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Whatchareadin (174 KP) rated I've Got Your Number in Books
Apr 9, 2019
Poppy Wyatt has just gotten engaged to Magnus Tavish. He gives her a gorgeous emerald ring that he had to get from the family lockbox. Then the unthinkable happens all in one horrendous day. First, she loses the ring after her friends are passing it around at an afternoon tea and then while she is on the phone trying to locate the ring, she is mugged and the phone is snatched right out of her hand. She finds another phone discarded in the bin(trash), what luck! Only problem is the owner wants it back before she finds her ring.
This is a cute and quirky story set in England. Poppy is marrying Magnus after being his physiotherapist. Theirs is a quick romance. Poppy's girlfriends are jealous and her future in-laws are very unsure about this relationship. When Poppy meets Sam, the owner of the phone, she can't help but insert herself into his life. They have the misfortune to share a phone since Sam is without a Personal Assistant(she's the one who tossed the phone) and Poppy has given this number to anyone in connection with finding her ring.
I listened to this book on my way to and from work this past week. It was read in an English accent and I found myself wanting to do the same. What I liked about this book was the sense of adventure tied into the romance. Trying to resolve a few crises in the midst of planning a wedding and trying to live life. They say, you can't help who or when you will fall in love. Poppy never meant to fall in love with Magnus while he was her patient. She never meant to lose his family's priceless heirloom. She didn't mean to have her phone 'nicked' and she certainly didn't mean to find a phone in the bin and be forever connected to Sam Rockston.
This is a cute, quick adventurous love story.
This is a cute and quirky story set in England. Poppy is marrying Magnus after being his physiotherapist. Theirs is a quick romance. Poppy's girlfriends are jealous and her future in-laws are very unsure about this relationship. When Poppy meets Sam, the owner of the phone, she can't help but insert herself into his life. They have the misfortune to share a phone since Sam is without a Personal Assistant(she's the one who tossed the phone) and Poppy has given this number to anyone in connection with finding her ring.
I listened to this book on my way to and from work this past week. It was read in an English accent and I found myself wanting to do the same. What I liked about this book was the sense of adventure tied into the romance. Trying to resolve a few crises in the midst of planning a wedding and trying to live life. They say, you can't help who or when you will fall in love. Poppy never meant to fall in love with Magnus while he was her patient. She never meant to lose his family's priceless heirloom. She didn't mean to have her phone 'nicked' and she certainly didn't mean to find a phone in the bin and be forever connected to Sam Rockston.
This is a cute, quick adventurous love story.
Tim McGuire (301 KP) rated Fractured (2019) in Movies
Jan 24, 2020
380. Fractured. The makers of this film finally figured out how to make a good Sam Worthington movie. Have him walk around totally confused due to a head injury for 95% of the movie! On the way back from the in-laws the Monroe family stop at small convenience store, and as they get ready to leave, daughter Peri is confronted by a mean ol junkyard dog, and when dad, Ray tries to help, well doesn't go so great. Father and daughter go tumbling down into what looks like a rather unsafe construction site. Ray whacks is head pretty hard, daughter Peri, appears to have more serious injuries. Mom, Joanne, coming from the restroom we assume, comes to help, they all pack in the car and off to the hospital they go. As the docs go to take Peri to go get checked out, only one more person can go with, so mom heads off with her. And that's the last time Ray see's them. He dozes off in the waiting room, to see the sun setting, wakes startled heads to the check in and asks about his daughter. Who? The hospital staff seem to remember Ray coming in alone, for a head injury. What? Let the paranoia begin! Directed by Brad Anderson, who also directed one of my fave movies Session 9, did a great job keeping Ray looking confused and with reason the entire movie, Sam Worthington's strong point, lol. I say go for it, fast paced, paranoia thriller... Filmbufftim on FB
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Bob Mann (459 KP) rated The Commuter (2018) in Movies
Sep 29, 2021
“This train is freaking me out”.
“The Commuter” is not a good film. You know that I’m not a prude about action films: “Die Hard” is one of my all time favourites and I even gave this actor/director combo’s previous outing – “Non-Stop” – a rather generous three Fads. But like many of my commutes, this is a hundred minutes of life that I won’t get back again.
Liam Neeson (“A Monster Calls“, “Taken 3“) plays Michael MacCauley an insurance salesman (no, I’m not making it up) who of course used to be a police officer with a certain set of skills. With advancing years, a couple of mortgages to keep up and a son about to go to college, he is financially rather exposed.
“Give me a sausage roll off the trolley…. NOW damn it”.
When a bad day turns worse, the commuting MacCauley is approached by a mysterious woman (Vera Farmiga, “The Judge“, “Up In The Air”) who offers him a financial bail-out for doing “just one small thing”. No, it’s not for sex in the toilet… it’s to use his familiarity with the train and its normal passengers to find the person that ‘doesn’t fit there’. For there is a lot at stake and MacCauley is drawn into a perilous game where his own life and the lives of his son and wife Karen (Elizabeth McGovern, “Downton Abbey”) are put at risk.
