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David McK (3731 KP) rated The Ballad of Songbirds and Snakes in Books
May 18, 2025
I read the original Hunger Games trilogy back in the early to mid 2010s, before I saw any of the movies.
I watched the movie of this one first, before reading the book.
And, I have to say, that a prequel for President Snow - as portrayed by Donald Sutherland in the movies - was not my first thought on how Suzanne Collins could expand her world.
But that's pretty much who this centres on, with one whole section of the 3-part novel also set during the 10th annual Hunger Games which, here, are still relatively new and with large parts of the novel concerning how said Games could be made more 'entertaining' for the viewers in the Capitol.
Note I said 'for viewers in the Capitol', as their children are never selected in The Reaping to take place in said Games ...
Personally, I found Cornelius Snow (and Lucy Gray Baird, who he is chosen to mentor) to not be as strong or engaging a protagonist as Katniss Everdeen was. YMMV, of course.
I watched the movie of this one first, before reading the book.
And, I have to say, that a prequel for President Snow - as portrayed by Donald Sutherland in the movies - was not my first thought on how Suzanne Collins could expand her world.
But that's pretty much who this centres on, with one whole section of the 3-part novel also set during the 10th annual Hunger Games which, here, are still relatively new and with large parts of the novel concerning how said Games could be made more 'entertaining' for the viewers in the Capitol.
Note I said 'for viewers in the Capitol', as their children are never selected in The Reaping to take place in said Games ...
Personally, I found Cornelius Snow (and Lucy Gray Baird, who he is chosen to mentor) to not be as strong or engaging a protagonist as Katniss Everdeen was. YMMV, of course.
Mark @ Carstairs Considers (2506 KP) rated Don’t Sweat the Small Stuff in Books
Aug 27, 2025
Finding Danger at a Pop Up Carnival
Best friends James Lessor and Skip Moore are spending the weekend at a traveling carnival so that James can get a feel for it in his new job as their marketing director. Then the owner asks them to put their new PI license to use finding out who is sabotaging the rides. There have been injuries and one death due to these accidents. Will the two get the help from the carnies they need to solve things?
My love/hate relationship with this series continues. I do like the characters and want to see them succeed. But I also wish they were a little smarter and that Skip would stand up for himself. The mystery was good, but the ending could have been stronger. The suspects were interesting. Do keep in mind that these books aren’t cozies and are just old enough for the technology to be dated. I’m hoping some growth we saw here carries over to further books, but I’ll find out when I get to the next book.
My love/hate relationship with this series continues. I do like the characters and want to see them succeed. But I also wish they were a little smarter and that Skip would stand up for himself. The mystery was good, but the ending could have been stronger. The suspects were interesting. Do keep in mind that these books aren’t cozies and are just old enough for the technology to be dated. I’m hoping some growth we saw here carries over to further books, but I’ll find out when I get to the next book.
Mark @ Carstairs Considers (2506 KP) rated Antihero in Books
Mar 13, 2026 (Updated Mar 13, 2026)
Evan Must Control Himself
Evan’s latest call for help comes from a witness. A woman was taken off a New York City subway by four young men. When Evan manages to find the woman, she’s been horribly violated. Evan immediately goes after the men who did this to her, but she makes him promise not to kill them. Will he be able to keep his promise?
While this series is always more violent than what I typically read, this one felt darker than it needed to be. Then again, that might have been what helped me fully feel with Evan’s struggle to find another way to bring justice. I felt one subplot was recycled, but overall, I felt the character development was good. And the supporting regulars were good as always. We even saw a couple who hadn’t been around for the last book or two. And the plot kept me engaged. Other readers like me might want to think twice before picking up this book, but those who enjoy thrillers will love it.
While this series is always more violent than what I typically read, this one felt darker than it needed to be. Then again, that might have been what helped me fully feel with Evan’s struggle to find another way to bring justice. I felt one subplot was recycled, but overall, I felt the character development was good. And the supporting regulars were good as always. We even saw a couple who hadn’t been around for the last book or two. And the plot kept me engaged. Other readers like me might want to think twice before picking up this book, but those who enjoy thrillers will love it.
