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Buster's Mal Heart (2016)
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An eccentric mountain man is on the run from the authorities, surviving the winter by breaking into...
Andy K (10821 KP) rated Buster's Mal Heart (2016) in Movies
Sep 2, 2019
Someone tell me what I just watched?!?
On the recommendation from a friend, I checked this film out on Netflix (I think it is available on Netflix UK also).
Before he recently won the Academy Award for Best Actor for Bohemian Rhapsody, Rami Malek starred in this very unusual film about a guy who is either stranded out at sea on a one-person raft, running from the law after breaking in and stealing wealthy mansions for his own use or a married man working at a hotel with a wife and daughter. Or maybe all 3?
The character meets a paranoid man talking all about the "inversion" and Y2K (remember that?) which sends the man down a weird slope of cerebral? encounters throughout his various levels of existence.
The screenplay is so interesting that I want to sit in a room with writer/director Sarah Adina Smith to pick her brain just to make sure I either understand what I watched or if I am meant to. I have no issue with cerebral films like Donnie Darko, The Fountain, Under the Skin or Mulholland Drive. Since some of the film takes place in a hotel, I could see comparisons to shades of The Shining also.
It may take another viewing to let everything soak in or maybe I will pick up new things the next time around.
The look of the film is breathtaking with both beautiful outdoor landscapes, gorgeous mansions, and stuffy hotel lobbies.
I am ashamed to say I have not seen Bohemian Rhapsody yet, but based on this film alone Malek appears to be not only up and coming, but here to stay for a while and he deserves it. He was emotional and moving in this film so I am eager to see more of his work.
Please someone else watch this so we can discuss. I would love to hear your opinion!
Before he recently won the Academy Award for Best Actor for Bohemian Rhapsody, Rami Malek starred in this very unusual film about a guy who is either stranded out at sea on a one-person raft, running from the law after breaking in and stealing wealthy mansions for his own use or a married man working at a hotel with a wife and daughter. Or maybe all 3?
The character meets a paranoid man talking all about the "inversion" and Y2K (remember that?) which sends the man down a weird slope of cerebral? encounters throughout his various levels of existence.
The screenplay is so interesting that I want to sit in a room with writer/director Sarah Adina Smith to pick her brain just to make sure I either understand what I watched or if I am meant to. I have no issue with cerebral films like Donnie Darko, The Fountain, Under the Skin or Mulholland Drive. Since some of the film takes place in a hotel, I could see comparisons to shades of The Shining also.
It may take another viewing to let everything soak in or maybe I will pick up new things the next time around.
The look of the film is breathtaking with both beautiful outdoor landscapes, gorgeous mansions, and stuffy hotel lobbies.
I am ashamed to say I have not seen Bohemian Rhapsody yet, but based on this film alone Malek appears to be not only up and coming, but here to stay for a while and he deserves it. He was emotional and moving in this film so I am eager to see more of his work.
Please someone else watch this so we can discuss. I would love to hear your opinion!
Kirk Bage (1775 KP) rated Buster's Mal Heart (2016) in Movies
Jan 22, 2021
Remember before the digital revolution and on demand TV channels when you had to stay up late and watch the films shown after midnight to see anything outside of the mainstream? Quite often they were awful, cheap, rambling experiences that maybe had one or two memorable scenes, or something so weird that you had to find out if any of your friends had seen it. Well, this is one of those films, except it was made in 2017 and I saw it in 2020 on Netflix.
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?