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Now a major film starring Gemma Arterton, Sam Claflin and Bill Nighy. It's 1940. In a small...
Sarah (7798 KP) rated Love Wedding Repeat (2020) in Movies
Jul 10, 2020
Disappointing
Whilst the trailer for this didn't wow me, it made me think this film had enough promise to warrant watching. However the end result was rather disappointing.
Cast wise this wasn't bad. Sam Claflin, Eleanor Tomlinson and Olivia Munn are always watchable, although i really can't stand Aisling Bea. The setting and scenery in this are absolutely beautiful, but then you can't really go wrong with Rome. The main problem with this film is the premise of the concept doesn't meet expectations, and the whole thing just isn't particularly funny. It sounds like it should be something similar to Groundhog Day or Edge of Tomorrow, but without spoiling it, it's a bit of letdown. And the laughs are sadly lacking. There are few smart witty quips that raised a smile, but not the full on romcom the trailer promised. Even the romance was rather dull and predictable.
Not one I'd bother to watch again and almost instantly forgettable. There are much better romcoms out there.
Cast wise this wasn't bad. Sam Claflin, Eleanor Tomlinson and Olivia Munn are always watchable, although i really can't stand Aisling Bea. The setting and scenery in this are absolutely beautiful, but then you can't really go wrong with Rome. The main problem with this film is the premise of the concept doesn't meet expectations, and the whole thing just isn't particularly funny. It sounds like it should be something similar to Groundhog Day or Edge of Tomorrow, but without spoiling it, it's a bit of letdown. And the laughs are sadly lacking. There are few smart witty quips that raised a smile, but not the full on romcom the trailer promised. Even the romance was rather dull and predictable.
Not one I'd bother to watch again and almost instantly forgettable. There are much better romcoms out there.
Suswatibasu (1701 KP) rated My Cousin Rachel (2017) in Movies
Nov 12, 2017 (Updated Nov 12, 2017)
Gothic Victorian suspense surrounding the mysterious Rachel
This film is no doubt atmospheric and evocative, rather than old fashioned Victorian horror, all about the widow of recently deceased cousin who died under mysterious circumstances.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Sam Claflin plays the vengeful nephew, who plots to find out the truth about Rachel, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Daphne Du Maurier was an excellent writer of course and many of her novels have been transferred to both the big and small screen to much acclaim. As it is, this is a film of intrigue and intent that is not quite what it at first seems. The outcome is not mind-blowing and you don't have to be Hercule Poirot to follow the plot or work things out. However, the 'did she didn't she murder' question is left rather open-ended and down to the interpretation/thoughts of the viewer. While it is not in the same league as Rebecca, the director makes a decent effort in creating an uneasy ambience.
It is a fascinating film which delves (in a shallow way) into the workings of the human mind and its psychological ways and how suspicion can play havoc in relationships.
Sarah (7798 KP) rated Peaky Blinders - Season 5 in TV
Sep 30, 2019
Shame about the loose ends
All in all, this is a rather good series and aside from the slightly dodgy Russian series (3), I’m impressed at how good a run Peaky Blinders has had. It’s not often anymore that you get such a consistently excellent series, and yes I am still ignoring series 3.
Unsurprisingly there are stellar performances in this yet again. Cillian Murphy is fantastic as we see Tommy spiralling into a terrible state, and I absolutely adore the rabid dog with a heart of gold that is Arthur. And Sam Claflin is truly slimy and despicable as Oswald Mosley, I didn’t realise I could hate him so much, he really embodies such an awful character. There are also some surprise deaths and reappearances in this too, some of which that were unexpected and very welcome.
The plot itself is good, but my main issue with this series is the amount of loose ends that haven’t been tied up by the end of the final episode. One of the things I’ve loved about the earlier series, is that everything is wrapped up rather nicely so the next series can start ‘afresh’ set a few years later. The same can’t be said about this fifth series, there’s a lot of plot points that aren’t cleared up and it’s rather frustrating that we have to wait another couple of years to find out!
Unsurprisingly there are stellar performances in this yet again. Cillian Murphy is fantastic as we see Tommy spiralling into a terrible state, and I absolutely adore the rabid dog with a heart of gold that is Arthur. And Sam Claflin is truly slimy and despicable as Oswald Mosley, I didn’t realise I could hate him so much, he really embodies such an awful character. There are also some surprise deaths and reappearances in this too, some of which that were unexpected and very welcome.
