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Bostonian916 (449 KP) rated Jojo Rabbit (2019) in Movies
Jun 27, 2020
After seeing the trailer for this I was very skeptical. I wondered how Hitler during Nazi Germany times could possibly be funny, even in satire. Truth be told, the only reason I got past that stage was because the movie stars Sam Rockwell, and I'm a sucker for him.
I stand corrected on my initial assessment.
Jojo Rabbit is a hilarious take on the life of a child during Nazi reign in Germany. Adolf Hitler is represented as an imaginary friend of a young man who is coming into his own. I know, this seems wicked dark and awful at the same time. But the way that it's approached by the film makers creates an environment that educates and enlightens to the times that were lived by the people of Germany while making it a bit lighter so that it doesn't weigh down all of your emotions to the point of not being able to carry them.
There are some very serious moments and I wouldn't recommend watching with young children (that should be a given if you watched the trailer). However, it is well worth a watch, or even a second. The acting alone is worth a second look.
I stand corrected on my initial assessment.
Jojo Rabbit is a hilarious take on the life of a child during Nazi reign in Germany. Adolf Hitler is represented as an imaginary friend of a young man who is coming into his own. I know, this seems wicked dark and awful at the same time. But the way that it's approached by the film makers creates an environment that educates and enlightens to the times that were lived by the people of Germany while making it a bit lighter so that it doesn't weigh down all of your emotions to the point of not being able to carry them.
There are some very serious moments and I wouldn't recommend watching with young children (that should be a given if you watched the trailer). However, it is well worth a watch, or even a second. The acting alone is worth a second look.
Chris Sawin (602 KP) rated Conviction (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Betty Anne (Swank) and Kenneth Waters (Rockwell) are siblings who have been close ever since childhood. However Kenneth has always had problems with the law that only escalated as he got older and Betty Anne was always there for him to bail him out or give him a ride home. Now that he's facing life in prison for a murder he may not have even committed, Betty Anne is convinced that her brother is innocent of the charges even though everyone else has accepted the fact that Kenneth is a murderer including his daughter, Mandy (Graynor). Betty Anne is willing to do whatever it takes to make her brother a free man even if it means putting herself through law school, becoming a lawyer, and reopening a case that's 16 years old.
On the surface, Conviction seems like a very mixed bag. There had been little to no promotion for it out here while the trailer hadn't really been attached to any recent screenings. I do recall seeing a trailer for the film one time online months ago, but that's it. Truth be told, that's usually the best way to see a film. No scene has the chance to be overplayed because you had seen the trailer however many times. Conviction is very much an independent film and is borderline nonexistent even though it had a limited release last week. The result was not only an extremely emotional and powerful film, but Conviction also features some of the strongest performances of the year.
The dramatic film jumps around in time right from the beginning. We're shown the horrific aftermath of Katharina Brow's gruesome murder and then jump back to the present day where we see Betty Anne visiting Kenneth in prison. Soon after that, we travel back into the past where we're shown the adult lives of Betty Anne and Kenneth. They're very much a part of each other's lives even when they both have families of their own to worry about. Kenneth's run ins with the law become more frequent as he seems to be picked up whenever the law is broken in Ayer, Massachusetts. Then, we jump even further back into the past during Betty Anne and Kenneth's childhood. They were very close even at that age, but they didn't live normal lives. They were stealing, trespassing, and breaking and entering at an early age. The time jumps were kind of infrequent and abrupt; they seemed to just happen at whim but provided quite a bit of background history about Betty Anne and Kenneth that was crucial to the overall story.
I'm honestly not a fan of Hilary Swank. She's just never done anything for me. The main point of interest for me was Sam Rockwell. Ever since his magnificent performance in last year's Moon, I've been trying to see as many of his films as possible and they very rarely disappoint. Conviction relies on the chemistry between Swank and Rockwell though. The whole movie wouldn't be anything without the connection those two have. Swank is incredibly family driven as the aftermath of her devoting most of her life to freeing her brother takes its toll on the rest of her life and her family. Rockwell is as fantastic as ever as just a simple expression on his face seems to say more about his character than any kind of reaction could, but his emotional outbursts are just as spectacular. Before he went to prison, Kenneth Waters seemed like a family man with a warm personality that cracked a lot of jokes but flew off the handle at the drop of a hat and lost control that usually resulted in a trip downtown. Prison is tearing him apart and it shows not only in Rockwell's performance but Swank's as well.
