"Daniel Saldaña París is the Mexican Philip Roth, dare I say, and his novel is both satirical and self-reflective, which is my favorite mode of literary expression. I met him a few years ago, and speaking with him about writing fiction was like talking to a long lost twin."

"“Cat’s Cradle” is a perfectly satirical novel poking fun at the arbitrary systems, institutions, and rules that hold society hostage, in a way that only Vonnegut could. It is easy to get lost in the fantastical island of San Lorenzo and its religion of Bokononism. A story with an even more fantastical back story."

"Paul Verhoeven’s masterstroke, and one of society’s ultimate post-human lores—a cyborg cop in search of the criminal who ended his emotional existence . . . or did he? Forget that it’s one of the best cyborg-related films ever (second only to T2)—it would make my list on the strength of its satirical depiction of American TV news. It’s a classic"

"Robert Zemeckis’ Used Cars. One of the most underrated and under-appreciated films of all time and my favorite comedy. Kurt Russell is genius in this film and I wish he would return to comedies because his delivery and timing are to die for. Excellent supporting cast including the wonderful Jack Warden who plays two characters — dueling brothers. And kudos to Zemeckis and [co-writer] Bob Gale for writing a biting, social satirical and very un-PC script. “Jesus Palomino!”"

"I loved this film when I was younger (still do), dragging friends and family to revival houses to see its wonderful, pointed, sad satirical lunacy. It also has one of the best in-camera scene transitions ever done, and Peter O’Toole’s gloriously over-the-top performance is priceless. I understand some of the criticisms I’ve heard—it’s theatrical, it’s awkward at times, but it’s also fearless, funny, chilling, and unique, qualities that trump anything else you can say about it."