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graveyardgremlin (7194 KP) rated Buffy the Vampire Slayer: Retreat (Season 8, Volume 6) in Books
Feb 15, 2019
<b>Sorry, this is kinda more ranty then when I started out, and probably not very well-written. You've been warned. Also, no spoilers are revealed in my <s>rant</s> review</b> (though that was hard not to do ;P)<b>.</b>
Why do I keep reading this series? Why do I expect it to get any better? Or even come close to resembling what the show was about in the first place? What in the Sam Hell is wrong with me that I persist in reading this travesty? Ack!
Again, the plot is ludicrous, the characters don't always feel true to form, the witty banter is nearly non-existent, and the illustrations are making the characters indistinguishable from one another, most especially the darker haired girls, such as Faith, Dawn, and Kennedy (Why exactly isn't she gone yet?). The villain, Twilight, isn't very interesting and I wonder how much longer it's going to be before the big reveal. Just get to it already, will ya? Amy and Warren also need to go. Lame is the word that comes to mind when I think of them. Old characters who have long exceeded their welcome, and Amy in particular doesn't add anything anymore; she's run her course, let's move on now. Oz was a mixed bag, I liked some of what happened to him since he left Sunnydale and some...not so much. The interactions between him and Willow were rather weird and didn't seem to fit where they had left off exactly. Willow herself was quite angsty and I don't understand how she got to that place at this time. Perhaps I've forgotten something from a previous entry.
Gone is the show I've known and loved, instead they've decided to pull out all the stops, literally, and we're left with this bizarre mess. I don't know if they made a deal with the devil or what, but everything has been thrown into this story, including the kitchen sink, with no rhyme or reason. Do they know what control is, or careful selection, or do they just not care? I don't expect graphic novels to be as detailed as a TV show, but this whole season has gotten more and more ridiculous as it has went on and I cannot fathom why I'm torturing myself. Oh, I know, it's great entertainment. I want to see how much further they can destroy the memory of a great show. Does this deserve two stars? Probably not, but I can't help myself, apparently. Bah!!
Why do I keep reading this series? Why do I expect it to get any better? Or even come close to resembling what the show was about in the first place? What in the Sam Hell is wrong with me that I persist in reading this travesty? Ack!
Again, the plot is ludicrous, the characters don't always feel true to form, the witty banter is nearly non-existent, and the illustrations are making the characters indistinguishable from one another, most especially the darker haired girls, such as Faith, Dawn, and Kennedy (Why exactly isn't she gone yet?). The villain, Twilight, isn't very interesting and I wonder how much longer it's going to be before the big reveal. Just get to it already, will ya? Amy and Warren also need to go. Lame is the word that comes to mind when I think of them. Old characters who have long exceeded their welcome, and Amy in particular doesn't add anything anymore; she's run her course, let's move on now. Oz was a mixed bag, I liked some of what happened to him since he left Sunnydale and some...not so much. The interactions between him and Willow were rather weird and didn't seem to fit where they had left off exactly. Willow herself was quite angsty and I don't understand how she got to that place at this time. Perhaps I've forgotten something from a previous entry.
Gone is the show I've known and loved, instead they've decided to pull out all the stops, literally, and we're left with this bizarre mess. I don't know if they made a deal with the devil or what, but everything has been thrown into this story, including the kitchen sink, with no rhyme or reason. Do they know what control is, or careful selection, or do they just not care? I don't expect graphic novels to be as detailed as a TV show, but this whole season has gotten more and more ridiculous as it has went on and I cannot fathom why I'm torturing myself. Oh, I know, it's great entertainment. I want to see how much further they can destroy the memory of a great show. Does this deserve two stars? Probably not, but I can't help myself, apparently. Bah!!
Debbiereadsbook (1107 KP) rated Becoming His Perfect Daddy (Unlikely Daddies #1) in Books
May 19, 2024
bloody LOVED this book!
Independent reviewer for GRR, I was gifted my copy of this book.
Let me just put this out there, Ok?? I'm a straight cis woman, on the wrong side of 50. I read a lot of MM books, and have read some with trans main characters. I have not ever read a T4T (my apologies if this is incorrect, but I'm trying!) book, never. So I went into this with an open mind and an open heart and an open book brain.
