Search
Search results
Prince of Persia Classic HD
Games
App
"Faithful recreation of one of the most famous games in the history of the medium, with revised...
Real Cricket™ 17
Games and Sports
App
Real Cricket™ is here and here to stay! We have migrated to a brand new experience with Real...
Rises The Night (The Gardella Vampire Hunters, #2)
10.0
Rate It
Book
The second installment in award-winning, New York Timesbestselling author Colleen Gleason's...
The Foreign Correspondent
Book
From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an...
Harlem Shuffle
4.0
Rate It
Book
From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a...
Merissa (13358 KP) rated Green Hills and Daffodils (The Green Hills #1) in Books
Oct 24, 2023 (Updated Oct 24, 2023)
A book involving red and white dragons, set in Wales? Sign me up. Well, I did and what I got was different, very different from what I expected.
GREEN HILLS AND DAFFODILS starts with an American moving to a small village in Wales, wanting to put down roots. Jane is neurodivergent and has zero social filter. This leads to situations where she puts her foot in it. But honestly? I'm not surprised. That little village is a stirring pot of goodness knows what!
The main characters - Rhys, Jane, and Stewart - were all interesting. I did, however, get lost multiple times with just who was married to whom, and when, and who was who's father/mother. Honestly, talk about family saga! And, to be fair, I'm not even sure if it is relevant to the storyline yet!
This was a long book, giving plenty of background information on the characters, and their interactions with each other, being told by multiple perspectives on the same page. I now know more about sheep farming and ewes being in labour than I ever knew before. And once again, I'm not sure just how much was relevant.
There are a lot of stereotypes in here that I wish weren't. Wales is such a beautiful country and I hate to see it made fun of, even in a gentle way. I don't know if it was meant, or if it was a way of showing how Jane would put her foot in it, but still. Too much.
Saying that though, I found myself being hooked by the story. The whole book is slow, slow burn with our main 'love interests' not even meeting for the majority of the book. (It's literally in the epilogue for about two minutes!) I do feel involved in their story though, and want to see where it goes from here.
Definitely not what I expected and not really a romance, this is still a gripping story and recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 24, 2023
GREEN HILLS AND DAFFODILS starts with an American moving to a small village in Wales, wanting to put down roots. Jane is neurodivergent and has zero social filter. This leads to situations where she puts her foot in it. But honestly? I'm not surprised. That little village is a stirring pot of goodness knows what!
The main characters - Rhys, Jane, and Stewart - were all interesting. I did, however, get lost multiple times with just who was married to whom, and when, and who was who's father/mother. Honestly, talk about family saga! And, to be fair, I'm not even sure if it is relevant to the storyline yet!
This was a long book, giving plenty of background information on the characters, and their interactions with each other, being told by multiple perspectives on the same page. I now know more about sheep farming and ewes being in labour than I ever knew before. And once again, I'm not sure just how much was relevant.
There are a lot of stereotypes in here that I wish weren't. Wales is such a beautiful country and I hate to see it made fun of, even in a gentle way. I don't know if it was meant, or if it was a way of showing how Jane would put her foot in it, but still. Too much.
Saying that though, I found myself being hooked by the story. The whole book is slow, slow burn with our main 'love interests' not even meeting for the majority of the book. (It's literally in the epilogue for about two minutes!) I do feel involved in their story though, and want to see where it goes from here.
Definitely not what I expected and not really a romance, this is still a gripping story and recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 24, 2023
Merissa (13358 KP) rated Ascendant (The Made Ones Sage #3) by Vicki Stiefel in Books
May 20, 2022 (Updated Jun 19, 2023)
ASCENDANT is the final in The Made Ones Saga and we have an action-filled climax. And I'm not talking about steamy times, either!
We start where book two finished - Sybi waking up in a glass casket and being rescued by Kes. She has some recovery time during which her sisters visit and talk to her, hoping that will help her come back to them. The overall story arc is also coming to a head, with the Alchemics working hard to destroy Eleutia. The Clans and CastOuts, obviously, don't want this, so they're working just as hard to ensure that doesn't happen.
I liked Sybi and Kes but I didn't feel the connection like I wanted to. There are some pretty big obstacles in their path that seem to 'magically' disappear without much (if any) communication. For me, I felt their relationship got lost slightly in the dramatic conclusion. Most of the time they were together, they were talking or planning what to do next in the war. I'm sure most won't agree with me here, but that is how I felt.
This book also doesn't feel like the ending!!! I was left with multiple questions, so I'm really hoping there is more to come in this world! It would be fantastic to see how they all cope now the Alchemics have been defeated, how they change their world, and what the new generation gets up to. Hints are also given about other pairings, including Alrina, so I would love to know more.
