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Kevin Phillipson (10018 KP) rated Anna (2019) in Movies
May 21, 2020
Nickg24 (492 KP) rated Anna (2019) in Movies
Sep 15, 2019
Sasha Luss (1 more)
Restaurant Fight Scene
So so action movie
Contains spoilers, click to show
A very basic premise,anna is down on her luck but gets recruited into the KGB as an assassin.She completes various missions but the CIA are on to her and eventually catch her out.They make her work for them and so on and so on until she is eventually given her freedom.
This is the first decent Luc Besson film in years (he will never ever beat Leon).Sasha Luss impresses as anna,helen mirren is also good.I wasnt to impressed with the way the story switches backwards and forwards in time.
The restaurant fight scene was pretty impressive and very bloody.
This is the first decent Luc Besson film in years (he will never ever beat Leon).Sasha Luss impresses as anna,helen mirren is also good.I wasnt to impressed with the way the story switches backwards and forwards in time.
The restaurant fight scene was pretty impressive and very bloody.
JUMPCUT ONLINE (77 KP) rated Anna (2019) in Movies
Jul 9, 2019
Anna is a film that believes it is far smarter than it is and having better execution of all the double-crossing the spies do may have stopped Anna from feeling so repetitive and dull. Model-turned-actress Sasha Luss is serviceable as a model-turned-assassin but unfortunately for her, the film is not serviceable and ends up as messy nonsense.
FULL REVIEW: https://jumpcutonline.co.uk/review-anna-2019/
FULL REVIEW: https://jumpcutonline.co.uk/review-anna-2019/
David McK (3422 KP) rated Anna (2019) in Movies
Mar 15, 2020
I'm not sure why, but ever since 2010's 'Salt' I've been noticing more and more of this type of thriller film, with glamorous actresses (and models) becoming the star, and with them nearly all set during the Cold War: Atomic Blonde and Red Sparrow both spring to mind.
This is Luc Besson's entry into that oeuvre, with Russian model Sasha Luss taking on the title role, initially forced to work for KGB and now looking for an escape from her (new) life: Russian Dolls within Russian dolls are a perfect metaphor for this film!
This is Luc Besson's entry into that oeuvre, with Russian model Sasha Luss taking on the title role, initially forced to work for KGB and now looking for an escape from her (new) life: Russian Dolls within Russian dolls are a perfect metaphor for this film!
Emma @ The Movies (1786 KP) rated Anna (2019) in Movies
Jun 20, 2020
Appearances are deceiving, not only with our main character Anna but with the trailer for this film too. What I was expecting was Atomic Blonde, what I got was Atomic Blonde mixed with Red Sparrow but with none of the redeeming features of either.
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html