But let me tell you about this book!
There is a bit at the beginning of this book, that the author wrote. I don't usually bother with those, unles my book feelings tell me to read it, so I did and it gave me a much better insight into Sam and Cameron, but also into this author, as some of this book is their story. (again, apologies is this is incorrect, but I couldn't find your preferred pronouns, so went with the best option!)
And what that bit does, my good peeps, is set it all out for you, in a way a lay person like myself can understand the terms, words and difficulties being a trans person comes with.
While this book is set over a long period of time, over a year, I was surprised at the speed at which things moved for Sam, once he made the decision to become himself. I know in the UK these take a long, LONG time, so that surprised me.
Sam and Cameron are perfect for each other! Cameron has already transitioned, and Sam has the dawning realisation that he is not in the right body after reading one of Cameron's books. That CAMERON makes him see who he really should be, a man and a Daddy. These two are absolutely perfect for each other, they really are! Loved how the D/b relationship developed.
I will be honest, I wasn't sure the smexy times would work, I don't know WHY I thought that, but you know me and my book brain, but bloody hell! They work, trust me! Super spicy smexy times!! Loved that!
You get deep into the psyche of being trans with these two. The emotions are deep and heavy in places. Made me cry in some places, it really did, the weight of feelings that these men have about themselves. It's really painful reading in parts, and I think you need to be aware if you have any triggers regarding body dysmophia.
I LOVED this book, in case I didn't say it yet!
I see two pairings among the side characters, one set have their book next and I will be reading that book, and any more that come along! I also found that this is only the author's second book, with a short before this one. And bloody hell, they smashed it out the park!
I cannot give it anything other than. . .
5 full and super shiny stars
*same worded review will appear elsewhere
Let me just put this out there, Ok?? I'm a straight cis woman, on the wrong side of 50. I read a lot of MM books, and have read some with trans main characters. I have not ever read a T4T (my apologies if this is incorrect, but I'm trying!) book, never. So I went into this with an open mind and an open heart and an open book brain.
But let me tell you about this book!
There is a bit at the beginning of this book, that the author wrote. I don't usually bother with those, unles my book feelings tell me to read it, so I did and it gave me a much better insight into Sam and Cameron, but also into this author, as some of this book is their story. (again, apologies is this is incorrect, but I couldn't find your preferred pronouns, so went with the best option!)
And what that bit does, my good peeps, is set it all out for you, in a way a lay person like myself can understand the terms, words and difficulties being a trans person comes with.
While this book is set over a long period of time, over a year, I was surprised at the speed at which things moved for Sam, once he made the decision to become himself. I know in the UK these take a long, LONG time, so that surprised me.
Sam and Cameron are perfect for each other! Cameron has already transitioned, and Sam has the dawning realisation that he is not in the right body after reading one of Cameron's books. That CAMERON makes him see who he really should be, a man and a Daddy. These two are absolutely perfect for each other, they really are! Loved how the D/b relationship developed.
I will be honest, I wasn't sure the smexy times would work, I don't know WHY I thought that, but you know me and my book brain, but bloody hell! They work, trust me! Super spicy smexy times!! Loved that!
You get deep into the psyche of being trans with these two. The emotions are deep and heavy in places. Made me cry in some places, it really did, the weight of feelings that these men have about themselves. It's really painful reading in parts, and I think you need to be aware if you have any triggers regarding body dysmophia.
I LOVED this book, in case I didn't say it yet!
I see two pairings among the side characters, one set have their book next and I will be reading that book, and any more that come along! I also found that this is only the author's second book, with a short before this one. And bloody hell, they smashed it out the park!
I cannot give it anything other than. . .
5 full and super shiny stars
*same worded review will appear elsewhere
LeftSideCut (3778 KP) rated The Man Who Killed Hitler and Then the Bigfoot (2018) in Movies
Dec 9, 2020
The Man Who Killed Hitler and Then the Bigfoot is a fantasticly B-Movie style title, hiding a genuinely touching and quite beautiful character drama.
