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BankofMarquis (1832 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Feb 12, 2021
Give Chadwick the Oscar
Pulitzer Prize winning Playwright August Wilson wrote 10 plays that he labeled his “Century Cycle” - one placed in each decade of the 20th century that depicts the Negro experience in America. Denzel Washington has pledged to produce a film for each one of these plays.
The first film, FENCES (2016), earned Viola Davis an Oscar and was nominated for Best Film. The 2nd film, MA RAINEY’S BLACK BOTTOM looks to be just as awarded.
Set in a recording studio in Chicago in the 1920’s (the only play of Wilson’s Century Cycle NOT set in Pittsburgh), MA RAINEY’S BLACK BOTTOM tells the story of a recording session for Ma Rainey and her band.
Nominated for the Tony for Best Play of 1984, MA RAINEY’S BLACK BOTTOM is the perfect stage play, for it takes place in one room - the recording studio. The problem with turning this into a film is that Director George C. Wolf felt compelled to “open things up” and added scenes, mostly at the beginning of the film, that takes you out of the studio. He also included Ma Rainey in some of these scenes, thus taking away the power of her entrance about 1/3 of the way into the story. These added scenes add nothing to the story and waters down some of the strength that being confined in one place brings.
But, oh, with performances and dialogue like this, those things are quickly forgotten.
Davis, of course, is stellar as Ma Rainey grabbing the spotlight and commanding the room with her presence. Ma Rainey (and Davis) are not to be trifled with and this is a powerhouse performance, so much so that I can forgive the film for having Davis’ voice dubbed for much of her singing performance.
But…Davis performance pales in comparison to the elite level work of Chadwick Boseman in the central role of trumpet player Levee who has some demons to unpack, demons that drive both his artistic and emotional self. This is a difficult character to root for, but Boseman’s charm shines through and mixed with his rage and sadness, makes for a potent combination and an interesting character to watch. Adding to the poignancy of the performance is the knowledge that this as Boseman’s last role before succumbing to cancer.
Colman Domingo (my favorite actor in FEAR THE WALKING DEAD) brings a strong grounding to the preceedings in the role of Cutler while veteran character actor Glynn Turman (who I remember from the 1970’s mini-series CENTENNIAL) is at a career best as another musician, Toledo. Most of the film (and play) consist of Cutler, Toledo and Levee talking, arguing, bantering and pontificating and these 3 are more than up to this challenge.
All of this, of course, would not be possible without the power of the original stage play script by August Wilson. This work was ably adapted to the screen by Ruben Santiago-Hudson (a shoo-in for an Oscar nomination).
A very strong, very interesting tale with some very moving performances makes MA RAINEY’S BLACK BOTTOM a worthy Oscar-type film that should be checked out by all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The first film, FENCES (2016), earned Viola Davis an Oscar and was nominated for Best Film. The 2nd film, MA RAINEY’S BLACK BOTTOM looks to be just as awarded.
Set in a recording studio in Chicago in the 1920’s (the only play of Wilson’s Century Cycle NOT set in Pittsburgh), MA RAINEY’S BLACK BOTTOM tells the story of a recording session for Ma Rainey and her band.
Nominated for the Tony for Best Play of 1984, MA RAINEY’S BLACK BOTTOM is the perfect stage play, for it takes place in one room - the recording studio. The problem with turning this into a film is that Director George C. Wolf felt compelled to “open things up” and added scenes, mostly at the beginning of the film, that takes you out of the studio. He also included Ma Rainey in some of these scenes, thus taking away the power of her entrance about 1/3 of the way into the story. These added scenes add nothing to the story and waters down some of the strength that being confined in one place brings.
But, oh, with performances and dialogue like this, those things are quickly forgotten.
Davis, of course, is stellar as Ma Rainey grabbing the spotlight and commanding the room with her presence. Ma Rainey (and Davis) are not to be trifled with and this is a powerhouse performance, so much so that I can forgive the film for having Davis’ voice dubbed for much of her singing performance.
