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Whatchareadin (174 KP) rated Where They Found Her in Books
May 10, 2018
Ridgedale is a small town in New Jersey. Not much happens there. So when the body of a baby girl is found under a bridge near the University, the town is in an uproar. Molly Sanderson, usually a freelancer with the Ridgedale Reader, is given the task of reporting on this story. This is a story that really resonates with her, having lost a child herself, not too long ago. During her investigation, she meets some interesting people and learns more about this small town. The story is told from the point of view of three women from the town. Molly, the reporter, Sandy, the teenager trying to survive with an absentee parent, and Barbara, the "perfect" mother who is also the wife of the chief of police. All three of these women have a connection to this dead child, they just don't know it.
This book was very hard to put down. A thriller with three female characters you will either love or hate. Each of them has a spirit that is determined. Several times during this book, I felt my heart racing. I had to know what was going to happen next.
From the title you might deduce that the mystery is solved in the first chapter, but there are many who need to be found in this book, in more ways than one. Kimberly McCreight grabs at your heart and sold with her writing. She draws you in and keeps you engaged through the entire journey. I can't wait to read more from her in the very near future.
Also by Kimberly McCreight [bc:Reconstructing Amelia|15776309|Reconstructing Amelia|Kimberly McCreight|https://d.gr-assets.com/books/1350193583s/15776309.jpg|21488217]
This book was very hard to put down. A thriller with three female characters you will either love or hate. Each of them has a spirit that is determined. Several times during this book, I felt my heart racing. I had to know what was going to happen next.
From the title you might deduce that the mystery is solved in the first chapter, but there are many who need to be found in this book, in more ways than one. Kimberly McCreight grabs at your heart and sold with her writing. She draws you in and keeps you engaged through the entire journey. I can't wait to read more from her in the very near future.
Also by Kimberly McCreight [bc:Reconstructing Amelia|15776309|Reconstructing Amelia|Kimberly McCreight|https://d.gr-assets.com/books/1350193583s/15776309.jpg|21488217]
Liberty Boston (93 KP) rated Hocus Pocus and the All-New Sequel in Books
Mar 15, 2021
It's a very sad thing when the book you were so excited about lets you down. Such is the case with Hocus Pocus & The All-New Sequel. The book, written by A. W. Jantha is split into two parts.
Then.
Now.
Then is a novelization of the movie which I very much enjoyed. 90 percent of the dialogue is taken directly from the movie while there's just enough added detail to give the characters some new depth and set up for the second half of the book.
Now: the second half of the book, the sequel was...
well, It was disappointing.
How?
First, there's the bizarre jump from third person to first and later second POV.
It just throws you into Poppy's world with minimal backstory on who she is and why we should like her or her friends, Travis and Isabella.
Secondly, the characters are STUPID!
Stupid choices left, right, and, center.
As a writer, I understand there needs to be some way to kickstart the conflict but going to the Sanderson house has danger written all over it.
Oh, let's talk about the Sandersons,
The witches are back in all their evil glory with added sister Elizabeth who turned her back on the family legacy of darkness.
Then there's their mother. Their mother who they could not shut up about. Mother this and Mother that.
All the hype got me excited about Sanderson's sister's flashbacks. Backstory. Entire chapters dedicated to them.
it didn't happen.
I was treated to brief remembrances but no backstory.
Then the Mother who was so hyped up made a one chapter appearance before going kersplat.
WHAT WAS THE POINT??
You don't hype a character that much for them to do NOTHING.
The book gets by on nostalgia alone.
Don't even get me started on the bizarre and unneeded cliffhanger.
Very sad.
Then.
Now.
Then is a novelization of the movie which I very much enjoyed. 90 percent of the dialogue is taken directly from the movie while there's just enough added detail to give the characters some new depth and set up for the second half of the book.
Now: the second half of the book, the sequel was...
well, It was disappointing.
How?
First, there's the bizarre jump from third person to first and later second POV.
It just throws you into Poppy's world with minimal backstory on who she is and why we should like her or her friends, Travis and Isabella.
Secondly, the characters are STUPID!
