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Night Reader Reviews (683 KP) rated Secrets in Books
Nov 18, 2020
Interesting book
Secrets by Victoria E Kuhnhardt is an interesting book about spies and you guessed it, secrets. A young teen’s world is turned upside down and she no longer knows who to trust or who anyone is for that matter. As it is a relatively short book the avid reader could finish it within a week easily.
Posy Waiters’s is a fifteen year old girl who has always questioned her parent’s love for her. This is mainly because she hardly knows them since they travel all the time for work and rarely see her. Sometimes they even forget to send her a card on her birthday. Posy lives all alone except for the live-in nanny who is only there for the money Posy’s parents are paying her. One day all this suddenly changes.
Posy’s parents tragically die and leave Posy to their friends whom Posy has never even heard of let alone met. Her greedy nanny doesn't even stick around to help her pack after hearing the news. Now Posy is living in San Francisco with the Forests but things are not quite what she thinks. While exploring the cellar of her new home Posy discovers something that will change her life forever.
I just loved how many twists there were in this book, some of which actually surprised me. One of the biggest surprises actually appeared at the very end of the book and was a real shocker (though it left a bunch of questions I feel will go unanswered as I don’t believe there is a sequel coming). I also enjoyed the loyalty and non-judgmental attitude for the friends, a rare trait anymore. There are quite a few errors in the book but that is not my largest complaint. My main issue is just how oblivious Posy and Alex are frequently. I also felt like the author occasionally forgot how old (or young) the characters are, such as when a sixteen year old Posy buys a cocktail dress.
Teens to young adults would probably like this book the most. This is largely because it doesn't go into a lot of detail. I also don’t believe the unanswered questions will bother younger readers as much. However, incest is a big subject in this book (and sex is hinted at) and those unable to handle it should refrain from reading this book. I rate this book 2 out of 4 or 3 out of 5. The book would have been much better if it answered ore of the question that it created. That along with the errors and age appropriate behavior (or lack there of) of the characters really damaged my view of the book. If going off of the plot alone I would say the book is extremely good.
Posy Waiters’s is a fifteen year old girl who has always questioned her parent’s love for her. This is mainly because she hardly knows them since they travel all the time for work and rarely see her. Sometimes they even forget to send her a card on her birthday. Posy lives all alone except for the live-in nanny who is only there for the money Posy’s parents are paying her. One day all this suddenly changes.
Posy’s parents tragically die and leave Posy to their friends whom Posy has never even heard of let alone met. Her greedy nanny doesn't even stick around to help her pack after hearing the news. Now Posy is living in San Francisco with the Forests but things are not quite what she thinks. While exploring the cellar of her new home Posy discovers something that will change her life forever.
I just loved how many twists there were in this book, some of which actually surprised me. One of the biggest surprises actually appeared at the very end of the book and was a real shocker (though it left a bunch of questions I feel will go unanswered as I don’t believe there is a sequel coming). I also enjoyed the loyalty and non-judgmental attitude for the friends, a rare trait anymore. There are quite a few errors in the book but that is not my largest complaint. My main issue is just how oblivious Posy and Alex are frequently. I also felt like the author occasionally forgot how old (or young) the characters are, such as when a sixteen year old Posy buys a cocktail dress.
Teens to young adults would probably like this book the most. This is largely because it doesn't go into a lot of detail. I also don’t believe the unanswered questions will bother younger readers as much. However, incest is a big subject in this book (and sex is hinted at) and those unable to handle it should refrain from reading this book. I rate this book 2 out of 4 or 3 out of 5. The book would have been much better if it answered ore of the question that it created. That along with the errors and age appropriate behavior (or lack there of) of the characters really damaged my view of the book. If going off of the plot alone I would say the book is extremely good.
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BankofMarquis (1832 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 12, 2021
See Shang-Chi on the Big Screen
The new Marvel Super Hero film, SHANG-CHI and the LEGEND OF THE TEN RINGS is the kind of film that deserves to be seen on the big screen and Writer/Director Destin Daniel Cretton (JUST MERCY) has crafted a film that earns that statement.
Based on the Marvel comic book character (of course), SHANG-CHI tells the tale of…well…Shang-Chi a financially struggling - but happy - Valet in San Francisco who has a family secret.
Writer/Director Cretton has crafted a whimsical, mythological, mystical and action packed film that settles in at the top end of the Marvel Cinematic Universe family of films.