The film focuses on the life of Calvin Barr, an old man portrayed by Sam Elliott. He's a guy who's lonely, seen some shit in his time, and feeling his age until one day, he's approached by the government to hunt and kill the legendary Bigfoot, and put a stop to a potential world ending plague. Calvin is a bit of a legendary creature himself, having served in WWII, and is said to have killed Hitler himself before it was covered up, and his immunity to this killer plague makes him the perfect candidate.
This quirky other wordly narrative is quite a jarring contrast to the otherwise grounded drama that makes up the rest of the plot. Flashbacks tell of Calvin's life before the war, and how he met the woman he wanted to marry. It's essentially a love story, that veers into bonkers territory at the flick of a switch.
Somehow though, it all works really well. The screenplay is top notch and gives us some engaging characters with a great cast. Sam Elliott has the grizzled old man role down to a tee by now. Aidan Turner plays the younger Calvin, and the relationship between him and Caitlin Fitzgerald's character is believable and touching. Larry Miller also stars as Calvin's brother and the two of them also have decent chemistry.
This movie is overflowing with gorgeous shots. The last third especially is a visual feast, and it's all complimented by a wonderful score, courtesy of Joe Kraemer.
If you're looking for a schlocky bad-good film suggested by the title then you're in the wrong place. This is a charming and quirky character drama with sprinkles of a creature feature, and I can fully see why some might not get on with it, but for me, it just works.
The film focuses on the life of Calvin Barr, an old man portrayed by Sam Elliott. He's a guy who's lonely, seen some shit in his time, and feeling his age until one day, he's approached by the government to hunt and kill the legendary Bigfoot, and put a stop to a potential world ending plague. Calvin is a bit of a legendary creature himself, having served in WWII, and is said to have killed Hitler himself before it was covered up, and his immunity to this killer plague makes him the perfect candidate.
This quirky other wordly narrative is quite a jarring contrast to the otherwise grounded drama that makes up the rest of the plot. Flashbacks tell of Calvin's life before the war, and how he met the woman he wanted to marry. It's essentially a love story, that veers into bonkers territory at the flick of a switch.
Somehow though, it all works really well. The screenplay is top notch and gives us some engaging characters with a great cast. Sam Elliott has the grizzled old man role down to a tee by now. Aidan Turner plays the younger Calvin, and the relationship between him and Caitlin Fitzgerald's character is believable and touching. Larry Miller also stars as Calvin's brother and the two of them also have decent chemistry.
This movie is overflowing with gorgeous shots. The last third especially is a visual feast, and it's all complimented by a wonderful score, courtesy of Joe Kraemer.
If you're looking for a schlocky bad-good film suggested by the title then you're in the wrong place. This is a charming and quirky character drama with sprinkles of a creature feature, and I can fully see why some might not get on with it, but for me, it just works.
Bong Mines Entertainment (15 KP) rated Ghost - Single by TriOrca in Music
Jun 25, 2019
TriOrca is a cross Atlantic band based in Los Angeles, California. Not too long ago, they released a music video for their “Ghost” single.
“Fallen leaves, it was me that I couldn’t see through the trees. But I been loving someone though and every time when someone goes. Every time I can’t give up the ghost ‘cause the cracks in the floor keep bleeding out.” – lyrics
‘Ghost’ tells an interesting tale of a young woman who waits around for the telephone to ring. Apparently, she wants to receive a call from someone who she desires to be with romantically.
Later, she reveals that the above-mentioned individual might not be thinking about her, and that’s why the phone isn’t ringing. If that’s the case, then in return, she decides to give up his ghost.
‘Ghost’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with neo-soul and contemporary R&B elements.
TriOrca comprises of Phil Simmonds (multi-instrumentalist, producer), David Diaz (drummer, producer) and Whitney Meyer (writer, vocalist).
The bubbly trio is a unique ensemble of creatives who meet at the nexus of artistic intent and musicianship.
Simmonds has toured the world with Jessie J. Not too long ago, Meyer performed a duet with Sam Henshaw at an LA nightclub.
Diaz laid down live drums for Eryn Allen Kane’s forthcoming project while Simmonds played the bass, keys, and worked the boards. Also, while that was happening, Meyer was in another studio, laying down vocals for Empire of the Sun.