Stupid choices left, right, and, center.
As a writer, I understand there needs to be some way to kickstart the conflict but going to the Sanderson house has danger written all over it.
Oh, let's talk about the Sandersons,
The witches are back in all their evil glory with added sister Elizabeth who turned her back on the family legacy of darkness.
Then there's their mother. Their mother who they could not shut up about. Mother this and Mother that.
All the hype got me excited about Sanderson's sister's flashbacks. Backstory. Entire chapters dedicated to them.
it didn't happen.
I was treated to brief remembrances but no backstory.
Then the Mother who was so hyped up made a one chapter appearance before going kersplat.
WHAT WAS THE POINT??
You don't hype a character that much for them to do NOTHING.
The book gets by on nostalgia alone.
Don't even get me started on the bizarre and unneeded cliffhanger.
Very sad.
Words of Radiance: Book Two of The Stormlight Archive
9.0
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Book
From #1 New York Times bestselling author Brandon Sanderson, Words of Radiance, Book Two of the...
fantasy cosmere stormlight archive
Jane Austen: pocket GIANTS
Book
There's something about Jane...Jane Austen lived only just into her forties, never married, never...
Oathbringer: The Stormlight Archive Book Three
8.0
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From the bestselling author who completed Robert Jordan's epic Wheel of Time series comes a new,...
Kelly (279 KP) rated The Eye of the World (Wheel of Time, #1) in Books
Jan 7, 2019
A fantastic start to an epic tale
Contains spoilers, click to show
The Eye of the World is the first of many books in The Wheel of Time series, firstly wrote by Robert Jordan, and finalised by Brandon Sanderson after Jordan’s death, following the story of several characters from Emonds Field.
In my opinion The Eye of the World is the strongest book in the series, and is a fantastic hook to get you to read the following books. Although the series centres around many characters, the true main character of the first book is Rand al’Thor, a reluctant hero, who discovers he has magical abilities, which could ultimately destroy him. In an attempt to save Emonds Field, Rand and his friends flee, accompanied by an Aes Sedai (a female with magical powers). The story primarily details the journey of the group (either together or in smaller groups), detailing regular encounters with the dark ones forces. As such the story does follow the predictable fantasy format of -unlikely hero discovers that they have magical powers, and then goes on a journey to save the world, however it is an enjoyable tale.
The male characters in the book are diverse and entertaining- I struggled to decide which was my favourite character as they all had likeable features. One thing about the book, which does takeaway from
It’s score is Jordan’s portrayal of female characters. I found a lack of diversity amongst those female characters who were on the side we are led to route for, and some stereotyping of women. This was evident even amongst female characters that were meant to be in power. The women as a whole in the novel always needed a man to support them (for
Example Moiraine needing Lan, Egwene needing Rand, there are a few isolated incidents of independence amongst these female characters, but this was often as an exception to the rule. This is addressed a little in later books in the series, but not in the The Eye of the World.
In my opinion The Eye of the World is the strongest book in the series, and is a fantastic hook to get you to read the following books. Although the series centres around many characters, the true main character of the first book is Rand al’Thor, a reluctant hero, who discovers he has magical abilities, which could ultimately destroy him. In an attempt to save Emonds Field, Rand and his friends flee, accompanied by an Aes Sedai (a female with magical powers). The story primarily details the journey of the group (either together or in smaller groups), detailing regular encounters with the dark ones forces. As such the story does follow the predictable fantasy format of -unlikely hero discovers that they have magical powers, and then goes on a journey to save the world, however it is an enjoyable tale.
The male characters in the book are diverse and entertaining- I struggled to decide which was my favourite character as they all had likeable features. One thing about the book, which does takeaway from
It’s score is Jordan’s portrayal of female characters. I found a lack of diversity amongst those female characters who were on the side we are led to route for, and some stereotyping of women. This was evident even amongst female characters that were meant to be in power. The women as a whole in the novel always needed a man to support them (for
Example Moiraine needing Lan, Egwene needing Rand, there are a few isolated incidents of independence amongst these female characters, but this was often as an exception to the rule. This is addressed a little in later books in the series, but not in the The Eye of the World.
