Search
Search results
David McK (3495 KP) rated The First Chronicles of Druss the Legend (The Drenai Saga #6) in Books
Aug 25, 2023
Legend, by David Gemmell, was the first novel of his I ever read.
It proved to be a good place to start: although it's no longer the earliest set (that would be Waylander, it was also actually the first he wrote in what would later become known as the Drenai saga.
And perhaps the breakout character from that novel (Legend was Druss the Axeman, who arrived fully formed and already a legend within the confines of the tale, with a backstory only really hinted at in the novel.
It's probably no surprise, thus, that Druss would go on to be a key figure in several of the other Drenai novels, popping up either in person or mentioned by characters in reverential tones that the tale in question is following.
This novel is actually a prequel to the events of Legend, showing how Druss became the man he is later shown to be: as the story starts, he is instead a teenaged woodsman felling trees in the mountain passes. That is, until his village is attacked and slavers make off with his wife Rowena ...
And so off Druss sets in pursuit, in the eventual company of the poet Sieben; a pursuit that will last many years and across a different (and war-torn) continent and which sees his legend start to grow, thanks in no small part to that poet.
The novel is split into 4 parts; the first three all dealing with that pursuit and the (many) events that befall Druss, while the last part is the defence of Skeln past oft talked about in Legend, and in which Druss cements his legend whilst losing friends along the way.
This is well worth a read; however I would advise actually reading the later-set Legend first!
It proved to be a good place to start: although it's no longer the earliest set (that would be Waylander, it was also actually the first he wrote in what would later become known as the Drenai saga.
And perhaps the breakout character from that novel (Legend was Druss the Axeman, who arrived fully formed and already a legend within the confines of the tale, with a backstory only really hinted at in the novel.
It's probably no surprise, thus, that Druss would go on to be a key figure in several of the other Drenai novels, popping up either in person or mentioned by characters in reverential tones that the tale in question is following.
This novel is actually a prequel to the events of Legend, showing how Druss became the man he is later shown to be: as the story starts, he is instead a teenaged woodsman felling trees in the mountain passes. That is, until his village is attacked and slavers make off with his wife Rowena ...
And so off Druss sets in pursuit, in the eventual company of the poet Sieben; a pursuit that will last many years and across a different (and war-torn) continent and which sees his legend start to grow, thanks in no small part to that poet.
The novel is split into 4 parts; the first three all dealing with that pursuit and the (many) events that befall Druss, while the last part is the defence of Skeln past oft talked about in Legend, and in which Druss cements his legend whilst losing friends along the way.
This is well worth a read; however I would advise actually reading the later-set Legend first!
Downriver (Poison River #1)
Book
A sulfur sky poisoned her family and her heart. Now revenge tastes sweeter than justice. It’s...
Revenge Historical Fiction
Goddess in the Stacks (553 KP) rated Alanna: The First Adventure in Books
Apr 16, 2018
The Song of the Lioness quartet is Tamora Pierce's first set of books. I read her latest trilogy (the Beka Cooper trilogy) first, which didn't exactly prepare me for The Song of the Lioness. It's obvious, going from the latest trilogy to her first writing, how much her writing has matured since the 80s. My first thought upon completing Alanna: the First Adventure was "I'm very glad she's gotten better at writing!" The story itself is still interesting and worth reading, but the style is a little difficult to read when I KNOW how well she writes now. The characters are mostly one-dimensional; few of the side characters seem to have plots going or events happening to them when they're not with Alanna. Characters pop up, have a significant interaction with Alanna, and are gone again, with no indication they exist outside of their usefulness to the main character. This is in stark contrast to her latest work, where every character that has a significant role to play has a history of their own, and thoughts and feelings of their own. They're much more fleshed out in her recent books.
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
RəX Regent (349 KP) rated Star Wars: Episode III – Revenge of the Sith (2005) in Movies
Mar 7, 2019
Far, far away from it's potential...