But…Davis performance pales in comparison to the elite level work of Chadwick Boseman in the central role of trumpet player Levee who has some demons to unpack, demons that drive both his artistic and emotional self. This is a difficult character to root for, but Boseman’s charm shines through and mixed with his rage and sadness, makes for a potent combination and an interesting character to watch. Adding to the poignancy of the performance is the knowledge that this as Boseman’s last role before succumbing to cancer.
Colman Domingo (my favorite actor in FEAR THE WALKING DEAD) brings a strong grounding to the preceedings in the role of Cutler while veteran character actor Glynn Turman (who I remember from the 1970’s mini-series CENTENNIAL) is at a career best as another musician, Toledo. Most of the film (and play) consist of Cutler, Toledo and Levee talking, arguing, bantering and pontificating and these 3 are more than up to this challenge.
All of this, of course, would not be possible without the power of the original stage play script by August Wilson. This work was ably adapted to the screen by Ruben Santiago-Hudson (a shoo-in for an Oscar nomination).
A very strong, very interesting tale with some very moving performances makes MA RAINEY’S BLACK BOTTOM a worthy Oscar-type film that should be checked out by all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Kristy H (1252 KP) rated One Two Three in Books
Jun 10, 2021
A touching read about family and resilience
Nothing new ever happens in the town of Bourne. Everyone knows everyone. So when the moving trucks arrive, it causes a stir. Bourne is a town known for one thing: seventeen years ago, their water turned green. Many of their citizens of died, others have cancer and other illnesses, and others gave birth to children with birth defects. You'll never find a town more accommodating to wheelchairs. But it has one doctor (also the priest) and one therapist (Nora Mitchell). Bourne houses Nora's triplets, beloved by all: Mab, the "normal" one, who is expected to go to college and escape this place; Monday, who runs the town library from their home and prefers yellow everything (food, clothes, and more); and Mirabel, the smartest of them all, confined to her wheelchair, dependent on her sisters and mom for so much and on a computer to act as her Voice. Nora has been fighting for justice since the water turned green. When the newcomers come to town, the past roars up, involving the Mitchell triplets and bringing to light decades old secrets. How hard will Mab, Monday, and Mirabel fight for their town?
This is such an original book from the author of THIS IS HOW IT ALWAYS IS. It sneaks up on you with its quiet and touching story. Frankel weaves an emotional tale that makes you think. It's utterly fascinating, this devastated town and its broken people. So many of its citizens are sick or have lost someone they love. Yet there is a lot of hope in Bourne, especially as the story is told through young Mab, Monday, and Mirabel's eyes. They've only known their mom's sadness and bitterness, never having met their father, yet each has their own (often quirky) way of looking at life.
Frankel alternates viewpoints from each triplet, naming her chapters One (Mab), Two (Monday), and Three (Mirabel) and repeating from there. It takes a moment to get into the groove of each triplets' voice, but once you do, it's easy to get attached to them. Mab feels the weight of the world on her shoulders, sweet Monday takes everything literally, and Mirabel must remain cheerful, despite all her medical issues. Their mom holds a variety of jobs, including town therapist and working at the local bar, and maintains a decades long lawsuit and grievance. It's hard to know what the triplets' life might be like without Nora's anger and bitterness.
Still, ONE TWO THREE highlights the power of sisterhood and family. You'd think a book about a broken town would be depressing and a slugfest, but it's anything but. In many ways, I found this to be almost a mystery, as the sisters work together to figure out about the newcomers in their town and how they relate to the years of devastation wrecked upon Bourne. The result is utterly compelling, with years of intertwined secrets making for a fascinating read.
Still, at the core, this is a story about teenage girls and how they relate to the world. It's sweet, heartbreaking, and extremely well-written. There are a few points where I wish the plot sped up a bit, but overall, this is a touching and lovely story about a family and their small town.