David McK (3731 KP) rated The Muppets (2011) in Movies
Mar 15, 2026 (Updated Mar 15, 2026)
The Muppets.
Kermit the Frog
Miss Piggy
Animal
Rowlf
Gonzo.
I remember. as a kid, watching 'The Muppet Babies' and even the likes of 'The Muppets Christmas Carol' or 'The Muppets Treasure Island', but I never actually saw the original tv show.
The Muppets Tonight (late 90s, I believe), yes.
The original show?
Slightly before my time.
Anyway, this - unlike Treasure Island or Christmas Carol - is an original plot, following Jason Segal character of Gary and his (muppet) brother Walter, as they travel - alongside Gary's long-term girlfriend Mary (Amy Adams) on their 10th anniversary - to L.A., home of the Muppets, and uncover a conspiracy to purchase and knockdown the old Muppet Theatre so a rich businessman can get to the oil underneath.
Only thing stopping it?
A new Muppet telethon, if Kermit can get the gang back together and raise the funds before midnight.
So a fairly formulaic plot, but that's really not why anyone would be watching this: more for the family-friendly good times, and the odd breaking of the 4th wall.
Kermit the Frog
Miss Piggy
Animal
Rowlf
Gonzo.
I remember. as a kid, watching 'The Muppet Babies' and even the likes of 'The Muppets Christmas Carol' or 'The Muppets Treasure Island', but I never actually saw the original tv show.
The Muppets Tonight (late 90s, I believe), yes.
The original show?
Slightly before my time.
Anyway, this - unlike Treasure Island or Christmas Carol - is an original plot, following Jason Segal character of Gary and his (muppet) brother Walter, as they travel - alongside Gary's long-term girlfriend Mary (Amy Adams) on their 10th anniversary - to L.A., home of the Muppets, and uncover a conspiracy to purchase and knockdown the old Muppet Theatre so a rich businessman can get to the oil underneath.
Only thing stopping it?
A new Muppet telethon, if Kermit can get the gang back together and raise the funds before midnight.
So a fairly formulaic plot, but that's really not why anyone would be watching this: more for the family-friendly good times, and the odd breaking of the 4th wall.
Movie Metropolis (309 KP) rated Run All Night (2015) in Movies
Jun 11, 2019
Neeson at his gritty best
It’s fair to say Liam Neeson has picked some decidedly dodgy acting jobs since his rise to become an A-list Hollywood action hero. From a disappointing turn in the most recent A Team movie to the laughably bad Taken 3, he seems to have been turned from fan favourite to the butt of so many jokes.
After January’s poorly received Taken 3, Neeson returns to give the genre another go in Run All Night, but does Jaume Collet-Serra’s intriguing direction return him to the top of the food chain?
Run All Night follows the story of Neeson’s Jimmy Conlon as he does his best to keep his son Michael, played by Joel Kinnaman, away from the deadly clutches of Sean Maguire, a brutal underworld gangster portrayed by Ed Harris, after the murder of Sean’s son Danny over the course of 16 hours.
What ensues is a formulaic action thriller featuring by-the-numbers set pieces that are interspersed with some inspiring cinematography and all the actors at the top of their game.
Neeson’s Jimmy is an alcoholic former hit man, previously employed by Maguire, who has decided to move away from his shady past and become a more rounded individual. His interactions with Ed Harris’ brilliant Sean are excellent and the pair have genuine chemistry – it’s just a shame that their backstory isn’t built on a little more.
As the audience follows Jimmy and Michael evading the police, mobsters and professional hired killers, the film traces their backstory, almost using the action-packed set pieces as checkpoints for a bit more history and from a genre that rarely utilises character development, this is a welcome addition.