Contains spoilers, click to show
After 22 years of waiting, since 1983′s "Return Of The Jedi", we were sat in the auditorium ready to witness the epic moment when Obi Wan Kenobi and Anakin Skywalker would finally turn on one and other and Darth Vader's conception would be complete.
As the 'Clone War' came to a close, the Jedi had been all but wiped of the face of a galaxy far, far away and Chancellor Palpatine had ascended to become the emperor of the newly formed 'Galactic Empire', that moment had finally arrived. Was it worth the wait? Well, since the bar had be not so much lowered, but obliterated by the the first two prequels, measured with those in mind, then yes, absolutely! In fact, it does stand up well, and on the initial viewing, it was outstanding. A visual feast or choreography, visual style and epic art direction, everything you would expect from the man who had changed cinema forever, 28 years earlier.
The only issue is that even though the fans wanted nothing more that to see this duel, the rest of the prequel franchise was merely filler, and a series of plots designed to delay the inevitable battle and to give the audience anything but what they had expected. But after a ridiculous 22 year wait, there was almost no good ideas left that hadn't been explored in two decades of fan fiction, leaving all the bad ones to be included in Lucus' second, no rather third rate scripts! We had been told that he was waiting for the technology to make these films, but what was he waiting for exactly? The technology to animate the, perhaps? The visual effects in these films, though sparkling and perfect in its details, are hollow and do not match the standards of the original films, and begs the question as to why not? Four years since the release of "Revenge Of The Sith", James Cameron would finally release a film which he had being developing the technology for, for over 10 years, ("Avatar") and the result: Groundbreaking cinema, in both the 3D and Mo-cap tech, raising the bar, as "Star Wars" had done three decades earlier.
But this film had restored something which the franchise had all but destroyed with episodes one and two. This finally felt something like the original films and was a joy to watch, even though it still falls short of the mark. The acting is poor in all the prequels, which account to Lucas' directorial style, favoring green screen and CGI over acting. But John William's score is first rate, as it has been throughout the entire saga, but this was both classic and moving, a score truly in touch with the audiences love and feeling towards the films, sadly devoid in most other aspects of the production.
That's not to say that technically this was well produced, because on paper, in the computers, and certainly in sound editing suites, it was perfect, with levels of audio visual detail to die for and the scope was awesome. But in the end, it is a hollow shell of what it should have been. "Episode III" though, is the most fulfilling of the three, but all of them rely of the decades of loyalty given to them, because without it, these would probably be laughed out of the auditoriums.
But having said all that, I enjoy this film, as a part of the saga, and still look forward to seeing it, and some of the sequences in this film , though far from perfectly realized, are fun and enjoyable. This is leagues below "Star Wars" and the superior "Empire Strikes Back", but still worth a watch.
As the 'Clone War' came to a close, the Jedi had been all but wiped of the face of a galaxy far, far away and Chancellor Palpatine had ascended to become the emperor of the newly formed 'Galactic Empire', that moment had finally arrived. Was it worth the wait? Well, since the bar had be not so much lowered, but obliterated by the the first two prequels, measured with those in mind, then yes, absolutely! In fact, it does stand up well, and on the initial viewing, it was outstanding. A visual feast or choreography, visual style and epic art direction, everything you would expect from the man who had changed cinema forever, 28 years earlier.
The only issue is that even though the fans wanted nothing more that to see this duel, the rest of the prequel franchise was merely filler, and a series of plots designed to delay the inevitable battle and to give the audience anything but what they had expected. But after a ridiculous 22 year wait, there was almost no good ideas left that hadn't been explored in two decades of fan fiction, leaving all the bad ones to be included in Lucus' second, no rather third rate scripts! We had been told that he was waiting for the technology to make these films, but what was he waiting for exactly? The technology to animate the, perhaps? The visual effects in these films, though sparkling and perfect in its details, are hollow and do not match the standards of the original films, and begs the question as to why not? Four years since the release of "Revenge Of The Sith", James Cameron would finally release a film which he had being developing the technology for, for over 10 years, ("Avatar") and the result: Groundbreaking cinema, in both the 3D and Mo-cap tech, raising the bar, as "Star Wars" had done three decades earlier.