Conviction is one of the most effective dramas of the year that delivers an impact you'll be feeling long after you leave the theater. It takes you on a roller coaster of emotions that is well worth the ride. All the chips on the table lie in the hands of Hilary Swank and Sam Rockwell while their on-screen presence alone seems to drive the film even when they're not saying anything. One of the best aspects of the film is that Betty Anne believes her brother is innocent and even when that comes into question, she doesn't want to hear any of it. Near the end of the film, it doesn't really seem to matter if Kenneth is innocent or not. Betty Anne believes it to be true and that's good enough for her. Her passion seems to be the underlying factor of this film. If you're looking for a film that feels heartfelt and genuine, then Conviction is a film you may want to look into.
On the surface, Conviction seems like a very mixed bag. There had been little to no promotion for it out here while the trailer hadn't really been attached to any recent screenings. I do recall seeing a trailer for the film one time online months ago, but that's it. Truth be told, that's usually the best way to see a film. No scene has the chance to be overplayed because you had seen the trailer however many times. Conviction is very much an independent film and is borderline nonexistent even though it had a limited release last week. The result was not only an extremely emotional and powerful film, but Conviction also features some of the strongest performances of the year.
The dramatic film jumps around in time right from the beginning. We're shown the horrific aftermath of Katharina Brow's gruesome murder and then jump back to the present day where we see Betty Anne visiting Kenneth in prison. Soon after that, we travel back into the past where we're shown the adult lives of Betty Anne and Kenneth. They're very much a part of each other's lives even when they both have families of their own to worry about. Kenneth's run ins with the law become more frequent as he seems to be picked up whenever the law is broken in Ayer, Massachusetts. Then, we jump even further back into the past during Betty Anne and Kenneth's childhood. They were very close even at that age, but they didn't live normal lives. They were stealing, trespassing, and breaking and entering at an early age. The time jumps were kind of infrequent and abrupt; they seemed to just happen at whim but provided quite a bit of background history about Betty Anne and Kenneth that was crucial to the overall story.
I'm honestly not a fan of Hilary Swank. She's just never done anything for me. The main point of interest for me was Sam Rockwell. Ever since his magnificent performance in last year's Moon, I've been trying to see as many of his films as possible and they very rarely disappoint. Conviction relies on the chemistry between Swank and Rockwell though. The whole movie wouldn't be anything without the connection those two have. Swank is incredibly family driven as the aftermath of her devoting most of her life to freeing her brother takes its toll on the rest of her life and her family. Rockwell is as fantastic as ever as just a simple expression on his face seems to say more about his character than any kind of reaction could, but his emotional outbursts are just as spectacular. Before he went to prison, Kenneth Waters seemed like a family man with a warm personality that cracked a lot of jokes but flew off the handle at the drop of a hat and lost control that usually resulted in a trip downtown. Prison is tearing him apart and it shows not only in Rockwell's performance but Swank's as well.
Conviction is one of the most effective dramas of the year that delivers an impact you'll be feeling long after you leave the theater. It takes you on a roller coaster of emotions that is well worth the ride. All the chips on the table lie in the hands of Hilary Swank and Sam Rockwell while their on-screen presence alone seems to drive the film even when they're not saying anything. One of the best aspects of the film is that Betty Anne believes her brother is innocent and even when that comes into question, she doesn't want to hear any of it. Near the end of the film, it doesn't really seem to matter if Kenneth is innocent or not. Betty Anne believes it to be true and that's good enough for her. Her passion seems to be the underlying factor of this film. If you're looking for a film that feels heartfelt and genuine, then Conviction is a film you may want to look into.