“Fallen leaves, it was me that I couldn’t see through the trees. But I been loving someone though and every time when someone goes. Every time I can’t give up the ghost ‘cause the cracks in the floor keep bleeding out.” – lyrics
‘Ghost’ tells an interesting tale of a young woman who waits around for the telephone to ring. Apparently, she wants to receive a call from someone who she desires to be with romantically.
Later, she reveals that the above-mentioned individual might not be thinking about her, and that’s why the phone isn’t ringing. If that’s the case, then in return, she decides to give up his ghost.
‘Ghost’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with neo-soul and contemporary R&B elements.
TriOrca comprises of Phil Simmonds (multi-instrumentalist, producer), David Diaz (drummer, producer) and Whitney Meyer (writer, vocalist).
The bubbly trio is a unique ensemble of creatives who meet at the nexus of artistic intent and musicianship.
Simmonds has toured the world with Jessie J. Not too long ago, Meyer performed a duet with Sam Henshaw at an LA nightclub.
Diaz laid down live drums for Eryn Allen Kane’s forthcoming project while Simmonds played the bass, keys, and worked the boards. Also, while that was happening, Meyer was in another studio, laying down vocals for Empire of the Sun.
TacoDave (3547 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 7, 2022
Technically well-made (1 more)
Acting
What a disappointment.
Contains spoilers, click to show
Spoilers below!!!
I'll say this: Sam Raimi used to be one of my favorite directors, but with this movie he has officially turned me off the Marvel universe. It is nonsense.
Example A: dreams are actually real events happening in alternate universes, so if you dream about showing up naked to work, a version of you really did that.
Example B: reading the book of evil allows a witch or sorcerer to "dream walk" and inhabit the body of an alternate version of themselves. It never explains how this works, but apparently you can "aim" your dream-self because Doctor Strange is able to intentionally dream walk into a dead body and use it. He can't move between universes, but somehow he can do this.
Example C: the city of Kamar-Taj is destroyed and everyone killed except for Wong and Strange. Yet in the last scene the city is full of warriors practicing. Where did they come from?
Example D: Cool cameos! Mr. Fantastic! Professor X! But they all die. Every single one.
Example E: Wanda's whole motivation is to go to a different universe to be with her kids. But why not go to a universe where Vision is still alive? Wouldn't that be her goal? NEVER EXPLAINED.
It doesn't stop there, but that's a good sampling of how nonsensical the plot is. Nothing is explained, nothing make sense, and rules are made up out of whole cloth. Doctor Strange as a zombie? Sure. How? We don't know.
I'll never watch this again and might not watch future Marvel movies, especially considering you have to watch WandaVision on Disney+ to fully understand this movie.
I'll say this: Sam Raimi used to be one of my favorite directors, but with this movie he has officially turned me off the Marvel universe. It is nonsense.
Example A: dreams are actually real events happening in alternate universes, so if you dream about showing up naked to work, a version of you really did that.
Example B: reading the book of evil allows a witch or sorcerer to "dream walk" and inhabit the body of an alternate version of themselves. It never explains how this works, but apparently you can "aim" your dream-self because Doctor Strange is able to intentionally dream walk into a dead body and use it. He can't move between universes, but somehow he can do this.
Example C: the city of Kamar-Taj is destroyed and everyone killed except for Wong and Strange. Yet in the last scene the city is full of warriors practicing. Where did they come from?
Example D: Cool cameos! Mr. Fantastic! Professor X! But they all die. Every single one.
Example E: Wanda's whole motivation is to go to a different universe to be with her kids. But why not go to a universe where Vision is still alive? Wouldn't that be her goal? NEVER EXPLAINED.
It doesn't stop there, but that's a good sampling of how nonsensical the plot is. Nothing is explained, nothing make sense, and rules are made up out of whole cloth. Doctor Strange as a zombie? Sure. How? We don't know.
I'll never watch this again and might not watch future Marvel movies, especially considering you have to watch WandaVision on Disney+ to fully understand this movie.
Zuky the BookBum (15 KP) rated Mammoth in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/mammoth-by-douglas-perry
NOW AVAILABLE IN THE UK!
Thank you to Netgalley and Amberjack Publishing for giving me the opportunity to read this in an exchange for a review.