But this film had restored something which the franchise had all but destroyed with episodes one and two. This finally felt something like the original films and was a joy to watch, even though it still falls short of the mark. The acting is poor in all the prequels, which account to Lucas' directorial style, favoring green screen and CGI over acting. But John William's score is first rate, as it has been throughout the entire saga, but this was both classic and moving, a score truly in touch with the audiences love and feeling towards the films, sadly devoid in most other aspects of the production.
That's not to say that technically this was well produced, because on paper, in the computers, and certainly in sound editing suites, it was perfect, with levels of audio visual detail to die for and the scope was awesome. But in the end, it is a hollow shell of what it should have been. "Episode III" though, is the most fulfilling of the three, but all of them rely of the decades of loyalty given to them, because without it, these would probably be laughed out of the auditoriums.
But having said all that, I enjoy this film, as a part of the saga, and still look forward to seeing it, and some of the sequences in this film , though far from perfectly realized, are fun and enjoyable. This is leagues below "Star Wars" and the superior "Empire Strikes Back", but still worth a watch.
LilyLovesIndie (123 KP) rated A Cast of Stones (The Staff and the Sword, #1) in Books
Nov 5, 2018
I received this book through the Goodreads First Read Giveaway and have to say, I am so glad it landed on my doormat!
The story is set in a medieval style alternative world, and follows the sudden changes taking place in the kingdom. Errol, an orphan and drunkard, embarks on a strange quest which sees him travel through the kingdom to the capital, meeting people who help and hinder him along the way, and becoming a completely different man in the process.
I have to admit, when I first started to get into this, the book gripped me from the first chapter, which I liked, but which also concerned me whether or not Carr could continue that momentum through out over 300 pages. Boy was I wrong! What a wonderfully written story this is! The plot is incredibly engaging and keeps you hooked all the way through, with delicate twists and turns, secrets and spies all up until the very last few words. In fact, so much happens, it's hard not to spoil any of it when writing a review!
Another huge positive in this book is the characters. Errol is a wonderfully written character, and the way Carr shows his development through the book is excellently done, delivering the changes so gradually that when he finally does flourish into the 'man for the job' (ambiguous I know, but I'm trying not to spoil it for those who are yet to read, and believe me, you will!) it feels sudden as you forget in that moment all the gradual changes that have taken place. The other characters are equally enjoyable and engaging, whether it's the dilemma and greed of caravan masters, mysterious members of The Watch, or even the various clergy you encounter throughout the book, all with ulterior motives and all keeping secrets with each other. They all help contribute something special to this tale, and although you would have thought it would be difficult to keep track of all the secrets and duplicities, but it's written in such a wonderful way, woven delicately together with immense skill, that it isn't hard at all, in fact, I found myself thinking about them after I put the book down and trying to pick it apart in my own head.
Something else that needs mentioning, is the flow of this book. It's brilliantly linked from one part to the next, and I found the action to be playing out like a film in my head. This is a book that even those with the least imagination could 'see' as they read, which is testament to the excellence of the writing. I have to be honest, I would love to see this made into a film series, as I think there is so much potential for a 'box office smash' and the characters would be great on the big screen, but that's just my opinion.
Overall, this is a truly wonderful start to what I imagine will become a best selling saga. The foundations are incredibly well written and are firmly set, with many outcomes possible, and I wouldn't be surprised if more characters were added to this eclectic mix. I honestly cannot recommend this book highly enough, it was thoroughly engaging and enjoyable, 'un-put-downable' and a book I will be pushing into the hands of friends all over the place and urging them to read! Carr is a fantastic new talent in this genre and someone I will most definitely be watching out for future releases from, especially this saga as I am on tenterhooks to discover the destiny of the kingdom! Well done Patrick Carr, a fabulous piece of writing that, I think, will stand the test of time, now when can we get our hands on the next instalment?