I received a copy of this book from Henry Holt & Company and Netgalley in return for an unbiased review. Look for ONE TWO THREE on 6/8/2021!
This is such an original book from the author of THIS IS HOW IT ALWAYS IS. It sneaks up on you with its quiet and touching story. Frankel weaves an emotional tale that makes you think. It's utterly fascinating, this devastated town and its broken people. So many of its citizens are sick or have lost someone they love. Yet there is a lot of hope in Bourne, especially as the story is told through young Mab, Monday, and Mirabel's eyes. They've only known their mom's sadness and bitterness, never having met their father, yet each has their own (often quirky) way of looking at life.
Frankel alternates viewpoints from each triplet, naming her chapters One (Mab), Two (Monday), and Three (Mirabel) and repeating from there. It takes a moment to get into the groove of each triplets' voice, but once you do, it's easy to get attached to them. Mab feels the weight of the world on her shoulders, sweet Monday takes everything literally, and Mirabel must remain cheerful, despite all her medical issues. Their mom holds a variety of jobs, including town therapist and working at the local bar, and maintains a decades long lawsuit and grievance. It's hard to know what the triplets' life might be like without Nora's anger and bitterness.
Still, ONE TWO THREE highlights the power of sisterhood and family. You'd think a book about a broken town would be depressing and a slugfest, but it's anything but. In many ways, I found this to be almost a mystery, as the sisters work together to figure out about the newcomers in their town and how they relate to the years of devastation wrecked upon Bourne. The result is utterly compelling, with years of intertwined secrets making for a fascinating read.
Still, at the core, this is a story about teenage girls and how they relate to the world. It's sweet, heartbreaking, and extremely well-written. There are a few points where I wish the plot sped up a bit, but overall, this is a touching and lovely story about a family and their small town.
I received a copy of this book from Henry Holt & Company and Netgalley in return for an unbiased review. Look for ONE TWO THREE on 6/8/2021!
Ivana A. | Diary of Difference (1171 KP) rated Rachel's Pudding Pantry in Books
Oct 2, 2020
A fast read that talks about family, love, grief and finding reasons to be happy!
Rachel’s Pudding Pantry is a story about Rachel, who is a farmer in the modern world, living with her mum Jill and her little daughter Maisy. Rachel and her family has been dealing with a lot of grief in the last couple of years, and are struggling financially to keep the farm running.
The one thing that glues this family together, and keeps them happy is the baking and the making of lovely sweet puddings. They bake all day, especially grandma Jill, and they are the perfect example of what a family should look like – full with joy, love and laughter.
I loved the personality Rachel has;
She always puts her family in the first place, cares about her daughter and mum so much. Everything she is doing, she is doing for them, and she is always positive minded. It was such a refreshing moment for me to find such character.
Rachel and her mum are dealing with grief, losing a person in their family that meant a lot to them. This moment of sadness can be felt throughout the book, and I loved it. It shows that grief is a constant battle – it is not easy to lose someone you love, and you don’t get over it very easily. Years could pass, and you will still have the emptiness in your heart. I felt this on my skin, when I lost my grandfather in January. Even after three months, I still think of him every single day, and hope that he is looking over me and is proud of who I have become.
I was also very positively pleased with the other supportive characters surrounding Rachel’s story. Tom was the perfect neighbor – the one you always call for help and will always help you when you need him. He is always caring and trustworthy, and sometimes, I felt awkward when Rachel always came to him for help. Knowing myself, I would be so embarrassed to keep asking for help.
Then we have her best-friend Eve. She was my superhero, and a friend anyone would wish for. She was always supportive, always there for Rachel with her never-ending love. It is a priceless relationship these two ladies have, and I couldn’t help but be a massive fan of them.
The only thing that kept bothering me throughout the book, and is not that big of a deal anyways, was the fact that despite their financial struggles, Jill kept baking for like thirty people every single day (this is before they started the new business). If that was me, I wouldn’t bake that often. I guess it was a fact that just stuck with me for a while.
