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ClareR (5854 KP) rated Dear Edward in Books
Mar 8, 2020
A sad, yet life affirming novel.
Dear Edward is a beautiful book, and I suppose I should give a ‘you’ll need a handkerchief’ warning from the off.
It tells the story of twelve year old Edward Adler and his survival of a plane crash that left 119 people dead, including his parents and his older brother. The story moves back and forth in time, where we learn more about some of those people who were on board the plane, and Edwards life post-crash.
In the present day, Edwards grief is all-consuming. He can’t bring himself to eat, or sleep in the room that was always meant to be for his Uncle John and Aunt Laceys baby - she is unable to carry a baby beyond a few weeks, so the bedroom feels like a symbol of her serial losses.
Shay, the girl who lives next door with her mother, seems to be the person who holds Edward together. He sleeps on the floor of her bedroom for a long time, until Shays mother decides that it’s no longer appropriate. So Shay helps Edward prepare the basement of his aunt and uncles house as his bedroom.
Edward has to go through so many huge changes after the crash, and I really felt so much sadness for him. Even just going to school after always being homeschooled must have been a huge hurdle for him to get over, but there were also all of the other firsts that he had to overcome.
The title of the book refers to the letters that Edward and Shay find. The letters have been written by the friends and families of the plane crash victims, and Edwards uncle has hidden them from him. And with good reason. These are the letters of the grieving. They all seem to want something of Edward: to live a certain way, to take up a hobby, to do a certain job. There is no way he can do all of these things, and as 15 year olds, he and Shay realise this. As a 12 year old, he never would have, and it would have no doubt overwhelmed him.
I absolutely loved this book. It drew me in to the story of Edward, and I honestly felt bereft at the end of it. It’s undeniably sad, but it’s also life affirming, and I really liked how something so tragic could ultimately have such a positive outcome.
So if you pick this book up, read the back, then put it down again thinking that it’ll be too depressing, I’d just like to encourage you to give it a go. It’s a book well worth reading.
It tells the story of twelve year old Edward Adler and his survival of a plane crash that left 119 people dead, including his parents and his older brother. The story moves back and forth in time, where we learn more about some of those people who were on board the plane, and Edwards life post-crash.
In the present day, Edwards grief is all-consuming. He can’t bring himself to eat, or sleep in the room that was always meant to be for his Uncle John and Aunt Laceys baby - she is unable to carry a baby beyond a few weeks, so the bedroom feels like a symbol of her serial losses.
Shay, the girl who lives next door with her mother, seems to be the person who holds Edward together. He sleeps on the floor of her bedroom for a long time, until Shays mother decides that it’s no longer appropriate. So Shay helps Edward prepare the basement of his aunt and uncles house as his bedroom.
Edward has to go through so many huge changes after the crash, and I really felt so much sadness for him. Even just going to school after always being homeschooled must have been a huge hurdle for him to get over, but there were also all of the other firsts that he had to overcome.
The title of the book refers to the letters that Edward and Shay find. The letters have been written by the friends and families of the plane crash victims, and Edwards uncle has hidden them from him. And with good reason. These are the letters of the grieving. They all seem to want something of Edward: to live a certain way, to take up a hobby, to do a certain job. There is no way he can do all of these things, and as 15 year olds, he and Shay realise this. As a 12 year old, he never would have, and it would have no doubt overwhelmed him.
I absolutely loved this book. It drew me in to the story of Edward, and I honestly felt bereft at the end of it. It’s undeniably sad, but it’s also life affirming, and I really liked how something so tragic could ultimately have such a positive outcome.
So if you pick this book up, read the back, then put it down again thinking that it’ll be too depressing, I’d just like to encourage you to give it a go. It’s a book well worth reading.
Holly Johnson recommended Sgt. Pepper's Lonely Hearts Club Band by The Beatles in Music (curated)
BankofMarquis (1832 KP) rated Promising Young Woman (2020) in Movies
Apr 10, 2021
Powerful
Emerald Fennell’s feature length motion picture Directing debut, PROMISING YOUNG WOMAN, is a difficult film to categorize. Is it a Dark Comedy? A RomCom? A family drama? A portrait of a character’s descent? A hard critique of sexism and sexual predators? A revenge fantasy?