The plot itself is good, but my main issue with this series is the amount of loose ends that haven’t been tied up by the end of the final episode. One of the things I’ve loved about the earlier series, is that everything is wrapped up rather nicely so the next series can start ‘afresh’ set a few years later. The same can’t be said about this fifth series, there’s a lot of plot points that aren’t cleared up and it’s rather frustrating that we have to wait another couple of years to find out!
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Sarah (7798 KP) rated Adrift (2018) in Movies
Jul 10, 2018
A very sad true story
I hadn't read many good reviews for this film so I honestly hadn't been expecting much, but it is actually quite good.
The film works well as it doesn't follow a linear narrative which would've been a little boring. Instead it opts to throw us straight into the immediate aftermath of the disaster, but flashing back to the couple and how they met, and how they came to be at sea. It also helps that Shailene Woodley is a great actress and very engaging and believable. This film wouldn't have worked half as well without her in it. Sam Claflin is perhaps a tad underused and I think there parts of this that maybe go a tad overboard (sorry) on the romance side. The effects may be slightly dodgy at times but the scenes at sea and in the aftermath are so harrowing and disturbing enough that it takes your mind off everything else. There is also a small "twist" in this which even I didn't see coming, which was quite refreshing. My only criticism is that despite it's short run time, the film does drag in a few parts and most of this run time is spent either on the boat or in flashbacks. Very little time is given to the ending so it feels a bit rushed and not quite wrapped up properly.
Overall though a very good and heartwrenching true story. Definitely one that could put you off sailing for life!
The film works well as it doesn't follow a linear narrative which would've been a little boring. Instead it opts to throw us straight into the immediate aftermath of the disaster, but flashing back to the couple and how they met, and how they came to be at sea. It also helps that Shailene Woodley is a great actress and very engaging and believable. This film wouldn't have worked half as well without her in it. Sam Claflin is perhaps a tad underused and I think there parts of this that maybe go a tad overboard (sorry) on the romance side. The effects may be slightly dodgy at times but the scenes at sea and in the aftermath are so harrowing and disturbing enough that it takes your mind off everything else. There is also a small "twist" in this which even I didn't see coming, which was quite refreshing. My only criticism is that despite it's short run time, the film does drag in a few parts and most of this run time is spent either on the boat or in flashbacks. Very little time is given to the ending so it feels a bit rushed and not quite wrapped up properly.
Overall though a very good and heartwrenching true story. Definitely one that could put you off sailing for life!
Bob Mann (459 KP) rated Me Before You (2016) in Movies
Sep 29, 2021
“You are scored on my heart Clark”
“Me Before You” is a bit of a queer fish of a movie. It never quite decides whether it wants to be a romantic weepy, a drama, or a rom-com and as such ends up rather falling between all three stools.
Emelia Clarke (“Game of Thrones”, “Terminator: Genesys”) plays Lou Clark, an ‘invisible’ girl “with potential” who is trapped – due to unemployment-led poverty – living with her parents in a provincial castle town (a picturesque Pembroke, though notably hardly a Welsh accent in earshot). Her boyfriend Patrick (“Harry Potter”’s Matthew Lewis) is a running nut that doesn’t play to her romantic needs in any way. Circumstance leads her into the job of a carer for a quadriplegic, Will Traynor (Sam Claflin, from “The Hunger Games” sequels) who also happens to be the son of the local millionaire couple (played by Charles Dance and Janet McTeer). They own the castle, a large mansion and most of the surrounding countryside too.
Will – previously a sports jock – is paralyzed from the neck down after an accident and is a frustrated and suicidal mind in a useless body. Can the quirky and vivacious Lou bring him out of his morbid shell and find him a life worth living again?
From this outline, you might think the story almost writes itself, and for most of the film it does. But the writers have a number of twists and turns in store which – depending on your sentiments – might entertain or appall.
As her first leading actress role in a non-action feature it’s a bit difficult to sum up Emilia Clarke’s performance. At face value it could be described as an advanced case of over-acting, with an extensive array of kooky looks and gurning facial expressions. (Those eyebrows! At some point we’re going to have to see her acting opposite Cara DeLevingne in a “Batman v Superman” eye-brow-off). On the other hand, she plays the part with such vivacity and charm – and notably in a manner so in keeping with the character she portrays – that it is hard not to be enchanted by her: I certainly was.
Claflin plays the brooding and resentful Traynor well and Matthew Lewis shows he is growing into a really professional jobbing actor as he enters his mid-20’s.
Also radiant (she always is… sorry to break it to the wife like this… but I am basically in love with her!!) is the ever-gorgeous Jenna Coleman (“Dr Who”, “Victoria”) in what is to date a rare outing for her onto the big screen (she previously has only had a small role in the first “Captain America” film: she really needs a breakout movie like Carey Mulligan’s “An Education”). Coleman and Clarke make a very credible pair of sisters, with the “bed” discussion scene being very touching.