Even though it is not my usual read, I honestly really enjoyed this book. I am seriously considering giving this genre more time, and reading more books similar to this.
It was a quick, pleasurable read. It always made me feel happy and content, and eager to go in the kitchen and bake some sweets. Because I am a lazy one, I just bought sweets and ate them instead. Tell you what – that also works quite fine!
Rachel’s Pudding Pantry is a story about Rachel, who is a farmer in the modern world, living with her mum Jill and her little daughter Maisy. Rachel and her family has been dealing with a lot of grief in the last couple of years, and are struggling financially to keep the farm running.
The one thing that glues this family together, and keeps them happy is the baking and the making of lovely sweet puddings. They bake all day, especially grandma Jill, and they are the perfect example of what a family should look like – full with joy, love and laughter.
I loved the personality Rachel has;
She always puts her family in the first place, cares about her daughter and mum so much. Everything she is doing, she is doing for them, and she is always positive minded. It was such a refreshing moment for me to find such character.
Rachel and her mum are dealing with grief, losing a person in their family that meant a lot to them. This moment of sadness can be felt throughout the book, and I loved it. It shows that grief is a constant battle – it is not easy to lose someone you love, and you don’t get over it very easily. Years could pass, and you will still have the emptiness in your heart. I felt this on my skin, when I lost my grandfather in January. Even after three months, I still think of him every single day, and hope that he is looking over me and is proud of who I have become.
I was also very positively pleased with the other supportive characters surrounding Rachel’s story. Tom was the perfect neighbor – the one you always call for help and will always help you when you need him. He is always caring and trustworthy, and sometimes, I felt awkward when Rachel always came to him for help. Knowing myself, I would be so embarrassed to keep asking for help.
Then we have her best-friend Eve. She was my superhero, and a friend anyone would wish for. She was always supportive, always there for Rachel with her never-ending love. It is a priceless relationship these two ladies have, and I couldn’t help but be a massive fan of them.
The only thing that kept bothering me throughout the book, and is not that big of a deal anyways, was the fact that despite their financial struggles, Jill kept baking for like thirty people every single day (this is before they started the new business). If that was me, I wouldn’t bake that often. I guess it was a fact that just stuck with me for a while.
Even though it is not my usual read, I honestly really enjoyed this book. I am seriously considering giving this genre more time, and reading more books similar to this.
It was a quick, pleasurable read. It always made me feel happy and content, and eager to go in the kitchen and bake some sweets. Because I am a lazy one, I just bought sweets and ate them instead. Tell you what – that also works quite fine!
Janeeny (200 KP) rated Vesper Flights in Books
Sep 7, 2021
I received an ARC of this book in exchange for an honest review.
Vesper Flights is Helen Macdonald’s latest book chronicling her relationship with nature. This is slightly different from her previous books in the respect it’s not a linear narrative but a collection of essays that also explores “The human relationship with nature”.
We are given more of an insight into Macdonald’s upbringing as she regales us with anecdotes of emotional journeys to her childhood home and dark episodes on a falcon breeding farm in Wales. Her passion for nature and the natural world comes across strongly, without sermonising. In one chapter she mentions Fox hunting and how she’s morally opposed to it, without admonishing those that do partake in it. A common thread throughout the essays is how we can be so involved with the conservation of nature yet still be so detached from it. Admittedly it’s something that I’ve never even thought about before, so I’ll be paying more attention to the way I interact with the world around me from now on.
.
One thing that seems to draw me in with Mcdonald’s writing is that there always seems to be an underlying sadness in the way she writes. Even when she’s partaking in a stunning bird-watching event, she never quite gives herself over to the joy and excitement of that moment. At one point after reading how she once covered herself in mud and twigs and stalked a herd of cows I just wanted to put my arms around her and ask if she’s ok. (Oddly enough in the same chapter there is a very dark incident with a dying Ostrich, but it was the incident with the cows that worried me most)
I’d be interested to read something Macdonald wrote before her father passed away. It is obvious that the death of her father did have a profound effect on her, and it would be curious to see if that is also what has influenced this mournful quality in her writing.