The story is set in a medieval style alternative world, and follows the sudden changes taking place in the kingdom. Errol, an orphan and drunkard, embarks on a strange quest which sees him travel through the kingdom to the capital, meeting people who help and hinder him along the way, and becoming a completely different man in the process.
I have to admit, when I first started to get into this, the book gripped me from the first chapter, which I liked, but which also concerned me whether or not Carr could continue that momentum through out over 300 pages. Boy was I wrong! What a wonderfully written story this is! The plot is incredibly engaging and keeps you hooked all the way through, with delicate twists and turns, secrets and spies all up until the very last few words. In fact, so much happens, it's hard not to spoil any of it when writing a review!
Another huge positive in this book is the characters. Errol is a wonderfully written character, and the way Carr shows his development through the book is excellently done, delivering the changes so gradually that when he finally does flourish into the 'man for the job' (ambiguous I know, but I'm trying not to spoil it for those who are yet to read, and believe me, you will!) it feels sudden as you forget in that moment all the gradual changes that have taken place. The other characters are equally enjoyable and engaging, whether it's the dilemma and greed of caravan masters, mysterious members of The Watch, or even the various clergy you encounter throughout the book, all with ulterior motives and all keeping secrets with each other. They all help contribute something special to this tale, and although you would have thought it would be difficult to keep track of all the secrets and duplicities, but it's written in such a wonderful way, woven delicately together with immense skill, that it isn't hard at all, in fact, I found myself thinking about them after I put the book down and trying to pick it apart in my own head.
Something else that needs mentioning, is the flow of this book. It's brilliantly linked from one part to the next, and I found the action to be playing out like a film in my head. This is a book that even those with the least imagination could 'see' as they read, which is testament to the excellence of the writing. I have to be honest, I would love to see this made into a film series, as I think there is so much potential for a 'box office smash' and the characters would be great on the big screen, but that's just my opinion.
Overall, this is a truly wonderful start to what I imagine will become a best selling saga. The foundations are incredibly well written and are firmly set, with many outcomes possible, and I wouldn't be surprised if more characters were added to this eclectic mix. I honestly cannot recommend this book highly enough, it was thoroughly engaging and enjoyable, 'un-put-downable' and a book I will be pushing into the hands of friends all over the place and urging them to read! Carr is a fantastic new talent in this genre and someone I will most definitely be watching out for future releases from, especially this saga as I am on tenterhooks to discover the destiny of the kingdom! Well done Patrick Carr, a fabulous piece of writing that, I think, will stand the test of time, now when can we get our hands on the next instalment?
Gareth von Kallenbach (980 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Aug 6, 2019
If it’s not one of the most anticipated movies of all time, it is certainly way up there. Star Wars: The Force Awakens is the thing that every Star Wars fanboy, including myself, fears. Will it be as good as the original trilogy, or will Disney and Bad Robot drop a deuce like many believe Lucas did with the prequel trilogy. Well, here is a spoiler free look from someone who has these fears.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
Fret not, everyone. Abrams has done a magnificent job of continuing the Skywalker saga in Episode VII. And great news, there are no lens flares, at least none that I noticed. As I mentioned, this is spoiler free, but I will give you an idea of the overall plot.
Episode VII picks up 30 years after the end of Episode VI. The Emperor is dead, and Luke Skywalker (Mark Hamill) began training a new generation of Jedi. But something went wrong and one of his students turned against him and destroyed the school. Blaming himself, Skywalker went into isolation. With Luke out of the picture, risen from the ashes of the Empire, the First Order, led by Supreme Leader Snoke (Andy Serkis), is trying to reclaim the power of the Empire. Knowing that Skywalker is their only threat, they are attempting to find him to eliminate him before he can join the Resistance’s fight against them. Daring Resistance pilot Poe Dameron (Oscar Isaac) is attempting to find a map to Luke’s location, but is quickly interrupted by the First Order. He hides the map on his droid, BB-8, before being captured by the menacing force. And so sets off a chain of events to find Luke Skywalker by the Resistance and the First Order alike.