Elsewhere a number of other well-known faces crop up including Brendan Coyle (“Downton Abbey”) as Lou’s father and Joanna Lumley as a wedding guest with a handy line in references.
The soundtrack by Craig (“Love Actually”) Armstrong is top notch with pleasing songs from Ed Sheeran, Imagine Dragons, Cloves and We The Kings.
The production quality is as professional as you would expect from a British-made movie, although the Mallorca and Paris locations are not particularly well exploited, since for a large chunk of these scenes I was convinced they hadn’t left Pinewood!
So, a bit of a mixed bag, but enjoyable nonetheless. A guilty pleasure. If you like a romantic piece of escapism this is one for a wet Sunday afternoon, provided you have a box of tissues handy.
Emelia Clarke (“Game of Thrones”, “Terminator: Genesys”) plays Lou Clark, an ‘invisible’ girl “with potential” who is trapped – due to unemployment-led poverty – living with her parents in a provincial castle town (a picturesque Pembroke, though notably hardly a Welsh accent in earshot). Her boyfriend Patrick (“Harry Potter”’s Matthew Lewis) is a running nut that doesn’t play to her romantic needs in any way. Circumstance leads her into the job of a carer for a quadriplegic, Will Traynor (Sam Claflin, from “The Hunger Games” sequels) who also happens to be the son of the local millionaire couple (played by Charles Dance and Janet McTeer). They own the castle, a large mansion and most of the surrounding countryside too.
Will – previously a sports jock – is paralyzed from the neck down after an accident and is a frustrated and suicidal mind in a useless body. Can the quirky and vivacious Lou bring him out of his morbid shell and find him a life worth living again?
From this outline, you might think the story almost writes itself, and for most of the film it does. But the writers have a number of twists and turns in store which – depending on your sentiments – might entertain or appall.
As her first leading actress role in a non-action feature it’s a bit difficult to sum up Emilia Clarke’s performance. At face value it could be described as an advanced case of over-acting, with an extensive array of kooky looks and gurning facial expressions. (Those eyebrows! At some point we’re going to have to see her acting opposite Cara DeLevingne in a “Batman v Superman” eye-brow-off). On the other hand, she plays the part with such vivacity and charm – and notably in a manner so in keeping with the character she portrays – that it is hard not to be enchanted by her: I certainly was.
Claflin plays the brooding and resentful Traynor well and Matthew Lewis shows he is growing into a really professional jobbing actor as he enters his mid-20’s.
Also radiant (she always is… sorry to break it to the wife like this… but I am basically in love with her!!) is the ever-gorgeous Jenna Coleman (“Dr Who”, “Victoria”) in what is to date a rare outing for her onto the big screen (she previously has only had a small role in the first “Captain America” film: she really needs a breakout movie like Carey Mulligan’s “An Education”). Coleman and Clarke make a very credible pair of sisters, with the “bed” discussion scene being very touching.
Elsewhere a number of other well-known faces crop up including Brendan Coyle (“Downton Abbey”) as Lou’s father and Joanna Lumley as a wedding guest with a handy line in references.
The soundtrack by Craig (“Love Actually”) Armstrong is top notch with pleasing songs from Ed Sheeran, Imagine Dragons, Cloves and We The Kings.
The production quality is as professional as you would expect from a British-made movie, although the Mallorca and Paris locations are not particularly well exploited, since for a large chunk of these scenes I was convinced they hadn’t left Pinewood!
So, a bit of a mixed bag, but enjoyable nonetheless. A guilty pleasure. If you like a romantic piece of escapism this is one for a wet Sunday afternoon, provided you have a box of tissues handy.
Darren (1599 KP) rated The Nightingale (2018) in Movies
Dec 4, 2019
Verdict: Shocking & Intense
Story: The Nightingale starts as an Irish convict Clare (Franciosi) is forced to work under British Officer Hawkins (Claflin) to pay off her debts, which usually involves cleaning and performing a song to the soldiers, until one day he goes too far by raping her, Clare is desperate to get out of her debt, to which she has paid off, but Hawkins won’t release her.
Confronting Hawkins with her husband Aidan (Sheasby), it leads to Hawkins not getting his promotion and Hawkins makings Clare pay with his men Ruse (Herriman) and Jago (Greenwood). Left completely broken Clare is put in contact with aboriginal tracker Billy (Ganambarr), as she goes in search for revenge on the men that took everything from him.