Don’t get me wrong, this isn’t a critique in any way I like the way she can convey the melancholy of a murmuration. As a perpetually positive person, I do need to be prodded with the emotion stick every now and again.
There is a line in one of the essays “I shouldn’t do it also because pulling at your heart on purpose is a compulsion as particular and disconcerting as pressing on a healing bruise” so maybe she gets some cathartic pleasure from heartache. I’m envious; I lost both my parents within a few years of each other and I find it very hard to engage in any strong emotions regarding this. I miss them, but I think my innate ability to detach myself from unpleasant situations has worked a little too well here and I can’t articulate exactly how that makes me feel.
Woah, so that was a major digression, let’s put that brick back and summarise the review, shall we?
After reading Vesper Flights, even if you don’t like the whole book, I defy you not to have a favourite chapter. It’s close but I think I liked ‘Goats’ the best, as not only is it a funny story, but you can practically hear the little smile as Macdonald reminisces about her dad
Vesper Flights is Helen Macdonald’s latest book chronicling her relationship with nature. This is slightly different from her previous books in the respect it’s not a linear narrative but a collection of essays that also explores “The human relationship with nature”.
We are given more of an insight into Macdonald’s upbringing as she regales us with anecdotes of emotional journeys to her childhood home and dark episodes on a falcon breeding farm in Wales. Her passion for nature and the natural world comes across strongly, without sermonising. In one chapter she mentions Fox hunting and how she’s morally opposed to it, without admonishing those that do partake in it. A common thread throughout the essays is how we can be so involved with the conservation of nature yet still be so detached from it. Admittedly it’s something that I’ve never even thought about before, so I’ll be paying more attention to the way I interact with the world around me from now on.
.
One thing that seems to draw me in with Mcdonald’s writing is that there always seems to be an underlying sadness in the way she writes. Even when she’s partaking in a stunning bird-watching event, she never quite gives herself over to the joy and excitement of that moment. At one point after reading how she once covered herself in mud and twigs and stalked a herd of cows I just wanted to put my arms around her and ask if she’s ok. (Oddly enough in the same chapter there is a very dark incident with a dying Ostrich, but it was the incident with the cows that worried me most)
I’d be interested to read something Macdonald wrote before her father passed away. It is obvious that the death of her father did have a profound effect on her, and it would be curious to see if that is also what has influenced this mournful quality in her writing.
Don’t get me wrong, this isn’t a critique in any way I like the way she can convey the melancholy of a murmuration. As a perpetually positive person, I do need to be prodded with the emotion stick every now and again.
There is a line in one of the essays “I shouldn’t do it also because pulling at your heart on purpose is a compulsion as particular and disconcerting as pressing on a healing bruise” so maybe she gets some cathartic pleasure from heartache. I’m envious; I lost both my parents within a few years of each other and I find it very hard to engage in any strong emotions regarding this. I miss them, but I think my innate ability to detach myself from unpleasant situations has worked a little too well here and I can’t articulate exactly how that makes me feel.
Woah, so that was a major digression, let’s put that brick back and summarise the review, shall we?
