Search
Search results
Hazel (1853 KP) rated Lies We Tell Ourselves in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
Marylegs (44 KP) rated The Goddess and the Thief in Books
Aug 14, 2019
The Goddess and the Thief is a work of fiction based in Victorian England and briefly at the beginning in Lahore, India. It tells the story of Alice Willoughby, who after living all her life in India with Her father Charles, is moved to England to live in the care of her Aunt Mercy whilst her father returns to Lahore were is works for the English residency as a surgeon. Her Aunt Mercy works as a spiritual medium and after events including the death of Alices father and the introduction of the enigmatic Lucian Tillsbury, Alices aunt endeavours for her to join the clairvoyant profession. All events lead to dramatic and catastrophic events for Alice.
Considering all the elements such as; gothic Victorian era, Hindu mythology, intrigue, drama and the paranormal I feel I should have liked this book more than I did. There is nothing particular wrong with the book, it works well and is written fine with no obvious errors that I have observed in other books. I just wasnt my style of book. I have read other reviews that have liken Essie Foxs writing style as similar to Sarah Waters, who I have read previously and also not found to my taste. Perhaps if books written in the style of Sarah Waters is your cup of tea you may appreciate this tale more. Having said this the inclusion of the Hindu mythology was really interesting and differently added a lot to the story development. There are twists and turns along the way and this is by no means a bad book as said just not to my taste.
Considering all the elements such as; gothic Victorian era, Hindu mythology, intrigue, drama and the paranormal I feel I should have liked this book more than I did. There is nothing particular wrong with the book, it works well and is written fine with no obvious errors that I have observed in other books. I just wasnt my style of book. I have read other reviews that have liken Essie Foxs writing style as similar to Sarah Waters, who I have read previously and also not found to my taste. Perhaps if books written in the style of Sarah Waters is your cup of tea you may appreciate this tale more. Having said this the inclusion of the Hindu mythology was really interesting and differently added a lot to the story development. There are twists and turns along the way and this is by no means a bad book as said just not to my taste.
Zuky the BookBum (15 KP) rated Apartment 255 in Books
Mar 15, 2018
Firstly Id like to thank Netgalley and Momentum Books for giving me the opportunity to read this book.
I really wanted to like this more than I did. The story of the disturbed Ginny playing out her sick fantasies and aiming to ruin her best friends life is a great plot for a great psychological thriller but something with this book was amiss.
I think, for me, the reason this book didnt fulfil my original expectations was purely down to the characters. Ginny was the only interesting character to read about, yet there wasnt much description when it came to her and instead the story focused on the couple whose lives were being destroyed. I found Sarah too annoying to like, even when she wasnt being manipulated and tortured by Ginnys actions. For me, she was too happy and lovey dovey. Yes, she had just got engaged and I expect anyone to be happy after that, but the way she described Tom and their life together was such a picture perfect, cookie cutter life that it made everything seem like she was living out her own fantasy of this perfect life she had. Tom was more interesting as a character than Sarah, but ultimately still a bit of a drip. It just seemed like he couldnt live without his precious Sare Bear and seemed incapable of doing anything but think of her, whether with love or with anger. It may sound like Im being cynical but I found it all too sickly sweet. Thel and Hals story didnt interest me either, it felt like part of a story that didnt need to be there and easily could have been replaced with more about Ginny or at least cut down.
The plot for this was amazing and although it felt a bit slow to begin with, it does become fast paced and exciting for the reader nearer the end, though hearing more from Ginnys side would have been more interesting than always hearing about how angry Sarah felt right at that moment or how confused Tom was that Sarah was being the way she was.
The ending was certainly a twist of events that I hadnt seen coming. The reason for Ginny being so twisted and evil certainly came as a shock for me and the last couple of sentences in the book were chilling.
Overall I did enjoy this book but it wasnt something I was reaching for every night, instead I used it to pass the time while on the train to and from work. I can see this becoming a popular book and Im certain I know people who would love this, but I hate sickly sweet and there was definitely too much of that in this book for me.
I really wanted to like this more than I did. The story of the disturbed Ginny playing out her sick fantasies and aiming to ruin her best friends life is a great plot for a great psychological thriller but something with this book was amiss.