Thoughts on The Nightingale
Characters – Clare is an Irish convict, she has been released from jail to work off her time cleaning and using her beautiful singing voice to entertain the soldiers. She is coping with her time until Hawkins refuses her chance to have her freedom, being subjected to violence from the soldiers, with nothing left she is hellbent on revenge and isn’t in this journey to make any friends or want anybody’s sympathy, she just wants blood. Billy is an aboriginal tracker that reluctantly agrees to help Clare on her journey, he doesn’t want trouble, he is tired of how the white man has treated his kind, believing at first that Clare is just like the rest, until he learns the truth. The two have some true heart to heart moments as well as having moments which will give you a laugh too. Hawkins is a English officer that believes he should be given a promotion to a vacant captain role, he can’t control his soldiers and his aggression sees him leaving bodies in his path, making him have enemies coming from all directions, as he looks to arrive for his latest position. Ruse and Jago are the two soldiers that are also involved in the attack on Clare and her family, they are just as cowardly as Hawkins.
Performances – Aisling Franciosi gives us one of the most grounded and exceptional performances of recent years, she shows us the pure vengeance her character is going through, right next to the grief she would have experienced. Sam Claflin brings us one of the most horrendous humans to life with his performance, one that will leave almost wanting to hate the actors for his performance being so horrid. Baykali Ganambarr is wonderful too showing us the pain that a generation of people would have suffered through during the events of the film.
Story – The story here follows a young woman that sees everything taken from her in an act of violence by military men and seeks her own form of revenge. Where this story steps up comes from breaking certain traditions, while the opening actions are always going to be hard to watch and give the motivation required for Clare determination for revenge. Once we get on the war path, this isn’t a calm calculated plan for revenge like we have seen before, this is a cold complete emptiness reaction to the horrors she experiences with her journey being the only time she properly starts to grieve what she has been through. This is a new level of revenge movie that isn’t just revenge on this one action, it feels like a moment that wants to show the people that the white English soldiers walked all over. Wonderful story telling throughout.
Thriller – This is a tense thriller that shows the path of revenge that one lady and her tracker go on after being wronged by acts of violence by English soldiers.
Settings – The film uses the settings amazingly to show the world that Clare goes into and how the trackers are the only way to get through the outback in Tasmanian wilderness safely.
Scene of the Movie – The last song.
That Moment That Annoyed Me – The English Soldiers.
Final Thoughts – This is one of the best revenge films you will see, it has a different style to anything you have seen before with performances that are true heavyweight ones.
Overall: Brilliant.
Story: The Nightingale starts as an Irish convict Clare (Franciosi) is forced to work under British Officer Hawkins (Claflin) to pay off her debts, which usually involves cleaning and performing a song to the soldiers, until one day he goes too far by raping her, Clare is desperate to get out of her debt, to which she has paid off, but Hawkins won’t release her.
Confronting Hawkins with her husband Aidan (Sheasby), it leads to Hawkins not getting his promotion and Hawkins makings Clare pay with his men Ruse (Herriman) and Jago (Greenwood). Left completely broken Clare is put in contact with aboriginal tracker Billy (Ganambarr), as she goes in search for revenge on the men that took everything from him.
Thoughts on The Nightingale
Characters – Clare is an Irish convict, she has been released from jail to work off her time cleaning and using her beautiful singing voice to entertain the soldiers. She is coping with her time until Hawkins refuses her chance to have her freedom, being subjected to violence from the soldiers, with nothing left she is hellbent on revenge and isn’t in this journey to make any friends or want anybody’s sympathy, she just wants blood. Billy is an aboriginal tracker that reluctantly agrees to help Clare on her journey, he doesn’t want trouble, he is tired of how the white man has treated his kind, believing at first that Clare is just like the rest, until he learns the truth. The two have some true heart to heart moments as well as having moments which will give you a laugh too. Hawkins is a English officer that believes he should be given a promotion to a vacant captain role, he can’t control his soldiers and his aggression sees him leaving bodies in his path, making him have enemies coming from all directions, as he looks to arrive for his latest position. Ruse and Jago are the two soldiers that are also involved in the attack on Clare and her family, they are just as cowardly as Hawkins.
Performances – Aisling Franciosi gives us one of the most grounded and exceptional performances of recent years, she shows us the pure vengeance her character is going through, right next to the grief she would have experienced. Sam Claflin brings us one of the most horrendous humans to life with his performance, one that will leave almost wanting to hate the actors for his performance being so horrid. Baykali Ganambarr is wonderful too showing us the pain that a generation of people would have suffered through during the events of the film.
