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David McK (3207 KP) rated Lift (2024) in Movies
Mar 21, 2024
Heist movie mainly starring Kevin Hart (in a mostly light hearted role) and Gugu Mbatha-Raw as the two leads (with room for the likes of Sam Worthington, Jean Reno and Vincent d'Onofrio most noticeably), with the former a master thief and the latter an intelligence agent - each of whom previously fell for the other, when both undercover - who have to put aside their past differences and lead a heist on board an aircraft in flight (hence the double meaning behind the name 'lift'), transporting gold to a terrorist.
I watched this mainly so I could play spot-the-location (some of it being filmed in my home country of Northern Ireland), but have to say it was also better than I was expecting!
I watched this mainly so I could play spot-the-location (some of it being filmed in my home country of Northern Ireland), but have to say it was also better than I was expecting!
Heather Cranmer (2721 KP) rated Ugly by Kelly Vincent in Books
May 29, 2022
I was so happy when I read the synopsis for Ugly by Kelly Vincent. This sounded exactly like the kind of book I needed to get me out of my reading slump. I was correct in my assumption. I absolutely loved this book!
Ugly is the story of a teenager named Nicole, or Nic as she goes by since she hates being called Nicole, Nic is 16 years old and lives in Oklahoma. Nic is made fun of at school and everywhere she goes. She's constantly being mistaken for a male everywhere she goes. During her sophomore school year, she starts questioning her sexuality and her gender identity.
It's obvious that the author knew exactly what she was talking about before writing Ugly from being gender non-conforming to even the therapy sessions Nic goes to. Ugly is definitely a well written book for sure. I like how Ugly draws attention to the struggles of not conforming to every day gender and sexual standards. I also want to give a shout out to the author for mentioning asexuality in the book. (I wish more LGBTQ+ books would talk about asexuality.) However, one minor gripe I have is that it mentions a character might be asexual because they didn't want/hadn't been in a relationship. Asexuality is the lack of sexual attraction. Asexuals still can want a romantic relationship. Aromanticism is the lack of romantic attraction. (Even then, asexuality and aromanticism have many more identities under their umbrella.) If the character was an aromantic asexual, it would have made more sense why they didn't want a relationship. Other than that, I loved everything about Ugly. My favorite part of the book (although all of it was fantastic) was when Nic goes to Scotland and sees just how different the people over there are compared to the people in the United States. I felt the same way as Nic when I lived in the United Kingdom. It did feel like people in the UK were less judgmental and more accepting than people here in the US.
Reading Ugly was like being in the mind of a teenager throughout a school year in their life. While the book goes through even the mundane day to day life of Nic, I still thoroughly enjoyed reading about Nic's life. Her struggle of trying to fit in whilst being made fun of and bullied really resonated with me. I felt like I was reading a biography about my life almost. I've never identified more with a book before! I think many teens and adults that were bullied, even those that are secure in their sexuality, will be able to relate to Nic on some level. Nic was the most relatable character I have ever read about. I would have loved to be friends with someone like her back in school (and even today). I also loved Nic's best friend Sam. Sam was just about the opposite of Nic both personality wise and looks wise. I loved how much Sam really cared about Nic.
Trigger warnings for Ugly include profanity, underage drinking, some minor drug use, some talks of politics, child molestation (though the book doesn't go into detail), bullying (including characters telling another character "kill yourself"), and depression.
Overall, Ugly is a book that should be in every school library as well as every public library. I feel like it's such an important book for teens (and adults), especially for those struggling with their sexuality and/or gender identity in this day and age. The research the author has put into the book as well as the author's ability to write a solid novel help to make Ugly such a fantastic read. I would definitely recommend Ugly by Kelly Vincent to everyone aged 14+ whether they are part of the LGBTQ+ community or not. This is a book that everyone should read due to its important topic.
(A special thank you to Goddess Fish Promotions for providing me with an eBook of Ugly by Kelly Vincent in exchange for a fair and honest review.)
Ugly is the story of a teenager named Nicole, or Nic as she goes by since she hates being called Nicole, Nic is 16 years old and lives in Oklahoma. Nic is made fun of at school and everywhere she goes. She's constantly being mistaken for a male everywhere she goes. During her sophomore school year, she starts questioning her sexuality and her gender identity.