Gareth von Kallenbach (968 KP) rated Iron Man 2 (2010) in Movies
Aug 8, 2019
Iron Man 2 picks up right where the first one left off, and manages to continue the enjoyment without losing too much steam in the process. Jon Favreau has kept the exciting action, lost a bit of character development, but added more of a comic-book dimension to the film series.
The plot was slow to start, but once you see how events start fitting together for the eventual showdown, the movie picks up speed and leads in for a very satisfying finish. Thankfully, there weren’t too many slow moments (this is an action movie, after all), and the plot flowed well from scene to scene. The action-packed ending more than makes up for any slow moments toward the beginning.
The interplay between the characters definitely felt more formal than the first film. Robert Downey, Jr. plays the title character with just as much snarky humor and snide dialogue as he did in the first film, but he seems to play his dramatic scenes with less emphasis than the first. Don Cheadle, as Colonel Rhodes, continues with the memorable character that Terrence Howard defined, but doesn’t come into his own until near the finale. Scarlett Johansson performs the part of the sultry and mysterious Natalie Rushman/Natasha Romanoff quite well, although aside from one stunning action scene, her role is relatively minor compared to the rest of the cast. The villains, Ivan Vanko, played by Mickey Rourke; and Justin Hammer, played by Sam Rockwell, more than match their opposition on screen. Rockwell in particular is absolutely fantastic in his portrayal: totally believable, animated, and fun to watch. I just wish everyone had his enthusiasm for the film, because I sensed less emotion this time around.
Iron Man 2 also has much more of a comic-book feel than the previous movie. Marvel fans will notice quite a few more nods to the Marvel Universe, but even more than that, Iron Man feels more like the fantastic character that he is when he has a properly villainous opponent. In the end, this film is a fitting sequel that nearly matches it’s predecessor.
The plot was slow to start, but once you see how events start fitting together for the eventual showdown, the movie picks up speed and leads in for a very satisfying finish. Thankfully, there weren’t too many slow moments (this is an action movie, after all), and the plot flowed well from scene to scene. The action-packed ending more than makes up for any slow moments toward the beginning.
The interplay between the characters definitely felt more formal than the first film. Robert Downey, Jr. plays the title character with just as much snarky humor and snide dialogue as he did in the first film, but he seems to play his dramatic scenes with less emphasis than the first. Don Cheadle, as Colonel Rhodes, continues with the memorable character that Terrence Howard defined, but doesn’t come into his own until near the finale. Scarlett Johansson performs the part of the sultry and mysterious Natalie Rushman/Natasha Romanoff quite well, although aside from one stunning action scene, her role is relatively minor compared to the rest of the cast. The villains, Ivan Vanko, played by Mickey Rourke; and Justin Hammer, played by Sam Rockwell, more than match their opposition on screen. Rockwell in particular is absolutely fantastic in his portrayal: totally believable, animated, and fun to watch. I just wish everyone had his enthusiasm for the film, because I sensed less emotion this time around.
Iron Man 2 also has much more of a comic-book feel than the previous movie. Marvel fans will notice quite a few more nods to the Marvel Universe, but even more than that, Iron Man feels more like the fantastic character that he is when he has a properly villainous opponent. In the end, this film is a fitting sequel that nearly matches it’s predecessor.
Awix (3310 KP) rated Vice (2018) in Movies
Jan 31, 2019
Adam McKay's attempt to reinvent himself as a sort of non-documentarian version of Michael Moore is not so much a hatchet-job as a machete-job - no, make that a chainsaw-job - on the reputation of Dick Cheney, Vice-Prez under Dubya. Christian Bale vanishes under layers of make-up and the Cheney who emerges is a disturbing, totally unprincipled monster, consumed by the acquisition and use of power, responsible for (amongst other things) the invasion of Iraq and the rise of ISIS. Potentially quite heavy stuff going on, then, but McKay takes care to cheer things up (relatively speaking) by including big performances from Sam Rockwell and Steve Carell, along with a few Monty Python ideas repurposed for this movie.