At the center, newcomer Simu Liu (KIM’S CONVENIENCE) more than holds his own as the newest Super Hero in the MCU. He is grounded, centered and more sure than unsure as he discovers his abilities and his family’s secrets. He is a worthy addition to this world of Superheroes.
Joining him is the remarkable Awkwafina (CRAZY, RICH ASIANS) as his best friend, sidekick who handles the drama comedy and action with aplomb. This film makes some smart choices with this character and Awkwafina shines.
The rest of the cast/characters are equally as strong from Tony Chi-Wai Leung (as Shang-Chi’s father) to Meng’er Zhang (as Shang-Chi’s sister) and good ol’ Michelle Yeoh (as Shang-Chi’s Aunt) bring strong characters to life. They all shine.
This film also brings back a character from a previous MCU film that somewhat redeems the poorly conceived character from his earlier appearance. I won’t spoil it by saying who it is, but I liked what the MCU did with this character.
But, this being a Marvel movie, all of these performances anchor a bigger picture that is filled with action, action and more action - and something else, something mystical.
Here is where Director Cretton really shines. The action scenes are interestingly staged and choreographed well. The first fight (the bus fight that is shown in the trailer) and a fight on scaffolding both particularly work well.
This film does delve into the mystical in the last 1/3 and in Cretton’s hands, this ends up working well instead of being comical or inane. I bought what was going on and was rooting for our heroes to defeat the undefeatable, fantastical creatures.
To be honest, the “final battle” didn’t really live up to the rest of the film so that brings this film down a notch, but this movie did what it needed it to do, it opened up a whole new area of the Marvel Cinematic Universe - in both character and locations - and I am anxious to see where they go from here.
Try to see SHANG-CHI on the Big Screen, the visuals are worth it.
Letter Grade A- (the finale needed to be better)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the Marvel comic book character (of course), SHANG-CHI tells the tale of…well…Shang-Chi a financially struggling - but happy - Valet in San Francisco who has a family secret.
Writer/Director Cretton has crafted a whimsical, mythological, mystical and action packed film that settles in at the top end of the Marvel Cinematic Universe family of films.
At the center, newcomer Simu Liu (KIM’S CONVENIENCE) more than holds his own as the newest Super Hero in the MCU. He is grounded, centered and more sure than unsure as he discovers his abilities and his family’s secrets. He is a worthy addition to this world of Superheroes.
Joining him is the remarkable Awkwafina (CRAZY, RICH ASIANS) as his best friend, sidekick who handles the drama comedy and action with aplomb. This film makes some smart choices with this character and Awkwafina shines.
The rest of the cast/characters are equally as strong from Tony Chi-Wai Leung (as Shang-Chi’s father) to Meng’er Zhang (as Shang-Chi’s sister) and good ol’ Michelle Yeoh (as Shang-Chi’s Aunt) bring strong characters to life. They all shine.
This film also brings back a character from a previous MCU film that somewhat redeems the poorly conceived character from his earlier appearance. I won’t spoil it by saying who it is, but I liked what the MCU did with this character.
But, this being a Marvel movie, all of these performances anchor a bigger picture that is filled with action, action and more action - and something else, something mystical.
Here is where Director Cretton really shines. The action scenes are interestingly staged and choreographed well. The first fight (the bus fight that is shown in the trailer) and a fight on scaffolding both particularly work well.
This film does delve into the mystical in the last 1/3 and in Cretton’s hands, this ends up working well instead of being comical or inane. I bought what was going on and was rooting for our heroes to defeat the undefeatable, fantastical creatures.
To be honest, the “final battle” didn’t really live up to the rest of the film so that brings this film down a notch, but this movie did what it needed it to do, it opened up a whole new area of the Marvel Cinematic Universe - in both character and locations - and I am anxious to see where they go from here.
Try to see SHANG-CHI on the Big Screen, the visuals are worth it.
Letter Grade A- (the finale needed to be better)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ryan Hill (152 KP) rated Godzilla (2014) in Movies
Jun 28, 2019
"let them fight"
This film is an absolute masterpiece. Not once did I find myself getting bored or losing track of the plot - something that happens commonly when I watch longer movies - and I was gutted when it was over. Not because I was disappointed, but because I desperately wanted more. Gareth Edwards' film takes monster movies to a whole new level, with some nice twists to the usual "Godzilla" story lines, a fantastic cast and some of the best action sequences I have ever had the pleasure of seeing.
