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Eighteen months of multi-award-winning chat, guests, controversy, stories, silliness and fun. 78...
Beatriz (138 KP) rated Sweeney Todd: The Demon Barber of Fleet Street (2007) in Movies
Dec 9, 2018
Super talented actors (2 more)
Beautiful songs
good story
Sweeney Todd
Sweeney Todd: the demon barber of Fleet Street it’s a musical by Tim Burton with Johnny Depp as Sweeney Todd, Helena Bonham Carter as Mrs Lovett and Sasha Baron Cohen as Signor Pirelli and Alan Rickman as Judge Turpin.
The story is about Benjamin Barker ( later known as Sweeney Todd), a barber, that had a wife and child. And he was taken away from them because this Judge fancied Benjamin’s wife. He comes back to London to see his wife again after years until he meets Mrs Lovett who tells him she poisoned herself and that Judge Turpin has his daughter as his ward. So Sweeney Todd plans his revenge with Mrs Lovett.
I’ve watched this film more than 10 times and I love it still.
The film is all in shades or browns, greys and reds and the voice choices are marvellous.
The story is about Benjamin Barker ( later known as Sweeney Todd), a barber, that had a wife and child. And he was taken away from them because this Judge fancied Benjamin’s wife. He comes back to London to see his wife again after years until he meets Mrs Lovett who tells him she poisoned herself and that Judge Turpin has his daughter as his ward. So Sweeney Todd plans his revenge with Mrs Lovett.
I’ve watched this film more than 10 times and I love it still.
The film is all in shades or browns, greys and reds and the voice choices are marvellous.
BankofMarquis (1832 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Apr 19, 2021
Nice Try
I have to admit that I never watched the 2006 BORAT film, but when it’s sequel BORAT SUBSEQUENT MOVIEFILM was nominated for 2 Oscars(!) - including Best Supporting Actress - I knew I would have to check this one out.
I have heard the following words and phrases used to describe the BORAT films: daring, ingenious, hilarious, cringe-inducing, smart, dumb, original and important. I would add one other word to this list:
Boring.
Sitting on the screen for and hour and a half like a Saturday Night Live skit that is being stretched too long, BORAT SUBSEQUENT MOVIEFILM held my attention for about the first 15 minutes where I thought that it was kind of funny and clever. And then it went on…and on…and on…running the same “sabotage” joke into the ground, pulling unsuspecting innocents into the outrageous world of Borat (though, I have to admit that most of these “unsuspecting innocents” knew exactly what was going on and were playing along).
Sasha Baron-Cohen is a smart filmmaker, writer and performer and he has earned the right to do whatever he feels like he wants to do. I prefer him in such movie fare as SWEENEY TODD, LES MISERABLES and the recent TRIAL OF THE CHICAGO SEVEN. But, if he feels like he wants to do things like Borat, who am I to argue. He certainly puts his all into the character, the scenarios and the guerilla film-making that is required, so good for him.
Maria Bakalova is nominated for a Best Supporting Actress Oscar as she plays Borat’s daughter who accompanies him on his journey across America. It is a “fine” performance and brings something that this film sorely needs - heart. But Oscar worthy? I don’t think so.
I must also give credit to the filmmakers for pivoting when the pandemic hit. They were in the middle of creating this (obviously) anti-Trump political farce of a film when Covid-19 forced them to pivot - and pivot they did, making this film as much about the virus than it is about politics.
Ultimately, this is a case where I can admire the attempt, the art, the craftmanship and skill and talent needed to pull this movie off. But as a film, it just didn’t go anywhere and I found myself looking at my watch wondering when this film would be over.
And…no…I don’t think I’ll go back a “catch-up” on the first BORAT film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
I have heard the following words and phrases used to describe the BORAT films: daring, ingenious, hilarious, cringe-inducing, smart, dumb, original and important. I would add one other word to this list:
Boring.
Sitting on the screen for and hour and a half like a Saturday Night Live skit that is being stretched too long, BORAT SUBSEQUENT MOVIEFILM held my attention for about the first 15 minutes where I thought that it was kind of funny and clever. And then it went on…and on…and on…running the same “sabotage” joke into the ground, pulling unsuspecting innocents into the outrageous world of Borat (though, I have to admit that most of these “unsuspecting innocents” knew exactly what was going on and were playing along).
Sasha Baron-Cohen is a smart filmmaker, writer and performer and he has earned the right to do whatever he feels like he wants to do. I prefer him in such movie fare as SWEENEY TODD, LES MISERABLES and the recent TRIAL OF THE CHICAGO SEVEN. But, if he feels like he wants to do things like Borat, who am I to argue. He certainly puts his all into the character, the scenarios and the guerilla film-making that is required, so good for him.
Maria Bakalova is nominated for a Best Supporting Actress Oscar as she plays Borat’s daughter who accompanies him on his journey across America. It is a “fine” performance and brings something that this film sorely needs - heart. But Oscar worthy? I don’t think so.
I must also give credit to the filmmakers for pivoting when the pandemic hit. They were in the middle of creating this (obviously) anti-Trump political farce of a film when Covid-19 forced them to pivot - and pivot they did, making this film as much about the virus than it is about politics.
Ultimately, this is a case where I can admire the attempt, the art, the craftmanship and skill and talent needed to pull this movie off. But as a film, it just didn’t go anywhere and I found myself looking at my watch wondering when this film would be over.