I think, for me, the reason this book didnt fulfil my original expectations was purely down to the characters. Ginny was the only interesting character to read about, yet there wasnt much description when it came to her and instead the story focused on the couple whose lives were being destroyed. I found Sarah too annoying to like, even when she wasnt being manipulated and tortured by Ginnys actions. For me, she was too happy and lovey dovey. Yes, she had just got engaged and I expect anyone to be happy after that, but the way she described Tom and their life together was such a picture perfect, cookie cutter life that it made everything seem like she was living out her own fantasy of this perfect life she had. Tom was more interesting as a character than Sarah, but ultimately still a bit of a drip. It just seemed like he couldnt live without his precious Sare Bear and seemed incapable of doing anything but think of her, whether with love or with anger. It may sound like Im being cynical but I found it all too sickly sweet. Thel and Hals story didnt interest me either, it felt like part of a story that didnt need to be there and easily could have been replaced with more about Ginny or at least cut down.
The plot for this was amazing and although it felt a bit slow to begin with, it does become fast paced and exciting for the reader nearer the end, though hearing more from Ginnys side would have been more interesting than always hearing about how angry Sarah felt right at that moment or how confused Tom was that Sarah was being the way she was.
The ending was certainly a twist of events that I hadnt seen coming. The reason for Ginny being so twisted and evil certainly came as a shock for me and the last couple of sentences in the book were chilling.
Overall I did enjoy this book but it wasnt something I was reaching for every night, instead I used it to pass the time while on the train to and from work. I can see this becoming a popular book and Im certain I know people who would love this, but I hate sickly sweet and there was definitely too much of that in this book for me.
Night Reader Reviews (683 KP) rated Theta Double Dot in Books
Feb 17, 2020
Honest Review for Free Copy of Book
Theta Double Dot by Alan Dale has it all. Readers will find romance, crime, environmental awareness, and even business espionage within the pages. There is no one that is safe from Theta.
Mark is not doing great at his job. He is overworked and overstressed. His wife won’t let him quit because of the ways it could affect their finances, but Mark wants to, preferably before he gets fired. The company he works for has taken on a huge project in Alaska that appears doomed from the start and they have put Mark at the head of its operation. His wife believes that this project may be a good thing, and besides, they need the money with having a daughter in college (Sarah).
Sarah is having enough problems of her own at college. Almost immediately she finds a young man that she is interested in by the name of John. John convinces her to join the Peaceful Protest group which might not have been the best idea at the time. Another protest group by the name of Theta has been attacking petrochemical plants and have gained the title of terrorists. Seeing as how Sarah’s father is working on a new plant in Alaska, Sarah is being targeted by Theta right alongside the project. Can John protect Sarah and himself from Theta’s grasp before they become victims? What will happen to Sarah’s father, miles from home and facing the immediate threat of Theta?
What I liked best was this book showed two sides of the story (actually closer to three). As far as the Alaska project is concerned it showed the environmental concerns of the activists. What is even more impressive is the impact the plant would have on the indigenous people was illustrated as well. What I didn’t like was that the book jumped around from group to group a little more than what I would have liked. Personal preference would be to start a new chapter each time the focus changed to a new group. This just tends to make the transition a bit easier.
This book would be perfectly fine for adults and young adults alike. There is some mild sexual content but nothing too bad. The technical jargon is probably above most people's heads but so long as readers grasp the basics of what is being said that should not be a problem. I rate this book 3 out of 4. It was a little dry in spots and I found it annoying when I had to backtrack just because I realized too late that the group focus changed again. Although it had a strong plot line that moved along nicely, the jargon was too frequent and over my head.
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
https://www.facebook.com/nightreaderreviews
Mark is not doing great at his job. He is overworked and overstressed. His wife won’t let him quit because of the ways it could affect their finances, but Mark wants to, preferably before he gets fired. The company he works for has taken on a huge project in Alaska that appears doomed from the start and they have put Mark at the head of its operation. His wife believes that this project may be a good thing, and besides, they need the money with having a daughter in college (Sarah).
Sarah is having enough problems of her own at college. Almost immediately she finds a young man that she is interested in by the name of John. John convinces her to join the Peaceful Protest group which might not have been the best idea at the time. Another protest group by the name of Theta has been attacking petrochemical plants and have gained the title of terrorists. Seeing as how Sarah’s father is working on a new plant in Alaska, Sarah is being targeted by Theta right alongside the project. Can John protect Sarah and himself from Theta’s grasp before they become victims? What will happen to Sarah’s father, miles from home and facing the immediate threat of Theta?
What I liked best was this book showed two sides of the story (actually closer to three). As far as the Alaska project is concerned it showed the environmental concerns of the activists. What is even more impressive is the impact the plant would have on the indigenous people was illustrated as well. What I didn’t like was that the book jumped around from group to group a little more than what I would have liked. Personal preference would be to start a new chapter each time the focus changed to a new group. This just tends to make the transition a bit easier.