The first thing to mention about this film is its cast and its focus on the human characters, played mainly by Aaron Taylor-Johnson (Lieutenant Ford Brody), Elizabeth Olsen (Elle Brody, Ford's wife), and Bryan Cranston (Joe Brody, Ford's estranged father). Bryan Cranston is only really in the first half, portraying his character as a very outcast, yet very determined former nuclear engineer who is searching for the truth about his wife's tragic death. He was fantastic in the role delivering each line with emotion and conviction he was the best character in the film and I wish he was in the film longer. His theories beautifully foreshadow the events to come, and he drags his son, Ford, right into the heart of the trouble. Thankfully, this means that we get to see lots of the brilliant Aaron Taylor- Johnson, a courageous explosive ordnance disposal technician who comes face-to-face with Godzilla several times. Literally. Aaron Taylor-Johnson really is the star here, and the scenes with his wife, Elle, and son, Sam, before any of the action starts makes his actions later on all the more respectable and courageous as he risks his life to save them and the entire city. Elizabeth Olsen isn't used as much as I would have liked, as she is fantastic in the scenes in which we see her. Having said that, she does appear a fair amount, as the strong wife and mother holding back her terror in order to stay and help. Her scenes with Aaron Taylor- Johnson are great too, and make for some very believable characters. The other main character is Dr Serizawa (played by Ken Watanabe), a scientist monitoring Godzilla and the MUTOs. He doesn't really do much apart from look very worried in every shot and say tense or shocking one-liners, but Ken Watanabe makes sure that it's never cringe-worthy or boring.
Secondly we have Gareth Edwards' directing - wow! I need to see more of this guy! Every shot looks as good as it could possibly be, and the first reveal of Godzilla is brilliant. There's a MUTO smashing up an airport. Cue plane exploding, followed by the one to the right, and then the one to the right, and then… a foot. Silence. Another foot. Cut to a shot of the MUTO roaring, and then back to the feet. Up the camera pans (for quite a long time!), leaving us with a beautiful high-angle shot of the beast himself. And then comes the roar. There's another great shot of Godzilla making his way across the Pacific to San Francisco, and another in the city itself of… well, there's no other way of putting it – Godzilla and a MUTO having a good old' fashioned fistfight, which culminates in a pretty fantastic and well-timed tail slam from the big guy. The skyscrapers don't really bother them. It's just a long shot, and in it we see two giant monsters ripping each other to shreds and obliviously destroying the city below. Another great shot (or shots) is during the HALO jump, as we see the city in flames, the men falling through the clouds and the burning skyline and a close-up of a Godzilla vs MUTO fight.
Now I'll move on to the plot and the headline acts – the MUTOs and the big guy himself, Godzilla. The plot is very straightforward. A MUTO hatches in Japan, one hatches in Nevada next to Las Vegas, and this is all because they've been feeding on humanity's nuclear waste and radiation. Oh, and by the way, the MUTOs look brilliant. Imagine a metal praying mantis crossed with a four-legged spider, as tall as a skyscraper. That's a MUTO. Anyway, Ford joins the fight to stop the creatures, and as they make their way to San Francisco the military plan to destroy them with their most powerful nuclear weapon. Godzilla is closing in too, and when the pesky MUTOs steal the nuke and build their nest around it, Ford and a group of soldiers must go into the city to detonate it. However, Godzilla and the MUTOs are also in the city, smashing everything (including each other) to bits. It's very odd that, for once, we end up cheering Godzilla on, as the two MUTOs begin to overwhelm him as he is seemingly hurt. And then he is actually made out to be the good guy (a twist I enjoyed), as he saves Ford in a spectacular way from a MUTO and the media call him " the saviour of our city?". 'Zilla looks amazing too. "Massive" is probably an understatement, but the spikes on his back, the battle scars on his body and his terrifying face make him look awesome. Also, his roar had me jumping up and down with excitement, as did his surprise for the MUTOs: his atomic fire breath.
All in all, "Godzilla" is one fantastic movie. No longer a mockery, but terrifying, tense, and, unlike many monster movies, it is complex. Complex in that it has multiple characters with interesting back-stories (that are all explored) and gives Godzilla a new personality and purpose. Everything looks great, it feels epic, and I enjoyed every moment. This is a movie that would appeal to anyone.