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
BookInspector (124 KP) rated Gather the Daughters in Books
Sep 24, 2020
The first thing which attracted me to this book, was the cover; I think it’s absolutely stunning and incredibly mysterious. The second reason why I picked it up, was the blurb; cult on an island, I was absolutely intrigued with this, and it absolutely drawn me in once I started it.
This book absolutely hooked me with its diverse and complex characters. This novel is told by children, sharing different perspectives of the events happening in the book, and beautifully opening up their personalities and feelings. I loved how Melamed is giving insight into different lives, first of children, and then how it feels, once you are forced into adulthood. There is a great variety of characters to choose from, and everyone will be able to find their favourite. My favourite one was Janey, I absolutely loved her strength and her wish to do something, to change the lives of young girls. All the characters are carrying so much pain and sadness that it literary breaks your heart while reading the book. That’s why, if you are sensitive towards child abuse and incest, you might want to skip this one.
The plot of this book was incredibly well thought through and very amusing. Melamed’s experience with traumatised children was shining through in this novel. The whole narrative travels through seasons, starting in spring and finishing in spring again. Every season brought in different stories and different feelings. I really enjoyed the creative twists and turns in this novel, which made it more enticing and didn’t leave me bored. The topics discussed in this book are endless; every girl shared the issue they were facing, that’s why this book is really fascinating and intriguing. Even though this is a work of fiction, there are some of the described things still happening in this world. For example, child marriage and abusing children as soon as they hit puberty, is still a common practice in South Asia and Middle East, and is absolutely horrifying.
The writing style of this novel is gorgeous and I absolutely loved it. The chapters are decent length and didn’t make me bored while reading. The ending of the book rounded up everything really nicely, leaving me satisfied, but questioning at the same time. I think it is absolutely stunning debut of Melamed and I will be looking forward to read more of her books. So, to conclude, this is a very dark and sorrowful novel filled with complex family relations and children, who want to be children as long as they can. I do strongly recommend this book and I hope people find it as fascinating, as I did.
Was given this book by publisher for honest review.
This book absolutely hooked me with its diverse and complex characters. This novel is told by children, sharing different perspectives of the events happening in the book, and beautifully opening up their personalities and feelings. I loved how Melamed is giving insight into different lives, first of children, and then how it feels, once you are forced into adulthood. There is a great variety of characters to choose from, and everyone will be able to find their favourite. My favourite one was Janey, I absolutely loved her strength and her wish to do something, to change the lives of young girls. All the characters are carrying so much pain and sadness that it literary breaks your heart while reading the book. That’s why, if you are sensitive towards child abuse and incest, you might want to skip this one.
The plot of this book was incredibly well thought through and very amusing. Melamed’s experience with traumatised children was shining through in this novel. The whole narrative travels through seasons, starting in spring and finishing in spring again. Every season brought in different stories and different feelings. I really enjoyed the creative twists and turns in this novel, which made it more enticing and didn’t leave me bored. The topics discussed in this book are endless; every girl shared the issue they were facing, that’s why this book is really fascinating and intriguing. Even though this is a work of fiction, there are some of the described things still happening in this world. For example, child marriage and abusing children as soon as they hit puberty, is still a common practice in South Asia and Middle East, and is absolutely horrifying.
The writing style of this novel is gorgeous and I absolutely loved it. The chapters are decent length and didn’t make me bored while reading. The ending of the book rounded up everything really nicely, leaving me satisfied, but questioning at the same time. I think it is absolutely stunning debut of Melamed and I will be looking forward to read more of her books. So, to conclude, this is a very dark and sorrowful novel filled with complex family relations and children, who want to be children as long as they can. I do strongly recommend this book and I hope people find it as fascinating, as I did.
Was given this book by publisher for honest review.
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
Girls Are Coming Out Of The Woods
8.0
Rate It
Book
'In Girls are Coming out of the Woods, Tishani Doshi combines artistic elegance with a visceral...