After reading Vesper Flights, even if you don’t like the whole book, I defy you not to have a favourite chapter. It’s close but I think I liked ‘Goats’ the best, as not only is it a funny story, but you can practically hear the little smile as Macdonald reminisces about her dad
DaveySmithy (107 KP) rated Casablanca (1942) in Movies
Dec 3, 2024
A Timeless Classic: Casablanca - A 10/10 Masterpiece
Few films manage to withstand the test of time quite like Casablanca. Released in 1942, this cinematic gem not only defines its era but also transcends it, continuing to captivate audiences decades later. Directed by Michael Curtiz and featuring unforgettable performances by Humphrey Bogart and Ingrid Bergman, Casablanca is a rare film that combines stellar storytelling, iconic performances, and a profound emotional core into an unparalleled movie experience.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
Kristy H (1252 KP) rated After the Fall in Books
Dec 24, 2017
lovely (1 more)
poignant
There are all sorts of falls.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
Molly J (Cover To Cover Cafe) (106 KP) rated A Heart Revealed (Winds of Change, #2) in Books
Feb 27, 2019
*This review is from my blog and originally published in 2011*
Okay. Let me take just one moment to reflect on this book. *Reflecting* Okay. That’s better. WOW. I don’t even know where to begin. There is so much to say about this novel. Let me start off by saying if you’ve never read a Julie Lessman novel, stop what you are doing right now, and grab a copy. You won’t be sorry. The first novel I read by her was last September, entitled A Hope Undaunted, book 1 in this Winds Of Change series. I couldn’t believe how much I fell in love with her work! I was then lucky enough to win all three novels in her first series, The Daughters of Boston. Though they are still sitting on my shelf to be read, they are definitely calling my name and I can’t wait to go back and read them.
Now, on to the rest. In the first book in this series, I fell in love with Luke McGee. In this novel, I think I love Sean O’Connor even more. I really enjoy Snickers bars, so see, Julie? You could send SEAN my way, and I’d be forever blissfully happy. I LOVED his character. He was great in his role in A Hope Undaunted , but reading his story with the focus on him, was absolutely amazing. His past wasn’t perfect, and there were times when he went wild with anger, but he overcame that. There was one thing from his past that he holds inside though. No one, not even his nosy sisters, know. That is until, he finds himself drawn to his best friend Emma in a way that he couldn’t imagine. He opens up to her….with everything.
Emma Malloy. Bless her soul. She was a wonderful character, flawed and sweet, and wanting everyone close to her to be happy. Including Sean. When she finds her self falling in love with him, when she’s still married to the man who beat her 11 years ago, she’s determined to push him off on Rose Kelly…the woman who loves him. Trouble is, something happened to Sean and he won’t try with Rose.
Oh, I so want to go on and on….but I’m SO close to giving away the plot! I DO NOT want to do that! I want you to devour the book like I did and take the time to reflect on the wonderfulness of this novel. It’s stunning. It’s breath taking. It’s a roller coaster of emotions, from happiness, to sadness, to anger, to pride, to passion. It has a WHOPPER of a twist and an ending that will leave you smiling and tears running down your face. Not to mention I LOVED Casey Herringshaw and Michelle Tuller’s characters 😉 *grins*!
I highly suggest that you grab a copy of this novel NOW. It’s 5 Books worthy, two thumbs up, hats off, a home run, a winner, a best seller……what ever you want to call it’s that. Julie Lessman really has a way to make ME feel a part of the heart of the story. She speaks to me through the words of her characters, and really brings me closer to God each time. She is by far my absolute FAVORITE Christian novelist and I will NEVER part with her books. They are forever on myself for me to read and reread, and reflect on each time. I am looking forward to book three in this series, Steven O’Connor’s story. Sweet angels in Heaven, though, Julie, do you have to make us wait a whole YEAR!?!? *Sigh* Oh well. All the more for me to savor that one upon it’s release.
Okay. Let me take just one moment to reflect on this book. *Reflecting* Okay. That’s better. WOW. I don’t even know where to begin. There is so much to say about this novel. Let me start off by saying if you’ve never read a Julie Lessman novel, stop what you are doing right now, and grab a copy. You won’t be sorry. The first novel I read by her was last September, entitled A Hope Undaunted, book 1 in this Winds Of Change series. I couldn’t believe how much I fell in love with her work! I was then lucky enough to win all three novels in her first series, The Daughters of Boston. Though they are still sitting on my shelf to be read, they are definitely calling my name and I can’t wait to go back and read them.
