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Charlie Cobra Reviews (1840 KP) rated Shaft (2019) in Movies
Jul 7, 2020
Shaft Gets The Shaft In This Newest Reboot/Update
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
Charlie Cobra Reviews (1840 KP) rated Krypton in TV
Jul 7, 2020
Krypton Is No Kryptonite, Despite No Supes
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
BankofMarquis (1832 KP) rated Shaft (2019) in Movies
Jun 18, 2019
Bland, boring and uninteresting
Were you the one clamoring for a sequel to the year 2000 Samuel L. Jackson SHAFT (the sequel to the original 1971 Richard Roundtree SHAFT)? Did you remember there WAS a 2000 version of SHAFT? Do you remember the 1971 SHAFT?
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Lenard (726 KP) rated Shaft (2019) in Movies
Jun 23, 2019
Samuel L Jackson in the role he is most suited for. Jackson plays John Shaft, an unfiltered New York City detective turned private investigator. Shaft works the mean streets of Harlem although not the gentrified nouveau riche version that exists today. In this sequel to the 2000 remake/continuation of the 70s classics, the booksmart JJ, John Shaft Jr, hires Shaft to help him investigate the "suicide" of his best friend, an Afghan War vet and former heroin junkie. Using his special set of streetwise skills, Shaft shows his son that he may not know as much as he thinks he does especially when it comes to women. Together, the Shafts uncover the conspiracy that the Supertroopers found 18 years ago but in Harlem with a major Latinx drug dealer who tried to destroy Shaft's life 20 years ago. While not great, this film at least is entertaining in ways most of the films this summer is not.
Andy K (10821 KP) rated The Legend of Tarzan (2016) in Movies
Mar 30, 2019
Better than I thought it would be
On the recommendation from a friend I bought this movie used for like 3 bucks and it was worth every penny! ?
This isn't really an origin story of Tarzan, more of him coming back to where he was raised to attempt to save the day. His origins are revealed in flashback which helps the audience understand his motivations and reservations for returning to his homeland.
When the bankrupt king summons an evil henchman to help him cleanse the land of its inhabitants for the raw diamond lot, our heroes are summoned to stop them.
Alexander Skarsgård, Margot Robbie and Samuel L. Jackson were all really good and believable. For some reason I normally love Christoph Waltz, but I think he's played the villain too many times now and this time it felt a little generic to me.
CGI for the most part was acceptable, although any CGI gorillas will always be compared to the recent Apes reboot trilogy which is still far superior.
The action scenes were decent if you can accept humans battling giant gorillas an kept me entertained throughout.
You will certainly not be disappointed with this one in my opinion.
This isn't really an origin story of Tarzan, more of him coming back to where he was raised to attempt to save the day. His origins are revealed in flashback which helps the audience understand his motivations and reservations for returning to his homeland.
When the bankrupt king summons an evil henchman to help him cleanse the land of its inhabitants for the raw diamond lot, our heroes are summoned to stop them.
Alexander Skarsgård, Margot Robbie and Samuel L. Jackson were all really good and believable. For some reason I normally love Christoph Waltz, but I think he's played the villain too many times now and this time it felt a little generic to me.
CGI for the most part was acceptable, although any CGI gorillas will always be compared to the recent Apes reboot trilogy which is still far superior.
The action scenes were decent if you can accept humans battling giant gorillas an kept me entertained throughout.
You will certainly not be disappointed with this one in my opinion.
Debbie Duncan (0 KP) rated Murder on the Orient Express in Books
Feb 5, 2018
What a journey!
Contains spoilers, click to show
How do you a summarise a book that is a classical as this one ? We come face to face with Hercule Poirot as he joins the Orient Express at Aleppo in a rush to get to London. After getting in the train Poirot is approached by Samuel Ratchett, a malevolent, elderly American who wants to hire the detective as He believes his life is being threatened.
On the second night of the journey the train is stopped by a snowdrift near Vinkovci and Poirot's is woken by a cry emanating from Ratchett's compartment. The next morning we discover that Ratchett has been murdered and Poirot investigates the crime.