It’s no secret that many of the main cast is returning, including Han Solo (Harrison Ford), Leia (Carrie Fisher), Chewbacca (Peter Mayhew), See-Threepio (Anthony Daniels), and R2-D2 (Kenny Baker). We also have a slew of new characters such as the aforementioned Poe Dameron, Finn (John Boyega), Rey (Daisy Ridley), Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie), General Hux (Domnall Gleeson), and Supreme Leader Snoke. The cast, both returning and new, blended really well together and had a great amount of charisma on the screen. There was the right amount of comedy, drama, and action in this movie, and the interaction between the characters just felt genuine. This movie definitely felt more like the original trilogy than the prequels did.
The soundtrack and effects were amazing. Right in line with what you would expect from a Star Wars movie, but as I mentioned to the studio rep as I was leaving the theater, the film didn’t try to go overboard with everything. So there was no feeling of over production as some felt from the prequels. And with John Williams doing the score again, you know it will have the same sound. He did a great job of blending in little melodies, or snipits of songs, that made reference to the previous movies at just the right moments.
All-in-all, it was a fantastic film that did not leave me disappointed. It shouldn’t leave you disappointed either. Now, it’s not without a few plot holes, and suspension of belief will help, but they are, for me any way, forgivable and I will leave it for you to discover them. At the end of the day, this is definitely the Star Wars film you are looking for. Go see it. See it multiple times. Give Disney and Bad Robot more reason to continue not only with the Skywalker saga, but also the other stories like next year’s Rogue One, young Han Solo and Chewie, or, one can only hope, the story of everyone’s favorite bounty hunter/orphan, Boba Fett.
MaryAnn (14 KP) rated The Love Letter in Books
Mar 5, 2019
When Chloe is given a peek at the script for an epic love story, she decides to take her destiny into her own hands and request an audition for the lead female role, Esther Kingsley. The compelling tale, inspired by family lore and a one-page letter from the colonial ancestor of scriptwriter Jesse Gates, just might break her out of this career-crippling rut. Jesse would rather write about romance than live through it after his past relationship ended in disaster. But once on-set together, the chemistry between Jesse and his leading lady is hard to deny.
Centuries earlier, in the heart of the Revolutionary War, Hamilton Lightfoot and Esther Longfellow wrote their saga off the silver screen. Esther’s Loyalist father opposes any relationship with Hamilton, but Esther must face her beloved father’s disapproval and the dangers of war in order to convince Hamilton of their future together. Hamilton has loved Esther for years and on the eve of battle pens the love letter she’s always wanted—something straight from the heart.
Set in stunning upcountry South Carolina, The Love Letter is a beautifully-crafted story of the courage it takes to face down fear and chase after love, even in the darkest of times. And just maybe, all these generations later, love can come home in a way, not even Hollywood could imagine.
My Thoughts:
This book was wonderful. It is a fast-paced book, the story flows well and keeps the reader interested. The characters are entertaining and easy to identify with. The reader finds themselves in the middle of the storyline cheering the characters on. I enjoyed the mix of past and present in the writing, it helped identify with all of the characters and helped the reader understand each of the main characters; what they were feeling and understanding what their life was like. Full of surprises, twists and fun, this is a great read. I highly recommend this book, giving it a 5-star rating.
Centuries earlier, in the heart of the Revolutionary War, Hamilton Lightfoot and Esther Longfellow wrote their saga off the silver screen. Esther’s Loyalist father opposes any relationship with Hamilton, but Esther must face her beloved father’s disapproval and the dangers of war in order to convince Hamilton of their future together. Hamilton has loved Esther for years and on the eve of battle pens the love letter she’s always wanted—something straight from the heart.