Highly entertaining in a ghastly sort of way, and illuminating with respect to the twisted logic employed by the Bush administration and the role they played in facilitating the current civic nightmare engulfing the USA. Unlikely to appeal to the Republican base, for obvious reasons, but the film inevitably has some jokes to make about its own liberal bias, too, as well as being smart enough to allow Cheney the chance to justify himself, which he does in a disturbingly persuasive way. Still probably a bit too partisan for its own good, but still very impressive and a lot of fun; thought-provoking too.
Highly entertaining in a ghastly sort of way, and illuminating with respect to the twisted logic employed by the Bush administration and the role they played in facilitating the current civic nightmare engulfing the USA. Unlikely to appeal to the Republican base, for obvious reasons, but the film inevitably has some jokes to make about its own liberal bias, too, as well as being smart enough to allow Cheney the chance to justify himself, which he does in a disturbingly persuasive way. Still probably a bit too partisan for its own good, but still very impressive and a lot of fun; thought-provoking too.
LoganCrews (2861 KP) rated Gentlemen Broncos (2009) in Movies
Jul 4, 2021
I get a lot of the disdain but honestly, this is pretty much the exact natural evolution of 𝘕𝘢𝘱𝘰𝘭𝘦𝘰𝘯 𝘋𝘺𝘯𝘢𝘮𝘪𝘵𝘦 - for better and for worse. Am I proving the (brilliant) point of this film - portraying the intrinsic merits of an original idea over that same idea bastardized by greedy agencies and/or people who claim to be supportive while in the same breath spitefully swearing 'their version' is inherently better - in suggesting that if Hess would have restrained his weird Hess-isms just a smidge, that this downright compelling premise would have built up a bit more crucial meat which would have made this the great film it deserves to be? Then again, if that were the case this would have also missed out on its deliriously kooky atmosphere which provides such unforgettable nuance. I don't get much out of the main characters here but the supporting ones are next-level delish - Sam Rockwell and Jemaine Clement are fully game for this ravishing surrealism and it shows. Has some funny fuckin' moments but - as with most of the director's work - I admit that it strains from time to time. It also happens to be both gorgeous design-fetishism *and* has a dope soundtrack - Jared Hess is essentially Wes Anderson if he was obsessed with gradeschool potty humor.
Sarah (7798 KP) rated Jojo Rabbit (2019) in Movies
Jun 10, 2020
Rather funny yet heartwarming
Being a huge Taika Waititi fan I had high expectations for this film and whilst I did enjoy it, it wasn't quite as amazing as I'd expected.
First of all, I expected this film to be a full on oddball comedy - I mean Hilter as his imaginary friend? However this film is a lot less oddball comedy and a lot more like Hunt for the Wilderpeople, a heartwarming drama with a few comic moments thrown in. Don't get me wrong, there are definitely laughs in this. Mostly coming from Waititi's hilarious Hilter or from Sam Rockwell's Captain who were by far my favourite characters. And Jojo himself is a lovable protagonist and well acted by Roman Griffin Davis. The problem is that the second half of the film was way too serious and while this was heartwarming and sweet at times, it became a little heavy. When Waititi and Rockwell popped up they were a very welcome comic relief.
Despite the rather heavy serious side, this is still a very lovable and entertaining film and definitely one to watch. It's rare to find a film that would have you laughing and crying in equal parts, although I do still wish it was weighted slightly more on the comic side - it definitely needed more Waititi as Hitler!
First of all, I expected this film to be a full on oddball comedy - I mean Hilter as his imaginary friend? However this film is a lot less oddball comedy and a lot more like Hunt for the Wilderpeople, a heartwarming drama with a few comic moments thrown in. Don't get me wrong, there are definitely laughs in this. Mostly coming from Waititi's hilarious Hilter or from Sam Rockwell's Captain who were by far my favourite characters. And Jojo himself is a lovable protagonist and well acted by Roman Griffin Davis. The problem is that the second half of the film was way too serious and while this was heartwarming and sweet at times, it became a little heavy. When Waititi and Rockwell popped up they were a very welcome comic relief.
Despite the rather heavy serious side, this is still a very lovable and entertaining film and definitely one to watch. It's rare to find a film that would have you laughing and crying in equal parts, although I do still wish it was weighted slightly more on the comic side - it definitely needed more Waititi as Hitler!