The first thing to mention about this film is its cast and its focus on the human characters, played mainly by Aaron Taylor-Johnson (Lieutenant Ford Brody), Elizabeth Olsen (Elle Brody, Ford's wife), and Bryan Cranston (Joe Brody, Ford's estranged father). Bryan Cranston is only really in the first half, portraying his character as a very outcast, yet very determined former nuclear engineer who is searching for the truth about his wife's tragic death. He was fantastic in the role delivering each line with emotion and conviction he was the best character in the film and I wish he was in the film longer. His theories beautifully foreshadow the events to come, and he drags his son, Ford, right into the heart of the trouble. Thankfully, this means that we get to see lots of the brilliant Aaron Taylor- Johnson, a courageous explosive ordnance disposal technician who comes face-to-face with Godzilla several times. Literally. Aaron Taylor-Johnson really is the star here, and the scenes with his wife, Elle, and son, Sam, before any of the action starts makes his actions later on all the more respectable and courageous as he risks his life to save them and the entire city. Elizabeth Olsen isn't used as much as I would have liked, as she is fantastic in the scenes in which we see her. Having said that, she does appear a fair amount, as the strong wife and mother holding back her terror in order to stay and help. Her scenes with Aaron Taylor- Johnson are great too, and make for some very believable characters. The other main character is Dr Serizawa (played by Ken Watanabe), a scientist monitoring Godzilla and the MUTOs. He doesn't really do much apart from look very worried in every shot and say tense or shocking one-liners, but Ken Watanabe makes sure that it's never cringe-worthy or boring.
Secondly we have Gareth Edwards' directing - wow! I need to see more of this guy! Every shot looks as good as it could possibly be, and the first reveal of Godzilla is brilliant. There's a MUTO smashing up an airport. Cue plane exploding, followed by the one to the right, and then the one to the right, and then… a foot. Silence. Another foot. Cut to a shot of the MUTO roaring, and then back to the feet. Up the camera pans (for quite a long time!), leaving us with a beautiful high-angle shot of the beast himself. And then comes the roar. There's another great shot of Godzilla making his way across the Pacific to San Francisco, and another in the city itself of… well, there's no other way of putting it – Godzilla and a MUTO having a good old' fashioned fistfight, which culminates in a pretty fantastic and well-timed tail slam from the big guy. The skyscrapers don't really bother them. It's just a long shot, and in it we see two giant monsters ripping each other to shreds and obliviously destroying the city below. Another great shot (or shots) is during the HALO jump, as we see the city in flames, the men falling through the clouds and the burning skyline and a close-up of a Godzilla vs MUTO fight.
Now I'll move on to the plot and the headline acts – the MUTOs and the big guy himself, Godzilla. The plot is very straightforward. A MUTO hatches in Japan, one hatches in Nevada next to Las Vegas, and this is all because they've been feeding on humanity's nuclear waste and radiation. Oh, and by the way, the MUTOs look brilliant. Imagine a metal praying mantis crossed with a four-legged spider, as tall as a skyscraper. That's a MUTO. Anyway, Ford joins the fight to stop the creatures, and as they make their way to San Francisco the military plan to destroy them with their most powerful nuclear weapon. Godzilla is closing in too, and when the pesky MUTOs steal the nuke and build their nest around it, Ford and a group of soldiers must go into the city to detonate it. However, Godzilla and the MUTOs are also in the city, smashing everything (including each other) to bits. It's very odd that, for once, we end up cheering Godzilla on, as the two MUTOs begin to overwhelm him as he is seemingly hurt. And then he is actually made out to be the good guy (a twist I enjoyed), as he saves Ford in a spectacular way from a MUTO and the media call him " the saviour of our city?". 'Zilla looks amazing too. "Massive" is probably an understatement, but the spikes on his back, the battle scars on his body and his terrifying face make him look awesome. Also, his roar had me jumping up and down with excitement, as did his surprise for the MUTOs: his atomic fire breath.
All in all, "Godzilla" is one fantastic movie. No longer a mockery, but terrifying, tense, and, unlike many monster movies, it is complex. Complex in that it has multiple characters with interesting back-stories (that are all explored) and gives Godzilla a new personality and purpose. Everything looks great, it feels epic, and I enjoyed every moment. This is a movie that would appeal to anyone.
Movie Metropolis (309 KP) rated Inside Out (2015) in Movies
Jun 10, 2019
A delightful treat
If there’s one thing Pixar knows how to do, it’s create memorable films. Long after you’ve walked out the cinema, the likes of Wall.E and Finding Nemo stay with you.
2015 marks the first time the studio will release two films in the same year, with The Good Dinosaur coming to cinemas in December and the subject of this review, Inside Out, in this year’s busy summer season.
But has this increased workload for Pixar’s animators resulted in a poorer quality movie?