Vera Farmiga has a proposition for Liam Neeson.
What the inexperienced writers (Byron Willinger, Philip de Blasi and Ryan Engle (“Non-stop”)) were clearly shooting for was a Hitchcockian “ordinary man in deep-water” style flick of the James Stewart “North by Northwest” variety…. but they really miss this by a mile. With the 65 year old Liam Neeson – here playing 60 – performing acrobatics on, under and across an express train, belief is not just suspended – it is hung drawn and quartered! The action is just ludicrously unrealistic.
Unfortunately, Neeson – although still looking remarkably good for his advanced years – is increasingly is starting to look like Roger Moore in “A View to a Kill”: its time to hang up the ‘action hero’ coat and focus on more character acting pieces (this was the man who gave us Oskar Schindler after all).
A chain defies all the laws of physics… train guard Colin McFarlane tries to help Neeson avoid disaster. A green screen is obviously not evident!
The plot also has more holes than a moth-eaten jumper. Omnipotence of the villains is evident, but never explained, and while they are fiendishly clever in some aspects they are face-palmingly stupid about others. (No spoilers, but the threat to MacCauley’s family is mind-numbingly foilable).
It was fairly obvious that Obi Wan Kenobi was out of place on the train. No.. of course not… this was just MacCauley’s commuting pal Walt (Jonathan Banks)
A ‘major event’ at the end of reel two (if you’ve seen the spoilerish trailer you’ll know what this is) leads – notably without any ‘consequence’ – into a completely ridiculous final reel that beggars belief. It also includes a “twist” so obvious that the writers must have assumed an IQ of sub-50.
What’s the great Sam Neill (“Jurassic Park”) doing in this mess?
This is a film that melds “Taken”, “Non-stop”, “Unstoppable”, “Strangers on a Train” and – most bizarrely and cringe-worthily – “Spartacus” to create a cinematic mess of supreme proportions. I put director Jaume Collet-Serra’s last film – “The Shallows” – into my Top 10 films of 2016. He’ll be lucky if this one doesn’t make my “Turkeys of the Year” list for 2018.
Avoid!
Liam Neeson (“A Monster Calls“, “Taken 3“) plays Michael MacCauley an insurance salesman (no, I’m not making it up) who of course used to be a police officer with a certain set of skills. With advancing years, a couple of mortgages to keep up and a son about to go to college, he is financially rather exposed.
“Give me a sausage roll off the trolley…. NOW damn it”.
When a bad day turns worse, the commuting MacCauley is approached by a mysterious woman (Vera Farmiga, “The Judge“, “Up In The Air”) who offers him a financial bail-out for doing “just one small thing”. No, it’s not for sex in the toilet… it’s to use his familiarity with the train and its normal passengers to find the person that ‘doesn’t fit there’. For there is a lot at stake and MacCauley is drawn into a perilous game where his own life and the lives of his son and wife Karen (Elizabeth McGovern, “Downton Abbey”) are put at risk.
Vera Farmiga has a proposition for Liam Neeson.
What the inexperienced writers (Byron Willinger, Philip de Blasi and Ryan Engle (“Non-stop”)) were clearly shooting for was a Hitchcockian “ordinary man in deep-water” style flick of the James Stewart “North by Northwest” variety…. but they really miss this by a mile. With the 65 year old Liam Neeson – here playing 60 – performing acrobatics on, under and across an express train, belief is not just suspended – it is hung drawn and quartered! The action is just ludicrously unrealistic.
Unfortunately, Neeson – although still looking remarkably good for his advanced years – is increasingly is starting to look like Roger Moore in “A View to a Kill”: its time to hang up the ‘action hero’ coat and focus on more character acting pieces (this was the man who gave us Oskar Schindler after all).
A chain defies all the laws of physics… train guard Colin McFarlane tries to help Neeson avoid disaster. A green screen is obviously not evident!
The plot also has more holes than a moth-eaten jumper. Omnipotence of the villains is evident, but never explained, and while they are fiendishly clever in some aspects they are face-palmingly stupid about others. (No spoilers, but the threat to MacCauley’s family is mind-numbingly foilable).
It was fairly obvious that Obi Wan Kenobi was out of place on the train. No.. of course not… this was just MacCauley’s commuting pal Walt (Jonathan Banks)
A ‘major event’ at the end of reel two (if you’ve seen the spoilerish trailer you’ll know what this is) leads – notably without any ‘consequence’ – into a completely ridiculous final reel that beggars belief. It also includes a “twist” so obvious that the writers must have assumed an IQ of sub-50.
What’s the great Sam Neill (“Jurassic Park”) doing in this mess?
This is a film that melds “Taken”, “Non-stop”, “Unstoppable”, “Strangers on a Train” and – most bizarrely and cringe-worthily – “Spartacus” to create a cinematic mess of supreme proportions. I put director Jaume Collet-Serra’s last film – “The Shallows” – into my Top 10 films of 2016. He’ll be lucky if this one doesn’t make my “Turkeys of the Year” list for 2018.
Avoid!