Search

Search only in certain items:

Jigsaw (2017)
Jigsaw (2017)
2017 | Crime, Horror
What I dubbed the flower death (0 more)
Everything else. (0 more)
Just let this franchise rest in peace
Okay I can honestly say after the second movie I really wasn't expecting much all I really asked for in a Saw movie is creative deaths and a hell of a lot of blood and with this last installment I didn't get either one of them.
 
 I really don't know what they thought they were doing with this movie or what the actors thought they were doing because the whole thing was just a jumbled mess. None of the acting was believable in the slightest bit and it frankly came off incredibly cheesy 99% of the time, storyline felt like they were just making a movie to make a movie and didn't really think any of it out.

Usually the twist endungs tend to be kind of interesting for me but this one did nothing and I wasn't really surprised at the end either mainly because I was just so uninterested in the whole plot that I kind just went "huh I guess this means they're going to beat this dead horse some more."

The only thing I really gave them is what I dubbed the flower death at the end but still I feel like this movie was missing a lot of blood... especially for a Saw movie.

Please just let this franchise die.
  
The Adventures of Baron Munchausen  (1989)
The Adventures of Baron Munchausen (1989)
1989 | Adventure, Comedy, Fantasy
There's no proxy for how much I love The Adventures Of Baron Munchausen (1989) 30th Anniversary Review
A notoriously chaotic and troubled production – not that that distinguishes it particularly in Gilliam’s oeuvre – “The Adventures of Baron Munchausen” saw the idiosyncratic director coming off the back of a bitter but ultimately successful battle with Universal over the release and distribution of his previous film, “Brazil”. Once again, he found himself at the mercy of bureaucratic machinations that even he could not have dreamt up as the film – initially at 20th Century Fox then Columbia – became a casualty of the boardroom politics that saw a CEO fired and the new studio head refuse to sign off on the previously agreed budget. Thus, the film developed a reputation for being out of control and over budget although, in reality, the final cost was pretty much on the budget originally set at Fox. But reality has very little to do with the tales of Baron Munchausen and, in a way the eponymous hero would no doubt find extremely gratifying, the film’s reputation is decidedly wide of the mark in nearly every respect. Celebrating its 30th Anniversary this year, it remains a bravura piece of satirical fantasy that deserves far more success than it received at the time of release....

FULL REVIEW: http://bit.ly/CraggusMunchausen
  
Upgrade (2018)
Upgrade (2018)
2018 | Action, Horror, Sci-Fi
The best William Gibson movie not written by William Gibson
My boyfriend and I saw this the other day, and I can't believe how poorly it's doing at the box office! This was a great movie. The feel of it was very cyberpunky, but not so in-your-face as the very awful Ghost in the Shell adaptation. Leigh Whannell directed and produced, so it has some of the same Saw graphic violence, which I think sits well with the cyberpunk genre. The entire concept is based around human and machine adaptation, and where the line should be drawn--or rather, the dangers of letting it go too far.

The atmosphere is really well developed: we see the poor parts of the city being grungy and dangerous, while the upper crust benefits from the best technology. Almost all humans have been modified in some way, except for our protagonist. In the beginning, anyway. Anyone who has watched the trailers knows that he becomes paralyzed, and then his spinal cord is "reattached" using Stem, a "widget" that allows his brain to communicate with his limbs. It also makes him a ninja.

But that's not really the core of the story. At its heart, Upgrade is a mystery wrapped in a cautionary tale. I'll take this over Johnny Mnemonic any day.
  
The Last Movie Star (2017)
The Last Movie Star (2017)
2017 | Drama
9
9.0 (2 Ratings)
Movie Rating
Burt Reynold's humility (3 more)
Burt Reynold's humanity
History of Burt's film career
Nostalgia
Ariel Winter's wardrobe (0 more)
I wept.
I saw all of the Smokey and the Bandit movies when I was a kid, at the drive-in, no less. And Burt Reynold's was pretty hot stuff both in his looks and as box office gold back in the day. I didn't think much of him from the mid-to-late '80s until 1997 when he popped up in Boogie Nights. He was great in that role, but I didn't give him much thought after that until I saw this movie, even when he died. Now, I don't think I'll forget or dismiss him so easily. There is a great undercurrent of regret and sadness in this movie and of Reynold's wanting to relive simpler times, reminisce, and make amends to those hurt and forgotten along the way. There is a depth I was not expecting and I felt things I did not expect to feel. My boyfriend and I both cried gently at the beauty and pain of this film. I usually try to hide my tears in embarrassment when I am moved by a film but I didn't hide them here. The emotions were palpable and you'd have had to have been a marble statue not to be moved by this movie.
  
After Life (Wandafaru Raifu) (1998)
After Life (Wandafaru Raifu) (1998)
1998 | Comedy, Drama, Fantasy
7.5 (4 Ratings)
Movie Favorite

"Then, my last one is going to be — this might be slightly more obscure, though it really shouldn’t be. I fell in love with this film when I first saw it and I don’t think I’ve ever seen a film as beautiful, as contemplative. The film After Life by Hirokazu Koreeda. I remember when I first saw it, just being totally blown away by every single frame of it. The honesty of it, the fact that it celebrated life, the fact that it was so unbelievably profound and spoke volumes about living life to the fullest and cherishing every moment. I don’t think there’s been a more beautiful film about life itself. It’s so understated in the way he tells his story. It’s obviously a collection of vignettes and a collection of talking heads, but woven into this narrative. Again, I might be wrong, but I seem to remember that the number of the people who contributed to the experiences of life are real people — it’s almost like documentary-styled elements to the film itself. So you got these really personal memories that are very private. Sometimes they’re nostalgic, sometimes they are beautiful, sometimes they’re funny and amusing. That, for me, is the ultimate win. When the Blu-rays of that came out in Japan, straight away I was like, “I’m buying this film! I need this film in HD.”"

Source