And…no…I don’t think I’ll go back a “catch-up” on the first BORAT film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Feb 25, 2021
There was some genuine surprise when I saw this had been made as an Amazon Original. I thought the character of Borat was old news, there certainly couldn’t be anyone left, in America or otherwise, that wasn’t wise to the joke by now, and aware of Sasha Baron Cohen’s desire to satirise the hell out of everything dumb folk may stand for. For it to work people have to believe 100% that he is a real person, this is what made the first film so incredible to watch – the opened mouthed awe at the pure audacity of the performer and the pure stupidity of the “victims”. But, I guess he figured a way around it, and also realised that no one but Borat could better lampoon the very worst aspects of the America the Trump era has created.
The point of difference and main gimmick here is introducing his daughter, played with wonderful awareness by Maria Bakalova, using her as a tentative hook for a story and also a sneaky way to fool those who would recognise Borat himself, but not his offspring. Just witness the most excruciating set piece of the film where ex mayor of New York and avid Trump supporting buffoon Rudy Giuliani all but incriminates himself as a rapist. A scene that matches anything the first film offered for maximum can’t-believe-what-I’m-seeing cringe value.
There are those that say they don’t like Borat or find him funny. I have never been sure that is the point, because everytime we do laugh, we immediately have to ask ourselves what we just laughed at and why we did? It is our own prejudices and preconceptions that are been highlighted – this is the “joke”, and it doesn’t require you to like the character or laugh at the more puerile moments – it is asking you to assess the judgements we all make on the values we live with in the world we have created. Liking it or finding it amusing is only necessary when looking at it as an entertainment, but its best aspects are so much more than that.
Myself, I agree, it often isn’t funny, and relies too often on crass elements such as bodily functions and teenage sexual innuendo. In many ways it is awful, but I also see that all of this is part of the cleverness. As a movie it has no peer to compare it to. Nothing else tries to do what these films attempt, so it is difficult to assess it as a work of entertainment or of… art (is it art?). Did I “enjoy” it? I mean, no not really, did I think it had artistic elements worthy of comment? I mean, no. But is it one of the most intelligent and genius commentaries on life in 2020? God damn right it is! There is so much relevance to worthy topics of social and political conversation here that you could spent 3 times the running time of the film talking about it. And more than being funny, that is the point of satire.
Both Baron Cohen and Bakalova are already doing well into award season with it, and good luck to them! They certainly deserve the triple nods they got from the Golden Globes, which is the biggest awards event to recognise comedy as a separate entity. I agree with some critics I have read that speculate this film is so of now that it won’t age well, and in fact come to make less and less sense as we move on and forget what the Trump era was like to live through. Longevity is something I know I look for when awarding high praise, so for that alone I have to knock it down a few points. In conclusion, I admire this acheivement more than I liked or enjoyed it. But I do recommend you see it as soon as possible if you haven’t already, because it is going to get wrinkly very quickly – just like Rudy G.
The point of difference and main gimmick here is introducing his daughter, played with wonderful awareness by Maria Bakalova, using her as a tentative hook for a story and also a sneaky way to fool those who would recognise Borat himself, but not his offspring. Just witness the most excruciating set piece of the film where ex mayor of New York and avid Trump supporting buffoon Rudy Giuliani all but incriminates himself as a rapist. A scene that matches anything the first film offered for maximum can’t-believe-what-I’m-seeing cringe value.
There are those that say they don’t like Borat or find him funny. I have never been sure that is the point, because everytime we do laugh, we immediately have to ask ourselves what we just laughed at and why we did? It is our own prejudices and preconceptions that are been highlighted – this is the “joke”, and it doesn’t require you to like the character or laugh at the more puerile moments – it is asking you to assess the judgements we all make on the values we live with in the world we have created. Liking it or finding it amusing is only necessary when looking at it as an entertainment, but its best aspects are so much more than that.
Myself, I agree, it often isn’t funny, and relies too often on crass elements such as bodily functions and teenage sexual innuendo. In many ways it is awful, but I also see that all of this is part of the cleverness. As a movie it has no peer to compare it to. Nothing else tries to do what these films attempt, so it is difficult to assess it as a work of entertainment or of… art (is it art?). Did I “enjoy” it? I mean, no not really, did I think it had artistic elements worthy of comment? I mean, no. But is it one of the most intelligent and genius commentaries on life in 2020? God damn right it is! There is so much relevance to worthy topics of social and political conversation here that you could spent 3 times the running time of the film talking about it. And more than being funny, that is the point of satire.
Both Baron Cohen and Bakalova are already doing well into award season with it, and good luck to them! They certainly deserve the triple nods they got from the Golden Globes, which is the biggest awards event to recognise comedy as a separate entity. I agree with some critics I have read that speculate this film is so of now that it won’t age well, and in fact come to make less and less sense as we move on and forget what the Trump era was like to live through. Longevity is something I know I look for when awarding high praise, so for that alone I have to knock it down a few points. In conclusion, I admire this acheivement more than I liked or enjoyed it. But I do recommend you see it as soon as possible if you haven’t already, because it is going to get wrinkly very quickly – just like Rudy G.
Gareth von Kallenbach (980 KP) rated Bohemian Rhapsody (2018) in Movies
Jul 2, 2019
How many of these reviews are going to start with “Is this the real life? Is this just fantasy?” A lot I am willing to bet. The thing is, it’s a good way to start. Bohemian Rhapsody has been a highly anticipated film for many years. I remember back when they were considering Johnny Depp for Freddie Mercury. Then it was Sasha Baren Cohen. And then they announced Rami Malek, and a majority of the country went, “Who?” Rami Malek is mostly known for his work as the lead in the USA Network series Mr. Robot. He got his start in the Night at the Museum series, and has scene big screen time in Need for Speed and, most recently, Papillion alongside Charlie Hunnam. I think it’s safe to say that after November 2, 2018, people will definitely know who he is.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Andy K (10821 KP) Dec 9, 2018