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ClareR (5726 KP) rated The Memory Wood in Books

Feb 27, 2020 (Updated Feb 29, 2020)  
The Memory Wood
The Memory Wood
Sam Lloyd | 2020 | Crime, Fiction & Poetry, Thriller
10
10.0 (1 Ratings)
Book Rating
The Memory Wood is a phenomenal book. I was on tenterhooks from the first chapter - mainly because I didn't really know what to expect. I usually avoid stories where child abductions are involved for reasons obvious to me (I know people who enjoy these themes, and are better able to detach fact from fiction than me!), but as The Pigeonhole chose it, I thought I'd give it a go - and I'm glad I did.

Elissa is abducted from outside the chess tournament that she's playing at, and wakes up manacled to the floor by a chain. Her only contact with another person is Elijah, a 12 year old boy who lives in the Memory Wood. He calls her Gretel, she calls him Hansel, and the house above the cellar she is imprisoned in is referred to as the Gingerbread House.

Meanwhile, the police have started the investigation, and are trying to locate Elissa. Detective Superintendent Mairead MacCullagh is in charge, and to be honest, Elissa couldn't have a more committed person to lead the hunt. Despite very upsetting personal circumstances, Mairead works hard and persistently to try and find Elissa.

I loved this book - it was non-stop action and so tense! I'm so glad I gave it a chance, because I'm sure it will be one of may favourite books of 2020!

Many thanks to The Pigeonhole and to Sam Lloyd for reading along with us.
  
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ClareR (5726 KP) rated The Rising Tide in Books

Sep 14, 2021  
The Rising Tide
The Rising Tide
Sam Lloyd | 2021 | Contemporary, Crime, Mystery, Thriller
10
10.0 (2 Ratings)
Book Rating
The Rising Tide is a fast paced thriller, a race against time. Lucy must find her children before something terrible happens to them - provided that the terrible thing hasn’t already happened.

The finger of blame is pointed firmly at Lucy’s husband, but even when he’s arrested the police still can’t find the children, and Daniel isn’t going to tell them. Abraham Rose, who is terminally ill, is the detective in charge of the investigation and the hunt for the children. He’s quite some force of nature: a quiet, dedicated man, he’s determined to bring Lucy’s children home to her. This determination and his now wavering faith, are the driving force for a man who should really be in hospital. He wants to be the one to run and solve the case, though.

There’s a lot going on under the surface of this book. Is Lucy the person she says she is? Is something not quite right in her marriage with Daniel? What is going on with Daniel’s business partner?

This book constantly surprised me, and the tension was immense! I really enjoyed Sam Lloyd’s first novel (The Memory Wood), and this book, whilst completely different, didn’t disappoint at all. My emotions throughout this book were as turbulent as the weather (which was pretty bad!). I loved it!

Many thanks to The Pigeonhole for serialising this and to Sam Lloyd for joining in with the discussion.
  
Saga of the Swamp Thing Vol. 1 (Swamp Thing, #1)
Saga of the Swamp Thing Vol. 1 (Swamp Thing, #1)
Alan Moore | 1983 | Comics & Graphic Novels
8
8.0 (1 Ratings)
Book Rating
Early last year, I made the conversion to digital, selling off all my physical issues. There were a number of them that I had not read since the day that first came out, selling them in a mylar sleeve with a backing board. Alan Moore's SAGA OF THE SWAMP THING run was one of those series, and it was also one of the ones that I missed dearly. When Comixology announced that Vertigo sale juust before 2017 ended, i was on it, buying all 5 volumes!

I could have "gobbled" this first volume up in a NY minute; however, like a fine wine, I opted to savor each issue, pacing myself, allowing it all to sink in. I recall reading through this issues fast when they came out (this was when you could still buy comics at 7-11), running through them like a chainsaw through butter. Thankfully, I have learned to appreciate the benefits of savoring.

So, was it as good as I remembered? Nope, BETTER! The early 1980s (the first issue of his run, #20, came out in 1984) was probably some of Moore's best writing! There were no preconceived expectations when you saw his name. Sure, you had an inkling that it would likely be good, but nowhere near the level of expectations that the current comic readers have come to expect.

Prior to his assuming the writer's chair for the series, the main character was thought to still be Alec Holland. However (and this is not a spoiler at this point), as we would learn, Dr. Holland did indeed perish when his lab in the swamp was the victim of sabotage. What was left was as far from human as a chair. Swamp Thing, for all intents and purposes, was vegetable, not mammal as previously thought.

That's learned within the first issue. From there, the ride gets wild with suspense and fear, with some decidely creepy art and concepts thrown in. Essentially, a recipe for WIN!

