inmates face.
With 75% of offenders likely to become repeat offenders, Sean decides to start a football team with the hope of teaching the young inmates the value of hard work, sacrifice, playing as a team, and duty.
Despite some initial obstacles from the system as well as school leagues hesitant to play against convicted offenders, the team son finds themselves with a full schedule and less than three weeks to go before their first game.
The hard practice and coaching style of Sean wears on the players, but they soon find themselves in their first game against a hardened and proven team which underscores just how much work they have to do.
As pressure mounts from all sides, Sean must find a way to meld his team into a winner and prove that this is a project worth doing and that the young men in his care are not lost causes, but are deserving of a new start.
While much of the film may play out as you would expect with the team coming together to play the big game, what is refreshing about the film is the solid performance of The Rock who shows that he is more than just an action star and is very capable of acting. He mixes his portrayal of Sean with equal amounts toughness and caring, to create what is easily his most mature and well defined character to date.
The supporting cast is good, especially Xzibit as Malcolm Moore, who provides a solid supporting presence to The Rock.
While the film is heavy on football action, it also does not shy away from giving the audience a glimpse of the life that the team comes from and how old rivalries and
hostilities can follow them even when they try to leave them behind with the best of intentions.
The action on the field is first-rate as the game choreography never lets up, and is easily the most accurate portrayal of the sport ever committed to film. You can tell that the cast is playing with heart and passion and not simply going through the motions.
Despite a few predictable moments, Gridiron Gang is a very pleasant surprise that is one of the years most enjoyable and satisfying films.
In his latest film Gridiron Gang Dwayne Johnson, better known as the Rock has an appealing mix of sports action, drama, and comedy on his hands that will not only touch you, but will have you cheering.
The Rock stars as Sean Porter, a former college football star who works in a L.A. Area detention center for juvenile offenders. Saddened by the wasted lives of the young men, Sean looks for them to find an alternative to the life of crime, violence, and early death that so many of his inmates face.
With 75% of offenders likely to become repeat offenders, Sean decides to start a football team with the hope of teaching the young inmates the value of hard work, sacrifice, playing as a team, and duty.
Despite some initial obstacles from the system as well as school leagues hesitant to play against convicted offenders, the team son finds themselves with a full schedule and less than three weeks to go before their first game.
The hard practice and coaching style of Sean wears on the players, but they soon find themselves in their first game against a hardened and proven team which underscores just how much work they have to do.
As pressure mounts from all sides, Sean must find a way to meld his team into a winner and prove that this is a project worth doing and that the young men in his care are not lost causes, but are deserving of a new start.
While much of the film may play out as you would expect with the team coming together to play the big game, what is refreshing about the film is the solid performance of The Rock who shows that he is more than just an action star and is very capable of acting. He mixes his portrayal of Sean with equal amounts toughness and caring, to create what is easily his most mature and well defined character to date.
The supporting cast is good, especially Xzibit as Malcolm Moore, who provides a solid supporting presence to The Rock.
While the film is heavy on football action, it also does not shy away from giving the audience a glimpse of the life that the team comes from and how old rivalries and
hostilities can follow them even when they try to leave them behind with the best of intentions.
The action on the field is first-rate as the game choreography never lets up, and is easily the most accurate portrayal of the sport ever committed to film. You can tell that the cast is playing with heart and passion and not simply going through the motions.
Despite a few predictable moments, Gridiron Gang is a very pleasant surprise that is one of the years most enjoyable and satisfying films.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Phantom Forest in Books
Jan 23, 2020
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
So when I sat down to write my review for <em>The Phantom Forest</em>, all I wanted to write is this:
<ul>
<li>Protect this character</li>
<li>Seriously, protect this character</li>
<li>Take them away from Liz Kerin; it's the only way to protect them</li>
</ul>
But uh, that doesn't work as a review (maybe one day). Anyways.
<em style="background-color: initial; font-size: 24px; letter-spacing: 1px;"><strong>The Phantom</strong></em><strong style="background-color: initial; font-size: 24px; letter-spacing: 1px;"><em> Forest</em> is haunting.</strong>
Kerin's debut is <em>creepy</em>, everyone. The world here is atmospheric and brings a chill or two, even when the story isn't in the Underworld. In a world ruled by the Coalition where one practicing their belief in gods or superstition results in death, General Simeon overlooks a village with tight control. He keeps the people under his authority by taking a religious ritual where only criminals are sacrifices to one where anyone can be chosen.
I wanted General Simeon to choke on sharp pineapples while reading.
Since her father died, Seycia lives in hiding with her younger brother Miko in the village. It's not long before General Simeon makes her a target and she becomes the next village sacrifice, sending her to the Underworld where she joins forces with Haben.
<h2><strong>Interesting Characters Arcs</strong></h2>
I find myself most invested in Haben's story and wanted to keep reading to find out what happens to Seycia and him as they journey across the Underworld. While <em>The Phantom Forest</em> has a multitude of POVs, most are from Seycia, Haben and Miko.
