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Lindsay (1693 KP) rated A Lady at Willowgrove Hall in Books
Feb 15, 2018 (Updated Apr 9, 2019)
What a lovely story this. Sarah E. Ladd out did herself with this book. There are two other books to this series. I have not read them but I may find them to read. This story is sweet and loving but also a bit harsh.
We see the changes in both Cecily and Nathaniel. There are secret in both their past. Will this break or make their love stronger. Nathaniel has a secret past and deals with Willowgrove hall. Cecily has a secret past that deals with a man at Willowgrove hall and her family.
Will their be a romance formed? What could their secret be? Cecily arrives at Willowgrove hall to do her job as a lady companion. Nathaniel is a steward at Willowgrove and feels trap in a life that his not his. What could be Nathaniel secret. Mrs. Trent seem to know more or has the truth about Andrew Morton and Nathaniel Stanton past.
We see the changes in both Cecily and Nathaniel. There are secret in both their past. Will this break or make their love stronger. Nathaniel has a secret past and deals with Willowgrove hall. Cecily has a secret past that deals with a man at Willowgrove hall and her family.
Will their be a romance formed? What could their secret be? Cecily arrives at Willowgrove hall to do her job as a lady companion. Nathaniel is a steward at Willowgrove and feels trap in a life that his not his. What could be Nathaniel secret. Mrs. Trent seem to know more or has the truth about Andrew Morton and Nathaniel Stanton past.
Mark @ Carstairs Considers (2072 KP) rated The Fog Ladies in Books
Aug 25, 2021
The Plot Got Fogged In
When Sarah James moves to San Francisco to do her medical residency, she moves into a building in Pacific Heights and begins making friend with her older neighbors. One she struggles to like is Mrs. Bridge, her neighbor who lives directly across the hall, since Mrs. Bridge is always complaining about something. When Mrs. Bridge dies unexpectedly, Sarah thinks it is a sad accident. However, some of the other residents begin to see a pattern with other deaths in the building. Was Mrs. Bridge’s death an accident? Or will Sarah find something more sinister going on?
I was excited about this book and looking forward to reading it. Unfortunately, it failed to deliver. I was a bit overwhelmed by the characters at first, but as we got to know them, I was able to keep them straight. Sadly, that was because some of them never rose above their initial stereotypical caricatures, and they were annoying caricatures at that. The plot was slow to start with then all but vanishes in the middle third before coming back for a descent resolution. Too many sub-plots really detracted. A couple parts of the book seemed off to me, including a sub-plot involving a character discovering Starbucks thanks to countless coupons in the paper. It’s a shame because I did really enjoy a few of the characters, but the rest was bad enough that I will give the rest of the series a pass.
I was excited about this book and looking forward to reading it. Unfortunately, it failed to deliver. I was a bit overwhelmed by the characters at first, but as we got to know them, I was able to keep them straight. Sadly, that was because some of them never rose above their initial stereotypical caricatures, and they were annoying caricatures at that. The plot was slow to start with then all but vanishes in the middle third before coming back for a descent resolution. Too many sub-plots really detracted. A couple parts of the book seemed off to me, including a sub-plot involving a character discovering Starbucks thanks to countless coupons in the paper. It’s a shame because I did really enjoy a few of the characters, but the rest was bad enough that I will give the rest of the series a pass.
This novella really packs a punch - as all good novellas do!
It’s set in a world that we all know a little about. A Covid-19-type virus, except far more severe, breaks out and social panic ensues. Society goes ion to lockdown, hospitals are unable to cope with the sheer volume of cases, and the army is drafted in to keep order. Shops are looted, food is rationed, people die horrifically.
Edith Harkness looks back on her life as she prepares to enter the last stages of Long-Nonovirus. It’s a much more serious version of Long-Covid, where the affected person dies. Edith looks back on her life, from her childhood where she lives with her brain-damaged mother, to her years of study and consequent art prizes, and then her time in lockdown with her lover, a Bulgarian Turk.
It’s a book about love, sex, desire, illness, caring, family and grief. Those are some big topics for a slim book, but it’s beautifully told.
Now I need to read some more Sarah Hall books.
It’s set in a world that we all know a little about. A Covid-19-type virus, except far more severe, breaks out and social panic ensues. Society goes ion to lockdown, hospitals are unable to cope with the sheer volume of cases, and the army is drafted in to keep order. Shops are looted, food is rationed, people die horrifically.
Edith Harkness looks back on her life as she prepares to enter the last stages of Long-Nonovirus. It’s a much more serious version of Long-Covid, where the affected person dies. Edith looks back on her life, from her childhood where she lives with her brain-damaged mother, to her years of study and consequent art prizes, and then her time in lockdown with her lover, a Bulgarian Turk.
It’s a book about love, sex, desire, illness, caring, family and grief. Those are some big topics for a slim book, but it’s beautifully told.
Now I need to read some more Sarah Hall books.
Kristy H (1252 KP) rated She Was The Quiet One in Books
Mar 11, 2019
Interesting read if a bit predictable
After the death of their mother, twins Rose and Bel Enright wind up at Odell Academy in New Hampshire. They are sent by their wealthy grandmother, who has no idea what to do with the teenagers now foisted upon her. Rose is the good twin--good grades, good friends, good behavior. Bel, on the other hand, is known for going a bit wild. But it was Bel their mother favored--much to Rose's consternation. Floundering after the loss of their mother, Bel winds up with the wrong crowd at school and then turns on Rose when she calls her out on it. Meanwhile, Heath and Sarah Donovan have been brought in to clean up Moreland Hall, the dormitory where the twins are staying. It has developed a reputation for trouble. It's a daunting task, especially since so many of the girls come from storied, rich Odell families. Both Sarah and Heath are Moreland alums--they met at the school--and not all of their memories are pleasant. As for Heath, his dreams extend far beyond teaching high school English. But something in his past holds him back; he's hoping to parlay their time at Moreland into something more. But soon things at Moreland--and Odell--are out of control, with the Enright twins and the Donovans right in the middle of all the trouble.