Inside Out follows the story of young Riley, an eleven-year-old girl coming to terms with growing up in a new home away from her friends and the neighbourhood she knows and loves.
Deep inside her head, however, we find a whole host of colourful characters controlling Riley’s emotions. Joy, Sadness, Fear, Anger and Disgust all play a part in keeping her level-headed. Unfortunately, after a near disaster it falls on upbeat Joy and ever-blue Sadness to bring Riley back to who she once was.
Inside Out continues Pixar’s trend of creating beautifully animated films that really strike a chord with audiences. The sheer amount of colour is absolutely breath-taking and children will find much to enjoy in both the central characters and the numerous environments inside Riley’s head, while adults will love the stunning recreation of San Francisco in all its bustling glory.
The cast, which includes voice work by Bill Hader (Monsters University), Kyle MacLachlan (Desperate Housewives) and Diane Lane (Man of Steel) all do sterling jobs in bringing their characters to life but it is in Phyllis Smith, who plays Sadness, that we find the best portrayal.
A relatively unknown actress with few film credits to her name, Smith is truly wonderful as the little blue lady who keeps a check on the more upsetting moments in Riley’s life.
Elsewhere, Pixar has once again created a story that really focuses on the themes of growth, family bonding and what it means to grow up in today’s society with numerous cultural references that children and adults alike will enjoy.
However, it’s important to note that Inside Out is one of the more emotional films Pixar has created. At numerous points throughout the movie there were a couple of children in the cinema wiping away the tears – though this shows how heavily invested in the characters they became.
Unfortunately, despite being 94 minutes in length, Inside Out does feel a little drawn out in places and lacks the deeper storytelling elements that has made some of the studios other films so charming. This isn’t to say it lacks charm, but it’s in slightly shorter supply here.
Overall, Pixar has added another cracking film to its ever-increasing roster. Whilst not hitting the heights of Wall.E or Toy Story, it makes for a memorable and sensible film for the whole family to enjoy.
It’s the perfect start to the summer holidays. Roll on The Good Dinosaur.
https://moviemetropolis.net/2015/07/26/a-delightful-treat-inside-out-review/
2015 marks the first time the studio will release two films in the same year, with The Good Dinosaur coming to cinemas in December and the subject of this review, Inside Out, in this year’s busy summer season.
But has this increased workload for Pixar’s animators resulted in a poorer quality movie?
Inside Out follows the story of young Riley, an eleven-year-old girl coming to terms with growing up in a new home away from her friends and the neighbourhood she knows and loves.
Deep inside her head, however, we find a whole host of colourful characters controlling Riley’s emotions. Joy, Sadness, Fear, Anger and Disgust all play a part in keeping her level-headed. Unfortunately, after a near disaster it falls on upbeat Joy and ever-blue Sadness to bring Riley back to who she once was.
Inside Out continues Pixar’s trend of creating beautifully animated films that really strike a chord with audiences. The sheer amount of colour is absolutely breath-taking and children will find much to enjoy in both the central characters and the numerous environments inside Riley’s head, while adults will love the stunning recreation of San Francisco in all its bustling glory.
The cast, which includes voice work by Bill Hader (Monsters University), Kyle MacLachlan (Desperate Housewives) and Diane Lane (Man of Steel) all do sterling jobs in bringing their characters to life but it is in Phyllis Smith, who plays Sadness, that we find the best portrayal.
A relatively unknown actress with few film credits to her name, Smith is truly wonderful as the little blue lady who keeps a check on the more upsetting moments in Riley’s life.
Elsewhere, Pixar has once again created a story that really focuses on the themes of growth, family bonding and what it means to grow up in today’s society with numerous cultural references that children and adults alike will enjoy.
However, it’s important to note that Inside Out is one of the more emotional films Pixar has created. At numerous points throughout the movie there were a couple of children in the cinema wiping away the tears – though this shows how heavily invested in the characters they became.
Unfortunately, despite being 94 minutes in length, Inside Out does feel a little drawn out in places and lacks the deeper storytelling elements that has made some of the studios other films so charming. This isn’t to say it lacks charm, but it’s in slightly shorter supply here.
Overall, Pixar has added another cracking film to its ever-increasing roster. Whilst not hitting the heights of Wall.E or Toy Story, it makes for a memorable and sensible film for the whole family to enjoy.
It’s the perfect start to the summer holidays. Roll on The Good Dinosaur.
https://moviemetropolis.net/2015/07/26/a-delightful-treat-inside-out-review/