The Way of Kings: Book One of the Stormlight Archive
9.8
Rate It
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From #1 New York Times bestselling author Brandon Sanderson, The Way of Kings, Book One of the...
YA female Top Gun ... in space
*** Disclosure - I received a free advance copy of this book from NetGalley in exchange for an honest review ***
Sanderson's new series is a foray into proper sci-fi, but written for the Young Adult market (which should not be read as a bad thing, just something of a warning that for once any white middle-aged men might have to put some effort into thinking about how the main character might feel. Similar to his super-hero Steelheart series (also outwith his Cosmere univers), the story follows a young person who has had a hard life, has a dream to be something and has put every effort into learning the knowledge needed to achieve that, and just need a little luck to go their way. Sadly, Spensa is the daughter of renowned "coward" Chaser, a fighter pilot who fled the thick of battle against The Krell (a mysterious alien race who regularly attack the surface of the planet that has become the human race's last stand) and was shot down for his desertion. Spensa has to battle against all the odds to get a place on the flight training scheme and work hard to stay there.
The action sequences are decent and regularly spaced throughout the book, both in the simulator training scenes and the actual battle sequences.
The plot itself is fairly typical, and more or less the plot of the Hot Shots film, but in space. There was a tremendous amount of mystery surrounding aspects of the world the human race come to inhabit, and their alien attackers, which was rather clumsily all blurted out in a nonsense bit of exposition in the final 3 pages or so.
As with a lot of sci-fi, Sanderson gets quite bogged down in the made-up science and technology that might exist in the future and this, alongside some of the dialogue, was a little too geeky for my tastes (the use of Jerkface as an insult was cringeworthy the first time but is then used throughout the book).
All in all, a well told sci-fi tale that could easily be picked up by the YA audience but likewise should appeal to older sci-fi readers as well.
Sanderson's new series is a foray into proper sci-fi, but written for the Young Adult market (which should not be read as a bad thing, just something of a warning that for once any white middle-aged men might have to put some effort into thinking about how the main character might feel. Similar to his super-hero Steelheart series (also outwith his Cosmere univers), the story follows a young person who has had a hard life, has a dream to be something and has put every effort into learning the knowledge needed to achieve that, and just need a little luck to go their way. Sadly, Spensa is the daughter of renowned "coward" Chaser, a fighter pilot who fled the thick of battle against The Krell (a mysterious alien race who regularly attack the surface of the planet that has become the human race's last stand) and was shot down for his desertion. Spensa has to battle against all the odds to get a place on the flight training scheme and work hard to stay there.
The action sequences are decent and regularly spaced throughout the book, both in the simulator training scenes and the actual battle sequences.
The plot itself is fairly typical, and more or less the plot of the Hot Shots film, but in space. There was a tremendous amount of mystery surrounding aspects of the world the human race come to inhabit, and their alien attackers, which was rather clumsily all blurted out in a nonsense bit of exposition in the final 3 pages or so.
As with a lot of sci-fi, Sanderson gets quite bogged down in the made-up science and technology that might exist in the future and this, alongside some of the dialogue, was a little too geeky for my tastes (the use of Jerkface as an insult was cringeworthy the first time but is then used throughout the book).
All in all, a well told sci-fi tale that could easily be picked up by the YA audience but likewise should appeal to older sci-fi readers as well.
Hazel (1853 KP) rated A City Dreaming in Books
Dec 14, 2018
My rating: 2.5
<i>I received this book for free through Goodreads First Reads.</i>
“The city never sleeps, but it’s always dreaming.” And, by dreaming, Daniel Polansky clearly means nightmares. <i>A City Dreaming</i> is, for the lack of a better term, an urban fantasy novel. Embracing elements of dystopia and steampunk universes, it is difficult to determine the time period in which it is set. What can be established is that, wherever you are in the world, you are never far away from a monster.