The cinematography is truly stunning. The sweeping shots of New York City are inspired and the use of tracking and aerial panning instead of simply fading between scenes stylises the film like no other action movie from the last few years.
There is an air of The Taking of Pelham 123 in Serra’s direction, and of course the similarities to Neeson’s Taken and Serra’s very own Non-Stop that also starred the Irish actor are obvious.
Unfortunately, all these comparisons mean that Run All Night isn’t particularly original in premise despite its unique direction. We’ve seen it all before, we saw Neeson running about and shooting bad guys in Taken, Taken 2 and Taken 3. We saw him try to get the bottom of a serious problem in Non-Stop and we saw him take on the role of a troubled alcoholic in The Grey.
Yes, after Taken 3, Run All Night showcases Neeson at his gritty best, but it’s in Ed Harris that we find the most intriguing
character and he puts everything into Sean Maguire – despite his more than familiar name.
Thankfully, Serra and the production crew steered away from creating a film that would please the masses and opted for an often brutal, yet strangely warming action thriller – along the way avoiding the pitfalls of some of Neeson’s previous efforts.
Overall, Run All Night isn’t the disaster it could have been and shows what everyone’s favourite Irish actor is capable of when given the right material to work with. Ed Harris is also on point and Jaume Collet-Serra’s direction goes above and beyond what the genre asks for.
Only an underwhelming final act and a highly unoriginal story stop it from becoming the film it so deeply wanted to be.
https://moviemetropolis.net/2015/03/15/neeson-at-his-gritty-best-run-all-night-review/
After January’s poorly received Taken 3, Neeson returns to give the genre another go in Run All Night, but does Jaume Collet-Serra’s intriguing direction return him to the top of the food chain?
Run All Night follows the story of Neeson’s Jimmy Conlon as he does his best to keep his son Michael, played by Joel Kinnaman, away from the deadly clutches of Sean Maguire, a brutal underworld gangster portrayed by Ed Harris, after the murder of Sean’s son Danny over the course of 16 hours.
What ensues is a formulaic action thriller featuring by-the-numbers set pieces that are interspersed with some inspiring cinematography and all the actors at the top of their game.
Neeson’s Jimmy is an alcoholic former hit man, previously employed by Maguire, who has decided to move away from his shady past and become a more rounded individual. His interactions with Ed Harris’ brilliant Sean are excellent and the pair have genuine chemistry – it’s just a shame that their backstory isn’t built on a little more.
As the audience follows Jimmy and Michael evading the police, mobsters and professional hired killers, the film traces their backstory, almost using the action-packed set pieces as checkpoints for a bit more history and from a genre that rarely utilises character development, this is a welcome addition.
The cinematography is truly stunning. The sweeping shots of New York City are inspired and the use of tracking and aerial panning instead of simply fading between scenes stylises the film like no other action movie from the last few years.
There is an air of The Taking of Pelham 123 in Serra’s direction, and of course the similarities to Neeson’s Taken and Serra’s very own Non-Stop that also starred the Irish actor are obvious.
Unfortunately, all these comparisons mean that Run All Night isn’t particularly original in premise despite its unique direction. We’ve seen it all before, we saw Neeson running about and shooting bad guys in Taken, Taken 2 and Taken 3. We saw him try to get the bottom of a serious problem in Non-Stop and we saw him take on the role of a troubled alcoholic in The Grey.
Yes, after Taken 3, Run All Night showcases Neeson at his gritty best, but it’s in Ed Harris that we find the most intriguing
character and he puts everything into Sean Maguire – despite his more than familiar name.
Thankfully, Serra and the production crew steered away from creating a film that would please the masses and opted for an often brutal, yet strangely warming action thriller – along the way avoiding the pitfalls of some of Neeson’s previous efforts.
Overall, Run All Night isn’t the disaster it could have been and shows what everyone’s favourite Irish actor is capable of when given the right material to work with. Ed Harris is also on point and Jaume Collet-Serra’s direction goes above and beyond what the genre asks for.