Now, on to the rest. In the first book in this series, I fell in love with Luke McGee. In this novel, I think I love Sean O’Connor even more. I really enjoy Snickers bars, so see, Julie? You could send SEAN my way, and I’d be forever blissfully happy. I LOVED his character. He was great in his role in A Hope Undaunted , but reading his story with the focus on him, was absolutely amazing. His past wasn’t perfect, and there were times when he went wild with anger, but he overcame that. There was one thing from his past that he holds inside though. No one, not even his nosy sisters, know. That is until, he finds himself drawn to his best friend Emma in a way that he couldn’t imagine. He opens up to her….with everything.
Emma Malloy. Bless her soul. She was a wonderful character, flawed and sweet, and wanting everyone close to her to be happy. Including Sean. When she finds her self falling in love with him, when she’s still married to the man who beat her 11 years ago, she’s determined to push him off on Rose Kelly…the woman who loves him. Trouble is, something happened to Sean and he won’t try with Rose.
Oh, I so want to go on and on….but I’m SO close to giving away the plot! I DO NOT want to do that! I want you to devour the book like I did and take the time to reflect on the wonderfulness of this novel. It’s stunning. It’s breath taking. It’s a roller coaster of emotions, from happiness, to sadness, to anger, to pride, to passion. It has a WHOPPER of a twist and an ending that will leave you smiling and tears running down your face. Not to mention I LOVED Casey Herringshaw and Michelle Tuller’s characters 😉 *grins*!
I highly suggest that you grab a copy of this novel NOW. It’s 5 Books worthy, two thumbs up, hats off, a home run, a winner, a best seller……what ever you want to call it’s that. Julie Lessman really has a way to make ME feel a part of the heart of the story. She speaks to me through the words of her characters, and really brings me closer to God each time. She is by far my absolute FAVORITE Christian novelist and I will NEVER part with her books. They are forever on myself for me to read and reread, and reflect on each time. I am looking forward to book three in this series, Steven O’Connor’s story. Sweet angels in Heaven, though, Julie, do you have to make us wait a whole YEAR!?!? *Sigh* Oh well. All the more for me to savor that one upon it’s release.
Ryan Hill (152 KP) rated The Incredible Hulk (2008) in Movies
May 9, 2019
"As far as I'm concerned, that man's whole body is property of the U.S. army."
I will defend this gem until the day I die.
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
Heather Cranmer (2721 KP) rated The Book in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> towards the end of December).
The Book by Jessica Bell is a book that I've been wanting to read for awhile. The synopsis really intrigued me. I was thrilled when I won a copy of The Book. Luckily, this book didn't disappoint.
Bonnie is a 5 year old girl. While her mother Penny is pregnant with Bonnie, John, Bonnie's dad, starts a journal (referred to as the book) where he writes his thoughts and wishes for Bonnie. However, Penny is the one who starts writing in it more than John. However, things don't go as planned. When John and Penny split up, the book becomes Penny's release for her feelings. Bonnie notices that her mom always cries when writing in the book, so she thinks the book is what is causing Penny's sadness. Bonnie sees her mom and her mom's boyfriend, Ted, fighting over the book, so Bonnie just wants to get rid of the book. Little do all the adults know how their actions will affect Bonnie.
I love the title! It's super mysterious but such a fitting tile. I think Ms. Bell did a fantastic job at picking this title.
I'm also a fan of the cover. I like the shadow of the child, which I believe to be Bonnie, with words written over it. I also like the pink (my favorite color) and the font.
Jessica Bell does a fantastic job with the world building. I felt like she creates the world of a 5 year old almost perfectly. I did find it strange that Bonnie's parents refer to themselves by their first name instead of mom and dad when writing things to Bonnie, but that's just me.
The pacing starts off a little slow, but before I realized it, it had really grabbed me and pulled me into the story. After that, the pace never slows down nor does it speed up where I didn't know what was going on.