This book would be perfectly fine for adults and young adults alike. There is some mild sexual content but nothing too bad. The technical jargon is probably above most people's heads but so long as readers grasp the basics of what is being said that should not be a problem. I rate this book 3 out of 4. It was a little dry in spots and I found it annoying when I had to backtrack just because I realized too late that the group focus changed again. Although it had a strong plot line that moved along nicely, the jargon was too frequent and over my head.
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
https://www.facebook.com/nightreaderreviews
Acanthea Grimscythe (300 KP) rated The Wife Between Us in Books
May 16, 2018
The Wife Between Us by Greer Hendricks and Sarah Pekkanen is most assuredly not my cup of tea. I did not enjoy reading it. So then, why the high rating? Why am I about to rave about it? Because this book is important. It delves into a subject far too easily dismissed and too stigmatized to get the attention it deserves. I’ll put it this way: the book’s synopsis is spot on, and I feel this is a must-read for young adults especially.
I don’t wish to reveal spoilers, but at the same time I feel it is my responsibility to alert my readers when there may be content in a book that could potentially trigger them. The Wife Between Us deals with the dynamics of a relationship: the good, the bad, and the ugly. If you’re currently recovering from a less than savory relationship, you may want to hold off on this: if you’re looking for a reminder that you’re not crazy though, it’s perfect. I had to stop reading a time or two for a bit, and I even caught myself crying as I finished the final pages of this book.
Hendricks and Pekkanen’s characters are remarkably average, and I feel that is important to point out. Too many times we get books with unbelievable roles cast and this allows us, as readers, to dissociate from thee story itself. In this case, as far as the women of the book are concerned, it’s quite realistic and believable.
There are moments in The Wife Between Us where I cried out, swearing in surprise. Hendricks and Pekkanen manage to write things without too much foreshadowing; their twists and turns come as a slap to the face. It keeps the reader on edge and keeps the plot from growing dull.
While I may not have found this book to be enjoyable for myself, I do love the talent that both writers clearly have. I was unable to detect the style changes, which also means that they blend in well together. I’d like to thank St. Martin’s Press and NetGalley for the opportunity to review this book, free of charge, for the purpose of an unbiased review.
I don’t wish to reveal spoilers, but at the same time I feel it is my responsibility to alert my readers when there may be content in a book that could potentially trigger them. The Wife Between Us deals with the dynamics of a relationship: the good, the bad, and the ugly. If you’re currently recovering from a less than savory relationship, you may want to hold off on this: if you’re looking for a reminder that you’re not crazy though, it’s perfect. I had to stop reading a time or two for a bit, and I even caught myself crying as I finished the final pages of this book.
Hendricks and Pekkanen’s characters are remarkably average, and I feel that is important to point out. Too many times we get books with unbelievable roles cast and this allows us, as readers, to dissociate from thee story itself. In this case, as far as the women of the book are concerned, it’s quite realistic and believable.
There are moments in The Wife Between Us where I cried out, swearing in surprise. Hendricks and Pekkanen manage to write things without too much foreshadowing; their twists and turns come as a slap to the face. It keeps the reader on edge and keeps the plot from growing dull.
While I may not have found this book to be enjoyable for myself, I do love the talent that both writers clearly have. I was unable to detect the style changes, which also means that they blend in well together. I’d like to thank St. Martin’s Press and NetGalley for the opportunity to review this book, free of charge, for the purpose of an unbiased review.
Cyn Armistead (14 KP) rated By Blood We Live in Books
Mar 1, 2018
This thing is an <b>enormous</b> tome! I don't know if it has been released in hardback or not, but if it has, that version has to be anchor-worthy. I requested it from the library because Elizabeth Bear and Sarah Monette had stories in it, and I'll read pretty much anything either of those worthies publish. I didn't expect to care for most of the rest, and didn't plan to do much more than flip through them.
As it happens, I read most of the other stories, and there were many surprises. I did skip some of the reprints, such as the Anne Rice story (I wouldn't have read it the first time it was published, and I wasn't about to read it simply because she was in good company now). I had read Carrie Vaughn's "Life Is the Teacher" before, but for some reason my eyes just fell into reading it again, and I felt well rewarded for doing so. On the other hand, while I had enjoyed "Twilight" by Kelley Armstrong the first time I read it a few years back, I wasn't moved to repeat the experience.
I believe my favorite story may have been "Finders, Keepers" by L.A. Banks, as I still remember it clearly and with pleasure. I've only read one of Banks' Vampire Huntress novels and didn't find it interesting at all, so I haven't read any more of her work, but I may seek out more of her short fiction in the future.