Not quite what I was expecting, which I think is the general feel judging by others reviews. Be warned, this isnt a creepy paranormal, alien type of thing. I dont think thats a spoiler either, I wouldnt want you to pick this up and be greatly disappointed. If you love character focused novels then this will be your kind of book! This gives you some really in depth information about each of the characters, but it can get confusing because there are <i>so</i> many characters! There are <b>eleven</b> main characters, plus more characters that relate to these characters in little sub plots.
<u>Characters: </u>
Tori
Billy & Becky
Jackson & Sam
Hicks & Lloyd
Oscar - King
Melvin & Gordon
Winnie Lloyd
If you find it difficult to keep up with lots of different people in books then this wont be for you. It can get a little confusing at times and I often forgot what was happening to one character by the time we got back to reading about them after having read about 4 characters in between.
I though this novel was superbly written. Possibly one of the best written books Ive read in quite a while! There is some really grotesque imagery in this book, not in a violent way though, so I wouldnt give it any trigger warnings, though rape is implied. My only problem with the writing was that sometimes it was really difficult to understand where the characters were in Mammoth View or Bakersfield or what. That was my one annoyance, I wasnt able to keep a grip on where each character was.
In terms of the plot that there was, which wasnt much, it was an interesting storyline. Lots of things going on a once which could definitely add to the confusion. I feel as though Perry had created seven(ish) separate short stories and then tried to mash them into one which in my opinion worked. I felt let down by the ending in a way but at the same time I thought it was really unique. You do find out why panic ensues in the small town of Mammoth View and I can bet you wont see it coming Though now Ive told you its not paranormal or aliens then maybe you might
If you like to really get to know a character and dont really care about a well developed plot then this book is a definite read for you, but if youre expecting something scary or creepy form this then dont bother as it isnt that kind of thing. I will definitely look out for more of Perrys work!
NOW AVAILABLE IN THE UK!
Thank you to Netgalley and Amberjack Publishing for giving me the opportunity to read this in an exchange for a review.
Not quite what I was expecting, which I think is the general feel judging by others reviews. Be warned, this isnt a creepy paranormal, alien type of thing. I dont think thats a spoiler either, I wouldnt want you to pick this up and be greatly disappointed. If you love character focused novels then this will be your kind of book! This gives you some really in depth information about each of the characters, but it can get confusing because there are <i>so</i> many characters! There are <b>eleven</b> main characters, plus more characters that relate to these characters in little sub plots.
<u>Characters: </u>
Tori
Billy & Becky
Jackson & Sam
Hicks & Lloyd
Oscar - King
Melvin & Gordon
Winnie Lloyd
If you find it difficult to keep up with lots of different people in books then this wont be for you. It can get a little confusing at times and I often forgot what was happening to one character by the time we got back to reading about them after having read about 4 characters in between.
I though this novel was superbly written. Possibly one of the best written books Ive read in quite a while! There is some really grotesque imagery in this book, not in a violent way though, so I wouldnt give it any trigger warnings, though rape is implied. My only problem with the writing was that sometimes it was really difficult to understand where the characters were in Mammoth View or Bakersfield or what. That was my one annoyance, I wasnt able to keep a grip on where each character was.
In terms of the plot that there was, which wasnt much, it was an interesting storyline. Lots of things going on a once which could definitely add to the confusion. I feel as though Perry had created seven(ish) separate short stories and then tried to mash them into one which in my opinion worked. I felt let down by the ending in a way but at the same time I thought it was really unique. You do find out why panic ensues in the small town of Mammoth View and I can bet you wont see it coming Though now Ive told you its not paranormal or aliens then maybe you might
If you like to really get to know a character and dont really care about a well developed plot then this book is a definite read for you, but if youre expecting something scary or creepy form this then dont bother as it isnt that kind of thing. I will definitely look out for more of Perrys work!
BankofMarquis (1832 KP) rated See how they run (2022) in Movies
Dec 8, 2022
Despite a miscast Sam Rockwell - it works well...enough
The British Comedy/Murder Mystery SEE HOW THEY RUN came and went in movie theaters (at least in the U.S.) pretty quickly last fall and, consequently, most folks missed that this was even a thing.
The good news is that it is now streaming on multiple streaming services so as people gather for the Holidays there is a fun, family friendly (but good for adults) film that young and old alike could gather around the TV to watch together.