From the beginning of the novel, we immediately know that an Enright sister is dead, but not which one. The narration from Bel, Rose, and Sarah is interspersed with snippets from police interviews, as we try to piece together exactly what happened to lead to murder. This was perhaps my favorite part of the story--trying to figure out who had been killed--and why the other sister is the prime suspect. The format of the novel is very well-done and extremely compelling.
In the beginning, some of the dialogue seemed stilted: I couldn't imagine the sisters really talking to each other in particular ways, for instance. Rose and Bel's instant fighting seemed rash, and it was hard to take. In fact, the entire boarding school drama seemed a little too much, at times. I understand the fact that girls can quickly turn on each other--especially when they all live together--but the twins threatening to kill each other over a sweater? It was tough and it was a lot of drama, so fast, so often. Rose was incredibly prissy and tough to like for a lot of the novel. And then poor Sarah, who was such a doormat, with an incredible lack of judgement--she was a hard character to find sympathy for as well.
The novel also seemed to march toward a fairly inevitable conclusion. I kept waiting for a big twist or surprise to throw me off and while the epilogue offered a little bit of that, there really wasn't much. The book focuses more on the unraveling of the families than twists and turns, and that was a little disappointing for me. I like to be thrown off the trail a few times.
Still, I really enjoyed the format of this one: wondering and waiting to find out who was dead, along with the pieces from the interviews. I liked the boarding school setting and how it added to the story. While I didn't always enjoy all the characters, I really came to feel for for Bel Enright, and I did sympathize with Rose, as well. Even if things were fairly predictable, Campbell kept me reading and interested the entire time. 3+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
From the beginning of the novel, we immediately know that an Enright sister is dead, but not which one. The narration from Bel, Rose, and Sarah is interspersed with snippets from police interviews, as we try to piece together exactly what happened to lead to murder. This was perhaps my favorite part of the story--trying to figure out who had been killed--and why the other sister is the prime suspect. The format of the novel is very well-done and extremely compelling.
In the beginning, some of the dialogue seemed stilted: I couldn't imagine the sisters really talking to each other in particular ways, for instance. Rose and Bel's instant fighting seemed rash, and it was hard to take. In fact, the entire boarding school drama seemed a little too much, at times. I understand the fact that girls can quickly turn on each other--especially when they all live together--but the twins threatening to kill each other over a sweater? It was tough and it was a lot of drama, so fast, so often. Rose was incredibly prissy and tough to like for a lot of the novel. And then poor Sarah, who was such a doormat, with an incredible lack of judgement--she was a hard character to find sympathy for as well.
The novel also seemed to march toward a fairly inevitable conclusion. I kept waiting for a big twist or surprise to throw me off and while the epilogue offered a little bit of that, there really wasn't much. The book focuses more on the unraveling of the families than twists and turns, and that was a little disappointing for me. I like to be thrown off the trail a few times.
Still, I really enjoyed the format of this one: wondering and waiting to find out who was dead, along with the pieces from the interviews. I liked the boarding school setting and how it added to the story. While I didn't always enjoy all the characters, I really came to feel for for Bel Enright, and I did sympathize with Rose, as well. Even if things were fairly predictable, Campbell kept me reading and interested the entire time. 3+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
BookwormMama14 (18 KP) rated The Governess of Highland Hall (Edwardian Brides, #1) in Books
Jan 2, 2019
I have finally made some time to read a few books on my TBR list that have been taunting me with their sweet descriptions. And oh gosh, I can NOT believe that it has taken me so long to read this book! The Governess of Highland Hall was perfect for satisfying the Downton Abbey fan in me. And Carrie Turansky's descriptions and attention to detail drew me into Edwardian England and I got lost wandering down the road alongside Julia...my husband didn't see me for days. Because it is the same era as Downton Abbey I was tempted to think of the characters in relation to the show, but boy are they different! Let's just say the housekeeper, is no Mrs. Hughes. However, she definitely adds a very interesting twist on the story. Throughout this book you will see the storyline unfold through multiple perspectives. It was easy to follow along and added a lot of depth and insight to our supporting characters. I LOVE Sir William's sister Sarah! And I just giggled with delight to find out that Sir William's cousin (and dependent) Katherine Ramsey is our leading lady in the next book. SO excited to read her story. One of the things mentioned in this book are Christmas crackers...And let me tell you, if you have never had these at Christmas you are missing out! We started our own tradition last year with these, and they were a HUGE hit! No one else in the family knew what they were, but the immediately put on their paper crown, and we all wore them throughout dinner. You can order them on Amazon. This isn't the first book I have read about a governess. Not a servant, not a part of the family...But they pour so much into the children. Love them, raise them, and they are so easily cast aside. It can be a sad lot from what I have seen. However, we are reminded throughout the story, that we must walk on God's path for our lives. We may not understand His purpose or His ways, but we must trust that He loves us, His children, and wants the best for us. I encourage you, as this book encouraged me, to keep your heart tender toward the Lord's voice and follow where He leads. Now, bring me book two!
But Bottom line, "You have bewitched me body and soul."
But Bottom line, "You have bewitched me body and soul."
Sarah (7798 KP) rated The Prestige (2006) in Movies
Jan 9, 2021
Criminally underrated
Film #10 on the 100 Movies Bucket List: The Prestige
The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.
From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.
Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.
The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.
I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.
The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.
From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.
Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.
The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.
I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.