Gareth von Kallenbach (968 KP) rated The Way Way Back (2013) in Movies
Aug 6, 2019
Prior to the press screening for The Way, Way Back I had little knowledge of the film. Despite the heavy hitters in this film, including Steve Carell, Toni Collette and Sam Rockwell, I did not expect to be amazed by the movie. Even as I entered the theater and the studio reps were handing out sunglasses, t-shirts and beach balls I had little hope for the movie. Typically, great films are not promoted through cheap novelties.
Fortunately for us all, The Way, Way Back turned out to be a surprisingly delightful movie with a lot of heart. IT is way, way better than its marketing campaign, that’s for sure.
The movie centers on 14-year-old Duncan (Liam James), a kind of dorky and awkward teenager whose mother, Pam (Toni Collette), brings him along to an extended summer vacation on the Massachusetts coast. Duncan would rather be spending time with his father than his mother and her unlikeable boyfriend, Trent (Steve Carell), and his stuck up teenage drama-queen daughter, Steph (Zoe Levlin).
Duncan finds little of interest in the small beach town, and immediately feels alienated from the rest of his group. This is until he meets Susanna (AnnaSophia Robb), the brainy, older woman (16) who is staying next door with her hilariously blunt mother, Betty (Allison Janney), a friend of Trent’s. The two teens make an immediate, if not awkward connection, and share in the bond of thinking the town sucks, both being children of divorce, and their families are unbearable.
Aside from Susanna, Duncan finds an even better excuse to disappear and avoid the likes of his would-be family at the local water park, where he develops an unlikely friendship with Owen (Sam Rockwell), owner of Water Wizz. Sensing that Duncan is a lonely, outcast teen looking for place to belong, Owen hires him to work at the water park. Duncan is so alienated from his family that he doesn’t even bother mention to them that he is employed. Instead, he pretends to that he is just hanging out all day not really doing anything.
If this all sounds eerily familiar, it’s because The Way, Way Back follows a formula that most standard-issue summer vacation/coming of age movie does. But familiar isn’t always bad. The Way, Way Back has genuinely funny humor to it, and the characters are very relatable. It wouldn’t surprise me to find out that you were comparing them to others in your life, or that you may have met along the way. I know I was.
In fact, the film’s undeniable charm lies in its appealing, and not so appealing, characters, all portrayed excellently by a cast with a surprising amount of credibility for a film of this genre. James, a relatively new name, plays Duncan superbly, displaying the sort of low self-esteem that drives other kids to mock him. Anyone who does, or has, ever retreated into a lonely, nerdy, self-absorbed world will understand his angst and immediately attach themselves to Duncan. Especially in the early scenes that Duncan shares with Susanna, who obviously terrifies him with her confidence and beauty.
Rockwell steals every scene he is in as the ever-wisecracking Owen. He is your typical summer comedy character that you see in every film of this sort – the fast-talking adult male prankster whom all the kids flock to – but Rockwell plays the part with great depth. Beneath all of his bravado and clowning, there is clearly a man who has a lot of soul and cares about those around him. This side of Owen is brought out by Caitlin (Maya Rudolph), Owen’s park manager and sometimes girlfriend.
Carell takes on an unusual to most role as Trent, the films antagonist, if there really is one in this genre. He is one of the guys who is kind of a jerk, but not enough for you to really hate. Collette plays her part well, but doesn’t really get a significant amount of focus in the film. The funniest character of the fill is the over-the-top inappropriate Betty, a mom with a mean steak who does her best to embarrass her children and make everyone cringe with her nosy questions and open sexual frankness. Janney plays her with perfect comic timing.
I spoke with a friend, who also screened this movie, and he felt the movie played it too safe. He wanted it to explore the film’s darker themes more (family dysfunction, career frustration, teenage alienation) with much more insight. The one point I did agree with him was that Collette’s character was too underwritten to fully explain Pam’s tense relationships with, well… everyone. This is accentuated by the ending of the film where based on the buildup, I expected a much different action from her.