As we get to meet the other passengers we soon discover that everyone on the train has a motive to murder. Poirot discovers that everyone in the coach had a connection to the a famous Family called the Armstrong family who lost their daug in tragic circumstances. and a to kill . He proposes two possible solutions.
What does our detective friend do when he finds the truth?
Even if you know the ending the journey mpoint is weaved so wonderfully in and out like a train sneaking up the route of the Orient Express
On the second night of the journey the train is stopped by a snowdrift near Vinkovci and Poirot's is woken by a cry emanating from Ratchett's compartment. The next morning we discover that Ratchett has been murdered and Poirot investigates the crime.
As we get to meet the other passengers we soon discover that everyone on the train has a motive to murder. Poirot discovers that everyone in the coach had a connection to the a famous Family called the Armstrong family who lost their daug in tragic circumstances. and a to kill . He proposes two possible solutions.
What does our detective friend do when he finds the truth?
Even if you know the ending the journey mpoint is weaved so wonderfully in and out like a train sneaking up the route of the Orient Express
Merissa (12055 KP) rated To Touch You (Mates #4) in Books
Dec 7, 2017
To Touch You (Mates #4) by Cardeno C.
To Touch You is the fourth book in the Mates series, and this time it is Yoram and Salvatore's story. Now, this one is a bit different because Yoram first meets Salvatore when he is only 7-years-old. He makes his claim clear to Ethan and Miguel, although he only sees Salvatore as his friend. The years pass and Yoram and Salvatore don't really have many interactions, apart from Salvatore pushing Yoram away. Salvatore is turned by Miguel, but doesn't have much to do with the vampires in Vegas where he lives, so he is mostly clueless when it comes to vampires and shifters - especially true mates.
Yoram has more responsibilities piled onto him than he bargained for, and this means that he is unable to help Salvatore like he has been. Salvatore make the trip to find out what is wrong, and through various interactions with Yoram's family, learns just what exactly Yoram has done for him, and what being a true mate means.
This was a brilliant story. Salvatore is not a very nice character to start with, but you are with him as he realises the error of his ways, and finds out what he has to do to make it right. Yoram is a (HOT) sweetie, and tries to do the right thing no matter what. There is a bit of an overlay between the Yoram/Salvatore story, and that of Samuel and Korban. You don't need to have read the Samuel/Korban story to understand this one, but you will be missing out on a great book if you don't!
There were no editing or grammatical errors that I noticed to disrupt my reading flow. I found the book to be exceptionally written, with plenty of character development, especially for Salvatore. I loved how their story was spread out over so many years, and loved seeing them both change. A fantastic addition to the Mates series, and highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Yoram has more responsibilities piled onto him than he bargained for, and this means that he is unable to help Salvatore like he has been. Salvatore make the trip to find out what is wrong, and through various interactions with Yoram's family, learns just what exactly Yoram has done for him, and what being a true mate means.
This was a brilliant story. Salvatore is not a very nice character to start with, but you are with him as he realises the error of his ways, and finds out what he has to do to make it right. Yoram is a (HOT) sweetie, and tries to do the right thing no matter what. There is a bit of an overlay between the Yoram/Salvatore story, and that of Samuel and Korban. You don't need to have read the Samuel/Korban story to understand this one, but you will be missing out on a great book if you don't!
There were no editing or grammatical errors that I noticed to disrupt my reading flow. I found the book to be exceptionally written, with plenty of character development, especially for Salvatore. I loved how their story was spread out over so many years, and loved seeing them both change. A fantastic addition to the Mates series, and highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lindsay (1717 KP) rated The Brides of the Big Valley in Books
Jul 30, 2019
Deanna's Determination By Wanda E. Brunstetter:
This story is really compelling. I really like the fact that this story is about to main characters and they it centers somewhat around being blind. What would happen if you lost your sight? We get to experience this though the eyes of Elmer.
Though we see how strong Deanna's faith is? How she handles her self and her child needs is something special of it. Will Deanna's determination help or hurt her love. Will her love find out that she loves him for him and not his sight? Wanda can make you feel like you are a part of the family when reading her stories or books. This story plot is really something and refreshing to read.