I was a big fan of Shanti Hershenson's other poetry book You Won't Know Her Name. Even though the subject matter was heavy, the poems were written extremely well. When I saw that Hershenson had published a companion poetry book titled I Know Her Name, I knew it was something I had to read. Shanti Hershenson, again, blew me away with how talented she is with her poetry.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
While I Know Her Name isn't as dark or as heavy as its first book, You Won't Know Her Name, there were still some heavy themes throughout. Hershenson admits in this book that the nameless girl in You Won't Know Her Name was actually her (which I already suspected when I read the first book) and that all the poems in You Won't Know Her Name and I Know Her Name were written about what was happening and what had happened in regards to the bullying and sexual assault done at the hands of a "friend" while she was in junior high and her school's lack of caring. While I Know Her Name isn't a very long book, it still packs a big punch. The poetry is still amazingly written, and to know that they were written by such a young girl makes it even more so.
I Know Her Name is an emotional read, and my heart really went out to Shanti Hershenson whilst reading this. Her hurt, anger, sadness, frustrations, and all over emotions are easily conveyed with each poem. It broke my heart that she (and many other children) have to face bullying and abuse while the school does nothing about it. I felt like I was right beside Hershenson as she further tells her story through poetry although I felt helpless since I could only read the words and not physically do anything.
Trigger warnings for I Know Her Name include mentions of sexual assault (but not in detail), some profanity (but not much), bullying, depression, mentions of suicide and telling someone to kill themself, and violence.
All in all, I Know Her Name is such an emotional read written by a very talented teenager. It will definitely hit you with many feels and leave you angry at how the school failed this girl. Although this book can be read as a standalone, I would still read You Won't Know Her Name first just for more background and because it's so good. I would most definitely recommend I Know Her Name by Shanti Hershenson to those aged 14+ who are being bullied, have been bullied, or are the bullies themselves. This is a poetry book that won't disappoint.
RəX Regent (349 KP) rated Four Lions (2010) in Movies
Mar 7, 2019
The fine between comedy and tragedy...
Contains spoilers, click to show
I can remember first hearing about this early in 2010, and was unsure as what to expect. On one hand this could have been a nasty hate film, mocking the wave of Muslim extremism which is taking a firm hold in this country, merely for the entertainment value, or this could be one of the important satires on the subject to date.
It was by far, without a shadow of doubt, the latter. Four Lions follows five amateur, lackluster Muslims from Sheffield who all believe that they are a primed terror cell on the frontline of the war against the infidels. Unfortunately for them, they are bunglers, whilst achieving the ability to create explosives, they have failed to control how and when it explodes! The plot culminates with an attempt to attack the London Marathon but it is a long road, taking our protagonists to the terror camps of Pakistan, and the town halls of Sheffield. This film is written and directed so expertly, it is literally frightening.
Morris and his pitch perfect cast deliver a film which so perfectly walks the razor wire tightrope between comedy and tragedy that every laugh is tinged with sadness or pity and every dark moment, seemingly comedic.
Is this a comedy? Decidedly not, but is this funny, and intentionally so? Yes. It's almost as if the laughs are out of sheer relief, as moments which should shock are delivered or followed up by some of the most profoundly realistic and yet ridiculous conversions.
The Lion King explanation for the war against the west; The almost horrifically callous 'Honey Monster' exchange as a police sniper may well have just shot an innocent civilian will stick in your mind. Let alone more simple humour, such as the eating of the sim cards to prevent tracking, which resembled the Catholic method of taking of the bread at mass.
But this was also about grooming: Grooming the audience to sympathise with a terror cell plotting in our midst was genius, whist having to watch the various methods employed within the group itself, leading to some of the films most poignant and tragic moments.
The disenfranchised Muslim population of this country have been captured so well, though portrayed on one hand as been dimwitted 'wanna-be terrorists', but on the other as real people, miss led with some of the most ridiculous concepts designed to reduce their lives to that of mediocrity in order to convince them to take so many others. This is a sympathetic peace movie in a time of great confusion and conflict.
Until now, United 93 was the film which had most summed up the dark times in which we live, following 9/11, but this is at least on par with it and is a great addition to a long and significant catalogue of topical anti-establishment films, such as M.A.S.H. and Dr. Strangelove.
Not just highly recommended, but a MUST SEE!