The plot was very original which made for a refreshing read. It was interesting to read everyone's thoughts through journal entries (Penny and John) and through Bonnie's point of view. I also would've never predicted the ending of The Book!
The characters were all well written and rounded. I felt for Penny when she was torn between two men and doing what was best for Bonnie. I felt for John who wanted to be there for his daughter yet his hands were tied. I felt for Ted who was oblivious to what was going on around him through no fault of his own. I mostly felt for Bonnie who, due to her age, didn't know why everyone was acting the way they were over this book. Bell captures the emotion of each character perfectly!
Bell writes like a 5 year old would think when it came time for Bonnie's point of view. I found this annoying sometimes, but I understand why it needed to be done. It needed to be done to really capture the essence of Bonnie. There were times when I felt that Bonnie was acting or thinking like that of an older child, but this could've just been a personal thing as all children develop at different levels. Other then that, I found the dialogue to be very interesting. It also flows very smoothly and never feels rushed.
Overall, The Book is a fantastic and emotional read. It has an original plot line with memorable characters and fantastic dialogue.
I'd recommend this book to those aged 18+ who are after a read with an original story with a lesson to be learned.
I'd give The Book by Jessica Bell a 4.5 out of 5.
The Book by Jessica Bell is a book that I've been wanting to read for awhile. The synopsis really intrigued me. I was thrilled when I won a copy of The Book. Luckily, this book didn't disappoint.
Bonnie is a 5 year old girl. While her mother Penny is pregnant with Bonnie, John, Bonnie's dad, starts a journal (referred to as the book) where he writes his thoughts and wishes for Bonnie. However, Penny is the one who starts writing in it more than John. However, things don't go as planned. When John and Penny split up, the book becomes Penny's release for her feelings. Bonnie notices that her mom always cries when writing in the book, so she thinks the book is what is causing Penny's sadness. Bonnie sees her mom and her mom's boyfriend, Ted, fighting over the book, so Bonnie just wants to get rid of the book. Little do all the adults know how their actions will affect Bonnie.
I love the title! It's super mysterious but such a fitting tile. I think Ms. Bell did a fantastic job at picking this title.
I'm also a fan of the cover. I like the shadow of the child, which I believe to be Bonnie, with words written over it. I also like the pink (my favorite color) and the font.
Jessica Bell does a fantastic job with the world building. I felt like she creates the world of a 5 year old almost perfectly. I did find it strange that Bonnie's parents refer to themselves by their first name instead of mom and dad when writing things to Bonnie, but that's just me.
The pacing starts off a little slow, but before I realized it, it had really grabbed me and pulled me into the story. After that, the pace never slows down nor does it speed up where I didn't know what was going on.
The plot was very original which made for a refreshing read. It was interesting to read everyone's thoughts through journal entries (Penny and John) and through Bonnie's point of view. I also would've never predicted the ending of The Book!
The characters were all well written and rounded. I felt for Penny when she was torn between two men and doing what was best for Bonnie. I felt for John who wanted to be there for his daughter yet his hands were tied. I felt for Ted who was oblivious to what was going on around him through no fault of his own. I mostly felt for Bonnie who, due to her age, didn't know why everyone was acting the way they were over this book. Bell captures the emotion of each character perfectly!
Bell writes like a 5 year old would think when it came time for Bonnie's point of view. I found this annoying sometimes, but I understand why it needed to be done. It needed to be done to really capture the essence of Bonnie. There were times when I felt that Bonnie was acting or thinking like that of an older child, but this could've just been a personal thing as all children develop at different levels. Other then that, I found the dialogue to be very interesting. It also flows very smoothly and never feels rushed.
Overall, The Book is a fantastic and emotional read. It has an original plot line with memorable characters and fantastic dialogue.
I'd recommend this book to those aged 18+ who are after a read with an original story with a lesson to be learned.
I'd give The Book by Jessica Bell a 4.5 out of 5.