"That was another record I probably found when I was 16 years old. I'd heard of Brian Eno, but didn't know what he was. I found that album in a cut-out [discounted, end-of-line albums] bin of a hardware store that happened to selling music, for reasons I don't understand to this day. Among the Kenny G and New Kids on the Block cut-outs, I saw Brian Eno. 'I've heard of Brian Eno. I'm pretty sure he's supposed to be cool. What's he doing here?' I bought the tape, because it was only $2.99, took it home and just had my little domepiece blown. Again, here was this really weirdly beautifully produced record, where I could barely understand where the sounds were coming from. But he sounded like a refugee from theatre world, because the songs were so rich and dramatic and theatrical, and painted such vivid lyrical pictures. It was right up my fucking alley, and it hit me at the perfect time."

"I discovered Flipper when I was in Boston. I was in a record shop and I saw a sleeve on the wall - one of those more expensive ones that still wasn't very expensive. But there's something about the cover that made it seem along the lines of the DIY things I'm really into. So I bought it without hearing it and it was brilliant. It was like a kind of insane... well Public Image Ltd are already insane. But it was like an even more insane Public Image Ltd, with an amazing groove and totally demented vocals. I really got into them with that record and the first one - Album – Generic Flipper - is also brilliant. That's another example of a really bad sleeve actually... it's pretty awful. The fish logo, worn by Kurt Cobain or not, is pretty terrible. With Flipper it makes sense though. It's a bit like the Jesus Lizard, where they're trying deliberately to piss you off."