It was by far, without a shadow of doubt, the latter. Four Lions follows five amateur, lackluster Muslims from Sheffield who all believe that they are a primed terror cell on the frontline of the war against the infidels. Unfortunately for them, they are bunglers, whilst achieving the ability to create explosives, they have failed to control how and when it explodes! The plot culminates with an attempt to attack the London Marathon but it is a long road, taking our protagonists to the terror camps of Pakistan, and the town halls of Sheffield. This film is written and directed so expertly, it is literally frightening.
Morris and his pitch perfect cast deliver a film which so perfectly walks the razor wire tightrope between comedy and tragedy that every laugh is tinged with sadness or pity and every dark moment, seemingly comedic.
Is this a comedy? Decidedly not, but is this funny, and intentionally so? Yes. It's almost as if the laughs are out of sheer relief, as moments which should shock are delivered or followed up by some of the most profoundly realistic and yet ridiculous conversions.
The Lion King explanation for the war against the west; The almost horrifically callous 'Honey Monster' exchange as a police sniper may well have just shot an innocent civilian will stick in your mind. Let alone more simple humour, such as the eating of the sim cards to prevent tracking, which resembled the Catholic method of taking of the bread at mass.
But this was also about grooming: Grooming the audience to sympathise with a terror cell plotting in our midst was genius, whist having to watch the various methods employed within the group itself, leading to some of the films most poignant and tragic moments.
The disenfranchised Muslim population of this country have been captured so well, though portrayed on one hand as been dimwitted 'wanna-be terrorists', but on the other as real people, miss led with some of the most ridiculous concepts designed to reduce their lives to that of mediocrity in order to convince them to take so many others. This is a sympathetic peace movie in a time of great confusion and conflict.
Until now, United 93 was the film which had most summed up the dark times in which we live, following 9/11, but this is at least on par with it and is a great addition to a long and significant catalogue of topical anti-establishment films, such as M.A.S.H. and Dr. Strangelove.
Not just highly recommended, but a MUST SEE!
Kristy H (1252 KP) rated You'd Be Mine in Books
Apr 4, 2019
I was so excited to read this book, because I love country music with all my heart, especially some of the older music that Hahn weaves into this book. I read this on the heels of WHEN IT'S REAL and couldn't help but compare the two. I fell hard for REAL. My reaction for MINE varied, though I still enjoyed it a lot; for sure, the two--while romances--are very dissimilar in many ways.
This book has some really dark tones to it, and both Clay and Annie are struggling with some major demons. Each have dealt with some major sadness in their lives, and Annie's past with her parents is honestly just awful. As a result, this isn't a light, fluffy romance, and it has some surprising emotional depth to it and its characters. Annie, especially, is really easy to like and to root for.
"Everything in me speaks music with a fluent tongue. Surely it's genetic, but my parents certainly haven't done me any favors. If anything, their deaths nearly killed the music in my soul."
As I said, I quite enjoyed the music aspect of the book. Not just the country music part, but the overall fact that the book is centered around a tour. It's really fun to get glimpses into tour life--especially since everyone is so young. Pretty crazy how much responsibility and freedom they all have. There's also a lot of songwriting and emotions displayed through songwriting, which I loved. (Side note: As a child, I always dreamed of being a country singer-songwriter. This was probably due to my intense love of Mary Chapin Carpenter, which lives on to this day. Alas, I cannot carry a tune or read music, so this dream has yet to come to fruition.)
"That's the glorious thing about music. It speaks to the very heart of things in the most absolute and obtrusive way."
The one hard thing for me was that the book got rather repetitive in the middle with both Clay and Annie going on about how they were wrong for each other. It seemed to stall the plot for a while, as I felt like we were waiting for a bit for something to happen. Yes, we realize each was damaged, but it seemed like the book hit on that just a little too much/too often for a while.
Still, this was a really good read. It's very emotional and honestly heartbreaking at times. If you're a music buff, I think you'll enjoy it even more, because of all the musical scenes and songs woven into the book. The characters are very real and go through a lot. There's no insta-romance, and you will root for Annie and Clay, even though you'll want things to move along a bit in the middle. I totally cried at the end, which is a major sign that Hahn did a good job. 3.75 stars, rounded to 4.