It's obvious that the author knew exactly what she was talking about before writing Ugly from being gender non-conforming to even the therapy sessions Nic goes to. Ugly is definitely a well written book for sure. I like how Ugly draws attention to the struggles of not conforming to every day gender and sexual standards. I also want to give a shout out to the author for mentioning asexuality in the book. (I wish more LGBTQ+ books would talk about asexuality.) However, one minor gripe I have is that it mentions a character might be asexual because they didn't want/hadn't been in a relationship. Asexuality is the lack of sexual attraction. Asexuals still can want a romantic relationship. Aromanticism is the lack of romantic attraction. (Even then, asexuality and aromanticism have many more identities under their umbrella.) If the character was an aromantic asexual, it would have made more sense why they didn't want a relationship. Other than that, I loved everything about Ugly. My favorite part of the book (although all of it was fantastic) was when Nic goes to Scotland and sees just how different the people over there are compared to the people in the United States. I felt the same way as Nic when I lived in the United Kingdom. It did feel like people in the UK were less judgmental and more accepting than people here in the US.
Reading Ugly was like being in the mind of a teenager throughout a school year in their life. While the book goes through even the mundane day to day life of Nic, I still thoroughly enjoyed reading about Nic's life. Her struggle of trying to fit in whilst being made fun of and bullied really resonated with me. I felt like I was reading a biography about my life almost. I've never identified more with a book before! I think many teens and adults that were bullied, even those that are secure in their sexuality, will be able to relate to Nic on some level. Nic was the most relatable character I have ever read about. I would have loved to be friends with someone like her back in school (and even today). I also loved Nic's best friend Sam. Sam was just about the opposite of Nic both personality wise and looks wise. I loved how much Sam really cared about Nic.
Trigger warnings for Ugly include profanity, underage drinking, some minor drug use, some talks of politics, child molestation (though the book doesn't go into detail), bullying (including characters telling another character "kill yourself"), and depression.
Overall, Ugly is a book that should be in every school library as well as every public library. I feel like it's such an important book for teens (and adults), especially for those struggling with their sexuality and/or gender identity in this day and age. The research the author has put into the book as well as the author's ability to write a solid novel help to make Ugly such a fantastic read. I would definitely recommend Ugly by Kelly Vincent to everyone aged 14+ whether they are part of the LGBTQ+ community or not. This is a book that everyone should read due to its important topic.
(A special thank you to Goddess Fish Promotions for providing me with an eBook of Ugly by Kelly Vincent in exchange for a fair and honest review.)
Gareth von Kallenbach (971 KP) rated The Magnificent Seven (2016) in Movies
Jul 15, 2019
Full disclosure, I have never seen The 1960s Magnificent Seven film, nor do I care that at its core it is a retelling of the Japanese legend of the Seven Samurai. This is not a comparison review. Instead this is a simple review of what I watched on screen. Not beholden to anything other than itself as film and it being a western.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
Gareth von Kallenbach (971 KP) rated I Am Legend (2007) in Movies
Aug 14, 2019
Dr. Robert Neville (Will Smith) is a man with a very unique and very dangerous situation. Once hailed as a savior to the human race, Dr. Neville now finds himself wandering the streets of New York, alone, save for the company of his trusted dog Sam.
In the new film “I Am Legend”, Will Smith finds himself in a world gone mad when a cure for cancer has mutated horribly and reducing infected populations to dangerous mutants who roam dark places destroying all they encounter.
With the back-story of the film told largely through flashbacks, it is learned that Dr. Neville was close to finding the cure for the outbreak, but when the virus became airborne, New York City was to be quarantined via Presidential order.
Unwilling to leave the city, as he is convinced a cure is to be found there, Dr. Neville, stays behind, and three years later is the sole survivor in a city that has become an overgrown and desolate wasteland.
Robert has become a creature of habit, as he hunts for food and useful items during the day, and in keeping with a broadcasted message, he appears at the docks every day in hopes that someone has heard his message and will be waiting for him.
Robert also amuses himself by renting movies at a nearby store and has positioned and named mannequins throughout the city in order to have some since of companionship and conversation, but it is clear that the years of isolation are starting to take their toll.
When night falls, Robert and Sam take refuge behind the reinforced shutters of their home, as dangerous bands of light sensitive mutants wander the streets at night, forcing him to stay inside until the safety of the morning sun arrives.
Robert gets a sense of hope, when he sees some potential from a new vaccine he has developed. While testing it on a captured mutant does not deliver the desired results, it does show promise that at last progress is being made in finding a way to eliminate the threat of the plague once and for all.