Written by Mark Chappell and Directed by Tom George (both of whom who have quite a few BBC TV Series under their belts, but it looks like this is the Major Motion Picture debut for them both), SEE HOW THEY RUN is a comedic look at the British Murder Mystery with a frumpy detective, a victim who “deserved it” and a plethora of potential suspects who are all brought into a room by the Detective on a “dark and stormy” night to reveal “whodunnit”.
Normally, with these types of films, it comes down to the casting and while there are some very good - and fun - actors in many of the roles, one of the roles is terribly miscast and that brings down the quality of this film quite a bit.
So, let’s start with what works - the central murder mystery is clever…enough…(for this sort of thing) and is wonderfully constructed around the London Stage debut of the long-running Agatha Christie murder mystery play THE MOUSETRAP in the 1950’s and, thus, this film is a period piece and that atmosphere adds - in a positive way - to the look and feel of this movie.
Saoirse Ronan, as always, is very good as the young Policewoman who is brought in to aide the main detective and proves out to be quite the Detective herself. She really holds this film together tightly in the middle. Adrien Brody, Ruth Wilson, David Oyelowo and Harris Dickinson all bring something to the film in their characters (and suspects) that add color and life to the central mystery.
Unfortunately, the usually good Sam Rockwell is miscast as the lead sleuth on this case. His frumpy, disheveled Detective was reminiscent of Columbo and just didn’t fit in this British Murder Mystery. While this performance is not a distraction to this film, it doesn’t elevate or lift this movie either, and - in a murder mystery - the detective solving the mystery is a major cog in the movie machine and this cog just isn’t that interesting.
Rockwell is not helped by a green Director and Writer who are looking to make the leap from television to film and this film feels more like a made for TV film, than a major motion picture.
Which is why this film is a good one to catch on one of the streaming services it is currently on. It is a fun enough film that will entertain young and old alike over the Holidays.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
The good news is that it is now streaming on multiple streaming services so as people gather for the Holidays there is a fun, family friendly (but good for adults) film that young and old alike could gather around the TV to watch together.
Written by Mark Chappell and Directed by Tom George (both of whom who have quite a few BBC TV Series under their belts, but it looks like this is the Major Motion Picture debut for them both), SEE HOW THEY RUN is a comedic look at the British Murder Mystery with a frumpy detective, a victim who “deserved it” and a plethora of potential suspects who are all brought into a room by the Detective on a “dark and stormy” night to reveal “whodunnit”.
Normally, with these types of films, it comes down to the casting and while there are some very good - and fun - actors in many of the roles, one of the roles is terribly miscast and that brings down the quality of this film quite a bit.
So, let’s start with what works - the central murder mystery is clever…enough…(for this sort of thing) and is wonderfully constructed around the London Stage debut of the long-running Agatha Christie murder mystery play THE MOUSETRAP in the 1950’s and, thus, this film is a period piece and that atmosphere adds - in a positive way - to the look and feel of this movie.
Saoirse Ronan, as always, is very good as the young Policewoman who is brought in to aide the main detective and proves out to be quite the Detective herself. She really holds this film together tightly in the middle. Adrien Brody, Ruth Wilson, David Oyelowo and Harris Dickinson all bring something to the film in their characters (and suspects) that add color and life to the central mystery.
Unfortunately, the usually good Sam Rockwell is miscast as the lead sleuth on this case. His frumpy, disheveled Detective was reminiscent of Columbo and just didn’t fit in this British Murder Mystery. While this performance is not a distraction to this film, it doesn’t elevate or lift this movie either, and - in a murder mystery - the detective solving the mystery is a major cog in the movie machine and this cog just isn’t that interesting.
Rockwell is not helped by a green Director and Writer who are looking to make the leap from television to film and this film feels more like a made for TV film, than a major motion picture.
Which is why this film is a good one to catch on one of the streaming services it is currently on. It is a fun enough film that will entertain young and old alike over the Holidays.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ivana A. | Diary of Difference (1171 KP) rated The Nothing Man in Books
Oct 5, 2020
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I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
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I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
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<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
BankofMarquis (1832 KP) rated One Night in Miami (2020) in Movies
Apr 15, 2021
Keeps the audience at arms length
The issue when adapting a stage play to the screen is that, often times, the subject matter and style of the script does not lend itself to being “opened up”, what is powerful when sitting in a theater with the actors performing the piece in front of you can often times be seen as “flat” when it jumps to the screen.
