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Norma Rae (1979)
Norma Rae (1979)
1979 | Drama, Musical
Hard work pays off
Whatever your opinion of unions and their good or not so good attributes, this film is a testament to perseverance pays off. Having to fight an uphill battle through coworkers, management and even her own family, nothing deters Norma Rae from keeping to her convictions to get her goals accomplished.

The standout is Sally Field who is very good in this film and really proved she wasn't just a Flying Nun or Gidget any more.
  
Smokey and the Bandit (1977)
Smokey and the Bandit (1977)
1977 | Action, Comedy
5
6.9 (8 Ratings)
Movie Rating
Late 70s 'road trip' film, essentially a star vehicle for Burt Reynolds, with Reynolds as 'The Bandit' who is hired/bet to bootleg Coors beer cross-country over state lines (at a time when that was illegal to do so), using his Pontia Firebird TransAm to run interference for the truck driver who actually has that cargo.

Along the way he picks up a runaway bride (Sally Field), and is also relentlessly pursued by Jackie Gleeson's unforgettable Sheriff Buford T. Justice.

Elements reminded me a bit of Wacky Races cartoon, or even that Roger Moore Bond film ('The Man with the Golden Gun', I think) where Bond's car has to jump over an out-of-commission bridge ...
  
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Kristy H (1252 KP) rated In Pieces in Books

Jun 21, 2019  
In Pieces
In Pieces
Sally Field | 2018 | Biography, Film & TV
8
9.3 (3 Ratings)
Book Rating
The daughter (and stepdaughter) of actors, Sally Field earned her first acting role at seventeen and was quickly on television in shows such as "Gidget" and "The Flying Nun." Those roles showcased Sally's youth and smiling personality. But, behind the scenes, Sally had a tumultuous childhood: her parents divorced when she was young, and her relationships with them and her stepfather were not easy. She found happiness, in many ways, as an actress, but also struggled to find roles that challenged her. In this, her first memoir, she tells the story of her childhood and her early years as an actress.

I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.

I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.

It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)

No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.

In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
  
Mrs. Doubtfire (1993)
Mrs. Doubtfire (1993)
1993 | Comedy, Drama, Family
Mrs Doubtfire is a classic comedy about a child at heart father whose antics continuously irritate his wife until it becomes too much, ending in divorce.
Struggling with post marriage life and keeping to an agreement to see his kids, results in Daniel (Williams) going to drastic measures to make amends (unknown by the ex).
With obstacles including an awkward job interview, a social worker and the ex's new fella, this man must learn to be a woman, with the creation of the brilliant and hilariously unpredictable mrs Doubtfire.
Mrs Doubtfire is an hilarious take on a father's over the top attempt of being a part of his children's lives. With great comedy and non stop laughs this movie will pull at your heartstrings.
Starring Sally Field, Pierce Brosnan and the late great comedy legend, Robin Williams. It is a heart warming family film for all ages.
  
Smokey and the Bandit (1977)
Smokey and the Bandit (1977)
1977 | Action, Comedy
6.9 (8 Ratings)
Movie Favorite

"And number five, I’m going to say Smokey and the Bandit. I’m back on the comedy. It’s between Smokey and the Bandit and OSS 117, which is a French movie — it’s sort of like their version of the Naked Gun movies, but their agent’s really good; he’s actually very good at many things. He just happens to be a complete moron. But he’s a lover, he knows many languages… Anyway, Smokey and the Bandit, Jackie Gleason’s performance and Sally Field’s; she was amazing. It’s also a good snapshot of America when being a truck driver was cool. [laughs] Being an 18-wheeler truck driver was like, “That’s a good job.” I mean, they were badasses, and you don’t really think of that now; they don’t have that same mystique. But Jackie Gleason as Buford T. Justice… He has his own f***ing entrance music; every time he shows up, they’ve got this tuba playing, he’s there on the scene, and he’s doing his schtick, doing the best stuff. He’s another character, like the Joe Gideon character in All That Jazz, who’s despicable. He’s a racist, he’s a terrible father, he’s a sh**y cop, and you just can’t wait for him to get back on the screen. He has a line in there, talking about Sally Field, who runs off, and she’s a dancer, and he says, “That’s what you get for poontangin’ around with a bunch of hippie show folk.” [laughs] That is the quality of stuff he’s doing in that movie; it’s just so brilliant."

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