Only an underwhelming final act and a highly unoriginal story stop it from becoming the film it so deeply wanted to be.
https://moviemetropolis.net/2015/03/15/neeson-at-his-gritty-best-run-all-night-review/
Darren (1599 KP) rated An Acceptable Loss (2018) in Movies
Jul 25, 2019
Story: An Acceptable Loss starts as Libby (Sumpter) takes a new job in education, her former career saw her working under the Vice President Rachel (Curtis) being part of a campaign known as ‘Total Victory’ which saw her career change. Libby’s new job shows how she doesn’t have any forms of communication and one of the students Martin (Tavassoli) has taken an extra interest in her life, following her around, spying her on her.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Emma @ The Movies (1786 KP) rated Thor: Love and Thunder (2022) in Movies
Jul 23, 2022
When I came out of Endgame, I was disappointed. But on a second (sixth) viewing, I had come around. There was still disappointment there I'll admit, but it wasn't as big as I'd felt after that midnight screening. Where's this going you ask... As the credits began rolling, I turned to my friend and proclaimed - "Well that was a pile of s**t." Unlike Endgame, I'm not going to change my mind.
Thor is getting his life back on track. The Guardians have helped him get some perspective and it's time to go back to New Asgard and see his people. In his absence, however, there's a new superhero on the block... and she's kind of cramping his style.
One of my difficulties with this one is that it's hard to tell what the film is wanting to do. A redemption arc for Thor, introducing new characters, setting up for the next big finale? That all doesn't seem like a problem initially, but just wait.
I loved Thor: Ragnarok. It's my favourite MCU film. It mixed the underlying humour with the nuttiness of Guardians and it worked. But, something about Love and Thunder makes me feel like they said "Just go for it, anything you want"...
The last we saw of Thor he was flying off into the great unknown with a plucky band of heroes... and it's almost like they completely forgot that had happened, and at the last minute had to write the beginning of the movie again. The whole opening was so badly acted (and dull) that I was genuinely convinced that not all of the actors were back for these cameos. And not just GotG, every recalled character was wasted.
Christian Bale was Christian Bale, I expected nothing less, I imagine him being entirely terrifying on set. This is where the film does a real disservice. With a strong, dark performance and character, Gorr the God Butcher is surrounded by bright tomfoolery. Yes, I said tomfoolery. Gorr deserved a better film.
Possibly my least favourite bit that felt entirely at odds with Gorr's story, is all the gods being so over the top. They do try to explain this away at one point, but this and the fact you don't see Gorr on his godly murder spree led to more and more frustration.
Seemingly that and other cameos were left on the cutting room floor in order to keep the running time under 2 hours. Cutting that spree almost certainly had a negative impact on the film.
If it wasn't clear from everything above... I did not enjoy this film. (I saw it in a double bill, little did I know that Minions: The Rise of Gru would be the best film I saw that day.) I could go on and on about Love and Thunder. Don't get me wrong, there are things about it that I enjoyed, but those things definitely constitute spoilers.
Note: For those of you that stay through the credits, there are two scenes. Both of which give possibilities for the future of the next MCU phase. One I'm excited for, the other... not so much.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/thor-love-and-thunder-movie-review.html
Thor is getting his life back on track. The Guardians have helped him get some perspective and it's time to go back to New Asgard and see his people. In his absence, however, there's a new superhero on the block... and she's kind of cramping his style.
One of my difficulties with this one is that it's hard to tell what the film is wanting to do. A redemption arc for Thor, introducing new characters, setting up for the next big finale? That all doesn't seem like a problem initially, but just wait.
I loved Thor: Ragnarok. It's my favourite MCU film. It mixed the underlying humour with the nuttiness of Guardians and it worked. But, something about Love and Thunder makes me feel like they said "Just go for it, anything you want"...