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
LeftSideCut (3778 KP) rated Iron Man 2 (2010) in Movies
Jul 10, 2020
Ever since Captain America: The Winter Soldier, Marvel Studios have pretty much been on a hot streak. It's easy to forget that this titan of a movie house still had to finds its feet once upon a time, and unfortunately they do have a handful of underwhelming titles in their arsenal.
Iron Man 2 is in of these titles, and whilst bit a far cry from a bad movie, the formula wasn't quite there yet.
It's main issues comes from the writing I think. The plot dates to tackle issues such as Tony Stark's trouble with alcohol, a result of slowly being poisoned by the very mechanism that's keeping him alive. He hits rock bottom, pisses off everyone he loves, creates a new element (in probably the most ridiculously convoluted and stupid scene in the MCU) and somewhere amongst all this, there's some big dumb superhero action.
As much as I admire this route, the balance is off, and a big chunk of the movie gets bigger down by these issues.
The side plot that involves a B list villain Whiplash is a nice touch, but it's ultimately wasted in yet another ending brawl that features the hero against an evil version of himself, the second Iron Man film to be released and the second Iron Man film to feature a final boss in a bigger Iron Man suit. It just doesn't feel over imaginative.
It's not all bad though - Iron Man 2 boasts an incredible cast of talent. Robert Downey Jr. and Gwyneth Paltrow of course return from the first movie. Mickey Rourke is the aforementioned Whiplash (I find it hard to dislike Mickey Rourke in general), Don Cheadle takes over the mantle of War Machine, and of course we get the first appearance for Scarlett Johansson as Black Widow.
And a big reason why Iron Man 2 is better than it should be is down to the always fantastic Sam Rockwell. He plays secondary villain Justin Hammer and he oozes charisma, and fits in effortlessly opposite Downey Jr.
Other than that, the effects still hold up for the most part, and the set pieces are fun - the racing track scene is a particular highlight, and its always a treat to see the wider MCU being established as the main plot chugs along.
Iron Man 2 isn't as good as it's predecessor, and is at the lower and of the MCU quality spectrum, but there's still a lot to enjoy if you switch off a bit.
Iron Man 2 is in of these titles, and whilst bit a far cry from a bad movie, the formula wasn't quite there yet.
It's main issues comes from the writing I think. The plot dates to tackle issues such as Tony Stark's trouble with alcohol, a result of slowly being poisoned by the very mechanism that's keeping him alive. He hits rock bottom, pisses off everyone he loves, creates a new element (in probably the most ridiculously convoluted and stupid scene in the MCU) and somewhere amongst all this, there's some big dumb superhero action.
As much as I admire this route, the balance is off, and a big chunk of the movie gets bigger down by these issues.
The side plot that involves a B list villain Whiplash is a nice touch, but it's ultimately wasted in yet another ending brawl that features the hero against an evil version of himself, the second Iron Man film to be released and the second Iron Man film to feature a final boss in a bigger Iron Man suit. It just doesn't feel over imaginative.
It's not all bad though - Iron Man 2 boasts an incredible cast of talent. Robert Downey Jr. and Gwyneth Paltrow of course return from the first movie. Mickey Rourke is the aforementioned Whiplash (I find it hard to dislike Mickey Rourke in general), Don Cheadle takes over the mantle of War Machine, and of course we get the first appearance for Scarlett Johansson as Black Widow.
And a big reason why Iron Man 2 is better than it should be is down to the always fantastic Sam Rockwell. He plays secondary villain Justin Hammer and he oozes charisma, and fits in effortlessly opposite Downey Jr.
Other than that, the effects still hold up for the most part, and the set pieces are fun - the racing track scene is a particular highlight, and its always a treat to see the wider MCU being established as the main plot chugs along.
Iron Man 2 isn't as good as it's predecessor, and is at the lower and of the MCU quality spectrum, but there's still a lot to enjoy if you switch off a bit.