The story seems to focus on one character with the others sitting in the backseat, undergoing the most development. However, I do feel this is only the beginning, and there is more to come for both Seycia and Miko. Their story seems to stand in the back of the room, but they'll likely develop in future books. I want to see what Kerin has in store even if I only want to protect Haben.
<h2><strong>There are slow moments in <em>The Phantom Forest</em></strong></h2>
Kerin builds a world and plot that captures my attention from early in the novel. However, there are moments where I felt the scenes were maybe irrelevant and unnecessary. While it was a rough patch to go through, it was well worth it. I wanted to see to the end of the story, and I had a lot of questions that won my curiosity. By the end of <em>The Phantom Forest</em>, I still have plenty of questions, but I'm sure there will be answers eventually.
<a href="https://bookwyrmingthoughts.com/the-phantom-forest-by-liz-kerin/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
So when I sat down to write my review for <em>The Phantom Forest</em>, all I wanted to write is this:
<ul>
<li>Protect this character</li>
<li>Seriously, protect this character</li>
<li>Take them away from Liz Kerin; it's the only way to protect them</li>
</ul>
But uh, that doesn't work as a review (maybe one day). Anyways.
<em style="background-color: initial; font-size: 24px; letter-spacing: 1px;"><strong>The Phantom</strong></em><strong style="background-color: initial; font-size: 24px; letter-spacing: 1px;"><em> Forest</em> is haunting.</strong>
Kerin's debut is <em>creepy</em>, everyone. The world here is atmospheric and brings a chill or two, even when the story isn't in the Underworld. In a world ruled by the Coalition where one practicing their belief in gods or superstition results in death, General Simeon overlooks a village with tight control. He keeps the people under his authority by taking a religious ritual where only criminals are sacrifices to one where anyone can be chosen.
I wanted General Simeon to choke on sharp pineapples while reading.
Since her father died, Seycia lives in hiding with her younger brother Miko in the village. It's not long before General Simeon makes her a target and she becomes the next village sacrifice, sending her to the Underworld where she joins forces with Haben.
<h2><strong>Interesting Characters Arcs</strong></h2>
I find myself most invested in Haben's story and wanted to keep reading to find out what happens to Seycia and him as they journey across the Underworld. While <em>The Phantom Forest</em> has a multitude of POVs, most are from Seycia, Haben and Miko.
The story seems to focus on one character with the others sitting in the backseat, undergoing the most development. However, I do feel this is only the beginning, and there is more to come for both Seycia and Miko. Their story seems to stand in the back of the room, but they'll likely develop in future books. I want to see what Kerin has in store even if I only want to protect Haben.
<h2><strong>There are slow moments in <em>The Phantom Forest</em></strong></h2>
Kerin builds a world and plot that captures my attention from early in the novel. However, there are moments where I felt the scenes were maybe irrelevant and unnecessary. While it was a rough patch to go through, it was well worth it. I wanted to see to the end of the story, and I had a lot of questions that won my curiosity. By the end of <em>The Phantom Forest</em>, I still have plenty of questions, but I'm sure there will be answers eventually.
<a href="https://bookwyrmingthoughts.com/the-phantom-forest-by-liz-kerin/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Gates of Thread and Stone (Gates of Thread and Stone #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Much as I actually read the synopsis once when I first saw it months ago on Goodreads and then again before I clicked "Read Now" on Netgalley, I ended up forgetting the synopsis <i>entirely</i> by the time I started.
Except for one word: Labyrinth. Needless to say, I actually thought for awhile that <i>Gates of Thread and Stone</i> would be about a labyrinth. <i>The</i> Labyrinth of the Greek myths, per say, and when I actually read <i>Gates of Thread of Stone</i>, I checked the synopsis again to set myself on the right track (because when there's no one being sent as sacrifice, you know there's something wrong).
<i>Gates of Thread and Stone</i> is really about a girl named Kai <i>living</i> with her "brother," Reev, in a place called the Labyrinth, named so by its maze-like structure, and where the lowest of the lowest in Ninurta live out their daily lives. But one day, Reev disappears just like many others and Kai is determined to find her brother.
There's something about <i>Gates of Thread and Stone</i> that I really like. It's definitely not the world, even though I highly enjoyed Lee's world-building each section (East Quarter, White Court, Void, Outlands, etc.) in Ninurta were set apart from one another and most even had their own nicknames (East Quarter = Labyrinth, North Quarter = Purgatory). It's most certainly not the amount of possible f-bombs in here as well, or what I'll assume as f-bombs, because "drek" by itself is certainly not sounding like crap or hell.
The characters were tolerable Kai is a determined and persistent character who has an admirable strength and may sometimes be a little feisty. Irra is perhaps one of my favorite characters by far, being a dramatic yet eccentric advisor in assisting Kai and Avan finding Reev. In fact... he's a bit of an oddity compared to the other Infinites, who seem to be similar to gods and goddesses based on their description.
The plot was a little predictable and I was just waiting for a couple of parts to play out (I really should stop being Sherlock Holmes and just enjoy reading the book, but I can't help myself). While the end is similar to the end of <i>Senshi</i> and the beginning of <i>Shinobi</i> and doesn't seem to have a bigger plot that spans over to the sequel or more books.