Still, The Way, Way Back is a delightful and smartly funny film that is sure to entertain you, and has a bit more gravitas than most summer comedies. I can tell you that I will be sporting my white “Ray-Ban”-esque sunglasses.
Fortunately for us all, The Way, Way Back turned out to be a surprisingly delightful movie with a lot of heart. IT is way, way better than its marketing campaign, that’s for sure.
The movie centers on 14-year-old Duncan (Liam James), a kind of dorky and awkward teenager whose mother, Pam (Toni Collette), brings him along to an extended summer vacation on the Massachusetts coast. Duncan would rather be spending time with his father than his mother and her unlikeable boyfriend, Trent (Steve Carell), and his stuck up teenage drama-queen daughter, Steph (Zoe Levlin).
Duncan finds little of interest in the small beach town, and immediately feels alienated from the rest of his group. This is until he meets Susanna (AnnaSophia Robb), the brainy, older woman (16) who is staying next door with her hilariously blunt mother, Betty (Allison Janney), a friend of Trent’s. The two teens make an immediate, if not awkward connection, and share in the bond of thinking the town sucks, both being children of divorce, and their families are unbearable.
Aside from Susanna, Duncan finds an even better excuse to disappear and avoid the likes of his would-be family at the local water park, where he develops an unlikely friendship with Owen (Sam Rockwell), owner of Water Wizz. Sensing that Duncan is a lonely, outcast teen looking for place to belong, Owen hires him to work at the water park. Duncan is so alienated from his family that he doesn’t even bother mention to them that he is employed. Instead, he pretends to that he is just hanging out all day not really doing anything.
If this all sounds eerily familiar, it’s because The Way, Way Back follows a formula that most standard-issue summer vacation/coming of age movie does. But familiar isn’t always bad. The Way, Way Back has genuinely funny humor to it, and the characters are very relatable. It wouldn’t surprise me to find out that you were comparing them to others in your life, or that you may have met along the way. I know I was.
In fact, the film’s undeniable charm lies in its appealing, and not so appealing, characters, all portrayed excellently by a cast with a surprising amount of credibility for a film of this genre. James, a relatively new name, plays Duncan superbly, displaying the sort of low self-esteem that drives other kids to mock him. Anyone who does, or has, ever retreated into a lonely, nerdy, self-absorbed world will understand his angst and immediately attach themselves to Duncan. Especially in the early scenes that Duncan shares with Susanna, who obviously terrifies him with her confidence and beauty.
Rockwell steals every scene he is in as the ever-wisecracking Owen. He is your typical summer comedy character that you see in every film of this sort – the fast-talking adult male prankster whom all the kids flock to – but Rockwell plays the part with great depth. Beneath all of his bravado and clowning, there is clearly a man who has a lot of soul and cares about those around him. This side of Owen is brought out by Caitlin (Maya Rudolph), Owen’s park manager and sometimes girlfriend.
Carell takes on an unusual to most role as Trent, the films antagonist, if there really is one in this genre. He is one of the guys who is kind of a jerk, but not enough for you to really hate. Collette plays her part well, but doesn’t really get a significant amount of focus in the film. The funniest character of the fill is the over-the-top inappropriate Betty, a mom with a mean steak who does her best to embarrass her children and make everyone cringe with her nosy questions and open sexual frankness. Janney plays her with perfect comic timing.
I spoke with a friend, who also screened this movie, and he felt the movie played it too safe. He wanted it to explore the film’s darker themes more (family dysfunction, career frustration, teenage alienation) with much more insight. The one point I did agree with him was that Collette’s character was too underwritten to fully explain Pam’s tense relationships with, well… everyone. This is accentuated by the ending of the film where based on the buildup, I expected a much different action from her.
Still, The Way, Way Back is a delightful and smartly funny film that is sure to entertain you, and has a bit more gravitas than most summer comedies. I can tell you that I will be sporting my white “Ray-Ban”-esque sunglasses.
Emma @ The Movies (1786 KP) rated Jojo Rabbit (2019) in Movies
Jan 11, 2020
If you asked me why I skipped seeing this one twice before it's UK release I wouldn't be able to give you a proper answer. I guess I just didn't fancy it, and the second time Odeon outdid Cineworld with a really early Parasite screening so that felt like the sensible choice instead.