The last we saw of Thor he was flying off into the great unknown with a plucky band of heroes... and it's almost like they completely forgot that had happened, and at the last minute had to write the beginning of the movie again. The whole opening was so badly acted (and dull) that I was genuinely convinced that not all of the actors were back for these cameos. And not just GotG, every recalled character was wasted.
Christian Bale was Christian Bale, I expected nothing less, I imagine him being entirely terrifying on set. This is where the film does a real disservice. With a strong, dark performance and character, Gorr the God Butcher is surrounded by bright tomfoolery. Yes, I said tomfoolery. Gorr deserved a better film.
Possibly my least favourite bit that felt entirely at odds with Gorr's story, is all the gods being so over the top. They do try to explain this away at one point, but this and the fact you don't see Gorr on his godly murder spree led to more and more frustration.
Seemingly that and other cameos were left on the cutting room floor in order to keep the running time under 2 hours. Cutting that spree almost certainly had a negative impact on the film.
If it wasn't clear from everything above... I did not enjoy this film. (I saw it in a double bill, little did I know that Minions: The Rise of Gru would be the best film I saw that day.) I could go on and on about Love and Thunder. Don't get me wrong, there are things about it that I enjoyed, but those things definitely constitute spoilers.
Note: For those of you that stay through the credits, there are two scenes. Both of which give possibilities for the future of the next MCU phase. One I'm excited for, the other... not so much.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/07/thor-love-and-thunder-movie-review.html
Acanthea Grimscythe (300 KP) rated The Die-Fi Experiment in Books
May 16, 2018
After a run of several disappointing books, I decided to take a hot bath last night and delve into M. R. Tapia’s novella, The Die-Fi Experiment. Like most books I read, I set a high expectation for this one in terms of gory horror. While it isn’t quite as grotesque as I might like, I find it to be a rather amusing read. On the same page in which Tapia scribes the fears many couples face, he makes a mockery of today’s society.
As a fan of horror movies, it’s hard to find this piece of work original. Many elements within the novella are reminiscent of the Saw franchise – all the way down to the marshmallow eye scene (which you’ll encounter if you choose to read The Die-Fi Experiment). Although a few of the other scenes are cringe-worthy if you imagine yourself as the victim.
The Die-Fi Experiment goes back and forth between the not-so-distant past and present, and my largest issue therein is the fact that sometimes the tenses switch. I am aware that the present parts of the story are meant to be present tense and vice versa; however, I think it works best to choose one tense and stick with it. Otherwise things can quickly become confusing.
On Goodreads, this novella is tagged humor. Personally, I find the term “black comedy” more fitting. After all, viewers appear comically oblivious to the fact that what they watch live is truly torture (or perhaps they’re particularly disturbed individuals). For a little extra splash of humor, Tapia throws in a few hashtags that serve as a parody of the tweets and instagram posts that show up throughout the novella.
Overall, I liked The Die-Fi Experiment. I don’t find it exceptional by any means, but it serves its purpose fairly well. The ending falls a bit short of my expectations, but Tapia manages to produce a piece of work that ensnares my short attention span. In fact, I read this novella in one sitting. While I likely will not read it again, this is definitely a short book for fans of Saw and other torture films.
I would like to thank M. R. Tapia for providing me with a copy of his novella free of charge in exchange for an honest review.
As a fan of horror movies, it’s hard to find this piece of work original. Many elements within the novella are reminiscent of the Saw franchise – all the way down to the marshmallow eye scene (which you’ll encounter if you choose to read The Die-Fi Experiment). Although a few of the other scenes are cringe-worthy if you imagine yourself as the victim.
The Die-Fi Experiment goes back and forth between the not-so-distant past and present, and my largest issue therein is the fact that sometimes the tenses switch. I am aware that the present parts of the story are meant to be present tense and vice versa; however, I think it works best to choose one tense and stick with it. Otherwise things can quickly become confusing.