I did think this was a fitting end to the sisters' trilogy, and meeting Mother and Father Tree was brilliant. I found those meetings to be so full of feeling and humour, it brought a huge smile to my face every time!
A great series that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 16, 2022
We start where book two finished - Sybi waking up in a glass casket and being rescued by Kes. She has some recovery time during which her sisters visit and talk to her, hoping that will help her come back to them. The overall story arc is also coming to a head, with the Alchemics working hard to destroy Eleutia. The Clans and CastOuts, obviously, don't want this, so they're working just as hard to ensure that doesn't happen.
I liked Sybi and Kes but I didn't feel the connection like I wanted to. There are some pretty big obstacles in their path that seem to 'magically' disappear without much (if any) communication. For me, I felt their relationship got lost slightly in the dramatic conclusion. Most of the time they were together, they were talking or planning what to do next in the war. I'm sure most won't agree with me here, but that is how I felt.
This book also doesn't feel like the ending!!! I was left with multiple questions, so I'm really hoping there is more to come in this world! It would be fantastic to see how they all cope now the Alchemics have been defeated, how they change their world, and what the new generation gets up to. Hints are also given about other pairings, including Alrina, so I would love to know more.
I did think this was a fitting end to the sisters' trilogy, and meeting Mother and Father Tree was brilliant. I found those meetings to be so full of feeling and humour, it brought a huge smile to my face every time!
A great series that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 16, 2022
Debbiereadsbook (1546 KP) rated First Snow (Northbound #2) in Books
Jan 9, 2024
If Arttu has to get on his knees for a murderer, so be it.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Northbound series, but it can be read as a stand alone. There is a minor on-going story arc that can be quickly picked, with most being recapped in this book.
I loved book one, Midnight Sun, and while I really REALLY enjoyed this one, it doesn't quite meet up to book one's grab-you-and-not-let-go kinda vibe, and it pains me, deeply, to say so!
I liked Arttu, I really did. He wants to find out what happened to his friend in London and if he has to get on his knees for a murderer, so be it. But Jareth is so much than the skin he wears. Yes, he has killed beings and people that break the rules, but never in cold blood. He is Half-Fae, a Lord of his people, and as such wears a glamour most of the time. When Arttu finally sees Jareth true form, he isn't quite sure what he is seeing, but he knows he needs Jareth, in any form.
Jareth, not so much. I don't know why, but my overwhelming feeling about Jareth is "I don't like you!" That said, I did like how drawn he was to Arttu. He knows Arttu is keeping secrets, he is a master at that himself, but still. He wants Arttu in a way he never wanted anyone before.
I liked that Jamie and Finn pop up (from book one) I liked the supporting cast, both the support for Arttu and Jareth is great in very different ways.
I'm still not sure quite what happened with Lord Briar and his wife though!
And I thank you, Saga Nansen, for the glossary at the end!! I found in immensely helpful!
I'm sorry I couldn't love it as much as Midnight Sun, but I did thoroughly enjoy it.
4 very VERY good stars
*same worded review will appear elsewhere
This is book 2 in the Northbound series, but it can be read as a stand alone. There is a minor on-going story arc that can be quickly picked, with most being recapped in this book.
I loved book one, Midnight Sun, and while I really REALLY enjoyed this one, it doesn't quite meet up to book one's grab-you-and-not-let-go kinda vibe, and it pains me, deeply, to say so!
I liked Arttu, I really did. He wants to find out what happened to his friend in London and if he has to get on his knees for a murderer, so be it. But Jareth is so much than the skin he wears. Yes, he has killed beings and people that break the rules, but never in cold blood. He is Half-Fae, a Lord of his people, and as such wears a glamour most of the time. When Arttu finally sees Jareth true form, he isn't quite sure what he is seeing, but he knows he needs Jareth, in any form.
Jareth, not so much. I don't know why, but my overwhelming feeling about Jareth is "I don't like you!" That said, I did like how drawn he was to Arttu. He knows Arttu is keeping secrets, he is a master at that himself, but still. He wants Arttu in a way he never wanted anyone before.
I liked that Jamie and Finn pop up (from book one) I liked the supporting cast, both the support for Arttu and Jareth is great in very different ways.
I'm still not sure quite what happened with Lord Briar and his wife though!
And I thank you, Saga Nansen, for the glossary at the end!! I found in immensely helpful!
I'm sorry I couldn't love it as much as Midnight Sun, but I did thoroughly enjoy it.
4 very VERY good stars
*same worded review will appear elsewhere
Movie Metropolis (309 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 10, 2019
The 2nd best star wars film
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
Movie Metropolis (309 KP) rated The Hunger Games (2012) in Movies
Jun 10, 2019
Director Gary Ross had his work cut out trying to create a film which brought to life the startling realism of Suzanne Collins’ successful trilogy of novels and here we have the first, The Hunger Games.
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/