<i>A City Dreaming</i> revolves around a semi-anonymous character known as M. M appears to be some form of magician who wishes he could spend his days listlessly staring into the bottom of his beer glass. Yet with misbehaving creatures and warring goddess living in the city of New York, peace is a rare phenomenon in M’s life. From demons to murders and mind-boggling situations, there is never a dull moment.
Each chapter of <i>A City Dreaming</i> is, in some way, an individual story. Apart from the occasional recurring character, no scenario is ever continued after the chapter concludes. This is initially a cause for confusion. With no clear direction or purpose, it is hard to remain engaged with the author’s imagination.
Readers familiar with contemporary fantasy writers, such as Neil Gaiman, may understand Polansky’s vision – think <i>Neverwhere</i> and <i>American Gods</i> combined, but weirder. M spends the majority of his time either inebriated or on drugs, and, to be frank, it would not be surprising to learn the author was on drugs at the time of writing. Imagine Neil Gaiman on drugs; that is how bizarre this book is.
Despite his penchant for recreational drugs, M is an intelligent character that can humorously talk himself out of impossible situations. However it is often a hopeless ordeal to fathom the process of his intoxicated mind. As a result, <i>A City Dreaming</i> loses its thrill and excitement.
As this is the first Daniel Polansky novel that I have read, I do not know whether this is his usual style of writing or whether it was an attempt at something new. What I did observe was the intelligence hidden behind the excess of expletives and lewd content. Polansky writes with certain aptitude, almost as if he has swallowed a thesaurus.
Fans of Neil Gaiman and Brandon Sanderson may enjoy <i>A City Dreaming</i> more than new readers, since they will already be familiar with the style of bemusing narration. <i>A City Dreaming</i> does not live up to the definition of a novel, however as short, connecting stories it provides the intended entertainment. Almost certainly, this book will be received with mixed reviews; nonetheless it will undoubtedly eventually find its fan base.
<i>I received this book for free through Goodreads First Reads.</i>
“The city never sleeps, but it’s always dreaming.” And, by dreaming, Daniel Polansky clearly means nightmares. <i>A City Dreaming</i> is, for the lack of a better term, an urban fantasy novel. Embracing elements of dystopia and steampunk universes, it is difficult to determine the time period in which it is set. What can be established is that, wherever you are in the world, you are never far away from a monster.
<i>A City Dreaming</i> revolves around a semi-anonymous character known as M. M appears to be some form of magician who wishes he could spend his days listlessly staring into the bottom of his beer glass. Yet with misbehaving creatures and warring goddess living in the city of New York, peace is a rare phenomenon in M’s life. From demons to murders and mind-boggling situations, there is never a dull moment.
Each chapter of <i>A City Dreaming</i> is, in some way, an individual story. Apart from the occasional recurring character, no scenario is ever continued after the chapter concludes. This is initially a cause for confusion. With no clear direction or purpose, it is hard to remain engaged with the author’s imagination.
Readers familiar with contemporary fantasy writers, such as Neil Gaiman, may understand Polansky’s vision – think <i>Neverwhere</i> and <i>American Gods</i> combined, but weirder. M spends the majority of his time either inebriated or on drugs, and, to be frank, it would not be surprising to learn the author was on drugs at the time of writing. Imagine Neil Gaiman on drugs; that is how bizarre this book is.
Despite his penchant for recreational drugs, M is an intelligent character that can humorously talk himself out of impossible situations. However it is often a hopeless ordeal to fathom the process of his intoxicated mind. As a result, <i>A City Dreaming</i> loses its thrill and excitement.
As this is the first Daniel Polansky novel that I have read, I do not know whether this is his usual style of writing or whether it was an attempt at something new. What I did observe was the intelligence hidden behind the excess of expletives and lewd content. Polansky writes with certain aptitude, almost as if he has swallowed a thesaurus.
Fans of Neil Gaiman and Brandon Sanderson may enjoy <i>A City Dreaming</i> more than new readers, since they will already be familiar with the style of bemusing narration. <i>A City Dreaming</i> does not live up to the definition of a novel, however as short, connecting stories it provides the intended entertainment. Almost certainly, this book will be received with mixed reviews; nonetheless it will undoubtedly eventually find its fan base.