On Goodreads, this novella is tagged humor. Personally, I find the term “black comedy” more fitting. After all, viewers appear comically oblivious to the fact that what they watch live is truly torture (or perhaps they’re particularly disturbed individuals). For a little extra splash of humor, Tapia throws in a few hashtags that serve as a parody of the tweets and instagram posts that show up throughout the novella.
Overall, I liked The Die-Fi Experiment. I don’t find it exceptional by any means, but it serves its purpose fairly well. The ending falls a bit short of my expectations, but Tapia manages to produce a piece of work that ensnares my short attention span. In fact, I read this novella in one sitting. While I likely will not read it again, this is definitely a short book for fans of Saw and other torture films.
I would like to thank M. R. Tapia for providing me with a copy of his novella free of charge in exchange for an honest review.
Asiza Tait (139 KP) rated Shadow and Bone (The Grisha #1) in Books
Feb 1, 2018
Bream Reading Club Reviews of Shadow and Bone by Leigh Bardugo
Total Stars out of 5: 3 Stars
The first book in the Grisha Trilogy was full of promise. Dynamic and different, full of interesting places and characters, it ended on a cliff hanger pulling the reader in to read book two. Unfortunately as it often is with cases like this, the first book was great and the rest was not.
We are introduced to Alina and Mal, orphans who are raised together in the same orphanage. Some of our members assumed their affection was more familial so their stilted and lengthy romance felt awkward and though the rest of us ‘saw it coming’ it still felt contrived. Their love story we assumed was supposed to be something truly epic, a love that overcome all odds, but by book three we were still left wanting, perhaps the author changed her mind half way, leaving the reader sadly unfulfilled.
Alina is discovered to be the long awaited for ‘Sun Summoner’ the one the Darkling has been waiting for. The Darkling is a very interesting character, one with depth and personality. For a little while one almost looks forward to the relationship beginning to form between Alina and him, but that hope is for nought. It felt as if the author was afraid to let these two characters have a night in the same bed, and veered away from it instead of facing it head on. The light and dark of their respective powers draw these two together, but any chance of them bonding is ripped away with an old lady called Bhagra compelling Alina to run away, revealing what the Darkling really is.
Alina made good her escape but not for long. The Darkling’s powers are overwhelming and she is soon back in his grasp. The books ends with Alina managing to take control again of her own power and saves Mal’s life while sacrificing other Grisha in the process.
If you’ve noticed how Mal is not spoken about a whole lot in this review it is because his character is undeveloped. He is supposed to be the ‘hero’ in this story but all we saw of him was a square. He is immature and all the members agreed that Mal was short changed when it came to putting him on paper.
For all its promise, it did not deliver.
Total Stars out of 5: 3 Stars
The first book in the Grisha Trilogy was full of promise. Dynamic and different, full of interesting places and characters, it ended on a cliff hanger pulling the reader in to read book two. Unfortunately as it often is with cases like this, the first book was great and the rest was not.
We are introduced to Alina and Mal, orphans who are raised together in the same orphanage. Some of our members assumed their affection was more familial so their stilted and lengthy romance felt awkward and though the rest of us ‘saw it coming’ it still felt contrived. Their love story we assumed was supposed to be something truly epic, a love that overcome all odds, but by book three we were still left wanting, perhaps the author changed her mind half way, leaving the reader sadly unfulfilled.
Alina is discovered to be the long awaited for ‘Sun Summoner’ the one the Darkling has been waiting for. The Darkling is a very interesting character, one with depth and personality. For a little while one almost looks forward to the relationship beginning to form between Alina and him, but that hope is for nought. It felt as if the author was afraid to let these two characters have a night in the same bed, and veered away from it instead of facing it head on. The light and dark of their respective powers draw these two together, but any chance of them bonding is ripped away with an old lady called Bhagra compelling Alina to run away, revealing what the Darkling really is.
Alina made good her escape but not for long. The Darkling’s powers are overwhelming and she is soon back in his grasp. The books ends with Alina managing to take control again of her own power and saves Mal’s life while sacrificing other Grisha in the process.