This book has some really dark tones to it, and both Clay and Annie are struggling with some major demons. Each have dealt with some major sadness in their lives, and Annie's past with her parents is honestly just awful. As a result, this isn't a light, fluffy romance, and it has some surprising emotional depth to it and its characters. Annie, especially, is really easy to like and to root for.
"Everything in me speaks music with a fluent tongue. Surely it's genetic, but my parents certainly haven't done me any favors. If anything, their deaths nearly killed the music in my soul."
As I said, I quite enjoyed the music aspect of the book. Not just the country music part, but the overall fact that the book is centered around a tour. It's really fun to get glimpses into tour life--especially since everyone is so young. Pretty crazy how much responsibility and freedom they all have. There's also a lot of songwriting and emotions displayed through songwriting, which I loved. (Side note: As a child, I always dreamed of being a country singer-songwriter. This was probably due to my intense love of Mary Chapin Carpenter, which lives on to this day. Alas, I cannot carry a tune or read music, so this dream has yet to come to fruition.)
"That's the glorious thing about music. It speaks to the very heart of things in the most absolute and obtrusive way."
The one hard thing for me was that the book got rather repetitive in the middle with both Clay and Annie going on about how they were wrong for each other. It seemed to stall the plot for a while, as I felt like we were waiting for a bit for something to happen. Yes, we realize each was damaged, but it seemed like the book hit on that just a little too much/too often for a while.
Still, this was a really good read. It's very emotional and honestly heartbreaking at times. If you're a music buff, I think you'll enjoy it even more, because of all the musical scenes and songs woven into the book. The characters are very real and go through a lot. There's no insta-romance, and you will root for Annie and Clay, even though you'll want things to move along a bit in the middle. I totally cried at the end, which is a major sign that Hahn did a good job. 3.75 stars, rounded to 4.
Kristy H (1252 KP) rated The Lost Girls in Books
Feb 13, 2018
In 1935, on the last evening of summer vacation, six-year-old Emily disappears from her family's vacation lake home. Emily's doting mother is devastated, and she and her two daughters (Emily's older sisters) spend the rest of their lives at the lake house, waiting for Emily to return. Six decades later, only Lucy, the middle sister, is still alive. Afraid of dying without telling her story, she writes the tale down in a notebook and leaves it, along with the house, to her sister's granddaughter, Justine. When Justine receives the news that her great-aunt has left her a house in Minnesota, she's shocked. They've only met once, after all, and Justine's flighty mother is still living. But Justine realizes the house represents a way to flee the suffocating life she's living now, and to give her daughters a better life. So they pack up for Minnesota, only to find the house run down, the Minnesota winter cold and isolating, and their only neighbors two elderly men who live in the nearby lodge. Justine's older daughter, Melanie, becomes interested in Emily's disappearance; her mother, Maurie, returns, bringing her usual craziness; and ghosts from Justine's own past threaten their safety. Justine doesn't know what happened at the lake sixty years ago, nor does she know if it's safe for her family now...
This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s) with Justine and then flips back to the 1930s, as Lucy tells her story via letter. In this way, we get snippets about the past in chunks, allowing for the story to unfurl slowly, building up suspense. Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. Lucy was the star of the show for me, both as her younger self and via her letter-writing. Her sadness is easily apparent as she tells a tale of a family trapped by their own secrets.
This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in Lucy and Lilith's past, in particular. Justine and Maurie (her mom) are more frustrating characters, but their story is still interesting, especially as you learn about Maurie's life growing up at the lake house with Lilith and Lucy. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 07/26/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s) with Justine and then flips back to the 1930s, as Lucy tells her story via letter. In this way, we get snippets about the past in chunks, allowing for the story to unfurl slowly, building up suspense. Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. Lucy was the star of the show for me, both as her younger self and via her letter-writing. Her sadness is easily apparent as she tells a tale of a family trapped by their own secrets.
This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in Lucy and Lilith's past, in particular. Justine and Maurie (her mom) are more frustrating characters, but their story is still interesting, especially as you learn about Maurie's life growing up at the lake house with Lilith and Lucy. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 07/26/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;