Set in stunning upcountry South Carolina, The Love Letter is a beautifully-crafted story of the courage it takes to face down fear and chase after love, even in the darkest of times. And just maybe, all these generations later, love can come home in a way, not even Hollywood could imagine.
My Thoughts:
This book was wonderful. It is a fast-paced book, the story flows well and keeps the reader interested. The characters are entertaining and easy to identify with. The reader finds themselves in the middle of the storyline cheering the characters on. I enjoyed the mix of past and present in the writing, it helped identify with all of the characters and helped the reader understand each of the main characters; what they were feeling and understanding what their life was like. Full of surprises, twists and fun, this is a great read. I highly recommend this book, giving it a 5-star rating.
John Crowson (2 KP) rated Risk Legacy in Tabletop Games
May 29, 2019
Evolving map (2 more)
An overarching story
Never play the same game twice
Same people everytime (2 more)
Many features not used
So many "what ifs"
Write your own history.
RISK is an extraordinary war game. Although it doesn't accurately portray commanding troops across a world wide battlefield it does a good enough job for an afternoons play. RISK Legacy takes this to a new level. Each game and each decision you make changes the game for ever. Set over 15 games the board evolves, by the addition of stickers, changing each territory, granting it new buffs/debuffs that will change the way in which you need to play in each future game. Each faction also gains new and different abilities as you make your way through the saga. By the end your game will be unique. No one else will have the same game you do as all the modifiers will have utilised differently.
The game is not flawless however. Due to the evolving map and rules, you really need to play with the same group of people each time, meaning if you can't get together too often it could take years to play your 15 games. Due to there being such a wealth of modifiers and variants (many of which occur only under certain conditions and as a "pick one of these two options") a large number of things arnt used, but you won't really notice this. Being a 15 game series there is also the possibility that you may make some modifications early on that cause game breaking OP/UP territories/playable factions, and you will have to live with these for the rest of your games.
All in all, I would recommend this game. But, not without warning. If someone has not played RISK before I would recommend a few games of the base edition before embarking on a 15 game run on RISK Legacy to see if you genuinely l like the game. This is ultimately an evolution of RISK not an alternative.
The game is not flawless however. Due to the evolving map and rules, you really need to play with the same group of people each time, meaning if you can't get together too often it could take years to play your 15 games. Due to there being such a wealth of modifiers and variants (many of which occur only under certain conditions and as a "pick one of these two options") a large number of things arnt used, but you won't really notice this. Being a 15 game series there is also the possibility that you may make some modifications early on that cause game breaking OP/UP territories/playable factions, and you will have to live with these for the rest of your games.
All in all, I would recommend this game. But, not without warning. If someone has not played RISK before I would recommend a few games of the base edition before embarking on a 15 game run on RISK Legacy to see if you genuinely l like the game. This is ultimately an evolution of RISK not an alternative.
Sassy Brit (97 KP) rated Her Husband's Lover in Books
Jun 5, 2019
As I read “Her Husband’s Lover: A gripping psychological thriller with the most unforgettable twist yet” by Julia Crouch, I found myself swept up in a bloody battle for revenge. But is the wife of the dead husband really the innocent victim of abuse? Or is the girl who was having an affair with the wife’s husband just looking for a quick, get-rich scheme because she’s realised the wife is very rich?
Louisa Williams has really been through a tough time losing both her husband Sam and her two kids, so when her husband’s lover, Sophie appears on the scene (even in the hospital as Lou is trying to recover from some serious injuries) Louisa is frightened by this girl’s tenacity. Could she be dangerous?
Having tracked Louisa down, Sophie reveals she is expecting Sam’s baby and that as the father of her baby they are entitled to part of their estate! Well as you can imagine, Louisa is not having any of this, and cannot believe this young girl’s audacity! Who the hell does this Sophie think she is, coming into her life at a time Louisa is so unhappy and vulnerable?