If you’ve noticed how Mal is not spoken about a whole lot in this review it is because his character is undeveloped. He is supposed to be the ‘hero’ in this story but all we saw of him was a square. He is immature and all the members agreed that Mal was short changed when it came to putting him on paper.
For all its promise, it did not deliver.
Debbiereadsbook (1681 KP) rated Destiny Collides Past and Present (The Manx Cat Guardians #2) in Books
Jun 17, 2018
much MUCH better read than book one!
Independent reviewer for Archaeolibrarian, I was gifted my copy if this book.
This is book two in the Manx Cat Guardians series, and I would recommend that you read book one, Seeing Beyond the Scars, first. Brad and Martin play a huge part here, there is some overlap of the two stories and you need to know what Brad suffered.
I enjoyed this far FAR more than book one. The major issue I had with that book was it had not been edited properly and it had a massive impact on my reading experience. I saw no sign of that problem here, and it made for a much more pleasurable read.
Stuart is a work colleague of Martin (although I'm still not entirely sure what ANY of the guys do for work!) and he moves to the island to help Martin while Brad is in hospital. Cat sitting wasn't his best decision. Joe is hiding from his abusive ex, and lodging at Stuart's seemed like a good idea. Falling in love wasn't something either of them had in mind.
I'm still not sure about the cat, Princess! I said in my review for book one that I wanted more of the history of her "people" and I STILL want that, I NEED it, I think, to get the full picture. That Max turns up with Aadan, gives a little bit, but no where near enough for me! I'm just greedy, I know!
I do think again, that Joe would have been a bit more skittish, jumping into something so soon after he managed to get away, but he does push Stuart away when Stuart says something that Joe hated.
I loved Aadan, and the fact that he pushed Joe and Stuart into something they maybe hadn't thought about, but ran with it anyway.
I see book three laid out for me, and I REALLY ant to read that now! Max has upset Aadan, when he saves Princess and Aadan has some paranormal power that isn't fully explained here, it's just hinted at. Something has happened between Aadan and Greg, Stuart's secretary, and I really NEED to know what!
Since this was a much MUCH better read, and I saw no editing errors that plagued book one....
4 stars
**same worded review will appear elsewhere**
This is book two in the Manx Cat Guardians series, and I would recommend that you read book one, Seeing Beyond the Scars, first. Brad and Martin play a huge part here, there is some overlap of the two stories and you need to know what Brad suffered.
I enjoyed this far FAR more than book one. The major issue I had with that book was it had not been edited properly and it had a massive impact on my reading experience. I saw no sign of that problem here, and it made for a much more pleasurable read.
Stuart is a work colleague of Martin (although I'm still not entirely sure what ANY of the guys do for work!) and he moves to the island to help Martin while Brad is in hospital. Cat sitting wasn't his best decision. Joe is hiding from his abusive ex, and lodging at Stuart's seemed like a good idea. Falling in love wasn't something either of them had in mind.
I'm still not sure about the cat, Princess! I said in my review for book one that I wanted more of the history of her "people" and I STILL want that, I NEED it, I think, to get the full picture. That Max turns up with Aadan, gives a little bit, but no where near enough for me! I'm just greedy, I know!
I do think again, that Joe would have been a bit more skittish, jumping into something so soon after he managed to get away, but he does push Stuart away when Stuart says something that Joe hated.
I loved Aadan, and the fact that he pushed Joe and Stuart into something they maybe hadn't thought about, but ran with it anyway.
I see book three laid out for me, and I REALLY ant to read that now! Max has upset Aadan, when he saves Princess and Aadan has some paranormal power that isn't fully explained here, it's just hinted at. Something has happened between Aadan and Greg, Stuart's secretary, and I really NEED to know what!
Since this was a much MUCH better read, and I saw no editing errors that plagued book one....
4 stars
**same worded review will appear elsewhere**