"Last one is A Midsummer Night’s Sex Comedy. I don’t think it’s up there on most people’s lists. I just think it’s so beautiful. It’s very funny, but very gentle, and it also deals with issues of life and death in a very serious way. I can remember every time I saw it crying at the end. And part of it, too, is [Woody Allen] makes this incredibly good use of Mendelssohn’s music. I think the entire score is — I’m not sure about the soundtrack — but the score is Mendelssohn. I just think it’s a really exquisite piece of filmmaking."

"I saw this movie for the first time at the Elgin Theater on Eighth Avenue as part of a double feature with The Tenant a long time ago, when I was young and scared. I didn’t like it. But I was young and scared. Eighth Avenue used to be scary. I honestly don’t remember why I didn’t like it, but just a few years later I would be mocking my younger, uninformed self. I absolutely love everything about this movie, from its cheesiness (camera as murder weapon) to its sheer profundity (camera as murder weapon). Anna Massey should be a household name."

"This is a classic Chinese style story and I enjoy that type of film. It appeals to Asian audiences, but this film appealed to audiences everywhere. It showed the best of what this type of film can be. The Director was brilliant, and the photography was really beautiful. The action was well choreographed and the cast did a great job. For this genre the movie really hit its target. When I saw this movie I imagined what it would be like to fly and do Kung Fu. Anything that sparks the imagination this well is exciting to watch."

"Would be in the top five. Because I’m from New Zealand, and the movie was very impactful when I saw it. It was so incredible to see a story about the beginnings of my country of New Zealand. Well, not the beginnings, because there were indigenous people there, but when the settlers came, it’s just such an interesting story to see. And also, it was all filmed around where I grew up, and I’ve never seen a movie that was filmed in the part of the world that I grew up in. And Jane Campion is one of my favorite filmmakers."

"I’m a film school nerd, so I’ve got about a hundred favorite movies. I’d feel like I was cheating on all of them if I narrowed it down to five movies. But con man movies I can do. In no particular order, I guess the first one I’d name is Paper Moon, which, for me, is just a perfect film. It’s also one of the first con man movies I saw that was less about the mechanics of plot and more about the relationships between the characters, and this father-daughter relationship, which is really beautiful. Just a pretty wonderful movie."

"I’m not sure it was a present but it was certainly given to me, and it’s had a lasting impact on my writing life. It was Graham Greene’s The Heart of the Matter. I was around 14, we were up on Cape Cod for a few weeks over the summer, and a librarian at this tiny library saw me rummaging through the paperback bin. She had seen what I had been reading and she reached in and took out the Greene. And then she said, ‘Keep it, if you like it.’ I still have it. It has a rubber band around the cover."