Now that I actually took the time to write all that down, maybe it's the world-building that I liked the most. With the ending of <i>Gates of Thread and Stone</i> seeming to be a solid ending, I may read the sequel just to for the pure fun of seeing what Ninurta will be like.
<a href="https://bookwyrmingthoughts.com/review-gates-of-thread-and-stone-by-lori-m-lee/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Much as I actually read the synopsis once when I first saw it months ago on Goodreads and then again before I clicked "Read Now" on Netgalley, I ended up forgetting the synopsis <i>entirely</i> by the time I started.
Except for one word: Labyrinth. Needless to say, I actually thought for awhile that <i>Gates of Thread and Stone</i> would be about a labyrinth. <i>The</i> Labyrinth of the Greek myths, per say, and when I actually read <i>Gates of Thread of Stone</i>, I checked the synopsis again to set myself on the right track (because when there's no one being sent as sacrifice, you know there's something wrong).
<i>Gates of Thread and Stone</i> is really about a girl named Kai <i>living</i> with her "brother," Reev, in a place called the Labyrinth, named so by its maze-like structure, and where the lowest of the lowest in Ninurta live out their daily lives. But one day, Reev disappears just like many others and Kai is determined to find her brother.
There's something about <i>Gates of Thread and Stone</i> that I really like. It's definitely not the world, even though I highly enjoyed Lee's world-building each section (East Quarter, White Court, Void, Outlands, etc.) in Ninurta were set apart from one another and most even had their own nicknames (East Quarter = Labyrinth, North Quarter = Purgatory). It's most certainly not the amount of possible f-bombs in here as well, or what I'll assume as f-bombs, because "drek" by itself is certainly not sounding like crap or hell.
The characters were tolerable Kai is a determined and persistent character who has an admirable strength and may sometimes be a little feisty. Irra is perhaps one of my favorite characters by far, being a dramatic yet eccentric advisor in assisting Kai and Avan finding Reev. In fact... he's a bit of an oddity compared to the other Infinites, who seem to be similar to gods and goddesses based on their description.
The plot was a little predictable and I was just waiting for a couple of parts to play out (I really should stop being Sherlock Holmes and just enjoy reading the book, but I can't help myself). While the end is similar to the end of <i>Senshi</i> and the beginning of <i>Shinobi</i> and doesn't seem to have a bigger plot that spans over to the sequel or more books.
Now that I actually took the time to write all that down, maybe it's the world-building that I liked the most. With the ending of <i>Gates of Thread and Stone</i> seeming to be a solid ending, I may read the sequel just to for the pure fun of seeing what Ninurta will be like.
<a href="https://bookwyrmingthoughts.com/review-gates-of-thread-and-stone-by-lori-m-lee/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated Fading in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Fading by Cindy Cipriano may not contain vampires or werewolves yet it still has a slightly supernatural/paranormal feel to it. This book is in a similar group as Twilight as a forbidden love book. Also, this is only the first book in a series that is expected to be three or four books long.
Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
https://www.facebook.com/nightreaderreviews
Leath is the typical seventeen-year-old high school girl. She has her mother’s full support after her father died and her two best friends Victor and Anamae. The three of them have been considering college visits and what the future may hold for them. Leath and Victor have always been close but when Victor starts showing interest in being more than just friends with Leath she resists him. Victor believes Leath is confused and will come around to recognizing her feelings for him but Leath is not too sure. Then while working in her guidance councilor's office Leath sees the transfer file for a new student, James.
As if fate put them together James and Leath run into each other on Jame’s first day and they instantly become inseparable. Leath feels as if she has known James for her entire life and James feels the same way about her. Leath wonders if James is the same boy that Leath has actually been having dreams about all her life. Is she prepared to make the huge sacrifice required for her to be with James? Leath must choose between her friends, family, and freedom, or James before he makes the decision for her.
What I liked best about the book was honestly James himself. Even if he seemed somewhat creepy at times he is a great guy. His willingness to live alone and possibly face the wrath of his race just to protect Leath from his societies traditions are commendable. What I didn’t really like was the abrupt change around chapter fifteen. I understand the need for it but it was a little rough at first. I also didn’t understand completely why the fading worked so well on Leath that time when it didn’t work the first time. The only difference I can really come up with was the medication Leath was on and everyone else forgetting James helping her forget as well.
Teens of all ages will find this book to be appealing as the language is mild and there isn’t really any inappropriate content. Readers of romance will defiantly enjoy this book more so than fans of other genres. I give this book a rating of 4 out of 4. Fans of teen romance will love this twist on a classic forbidden love story. The entire concept of fading allows for the story to move on without having messy explanations in the middle of everything.
https://www.facebook.com/nightreaderreviews
Movie Metropolis (309 KP) rated Only The Brave (2017) in Movies
Jun 10, 2019
One of the year's best films
Films based on true events are ten-a-penny these days. From 2015s stunning American Sniper and 2016s breath-taking Deepwater Horizon to the critically acclaimed Patriots Day, there seems to be no stopping the ‘true to life’ variety of movies that has suddenly become very popular.
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/