While I was reading I could eventually see where this was going and the reality of what was the truth, and who was lying became a meaty part of the plot, which I devoured like the carnivorous meat-eating diner I am. Unlike the new guy, vegan-loving, hapless Adam of whom Louisa shacks up with, and unfortunately also gets wrapped up in the whole Lou and Sophie saga.
Julia Crouch has written a very exciting novel, and I really did not know what was going to happen at the end until it hit me! It’s a dark, twisty tale with some chilling scenes. I could not put it down. I would recommend this to anyone who likes sinister, domestic thrillers that have a surprising final conclusion you won’t see coming! Wish I’d got to this one earlier!
Louisa Williams has really been through a tough time losing both her husband Sam and her two kids, so when her husband’s lover, Sophie appears on the scene (even in the hospital as Lou is trying to recover from some serious injuries) Louisa is frightened by this girl’s tenacity. Could she be dangerous?
Having tracked Louisa down, Sophie reveals she is expecting Sam’s baby and that as the father of her baby they are entitled to part of their estate! Well as you can imagine, Louisa is not having any of this, and cannot believe this young girl’s audacity! Who the hell does this Sophie think she is, coming into her life at a time Louisa is so unhappy and vulnerable?
While I was reading I could eventually see where this was going and the reality of what was the truth, and who was lying became a meaty part of the plot, which I devoured like the carnivorous meat-eating diner I am. Unlike the new guy, vegan-loving, hapless Adam of whom Louisa shacks up with, and unfortunately also gets wrapped up in the whole Lou and Sophie saga.
Julia Crouch has written a very exciting novel, and I really did not know what was going to happen at the end until it hit me! It’s a dark, twisty tale with some chilling scenes. I could not put it down. I would recommend this to anyone who likes sinister, domestic thrillers that have a surprising final conclusion you won’t see coming! Wish I’d got to this one earlier!
Merissa (12330 KP) rated Ghost Moon (The Wolfborne Saga #4) in Books
Jan 20, 2020
Ghost Moon is the fourth book in The Wolfborne Saga and we continue with Zev's story. Isley doesn't feature in this one so I'm guessing she isn't 'the one' for Zev (for now, at least). Instead, we have Zev and the usual crew trying to clear up after the earthquake and also find reason to keep going. Virgo is especially hard hit after the events at the end of the prior book.
Now, I know I said I thought Dark Coven was the best so far, and it was... until this one. This one has just ticked all of my boxes, making me devour the whole book in one sitting.
There are many emotions in this book, some good, and some bad. I certainly feel for Zev, and for Ceren, but in different ways. I thought my heart would break with Virgo but then he had to act like a tool at the end. I know I will still like him for it in the next book, but I struggled to understand just HOW he could do that to Zev. Zev isn't Virgo's pet, to do as he wishes, and Zev's agreement was never sought. I found this to be very disappointing and so am hopeful Virgo will redeem himself soon.
As for the rest of it, you still have an amazing supporting cast, and now the werewolves aren't as many, you can see the different temperaments coming through. The pacing remains smooth and the story keeps you turning the pages.
This is definitely my favourite of the series so far but I also highly recommend reading them in order as it just won't make any sense if you don't.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, I know I said I thought Dark Coven was the best so far, and it was... until this one. This one has just ticked all of my boxes, making me devour the whole book in one sitting.
There are many emotions in this book, some good, and some bad. I certainly feel for Zev, and for Ceren, but in different ways. I thought my heart would break with Virgo but then he had to act like a tool at the end. I know I will still like him for it in the next book, but I struggled to understand just HOW he could do that to Zev. Zev isn't Virgo's pet, to do as he wishes, and Zev's agreement was never sought. I found this to be very disappointing and so am hopeful Virgo will redeem himself soon.
As for the rest of it, you still have an amazing supporting cast, and now the werewolves aren't as many, you can see the different temperaments coming through. The pacing remains smooth and the story keeps you turning the pages.
This is definitely my favourite of the series so far but I also highly recommend reading them in order as it just won't make any sense if you don't.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!