Jojo wants to be a good German, but as he's about to go off to a Nazi Youth Camp he worries about how he'll do. Luckily he has a friend to help him through it, Adolf Hitler. The Fuhrer is always with him in spirit.
Recovering at home after an accident Jojo discovers that he's not alone in the house. He discovers Elsa hiding in a wall space upstairs, hidden by his mother. Jojo is torn, he should report her to the authorities but that could be bad news for him and his mother.
I was genuinely surprised about who was turning up to see this. There were a lot of family groups and groups of teenagers. It shouldn't really shock me, everyone has their own interests in a wide variety of things, but I wasn't expecting to see such young people coming to see it.
By far my favourite thing about this film was Sam Rockwell as Captain Klenzendorf, a little bitter with his situation and begrudgingly training the kids for the battles ahead, he's making the best of a bad situation. He's funny, and more importantly, glorious in battle. From the ridiculous to a surprisingly moving scene at the end, he was the performance of the whole film for me.
Child actors have their ups and downs, some have the knack right out of the gate but I didn't really get that from Roman Griffin Davis or Archie Yates. Both got some good moments out of the script but their delivery and the consistency of the characters didn't carry through it as a whole.
Thomasin McKenzie however brought a little something extra to her role of Elsa. I didn't mind her slightly more serious parts in this but it was difficult to get much more out of it when so much revolved around her and Jojo in scenes together. I don't like "awkward" and some of the scenes are *shudder*.
I can't really talk about the film without talking about Taika Waititi as Hitler. I found him quite amusing to begin with but when the character started to change as Jojo did I felt it was a little over the top.
Dramatic moments pop up when you really aren't expecting them, two in particular stuck with me afterwards. One, as I mentioned, with Sam Rockwell and the other with Scarlett Johansson. Rockwell's was a complete surprise, but ScarJo's, though unexpected, was overplayed a lot in the build up.
Jojo Rabbit is a very odd film, I didn't know what to expect at all really and the final result left me no wiser. Entertaining yes, but not something I would have to see again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jojo-rabbit-movie-review.html
Jojo wants to be a good German, but as he's about to go off to a Nazi Youth Camp he worries about how he'll do. Luckily he has a friend to help him through it, Adolf Hitler. The Fuhrer is always with him in spirit.
Recovering at home after an accident Jojo discovers that he's not alone in the house. He discovers Elsa hiding in a wall space upstairs, hidden by his mother. Jojo is torn, he should report her to the authorities but that could be bad news for him and his mother.
I was genuinely surprised about who was turning up to see this. There were a lot of family groups and groups of teenagers. It shouldn't really shock me, everyone has their own interests in a wide variety of things, but I wasn't expecting to see such young people coming to see it.
By far my favourite thing about this film was Sam Rockwell as Captain Klenzendorf, a little bitter with his situation and begrudgingly training the kids for the battles ahead, he's making the best of a bad situation. He's funny, and more importantly, glorious in battle. From the ridiculous to a surprisingly moving scene at the end, he was the performance of the whole film for me.
Child actors have their ups and downs, some have the knack right out of the gate but I didn't really get that from Roman Griffin Davis or Archie Yates. Both got some good moments out of the script but their delivery and the consistency of the characters didn't carry through it as a whole.
Thomasin McKenzie however brought a little something extra to her role of Elsa. I didn't mind her slightly more serious parts in this but it was difficult to get much more out of it when so much revolved around her and Jojo in scenes together. I don't like "awkward" and some of the scenes are *shudder*.
I can't really talk about the film without talking about Taika Waititi as Hitler. I found him quite amusing to begin with but when the character started to change as Jojo did I felt it was a little over the top.
Dramatic moments pop up when you really aren't expecting them, two in particular stuck with me afterwards. One, as I mentioned, with Sam Rockwell and the other with Scarlett Johansson. Rockwell's was a complete surprise, but ScarJo's, though unexpected, was overplayed a lot in the build up.