"Mama Gone" by Jane Yolen felt fresh, as Yolen's work so often does. Garth Nix's contribution, "Infestation," was a little bit predictable, but that may be due to overexposure to the genre.
I found myself returning to the cover art by David Palumbo again and again, intrigued by the fascinating faces he gave the figures there. They aren't classically alluring, and most aren't hideous—most would look perfectly at home on any street. But they also have that, that something, an element you can't quite put your finger on, an element of the other. Take a look and I believe you'll see what I mean.
Have fun!
As it happens, I read most of the other stories, and there were many surprises. I did skip some of the reprints, such as the Anne Rice story (I wouldn't have read it the first time it was published, and I wasn't about to read it simply because she was in good company now). I had read Carrie Vaughn's "Life Is the Teacher" before, but for some reason my eyes just fell into reading it again, and I felt well rewarded for doing so. On the other hand, while I had enjoyed "Twilight" by Kelley Armstrong the first time I read it a few years back, I wasn't moved to repeat the experience.
I believe my favorite story may have been "Finders, Keepers" by L.A. Banks, as I still remember it clearly and with pleasure. I've only read one of Banks' Vampire Huntress novels and didn't find it interesting at all, so I haven't read any more of her work, but I may seek out more of her short fiction in the future.
"Mama Gone" by Jane Yolen felt fresh, as Yolen's work so often does. Garth Nix's contribution, "Infestation," was a little bit predictable, but that may be due to overexposure to the genre.
I found myself returning to the cover art by David Palumbo again and again, intrigued by the fascinating faces he gave the figures there. They aren't classically alluring, and most aren't hideous—most would look perfectly at home on any street. But they also have that, that something, an element you can't quite put your finger on, an element of the other. Take a look and I believe you'll see what I mean.
Have fun!
Gareth von Kallenbach (971 KP) rated The Neon Demon (2016) in Movies
Aug 6, 2019
A combination that looks like it may be a vapid display of glitz and garbage, the trailers for “Neon Demon” don’t dare give away just how far this film will take audiences.
Completely unique, the psychological thriller goes to dark places – necrophilia, cannibalism, and the solitary confines of the human mind.
The film stars Elle Fanning as Jesse, a sixteen year old girl from a small town who decided to go to LA to become a model. Without any parents, Jesse is completely on her own in a seedy wonderland.
She stays by herself in a dingy motel. Keanu Reeves plays the grubby motel manager, Hank. His role in the film is more of a supportive one, but he still plays a major part in the overall story and feel of the film.
Of course, Jesse meets all kinds of odd people as she dives into a world that is so shallow it could break her. Makeup artist Ruby (Jena Malone), and supermodels Gigi (Bella Heathcote) and Sarah (Abbey Lee) are characters the audience will love to hate. Malone, Heathcote, and Lee have done a great job becoming their characters. They incite visceral disdain, perhaps laced with admiration.
There may be a few moments where it feels like the plot is going nowhere fast, but I highly recommend resisting the urge to lose hope. The whole is greater than the sum of its parts in this case.
It’s not a stretch to say that Director Nicolas Winding Refn has created a piece of cinematic art.
The combination of finely selected camera technique, psychedelic lighting, and a cerebral soundtrack is like watching a beautiful nightmare.
Best described as “Clockwork Orange” meets “Top Model,”
Completely unique, the psychological thriller goes to dark places – necrophilia, cannibalism, and the solitary confines of the human mind.
The film stars Elle Fanning as Jesse, a sixteen year old girl from a small town who decided to go to LA to become a model. Without any parents, Jesse is completely on her own in a seedy wonderland.
She stays by herself in a dingy motel. Keanu Reeves plays the grubby motel manager, Hank. His role in the film is more of a supportive one, but he still plays a major part in the overall story and feel of the film.
Of course, Jesse meets all kinds of odd people as she dives into a world that is so shallow it could break her. Makeup artist Ruby (Jena Malone), and supermodels Gigi (Bella Heathcote) and Sarah (Abbey Lee) are characters the audience will love to hate. Malone, Heathcote, and Lee have done a great job becoming their characters. They incite visceral disdain, perhaps laced with admiration.
There may be a few moments where it feels like the plot is going nowhere fast, but I highly recommend resisting the urge to lose hope. The whole is greater than the sum of its parts in this case.
It’s not a stretch to say that Director Nicolas Winding Refn has created a piece of cinematic art.
