"I’m not sure it was a present but it was certainly given to me, and it’s had a lasting impact on my writing life. It was Graham Greene’s The Heart of the Matter. I was around 14, we were up on Cape Cod for a few weeks over the summer, and a librarian at this tiny library saw me rummaging through the paperback bin. She had seen what I had been reading and she reached in and took out the Greene. And then she said, ‘Keep it, if you like it.’ I still have it. It has a rubber band around the cover."

"Same with my friend George Miller’s Road Warrior. When I first saw that in Westwood, I was like, “OooooK, there is a whole world beyond Hollywood that is sort of significant in this movie, that has a set of rules about gasoline as the ultimate currency that is both metaphorical and so out-of-the-box.” And the vehicles, the way George did it, the stunning performance of young Mel Gibson. I can remember the visceral impact that it had on me and I’m really looking forward to Fury Road now. I’m sure it’s going to be amazing."

"This is a film by Michael Powell and Emeric Pressburger that was called Stairway to Heaven when it was released in America. I saw it as a child and it really fascinated me, the idea that death was debatable, and it also drilled into my mind how life was so precious and flimsy. I also love how all the famous characters from history are seen in Heaven taking part in the debate. Powell/Pressburger are amazing filmmakers, and I wish we had more like them these days. “Magical realism” is a rather trite phrase, but their films are both magical and real."

"I think this is a work of genius. It manages to be utterly hilarious, completely tender and touching, and biting and satirical at the same time. It actually taught me a lot about America. As I saw it shortly after I moved here, I realized that if these type of situations and characters were being parodied then they must actually exist. When the DVD came out, I bought it and I’m still reeling from the number “This Bulging River”. I think the only people I’ve ever geeked out about in an embarrassing way are the people responsible for this film."

"This memoir recounts the time Karen Blixen (a Danish author) spent in Kenya from 1914. When I saw the 1985 movie version with Meryl Streep and Robert Redford, it just killed me and inspired me to read the book. Both make me sob so much I can hardly breathe. Later, my assistant gave me a beautiful old copy, which makes me treasure the story more. I even stayed in the Karen Blixen suite at the Hotel D’Angleterre in her native Copenhagen. The relationship between Blixten and the Safari hunter Denys Finch Hatton broke my heart. It’s a book about finding and losing love"

"Number four would be Dazed and Confused. That was the movie that you saw and you wished it were your life. [laughs] That was a movie that I would watch all the time. I had it on VHS and whenever I was lonely, I’d throw it on. Whenever I wished I was out and about with friends from school, I would just throw that on and felt like I knew [the characters]. That was just one of those films that I just related to at that time. It was incredibly important and it’s another quotable film. I love it."

"I saw this film in its original run, with foley artists, a live orchestra, and live narration by Crispin Glover, which was a profoundly unique cinematic experience. It is not often you see modern filmmakers experimenting with older techniques and to such great effect. Seeing it again on DVD, I found it equally incredible; its story about a fictional Guy Maddin is compelling. Guy has been a real influence on my film work, and his films just seem to get better and better. As a fellow Winnipegger, I can truly say that Canadians are very lucky to have him."

"This is definitely on my list of the greatest movies ever. I saw it in the theater and it was the first time I actually experienced hypnosis in cinema—a conscious hypnosis. It’s one of the mysteries of filmmaking for me—why does it work, and how does it work?—but to be honest I don’t want to look into it because I want it to stay a mystery. If I were running the Library of Congress I would make a 70 mm copy of this and put it in a nuclear shelter, just in case."