Rose Mary's Resolve By Jean Brunstetter:
Rose Mary seem to get quite a few things about what she is doing. Though she seems smart enough to figure it out. Though she seem to need a little help from her friend and family. He current boyfriend seem to be pushing Rosemary and trying to go English? Will Rosemary keep her resolve or will she be tempted?
She meet an Englisher that befriends her who is a pilot? What will she decide to do? Her mother is worried she will leave the faith? Her mother can not figure out why he husband his so calm about their daughter Rosemary? We meet Kevin. Kevin seem to be interested in Amish way of life, and Rosemary? Will get figure out what he wants and needs in his life?
Leila's Longing By Richelle Brunstetter:
Leila has some struggles we all seem to have growing up. Leila is helping out her mother. Leila seem to struggle with making friends. Don't we all. Though she does not know that her friend reason for treating her badly.
She seem to think she is cause to all her friends and community problem. Though maybe she not. The way she over thinks things. Mollie finds her when she in the store. Will Mollie help her and be friends with Leila.
Aden seems to find that Leila is a catch but he want to get to know her for himself. His friend Samuel seem to see her at singing and cause hurt to Leila. Leila seem to doubt herself once more and fall into not trusting her friends or herself. Can she let go of the past and trust god? Will she hold on to that past? Can she learn from her past and forgive those that hurt her?
The author tell a story about a girl that want to control everything and worrying about things may be hurting her more then helping her move on. The way the author does this helps show us everyone deal with some of the same issues as everyone else does. It may just be a bit different in the way they live and how they deal with their struggles.
This story is really compelling. I really like the fact that this story is about to main characters and they it centers somewhat around being blind. What would happen if you lost your sight? We get to experience this though the eyes of Elmer.
Though we see how strong Deanna's faith is? How she handles her self and her child needs is something special of it. Will Deanna's determination help or hurt her love. Will her love find out that she loves him for him and not his sight? Wanda can make you feel like you are a part of the family when reading her stories or books. This story plot is really something and refreshing to read.
Rose Mary's Resolve By Jean Brunstetter:
Rose Mary seem to get quite a few things about what she is doing. Though she seems smart enough to figure it out. Though she seem to need a little help from her friend and family. He current boyfriend seem to be pushing Rosemary and trying to go English? Will Rosemary keep her resolve or will she be tempted?
She meet an Englisher that befriends her who is a pilot? What will she decide to do? Her mother is worried she will leave the faith? Her mother can not figure out why he husband his so calm about their daughter Rosemary? We meet Kevin. Kevin seem to be interested in Amish way of life, and Rosemary? Will get figure out what he wants and needs in his life?
Leila's Longing By Richelle Brunstetter:
Leila has some struggles we all seem to have growing up. Leila is helping out her mother. Leila seem to struggle with making friends. Don't we all. Though she does not know that her friend reason for treating her badly.
She seem to think she is cause to all her friends and community problem. Though maybe she not. The way she over thinks things. Mollie finds her when she in the store. Will Mollie help her and be friends with Leila.
Aden seems to find that Leila is a catch but he want to get to know her for himself. His friend Samuel seem to see her at singing and cause hurt to Leila. Leila seem to doubt herself once more and fall into not trusting her friends or herself. Can she let go of the past and trust god? Will she hold on to that past? Can she learn from her past and forgive those that hurt her?
The author tell a story about a girl that want to control everything and worrying about things may be hurting her more then helping her move on. The way the author does this helps show us everyone deal with some of the same issues as everyone else does. It may just be a bit different in the way they live and how they deal with their struggles.
Rachel King (13 KP) rated Blood Bound (Mercy Thompson, #2) in Books
Feb 11, 2019
What I think I like best about Briggs' style of writing - at least in the Mercy Thompson series - is how in-depth the background information is. Everything and everyone has a history and then some - whether it be political, eventful, magical, biological, etc., Briggs' writes it and Mercy gets to discover it. I find it all intensely fascinating and makes me want to grill the author about all of the details that she has not yet uncovered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.
Movie Metropolis (309 KP) rated The Legend of Tarzan (2016) in Movies
Jun 11, 2019
CPR Needed
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/