Jojo Rabbit is a very odd film, I didn't know what to expect at all really and the final result left me no wiser. Entertaining yes, but not something I would have to see again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jojo-rabbit-movie-review.html
JT (287 KP) rated Frost/Nixon (2008) in Movies
Mar 10, 2020
"Hello, Good Evening and Welcome”, David Frost’s suave and debonair talk show host, up against Richard Nixon a President draped in controversy while all the while standing firm in his beliefs.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
Ryan Hill (152 KP) rated Iron Man 2 (2010) in Movies
May 9, 2019
"if you could make god bleed people would cease to believe in him"
What made Iron Man so great was its original story, exciting action, and stellar performances. But beneath all the spectacle was a heart, characters we cared about and a coherent story in which we watched a narsasistic asshole become a good guy. All of that has vanished in the rushed, noisy, but enjoyable sequel.
Tony Stark is now living the life of a rockstar, a superhero that everyone knows the identity of, enjoying a celebrity lifestyle. Meanwhile, a villain connected to Tony's past recreates his technology and seeks revenge. Tony also deals with the mystery of his dead parents, his relationship with Pepper, wards off government attempts to control his technology, rebuffs his corporate rival, and has to rework his technology that is slowly killing him. Oh, and The Avengers show up.
If that sounds like an overcrowded movie to you, that's because it is. Iron Man 2 acts as an Iron Man sequel and an Avengers prequel. The clashing of these two stories is due to an unfocused narrative trying to cram in ten different storylines. Half the stories don't conclude in a satisfying way, and we're left with a pretty looking movie.
Luckily the performances are still great, Robert Downey Jr. is again a delight to watch, Sam Rockwell is fun as his counterpart rival, and Don Cheadle replaces Terrence Howard as best friend Rhodes, a worthy replacement. Scarlett Johansson joins the cast as an Avengers refenerence, with very little to do other than look good and kick ass.
Jon Favreau seems much less interested in the project this time around, as he falls under the weight of the studio pushing for a sequel in two years as opposed to three. The script has a couple of witty highlights, mostly with Same Rockwell as Tony's business rival.
The action is thrilling and everything you'd want when it comes, but it doesn't show up often. The visual effects are improved, and the sound design is top notch. The score is mediocre, with a few notable exceptions.
There is too much going on for one movie, but by the end of the movie you're left wanting more. Not enough time was devoted to the different characters and plot lines, which results in a highly uneven movie with short bursts of excitement and a solid cast. Worth one watch.
Tony Stark is now living the life of a rockstar, a superhero that everyone knows the identity of, enjoying a celebrity lifestyle. Meanwhile, a villain connected to Tony's past recreates his technology and seeks revenge. Tony also deals with the mystery of his dead parents, his relationship with Pepper, wards off government attempts to control his technology, rebuffs his corporate rival, and has to rework his technology that is slowly killing him. Oh, and The Avengers show up.
If that sounds like an overcrowded movie to you, that's because it is. Iron Man 2 acts as an Iron Man sequel and an Avengers prequel. The clashing of these two stories is due to an unfocused narrative trying to cram in ten different storylines. Half the stories don't conclude in a satisfying way, and we're left with a pretty looking movie.
Luckily the performances are still great, Robert Downey Jr. is again a delight to watch, Sam Rockwell is fun as his counterpart rival, and Don Cheadle replaces Terrence Howard as best friend Rhodes, a worthy replacement. Scarlett Johansson joins the cast as an Avengers refenerence, with very little to do other than look good and kick ass.
Jon Favreau seems much less interested in the project this time around, as he falls under the weight of the studio pushing for a sequel in two years as opposed to three. The script has a couple of witty highlights, mostly with Same Rockwell as Tony's business rival.
The action is thrilling and everything you'd want when it comes, but it doesn't show up often. The visual effects are improved, and the sound design is top notch. The score is mediocre, with a few notable exceptions.
There is too much going on for one movie, but by the end of the movie you're left wanting more. Not enough time was devoted to the different characters and plot lines, which results in a highly uneven movie with short bursts of excitement and a solid cast. Worth one watch.