Story – The story here follows a young woman that sees everything taken from her in an act of violence by military men and seeks her own form of revenge. Where this story steps up comes from breaking certain traditions, while the opening actions are always going to be hard to watch and give the motivation required for Clare determination for revenge. Once we get on the war path, this isn’t a calm calculated plan for revenge like we have seen before, this is a cold complete emptiness reaction to the horrors she experiences with her journey being the only time she properly starts to grieve what she has been through. This is a new level of revenge movie that isn’t just revenge on this one action, it feels like a moment that wants to show the people that the white English soldiers walked all over. Wonderful story telling throughout.
Thriller – This is a tense thriller that shows the path of revenge that one lady and her tracker go on after being wronged by acts of violence by English soldiers.
Settings – The film uses the settings amazingly to show the world that Clare goes into and how the trackers are the only way to get through the outback in Tasmanian wilderness safely.
Scene of the Movie – The last song.
That Moment That Annoyed Me – The English Soldiers.
Final Thoughts – This is one of the best revenge films you will see, it has a different style to anything you have seen before with performances that are true heavyweight ones.
Overall: Brilliant.
Emma @ The Movies (1786 KP) rated The Corrupted (2019) in Movies
Jun 20, 2020
The first thing you notice about The Corrupted is that it's filmed like a TV crime drama. The atmosphere, the style, everything screamed mini-series. It's an interesting story and I enjoyed it, but it gives a very different vibe to a "normal" film. It's difficult to explain. It's something you'd watch while ironing or when you've got a take away coming. It's the perfect accompaniment to doing something else not sitting in silence in the dark, it needs interaction, someone to discuss with while it's on.
Timothy Spall makes a pretty good villain in this, I probably would have also accepted Tim Roth in this role. Spall did seem to be channelling some of his mannerisms.
Sam Claflin as Liam brings the interesting mix of warmth and no-nonsense in his character to life. He turns on a knife edge from family man to criminal, although the latter is more of a protective quality than criminal endeavour.
It's been a long time since I've seen a film where I thought all the acting was excellent, The Corrupted has a fantastic bunch of actors and actresses in it. At the same time as being excited about them all though, I'm sad. This probably would have got more notice as a TV series. I went in with no real knowledge of this, I hadn't even seen it advertised anywhere apart from checking upcoming listings. It was criminally under publicised considering how much marketing King Of Thieves got and didn't deserve.
Noel Clarke as a detective really works for me. He seemed very comfortable in the role and it was nice to see him without a dubious accent... I'm looking at you Fisherman's Friends. I can't say I liked where his story went but the journey there was fantastic. I've been trying to find a listing online of character names, I can only find things listing him as Beckett but I'm sure I heard him call himself "Noel" but at another point his partner calls him "Neil"... of course I can't guarantee my hearing wasn't shot.
Loosely based on real events, The Corrupted offers a surprisingly gritty crime drama. While it does have the odd moments that make you wonder how it made the cut, those are greatly outweighed by the good points. I'll definitely be watching this again at some point, I'm also seeing a potential gift for my dad coming up.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/05/the-corrupted-movie-review.html
Timothy Spall makes a pretty good villain in this, I probably would have also accepted Tim Roth in this role. Spall did seem to be channelling some of his mannerisms.
Sam Claflin as Liam brings the interesting mix of warmth and no-nonsense in his character to life. He turns on a knife edge from family man to criminal, although the latter is more of a protective quality than criminal endeavour.
It's been a long time since I've seen a film where I thought all the acting was excellent, The Corrupted has a fantastic bunch of actors and actresses in it. At the same time as being excited about them all though, I'm sad. This probably would have got more notice as a TV series. I went in with no real knowledge of this, I hadn't even seen it advertised anywhere apart from checking upcoming listings. It was criminally under publicised considering how much marketing King Of Thieves got and didn't deserve.
Noel Clarke as a detective really works for me. He seemed very comfortable in the role and it was nice to see him without a dubious accent... I'm looking at you Fisherman's Friends. I can't say I liked where his story went but the journey there was fantastic. I've been trying to find a listing online of character names, I can only find things listing him as Beckett but I'm sure I heard him call himself "Noel" but at another point his partner calls him "Neil"... of course I can't guarantee my hearing wasn't shot.
Loosely based on real events, The Corrupted offers a surprisingly gritty crime drama. While it does have the odd moments that make you wonder how it made the cut, those are greatly outweighed by the good points. I'll definitely be watching this again at some point, I'm also seeing a potential gift for my dad coming up.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/05/the-corrupted-movie-review.html