When a series of unexpected and surprising situations arise, Robert is forced to examine his priorities, and prepare for the ultimate confrontation if there is to be a future for humanity.
The film is the third film version of the book of the same name as Vincent Price started in “The Last Man on Earth”, and Charlton Heston gave a memorable turn in the classic “Omega Man”. Smith is solid in the role of a man driven by his desire to complete what he has started no matter the cost, even though he believes that humanity has already perished. He mixes pathos with humor, to create a sympathetic though flawed character that is unlike many of his likeable everyman roles.
At one time years ago, this film was considered as a vehicle for a pre-Governor Arnold Schwarzenegger, and it deftly mixes drama, suspense, and action to create a very memorable experience.
My biggest issue with the film was the finale, as up until that point, the film had been pacing itself to be a 2hr plus film, and it seems as if the filmmakers decided to wrap things up quickly, as the pacing of the film rapidly changed gears for what in many ways was a standard pat ending, that does not equal the quality of the first ¾ of the film.
That being said, if you can overlook the very disappointing finale to the film and focus on the solid premise and work of Smith, then you might find this one of the years more enjoyable films.
In the new film “I Am Legend”, Will Smith finds himself in a world gone mad when a cure for cancer has mutated horribly and reducing infected populations to dangerous mutants who roam dark places destroying all they encounter.
With the back-story of the film told largely through flashbacks, it is learned that Dr. Neville was close to finding the cure for the outbreak, but when the virus became airborne, New York City was to be quarantined via Presidential order.
Unwilling to leave the city, as he is convinced a cure is to be found there, Dr. Neville, stays behind, and three years later is the sole survivor in a city that has become an overgrown and desolate wasteland.
Robert has become a creature of habit, as he hunts for food and useful items during the day, and in keeping with a broadcasted message, he appears at the docks every day in hopes that someone has heard his message and will be waiting for him.
Robert also amuses himself by renting movies at a nearby store and has positioned and named mannequins throughout the city in order to have some since of companionship and conversation, but it is clear that the years of isolation are starting to take their toll.
When night falls, Robert and Sam take refuge behind the reinforced shutters of their home, as dangerous bands of light sensitive mutants wander the streets at night, forcing him to stay inside until the safety of the morning sun arrives.
Robert gets a sense of hope, when he sees some potential from a new vaccine he has developed. While testing it on a captured mutant does not deliver the desired results, it does show promise that at last progress is being made in finding a way to eliminate the threat of the plague once and for all.
When a series of unexpected and surprising situations arise, Robert is forced to examine his priorities, and prepare for the ultimate confrontation if there is to be a future for humanity.
The film is the third film version of the book of the same name as Vincent Price started in “The Last Man on Earth”, and Charlton Heston gave a memorable turn in the classic “Omega Man”. Smith is solid in the role of a man driven by his desire to complete what he has started no matter the cost, even though he believes that humanity has already perished. He mixes pathos with humor, to create a sympathetic though flawed character that is unlike many of his likeable everyman roles.
At one time years ago, this film was considered as a vehicle for a pre-Governor Arnold Schwarzenegger, and it deftly mixes drama, suspense, and action to create a very memorable experience.
My biggest issue with the film was the finale, as up until that point, the film had been pacing itself to be a 2hr plus film, and it seems as if the filmmakers decided to wrap things up quickly, as the pacing of the film rapidly changed gears for what in many ways was a standard pat ending, that does not equal the quality of the first ¾ of the film.
That being said, if you can overlook the very disappointing finale to the film and focus on the solid premise and work of Smith, then you might find this one of the years more enjoyable films.
Chris Sawin (602 KP) rated The Ice Age Adventures of Buck Wild (2022) in Movies
Jan 30, 2022
The mimicking raptor (1 more)
The, "power of our spleens," line of dialogue.
Horrendously ugly animation. (2 more)
A terribly boring screenplay.
Humor that is so painfully unfunny.
The Ice Age Adventures of Buck Wild is the first Disney produced film of the franchise and the first Ice Age film to go directly to streaming. None of the original cast members return other than Simon Pegg as Buck Wild. Scrat is nowhere to be found and the animation is a noticeable downgrade. This project began with the intention of being a new Ice Age TV series, but was then repurposed into an 81-minute feature-length film.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.