Oh, before I close this review, I would also like to give some love to the artwork inside. Steve Bissette, followed by John Tottleben, turned in some of the most amazing art. Their attention to detail, left the series feeling creepy yet movie-like, almost as if Sam Raimi were in the director's chair! The artwork was further jazzed up by the always-exceptional coloring of Tatjiana Wood, wife of the artist Wally Wood.

Sure, there's probably other horror-related tpbs you could be reading/considering reading, but you won't find another like this one! Even Marvel's Man-Thing (which I still love; call it my "guilty pleasure") wasn't THIS good! So, enough jibber-jabbering, go pick it up already!
  
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Sarah (7798 KP) created a post

Jan 18, 2021 (Updated Jan 18, 2021)  
(Posting this separately as it covers as a review for 3 films @The Lord of the Rings: The Fellowship of the Ring (2001) , @The Lord of the Rings: The Two Towers (2002) and @The Lord of the Rings: The Return of the King (2003) )
Film(s) #11 on the 100 Movies Bucket List: The Lord of the Rings Trilogy

Film 11 is actually the three films that make up the Lord of the Rings trilogy: Fellowship of the Ring, The Two Towers and Return of the King. Whilst I can entirely understand featuring the trilogy as a whole, especially as they were filmed back to back and follow the same continuing storyline, however as a watcher this is a tad frustrating. The extended editions of these films, which I own of course, come in at a hefty runtime of just under 12 hours and this means a marathon of a film screening. But gripes about the runtime aside, this trilogy is still every bit the epic I remember it being when they were first released nearly 20 years ago.

The Lord of the Rings trilogy is based by JRR Tolkien’s book of the same name that follows Frodo (Elijah Wood), a hobbit who must journey to the darkest lands of Mordor to destroy a powerful ring before it falls into the hands of the evil lord Sauron. Throughout Frodo’s journey across Middle Earth, he is accompanied by a 9 strong fellowship: hobbits Sam (Sean Astin), Merry (Dominic Monaghan) and Pippin (Billy Boyd); men Aragorn (Viggo Mortensen) and Boromir (Sean Bean); elf Legolas (Orlando Bloom), wizard Gandalf the Grey (Ian McKellen) and dwarf Gimli (John Rhys-Davies). All of whom must also face their own battles in the war to defeat Sauron.

At the time these films were released between 2001 and 2003, we’d never seen filmmaking taken to such extremes and I’d argue that aside from the later Hobbit film trilogy (the less said about those the better), we still haven’t seen anything like it in the decades since. To film these back to back over 15 months with a immense cast, sets and filming locations across New Zealand is no mean feat and watching these back you can really appreciate the sheer amount of work that has gone into these films. The cinematography is stunning and really highlights the beautiful scenery of New Zealand, and the CGI for it’s time was beyond impressive. The motion capture technology used for Andy Serkis’ portrayal of Gollum was incredible and like nothing we’d seen before. All of this paired with Howard Shore’s hugely memorable and iconic score makes for a superb bit of filmmaking.

What makes director Peter Jackson’s take on Lord of the Rings so engaging is the story and the fact that there’s nothing in the main plot that is unnecessary. Jackson had removed all of the erroneous side plots from the book (think Tom Bombadil) yet kept the main thread of the story intact, which effortlessly weaves serious fantasy and war with some rather light hearted and funny moments. While I would normally be an advocate of books over their film counterparts, I happily make an exception for the Lord of the Rings. The films are definitely better than the book. They’re also helped by a stellar cast, from seasoned veterans like Ian McKellen and Christopher Lee (Saruman), to relative newcomers at the time like Viggo Mortensen, who has by far a standout performance, who all do their part to make this trilogy come alive.

This isn’t to say that the trilogy is flawless. Whilst the films look good for their age, some of the special effects haven’t aged quite as well as you’d expect and there are some that are looking decidedly ragged around the edges – Treebeard in Fangorn forest is but one example. The casting of Orlando Bloom was also a questionable one. His acting skills are limited at best and while he is meant to be playing a rather emotionless elf, his performance is very poor compared the rest of the elvish actors. He probably isn’t helped by the fact that Legolas has been given some rather ridiculous and farfetched acrobatics that just look quite silly. And then there’s Éowyn, who is possibly one of the most irritating characters of all, her doe eyed fawning over Aragorn completely overruling the tough, feisty woman she’s trying to be. Finally I’d also question about whether the extended editions are truly necessary, which I appreciate does make me a bit of a hypocrite seen as I own them. They might include scenes we’d never seen in the theatrical releases, but I’d argue that none of these ads particularly much to the overall story.

However despite these flaws, the Lord of the Rings trilogy is undeniably an epic masterclass in filmmaking from Peter Jackson and these are 3 films that you won’t forget in a hurry. It can only be 10/10.