The combination of finely selected camera technique, psychedelic lighting, and a cerebral soundtrack is like watching a beautiful nightmare.
Best described as “Clockwork Orange” meets “Top Model,”
5 Minute Movie Guy (379 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Sep 16, 2019
In the early 1980s, author Alvin Schwartz created a book of short horror stories titled Scary Stories to Tell in the Dark that would go on to terrorize a whole generation of curious young readers. Combined with its morbid and ghastly illustrations by artist Stephen Gammell, the book would serve as an introduction to horror for many. Over the next ten years, Schwartz wrote two more books in the Scary Stories series, and now, nearly forty years later, it has finally been adapted into a major motion picture. Produced by Academy Award-winning director Guillermo Del Toro and directed by André Øvredal, the Scary Stories to Tell in the Dark film constructs a new narrative around several of the iconic short stories from the book series, and brings them to life to haunt the movie’s teenage characters.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.
LucyB (47 KP) rated The Essex Serpent in Books
Jul 23, 2017
Expertly written, but I struggled to get into it.
Sarah Perry definitely has a way with words. There was much about this book that I found very evocative, on occasion lyrical. Also, what a great backdrop for a story - the wilder parts of Essex, not to mention ancient folklore! As an Essex-born gal myself (and a sucker for anything mythical / legendary), this was music to my ears.
To be honest, I felt ever so slightly disappointed by the book as a whole, though... though I suspect this might be a case of 'it's me, not you'. I found it tricky to get into, and didn't really engage much with any of the characters. There were moments of absolute brilliance (the 'beast' washed up on the shore was so wonderfully depicted, as was the laughing scene in the school), but these were mired in content that I found a little distancing.
I don't want to be harsh at all, because I think it's clear that Perry is a master writer, and judging by all the other glowing reviews, this clearly is just me not 'getting' the book. Perhaps I'll pull it off the shelf at a later date and give it another go, it may well be that I just wasn't in the right frame of mind at present.
To be honest, I felt ever so slightly disappointed by the book as a whole, though... though I suspect this might be a case of 'it's me, not you'. I found it tricky to get into, and didn't really engage much with any of the characters. There were moments of absolute brilliance (the 'beast' washed up on the shore was so wonderfully depicted, as was the laughing scene in the school), but these were mired in content that I found a little distancing.
I don't want to be harsh at all, because I think it's clear that Perry is a master writer, and judging by all the other glowing reviews, this clearly is just me not 'getting' the book. Perhaps I'll pull it off the shelf at a later date and give it another go, it may well be that I just wasn't in the right frame of mind at present.
ClareR (5589 KP) rated Dead to Her in Books
Oct 26, 2021
Dead to Her is a thriller set in Savannah, Georgia, amongst its rich inhabitants.
When William Redford, close to retirement and on a year long holiday, comes back early with a very young, beautiful, black wife from London on his arm, the tongues are immediately set wagging.
Marcie, also a second wife, notices that her husband seems a little too interested in William’s new wife, Keisha, and the two women are encouraged to become friends. Marcie is at first very reluctant to do so.
The first half of the book lulls you in to a false sense of security - I thought that I knew what was going to happen. How wrong could I have been?! The second half doesn’t let up - and what surprises Keisha and Marcie had in store for the reader! This book was so cleverly written, that when Voodoo was introduced in to the storyline, I found myself believing in its power along with the characters!
I think the takeaway from this would be that you should never underestimate people, no matter how they appear on the surface (especially if they’re in a Sarah Pinborough book!). This book had me gasping out loud in sheer astonishment more than once!
If you enjoy revenge, murder and high society, then this may very well be the book for you - it was most definitely a hard book to put down!
When William Redford, close to retirement and on a year long holiday, comes back early with a very young, beautiful, black wife from London on his arm, the tongues are immediately set wagging.
Marcie, also a second wife, notices that her husband seems a little too interested in William’s new wife, Keisha, and the two women are encouraged to become friends. Marcie is at first very reluctant to do so.
The first half of the book lulls you in to a false sense of security - I thought that I knew what was going to happen. How wrong could I have been?! The second half doesn’t let up - and what surprises Keisha and Marcie had in store for the reader! This book was so cleverly written, that when Voodoo was introduced in to the storyline, I found myself believing in its power along with the characters!
I think the takeaway from this would be that you should never underestimate people, no matter how they appear on the surface (especially if they’re in a Sarah Pinborough book!). This book had me gasping out loud in sheer astonishment more than once!
If you enjoy revenge, murder and high society, then this may very well be the book for you - it was most definitely a hard book to put down!